Dissertations / Theses on the topic 'Milano 1881'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the top 35 dissertations / theses for your research on the topic 'Milano 1881.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Browse dissertations / theses on a wide variety of disciplines and organise your bibliography correctly.
MAGISTRELLI, GIACOMO. "LA FOTOGRAFIA E I CANTIERI DELLA MILANO POSTUNITARIA 1861-1911." Doctoral thesis, Università Cattolica del Sacro Cuore, 2014. http://hdl.handle.net/10280/4174.
Full textThe study investigates the variety of expressive formulas and functional destinations of the photography production concerning the architectural renovation occurred in the city of Milan between 1861 and 1911. Design tool for architects and engineers, construction photography reveals itself as a fundamental tool of political legitimation for the new ruling class and illustrates the progress made by the city in terms of modernization. Through a historical reconstruction of the genre of construction photography, which also considers Italian and international cases, the study presents a detailed analysis of the Milanese phenomenon. Among the projects, the reform plan of the city center (1865-1878) developed by Giuseppe Mengoni and the restoration of the Sforza Castle (1893-1907) led by Luca Beltrami , as well as a number of minor operations. The inquiry considers the production by some of the main photographers working in the city and the iconographic apparatus of the most important illustrated press of the period, which during the late nineteenth century uses with increasing awareness the narrative qualities of the photographic medium. The evolution of the photographic language is therefore inquired with regard to his contribution to the construction of a national iconography of modernity , a phenomenon that sees the city of Milan in the front line.
MAGISTRELLI, GIACOMO. "LA FOTOGRAFIA E I CANTIERI DELLA MILANO POSTUNITARIA 1861-1911." Doctoral thesis, Università Cattolica del Sacro Cuore, 2014. http://hdl.handle.net/10280/4174.
Full textThe study investigates the variety of expressive formulas and functional destinations of the photography production concerning the architectural renovation occurred in the city of Milan between 1861 and 1911. Design tool for architects and engineers, construction photography reveals itself as a fundamental tool of political legitimation for the new ruling class and illustrates the progress made by the city in terms of modernization. Through a historical reconstruction of the genre of construction photography, which also considers Italian and international cases, the study presents a detailed analysis of the Milanese phenomenon. Among the projects, the reform plan of the city center (1865-1878) developed by Giuseppe Mengoni and the restoration of the Sforza Castle (1893-1907) led by Luca Beltrami , as well as a number of minor operations. The inquiry considers the production by some of the main photographers working in the city and the iconographic apparatus of the most important illustrated press of the period, which during the late nineteenth century uses with increasing awareness the narrative qualities of the photographic medium. The evolution of the photographic language is therefore inquired with regard to his contribution to the construction of a national iconography of modernity , a phenomenon that sees the city of Milan in the front line.
Vella, Francesca. "Verdi reception in Milan, 1859-1881 : memory, progress and Italian identity." Thesis, King's College London (University of London), 2014. https://kclpure.kcl.ac.uk/portal/en/theses/verdi-reception-in-milan-18591881(ccf17c14-63a8-4239-8d48-7536dd50feba).html.
Full textCHIERICHETTI, VALENTINA. "L'ISTRUZIONE SECONDARIA CLASSICA NELLA MILANO DELLA RESTAURAZIONE. PROFESSORI, STUDENTI, DISCIPLINE. (1814-1851)." Doctoral thesis, Università Cattolica del Sacro Cuore, 2011. http://hdl.handle.net/10280/1376.
Full textThe purpose of the thesis is to reconstruct the past of prestigious school institutes in Milan setting them in the social-cultural and educational history of their time. The grammar schools of Brera, St. Alessandro, St. Marta and the high schools of Porta Nuova and St. Alessandro are the subject of the rearch. The work shed lights on the didactics adopted in the institutes, on curricola and textbooks used during the Restoration. Moreover the research draws the teaching staff profile, reconstructs teachers’ career and, through the school registers, analyzes the social extraction, the place of birth, the age, the school behaviour and results of the students.
CHIERICHETTI, VALENTINA. "L'ISTRUZIONE SECONDARIA CLASSICA NELLA MILANO DELLA RESTAURAZIONE. PROFESSORI, STUDENTI, DISCIPLINE. (1814-1851)." Doctoral thesis, Università Cattolica del Sacro Cuore, 2011. http://hdl.handle.net/10280/1376.
Full textThe purpose of the thesis is to reconstruct the past of prestigious school institutes in Milan setting them in the social-cultural and educational history of their time. The grammar schools of Brera, St. Alessandro, St. Marta and the high schools of Porta Nuova and St. Alessandro are the subject of the rearch. The work shed lights on the didactics adopted in the institutes, on curricola and textbooks used during the Restoration. Moreover the research draws the teaching staff profile, reconstructs teachers’ career and, through the school registers, analyzes the social extraction, the place of birth, the age, the school behaviour and results of the students.
Morris, Jonathan. "The political economy of shopkeeping in Milan, 1885-1905." Thesis, University of Cambridge, 1989. https://www.repository.cam.ac.uk/handle/1810/272515.
Full textFaron, Olivier. "La ville des destins croisés : recherches sur la société milanaise du XIXe siècle, 1811-1860 /." Rome : Paris : École française de Rome ; diff. de Boccard, 1997. http://catalogue.bnf.fr/ark:/12148/cb36698434f.
Full textDi, Stefano Massimo. "Lieux pieux aumôniers, nobles, finance publique et privée : interactions et ambiguïtés relationnelles dans le Milanais moderne (1615-1801)." Thesis, Université Côte d'Azur, 2020. http://www.theses.fr/2020COAZ2018.
Full textThis research, which includes almost two centuries of Milan's history, is about charities, aristocrats, monasteries, private entities, the State and the city, all of which were connected by the invisible link of finance. It was around the debit-credit dynamics that different types of connections came to life, which were connected to political and financial power, a stronghold of Milanese patricians throughout almost all the modern era. In those circumstances charities entities had a relevant role, which is proven by the fact that their administrative boards (Capitoli) were entirely taken care of by the Milanese aristocrats, whose priority was to defend their own privileges, without regard for the change of the different foreign rulers that rotated in power. As time goes by, charities entities became the crucial for the activities of the nobles, and started to perform a variety of functions outside their institutional role: court of justice for the control of the Milanese welfare, hub of the aristocrats network aimed to guaranteed their role in society and to defend their Status, as well as a toll that would grant an income to their heirs, or to protect their assets from loss. Charities organisations were also land owners and relevant financial operators and subsidised the government and cities that were in need of money to support the military expenses imposed by the sovereign. The loans were normally long term and the arrangements often complicated and even ambiguous.Charity bodies usually willingly participated to the funding of public sector, however at times they were persuaded or even forced to do so. This study aims to highlight various aspects connected to the role played by the Milanese charities entities and the families whom were widely in control of these institutions
Questo studio, che abbraccia quasi due secoli di storia del Milanese, coglie gli enti elemosinieri, i nobili, i monasteri, gli operatori privati, lo Stato e le città, uniti dal sottile filo della finanza. Attorno ai rapporti di debito-credito si sviluppano anche relazioni di altra natura, connesse alla gestione del potere, che il patriziato milanese tiene saldamente nelle proprie mani per quasi tutta l’età moderna. In tal senso, i luoghi pii elemosinieri rivestono un ruolo non marginale, prova ne è la totale occupazione dei loro Capitoli (consigli di amministrazione) da parte della nobiltà milanese, pronta a difendere i propri privilegi di casta, indipendentemente dall’avvicendamento dei dominatori stranieri. Gli enti elemosinieri divengono, con il passare del tempo, la sede degli interessi delle classi agiate, ed assolvono – oltre a quella istituzionale della carità – diverse altre funzioni: assise per il controllo del welfare milanese; nodo della rete tessuta dalle famiglie nobili milanesi per l’affermazione del proprio ruolo e la difesa delle proprie prerogative; strumento attraverso il quale garantire ai propri eredi una rendita o mettere al riparo il patrimonio da rischi di perdita. I luoghi pii elemosinieri, che sono grandi proprietari terrieri e operatori finanziari di un certo rilievo, sovvenzionano lo Stato e soprattutto le città, bisognose di denaro per pagare la quota di spese militari loro imposta dal sovrano. I prestiti concessi sono – normalmente – di lunga durata, e gli accordi talvolta complessi e, persino, ambigui. Gli enti elemosinieri partecipano al sostegno del settore pubblico volontariamente, ma talora vi sono indotti, se non addirittura costretti. La ricerca tenta di far affiorare questi molteplici aspetti legati all’azione dei luoghi pii elemosinieri milanesi e alle famiglie che, maggiormente, ne detengono il controllo
Kšiňan, Michal. "Milan Rastislav Štefánik, essai biographique." Paris 1, 2011. http://www.theses.fr/2011PA010695.
Full textMarazzi, E. "EDITORI PER LA SCUOLA ELEMENTARE A MILANO NEL SECONDO OTTOCENTO. AUTORI, TESTI E MERCATO (1861-1900)." Doctoral thesis, Università degli Studi di Milano, 2011. http://hdl.handle.net/2434/151789.
Full textD'Agati, Niccolo' <1988>. "La Famiglia artistica: un caso di studio per l'arte a Milano tra il 1886 e il 1914." Doctoral thesis, Università Ca' Foscari Venezia, 2019. http://hdl.handle.net/10579/17827.
Full textBuclon, Romain. "Napoléon et Milan : mise en scène, réception et délégation du pouvoir napoléonien (1796-1814)." Thesis, Grenoble, 2014. http://www.theses.fr/2014GRENH006/document.
Full textThis thesis focuses on the political and cultural links between Napoleon and Milan from 1796 to 1814. The author pays particular attention to changes in production, reception and delegation of power from general Bonaparte to Napoleon Ist, King of Italy
Madeddu, Silvia. "De Venise à Milan : le retour de Federico Zandomeneghi (1841-1917) en Italie : des années de jeunesse à la redécouverte posthume." Thesis, Paris 4, 2015. http://www.theses.fr/2015PA040180.
Full textVenetian Federico Zandomeneghi (1841-1917) is always remembered as an artist who relocated to Paris in 1874 to become a follower of Degas, taking part in the Impressionist exhibitions starting in 1879. The primary objective of this thesis is to analyse this artist's ties to Italy, before and after his long-lasting experience in France. We delve into the period starting in 1841 and lasting until 1874 during which Zandomenegi trained at the academies of Venice and Milan, and during which he moved to Florence, at which point he first encountered the Macchiaioli. Moreover, this study has given us the opportunity to deepen our understanding of the Italian artistic context in which Zandomeneghi developed, to what extent his close relatonships with the numerous artists he encountered affected his later artistic choices (Diego Martelli, Marcellin Desboutin), and what position Zandomeneghi attained in Italy before leaving his country permanently. In the second part of the present study, a corpus of unpublished letters between two Milanese art personalities, the art critic Enrico Piceni and art dealer Angelo Sommaruga, was thoroughly examined. Their role was indeed crucial for Zandomeneghi’s artistic rediscovery. Although Zandomeneghi spent 43 years of his life in France, he was never fully recognized in the French historiography, whereas was acclaimed for the second time by the Italian critic after his death. This thesis aims to shed light on the reasons why Zandomeneghi has always been considered a Venetian impressionist, a label that has been employed even in very recent expositions
Midan, Marc. "Milton & Melville : le démon de l'allusion." Paris 7, 2014. http://www.theses.fr/2014PA070086.
Full textMilton & Melville: The Demon of Allusion studies the significance of allusions to Milton in Typee, Moby¬Dick, The Confidence-Man and Billy-Budd, Sailor. Examining the state of research shows that allusion tends to be seen as a way to identify the meaning of an ambiguous Melvillean text with a supposedly stable Miltonic one – when in fact the allusive relationship is dynamic and reciprocal. All at once playful, satirical, impious, and erotic, Melvillean allusion is protean and thus eludes generalization. However, its very elusiveness hints at a more global significance, going beyond merely local import. Far from being just a flourish or a supplement, it is the very stuff that the text is made of. However oblique and disconcerting, it plays a crucial part in Melville's ambition to master the "great Art of Telling the Truth". Indeed, it is through allusion—in particular to Paradise Lost—that he satirizes contemporary society, explores the alienation of the self and expresses the terror of the "invisible spheres". Melville's text can be conceived of as the locus where truth is both achieved and exhibited to the reader, through a chemistry that is experimental as well as pictorial in nature. Based on a uniquely American federal model, such a process involves a complex allusive mix, the meaning of which lies not only in what the different texts bring to their host, "'but also in the destructive interaction between them. This recurrent allusive agon – the "colorless all-color" of writing – speaks to the violence of Melvillean relationships, the most powerful symbol of which is Milton's Satan
Dobbin, Mervyn. "Women's environmental experience in Milton Keynes New Town : a case study in personal construct theory." n.p, 1985. http://oro.open.ac.uk/18871.
Full textBoechat, Fernanda Boarin. "Espaço da identidade." reponame:Repositório Institucional da UFPR, 2012. http://hdl.handle.net/1884/26488.
Full textPERELLI, CIPPO CHIARA MARIA. "ARISTIDE CALDERINI (1883-1968) E LO SVILUPPO DELLE SCIENZE DELL'ANTICHITA'. Progetti, opere e strategie culturali." Doctoral thesis, Università Cattolica del Sacro Cuore, 2008. http://hdl.handle.net/10280/296.
Full textThis thesis is devoted to the scientific and didactic work of Aristide Calderini (1883-1968). Calderini was a scholar of the Classics, namely papyrologist, archaeologist and epigraphist. He was the founder and director of many cultural societies and journals and a populariser of ancient Roman and Greek culture. The main source of material for this research was Calderini's own copious personal archive, which has been reorganized by the author of this dissertation, resulting in a detailed inventory and the index of his letters. From these documents it is possible to follow the intense and fruitful cultural route of Calderini, perceive his inspiring principles and appreciate the results of his work. Moreover, from the study of his letters, it is possible to reconstruct Calderini's multiple connections with important personages and institutions of his time, disclosing an interesting overview, spanning six full decades of the 20th century, of the cultural milieu in Lombardy.
PERELLI, CIPPO CHIARA MARIA. "ARISTIDE CALDERINI (1883-1968) E LO SVILUPPO DELLE SCIENZE DELL'ANTICHITA'. Progetti, opere e strategie culturali." Doctoral thesis, Università Cattolica del Sacro Cuore, 2008. http://hdl.handle.net/10280/296.
Full textThis thesis is devoted to the scientific and didactic work of Aristide Calderini (1883-1968). Calderini was a scholar of the Classics, namely papyrologist, archaeologist and epigraphist. He was the founder and director of many cultural societies and journals and a populariser of ancient Roman and Greek culture. The main source of material for this research was Calderini's own copious personal archive, which has been reorganized by the author of this dissertation, resulting in a detailed inventory and the index of his letters. From these documents it is possible to follow the intense and fruitful cultural route of Calderini, perceive his inspiring principles and appreciate the results of his work. Moreover, from the study of his letters, it is possible to reconstruct Calderini's multiple connections with important personages and institutions of his time, disclosing an interesting overview, spanning six full decades of the 20th century, of the cultural milieu in Lombardy.
Salvi, Greta. "Cultura teatrale e scenari urbani nella Milano del Triennio Cisalpino (1796-1799) : Tra impianti tradizionali e influenze francesi." Thesis, Paris 10, 2013. http://www.theses.fr/2013PA100099.
Full textIn the Triennium 1796-1799 took place the short life of the Cisalpine Republic, one of the political units founded by Napoleon Bonaparte during the Italian Campaign.This work studies the theatrical culture and the performing aspects which characterized the Cisalpine Republic and particularly its capital, Milan, in that historical juncture. The thesis asserted here is about the use of performing practices as an instrument of popular education and spreading of the principles of the 1789 Revolution. This aim was pursued by both French authorities and Italian pro-Revolution patriots.This work tackles three main points: the architectural and urban changes which affected Milan during the Triennio (Triennium), the theory and practice of theatre, the public celebrations. The cultural relations between Italy and France have been investigated with special attention. This study is based on some documents kept in archives and libraries of Milan and Paris, such as printed editions of theatrical plays, records of celebrations, correspondence and periodicals from the age of the Cisalpine Republic
Harper, Cecil. "Farming Someone Else's Land: Farm Tenancy in the Texas Brazos River Valley, 1850-1880." Thesis, University of North Texas, 1988. https://digital.library.unt.edu/ark:/67531/metadc332078/.
Full textSantos, Katrym Aline Bordinhão dos. "A dinâmica das vozes confluentes no narrador de Dois irmãos." reponame:Repositório Institucional da UFPR, 2012. http://hdl.handle.net/1884/27776.
Full textBedeau, Camille. "Historiographie ecclésiastique au dix-neuvième siècle en Angleterre : Henry Hart Milman (1791-1868) et John Henry Newman (1801-1890)." Sorbonne Paris Cité, 2016. http://www.theses.fr/2016USPCC038.
Full textThis dissertation is about the writing of Church history in the works of H. H. Milman, the controverted historian of The History of the Jews published in 1829 and of J. H. Newman, the theologian and historian whose Essay on the Development of Christian Doctrine (1845) was intended to give an intellectual foundation to his conversion to Roman Catholicism. The first part deals with the conflict between the promoters of the historical-critical method of Scripture interpretation which was part of contemporary German theology, and the advocates of a traditional understanding of inspiration who saw Scripture as necessarily void of historical or scientific mistake. Neither Milman nor Newman supported verbal inspiration, but they were critical of the German school (which was not homogeneous itself). The second part throws light on the differences of appreciation between Milman and Newman as to what a Church history should be. This is made particularly clear in the reviews that they wrote on each other's work : Newman reviewed The History of Christianity [1840] and Milman the Essay on the Development already mentioned. The third part shows that Milman was a forerunner of the liberal Anglicanism that was characteristic of the essayists of the collection Essays and Reviews (1860), while Newman associated with the liberal Catholics of the Rambler on the eve of the first Vatican Council. Two questions were largely debated during the 19th century, especially in the aftermath of the E & R crisis : what are the boundaries of the Christian Church ? ; what are the contents of the Christian faith ? Both questions could be solved, so Milman and Newman thought, by an appeal to history
Cucciniello, O. "MILANESI A PARIGI. LA FORTUNA CRITICA FRANCESE DEGLI ARTISTI DI FORMAZIONE LOMBARDA ALLE ESPOSIZIONI DI PARIGI NELLA SECONDA METÀ DELL'OTTOCENTO." Doctoral thesis, Università degli Studi di Milano, 2016. http://hdl.handle.net/2434/373759.
Full textWatson, Sara. "De Milton à Emerson : Trajectoires du dissent de l’époque coloniale à la période antebellum (1640-1860)." Thesis, Lyon, 2016. http://www.theses.fr/2016LYSEN046.
Full text: John Milton in his prose works had a deep influence in North America, first in the colonies, and then in the United States. His status as a Dissenter, subject to many interpretations, enabled him to remain relevant throughout the different stages of American history, allowing actors from the American Revolution or the abolitionist campaign to identify with him and his works. This dissertation aims at identifying the mechanisms and stages of this form of cultural transmission, through the study of several American authors: the Quaker John Woolman, the abolitionist William Lloyd Garrison, and the Transcendentalist Ralph Waldo Emerson. Rooted in the English Civil War, the issues raised by Milton between 1640 and 1660 nonetheless strike a chord within his American readers as germane to their time. This work shall also investigate how Milton’s prose work, through the shifting definitions of Dissent, directly influenced the concept of civil disobedience
ABBIATI, MICHELE. "L'ESERCITO ITALIANO E LA CONQUISTA DELLA CATALOGNA (1808-1811).UNO STUDIO DI MILITARY EFFECTIVENESS NELL'EUROPA NAPOLEONICA." Doctoral thesis, Università degli Studi di Milano, 2017. http://hdl.handle.net/2434/491761.
Full textThe Italian Army and the Conquest of Catalonia (1808-1811) A Study of Military Effectiveness in Napoleonic Europe Academic Fields and Disciplines SPS/03 – M-STO/02 The research has the purpose of reconstruct and evaluate the military effectiveness of the Italian Army existed under the reign of Napoleon I. Firstly through a statistic and strategic analysis of the development, and the following deployment, of the military institution of the Kingdom of Italy in the years of its existence (1805-14). Afterwards, a particularly significant case study was chosen, as the campaign of Catalonia (1808-11, in the context of the Peninsular War), in order to assess the operational and tactical contribution of the regiments sent by the Government of Milan and their integration in the overall military apparatus of the First Empire. The thesis wanted to respond to the lack of studies on the Italian army’s behavior in war and, at the same time, to introduce the methodology of the Military Effectiveness Studies (of British and American origin and, by now, enriched by a thirty-year old tradition) in the Italian historiography. The research is primarily based, besides the numerous memoirs of the Italian and French veterans, on the archive documentation of the Secrétairerie d’état impériale (Archives Nationales of Pierrefitte-sur-Seine, Paris), of the French Ministère de la Guerre (Service historique de la Défence, of Vincennes, Paris) and of the Italian Ministero della Guerra (Archivio di Stato di Milano). About the results, it has been verified how the Italian army has become a flexible and suitable instrument for Bonaparte, albeit in a context of substantial overall numerical marginality in comparison to the heterogeneous forces available to the Empire and its others satellites and allied states. Regarding the campaign of Catalonia, instead, it was possible to ascertain the fundamental contribution of the Italian regiments, in an operational and tactical perspective, for the success of the invasion. This was primarily due to the excellent general characteristics shown by the expeditionary force, but also to disciplinary and organizational peculiarities that have made the Italian corps suitable for particularly aggressive operations.
Navarro, Aliste Daniela. "Miltonic influence in John Keats: creative process of reshaping myths in Hyperion and The fall of Hyperion: a dream." Tesis, Universidad de Chile, 2016. http://repositorio.uchile.cl/handle/2250/137777.
Full textKatchekpele, Leonard Amossou. "Les enjeux politiques de l'Église en Afrique : contribution à une théologie du politique." Thesis, Strasbourg, 2015. http://www.theses.fr/2015STRAK017.
Full textEchoes from Africa to the world and from the world to Africa seem to tell a single story: Africa fails.Especially political Africa. Among those dashing to help, the commitment of the Church catholic is to be praised but also critically engaged. Can anyone help Africa to modernize by ignoring that in Africa, modernity meant colonization? Then, a question: what is the Church doing, and what can it do qua Church, for Africa? This confronts us with a situation, an action and a critical question. This work, focusing on Togo taken as mirror to the continent, aims at challenging the way the situation is described, at elaborating an answer to the question in hoping to shed a light on the way the action is understood and undertaken. For such an end, it draws on post-colonial studies and on the Cambridge theological movement called Radical Orthodoxy, through the works of J. Milbank and W. Cavanaugh
Lovari, Gianmarco. ""Dentro alla cella del cuore". Carteggio Felice Cameroni-Gian Pietro Lucini (1888-1906)." Doctoral thesis, 2022. http://hdl.handle.net/2158/1268776.
Full textNeumann, Bohumil. "Milada Paulová ( 1891 -1970 ). Příběhy cesty k dosažení ženské docentury v Československu v roce 1925." Master's thesis, 2008. http://www.nusl.cz/ntk/nusl-291869.
Full textVITALE, Maria Melania. "Prospettive editoriali per l’Epistolario di Giovanni Verga. «Amici e relazioni letterarie» degli anni milanesi (1872-1885)." Doctoral thesis, 2022. http://hdl.handle.net/11570/3228879.
Full textSlaska-Sapala, Kalina Irena. "Negotiating fate : John Milton's recreation of the Homeric and Virgilian model of divine intercession." Master's thesis, 2012. http://hdl.handle.net/1885/149841.
Full textPearson, Diane M. "The impact of human activity on landscape diversity in space and time : measurement and analysis of spatial structure and change in the Milton-Ulladulla area of NSW." Phd thesis, 1998. http://hdl.handle.net/1885/144620.
Full textMinchin, Elizabeth. "Aspects of the composition of the Homeric epics." Phd thesis, 1989. http://hdl.handle.net/1885/136140.
Full textVan, Rooyen Hanlie. "Irreverence : a psychotherapeutic stance." Diss., 1995. http://hdl.handle.net/10500/18581.
Full textPsychology
M.A. (Clinical Psychology)
Post, Andy. "Political Atheism vs. The Divine Right of Kings: Understanding 'The Fairy of the Lake' (1801)." 2014. http://hdl.handle.net/10222/50412.
Full textA close reading of an all-but-forgotten Arthurian play as an allegory against the Divine Right of Kings.