Academic literature on the topic 'Mikhaïl Roginsky'
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Dissertations / Theses on the topic "Mikhaïl Roginsky":
Ivchenkova, Tatiana. "Visage impossible : l’empreinte des totalitarismes et des terreurs sur l’effacement du visage humain dans la peinture moderne et contemporaine occidentale." Electronic Thesis or Diss., Paris 8, 2022. http://www.theses.fr/2022PA080026.
This research studies the phenomenon of the disappearance of the human face in modern and contemporary Western art, particularly in its political dimension. The footprint of the totalitarianisms and terrors of the 20th century on facial erasure has taken on a considerable depth, which is discovered in works by Kazimir Malevich, Miklos Bokor, Zoran Music, Safet Zec, Jean Jansem, Mikhail Roginsky and Francine Mayran. The gutted face of the oppressed, dehumanized, personality-deprived man represents the collective portrait of a suffering society. In this work we also analyze the opposition that this plastic phenomenon expresses to the official art of totalitarian regimes, in which the human face remains very realistic. Finally, we reveal the role of the erased face in the construction of the collective memory of society, this fragile substance that often undergoes deformations and deletions
Books on the topic "Mikhaïl Roginsky":
I͡Ushkova, Olʹga Arturovna. Mikhail Roginskiĭ: Narisovannai︠a︡ zhiznʹ. Moskva: Breus, 2017.
Roginskiĭ, Mikhail. "Moscow comes first ... ": Mikhail Roginsky 1931-2004 : painting. Edited by Elʹshevskai︠a︡ G. V, Belyaev Leonid, Chudeskai͡a A. I͡U, and Gosudarstvennyĭ muzeĭ izobrazitelʹnykh iskusstv imeni A.S. Pushkina. St. Petersburg: Palace Editions, 2008.
V, Elʹshevskai︠a︡ G., ed. O Mikhaile Roginskom: Duraki edi︠a︡t pirogi. Moskva: Novoe literaturnoe obozrenie, 2009.
O Mikhaile Roginskom: Duraki edi︠a︡t pirogi. Moskva: Novoe literaturnoe obozrenie, 2009.