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Eltekov, Y., and V. Bakaev. "Obituary. Mikhail M. Dubinin." Langmuir 9, no. 12 (December 1993): 3731. http://dx.doi.org/10.1021/la00036a600.
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Matkhanova, N. P. "The Image of M. M. Speransky in Siberian Memoirs." Bulletin of Irkutsk State University. Series History 40 (2022): 14–21. http://dx.doi.org/10.26516/2222-9124.2022.40.14.
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The article studies the image of Mikhail M. Speransky as a Siberian governor-general presented in the memoirs of his contemporaries. Among them are people who praised him (P. T. Basnin, I. T. Kalashnikov), people who criticized him (P. P. Gerasimov, P. O. Katyshevtsev), people who tried to maintain objectivity (E. I. Stogov). All these people knew and communicated with Mikhail M. Speransky personally. Examined memoirs characterize his appearance, habits, relations with the local society, evaluate the significance of the “Siberian institution”. Created by memoirists representation of a statesman reflects ideas about the ideal head of the region: he must be strict and merciful, have an extraordinary intellect and will, be an “economic” administrator, know Siberia and take care of Siberian population.
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Bazerman, Charles. "An Essay on Pedagogy by Mikhail M. Bakhtin." Written Communication 22, no. 3 (July 2005): 333–38. http://dx.doi.org/10.1177/0741088305278028.
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Hatipova, I. A. "Mikhail Vasilyevich Sechkin – Pianist, Conductor, Teacher." Aspects of Historical Musicology 18, no. 18 (December 28, 2019): 155–70. http://dx.doi.org/10.34064/khnum2-18.09.
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Target setting. In the modern musical culture of the Republic of Moldova M. V. Sechkin stands out as one of the key figures. He proved to be a multi skilled musician: piano player, conductor, and pedagogue. The scientific challenge disclosed in the article touches on creation of a coherent reflection of the work conducted by M. Sechkin in musical and artistic institutions of the Republic of Moldova during 1988–2015. Thus, notably contributing to the theoretical perception of the process of musical art development in the Republic of Moldova at the turn of the 21st century while filling up the gap in studying the history of Moldovan musical culture. Review of literature. The activity conducted by M. Sechkin was not reflected in the scientific literature. The present paper is the first attempt to present the creative portrait of the musician by summarizing press articles and a range of interviews. The purpose of this paper is confined to disclosing the contribution made by the famous piano player, conductor, and pedagogue M. Sechkin in the process of musical art development in Moldova at the turn of the 21st century. Research methodology. In the research of creative activity of M. Sechkin, use has been made of a complex of methods applicable in modern study of art: the empirical level of scientific research was established through informal personal conversations with M. Sechkin and other musicians, directly linked with his activity. Applied at the theoretical level were general scientific methods, such as analysis and synthesis, induction and deduction, comparison, etc. Statement of basic material. Over the years, M. V. Sechkin, born on March 31, 1943 in the Ukrainian City of Kharkov, has contributed decisively to the development of musical culture in the Republic of Moldova as a pianist, opera and symphony orchestra conductor, professor and public figure. He took his first lessons in music from his mother Maria Sechkin Zakharchenko, the follower of K. N. Igumnov. He attended the profile secondary musical school, class of Regina Gorovitz – the sister to the famous pianist Vladimir Gorovitz. In 1966, M. Sechkin graduated from Kharkov Conservatoire as a pianist on the class of Professor Mikhail Khazanovsky and then selected to remain with the Chair as an assistant. However, his dream of making a carrier of symphony and opera conductor has taken the young musician to a different path. The interest for conducting appeared under the influence of the art of conducting revealed by Leonid Khudoley, disciple of Nikolay Golovanov. Therefore, two years later, after graduation, M. Sechkin has entered the faculty of conductors at Kharkov Institute of Arts. One year later, he moves to Kyiv Conservatoire named after P. I. Tchaikovsky, where he attended the class of Professor Mikhail Kanershtein, disciple of one of the founders of the Soviet school of conducting Nicolay Malko. Next followed probation assistantship, where M. Sechkin attended a training course headed by the outstanding Ukrainian conductor Stephan Turchak. Having accomplished his probation assistantship, M. Sechkin has joined the Symphonic orchestra of Zaporozhye Philharmonics and later on invited to Donetsk Opera Theatre, where he mastered a rather comprehensive theatrical repertoire. The Chisinau (Moldova) period of maestro’s creative biography started beck in 1988, when he accepted the invitation to join the Moldovan State Conservatoire as Professor of the Chair of Special Piano and the Chair of Operatic Training. By then he headed the Students Symphony Orchestra, being one of the first conductors of Opera Studio. The Studio repertoire included the best images of West European and Russian opera classics. Prepared from the scratch were such operas as Carmen by G. Bizet and the Noblewoman Vera Sheloga by N. А. Rimsky Korsakov. The students – alumni of this conservatoire then worked successfully at the National Opera Theatre, performed in prestigious opera scenes around the world; among these one could mention Petru Racovita, Natalia Margarit, Lilya Sholomey, Yuri Gasca, Robert Khvalov, Stephan Curudimov, Mefodie Bujor, and Liliana Lavric. The Opera Studio Orchestra was touring in Italy and Spain. For a number of decades, M. Sechkin acted as one of the key conductors at the National Opera and Ballet Theatre, while from 1990 to 1992 acted as the Principal Conductor and the Art Director. Here he worked on staging the ballets Romeo & Juliette by S. Prokofiev, Spartacus by А. Khachaturian, and operas the Marriage of Figaro by W. Mozart, Don Carlos by G. Verdi, and Iolanta by P. I. Tchaikovsky. In parallel to the theatre plays, M. Sechkin has brightly proven his qualities as a conductor of the Symphony Orchestra of the National Philharmonics named after S. Lunchevici. Under his leadership (2008–2013), the orchestra performed more than twenty show programs, including premiere hits by P. Tchaikovsky (Symphony No. 5, symphony Manfred), A. Scriabin (Symphony No. 2 and No. 3), and S. Rachmaninoff (Symphony No. 3). Many of the musicians are marking high conducting mastery of M. Sechkin in performing orchestral accompaniment and special work with the soloists prior to orchestra performance. Likewise appreciated was the work of maestro with young musicians. The conductor devotes a lot of his time to promoting the oeuvre of Moldovan composers. Since 2000 and until nowadays, within the frameworks of the Days of New Music Festival, jointly with the National Philharmonics Orchestra, the maestro prepared a number of programs compiled from the works of V. Polyakov, V. Zagorsky, V. Rotaru, A. Luxemburg, O. Negruza, B. Dubossarsky, and Z. Tcaci. In 30 years of his activity in Chisinau, M. Sechkin cooperated with all of the known orchestra ensembles. Back in 90th, maestro was successfully touring with the National Opera and Ballet Theatre in Italy, Spain, Portugal, Switzerland, Rumania and Chile. In Rumania, M. Sechkin was working full time as a conductor and then as the principal conductor of the Symphony Orchestra of the city of Botosani (1998–2013), where he managed to stage about 70 show programs. The multifaceted and fruitful activity of the musician was repeatedly marked with Certificates of Honor and Diplomas. In 1996, he was decorated with the award Maestru în Artă (Master of Arts) and in 2018 with the noble award of the People’s Artist of the Republic of Moldova. Conclusions and prospects. While appreciating the contribution made by this outstanding musician into the development of the musical culture in the Republic of Moldova, one could clearly see the determinant trajectory of his life and artistic journey – the stalwart devotion to music, musical education, nurturing young performers and listeners of different age group generations.
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Lopacheva, Maria K. "Heterotopies in the works of Mikhail Kuraev." Vestnik of Saint Petersburg State University of Culture, no. 1 (46) (March 2021): 75–82. http://dx.doi.org/10.30725/2619-0303-2021-1-75-82.
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The article describes the experience of analyzing a literary text in the light of the concept of heterotopy developed by M. Foucault. The features of the embodiment of «other spaces» in the prose of M. Kuraev, the «classic» of the modern «Petersburg text», are considered. For M. Kuraev’s artistic method, the advice of localizing an action in a limited space, which acquires the status of «other» in the context of a work, is quite typical. The most obvious use of the technique in the novel «Montachki’s Mirror», where the object of artistic research was the Leningrad communal apartment, the narrative representation of which contains the typical features of heterotopy.
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Bal, V. Yu. "Gogol’s text in the works of Mikhail Shishkin." Sibirskiy filologicheskiy zhurnal, no. 4 (December 1, 2016): 109–21. http://dx.doi.org/10.17223/18137083/57/10.
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Journal Staff, Problems of Endocrinology. "Zeltser M. Ye. (on the occasion of his 70th birthday)." Problems of Endocrinology 47, no. 1 (February 15, 2001): 46. http://dx.doi.org/10.14341/probl11328.
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Roderick, Ian. "The politics of Mikhail M Bakhtin's Carni‐Phallic body." Social Semiotics 5, no. 1 (January 1995): 119–42. http://dx.doi.org/10.1080/10350339509384444.
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Мазин, Константин, and Konstantin Mazin. "M. Pogodin: man, historian, journalist, collector, traveler." Service & Tourism: Current Challenges 8, no. 3 (September 1, 2014): 5–12. http://dx.doi.org/10.12737/5594.
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The major milestones of life and work of famous Russian historian, journalist, collector and public figure Mikhail Petrovich Pogodin are considered in the article. It shows the scientist´s contribution to the development of Russian culture. In particular his artistic heritage as a theorist of domestic tourism in Russia is analyzed.
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Pavlov, Evgeni V. "Perepiska [Letters], Mikhail Lifschitz and György Lukács, Moscow: Grundrisse, 2011; Pisma V. Dostalu, V. Arslanovu, M. Mikhailovu [Letters to V. Dostal, V. Arslanov, M. Mikhailov], Mikhail Lifschitz, Moscow: Grundrisse, 2011." Historical Materialism 20, no. 4 (2012): 187–98. http://dx.doi.org/10.1163/1569206x-12341272.
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Abstract The two volumes of letters by Mikhail Lifschitz, recently published in Russian, reveal for the first time certain aspects of his relationship with György Lukács and his general intellectual and cultural role in the long history of Soviet aesthetics. The first volume contains all the known letters between Lifschitz and Lukács; the second volume contains the letters from Lifschitz to three of his younger colleagues. Both volumes throw considerable light on the development of Marxist aesthetics in the Soviet Union from the 1930s to the 1980s. The extensive commentaries and notes provide context for the various discussions in the letters and situate the main issues under consideration within the wider historical and social context of the period.
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Fedorova, Elena. "Mikhail Semevsky and Fyodor Dostoevsky." Неизвестный Достоевский 8, no. 4 (December 2021): 91–111. http://dx.doi.org/10.15393/j10.art.2021.5861.
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The article presents the history of business and friendly relations between F. M. Dostoevsky and M. I. Semevsky, an employee of the “Vremya” journal and the editor of “Russkaya Starina”, the largest historical journal of the 19th century. Semevsky most likely met Dostoevsky in the early 1860s, when the former became a contributing author of the “Vremya” journal and wrote two large-scale historical essays for the publication: “Tsarina Praskovya” and “The Mons Family.” Dostoevsky was familiar with Semevsky’s works even prior to their personal meetings and intended to polemize with his concept of Peter's time, as evidenced by the surviving sketches of the writer's critical review. The idea of a polemic was rejected when Semevsky became the author of the “Vremya” journal. Its editors, the Dostoevsky brothers, appreciated his cooperation and, as confirmed in the fee book, paid him more than many other authors. The meetings of Dostoevsky and Semevsky were reflected in the epistolary legacy and in the notes of Semevsky, which he wrote in the autumn of 1866 after the trial of the revolutionary Nikolai Ishutin. In November 1876, Semevsky gave Dostoevsky the documents for “A Writer's Diary”, requesting him not to identify the source. The communication between Dostoevsky and Semevsky in the last year of the writer's life is mentioned in the memoirs of E. N. Opochinin. The article provides an overview of Dostoevsky's letters of 1854‒1879, published in “Russkaya Starina” in 1883‒1885, as well as of memoirs of various persons about Dostoevsky, published during the life of the editor and after his death. Archival documents revealing new facts of the biography of Dostoevsky, Semevsky and their contemporaries were used and introduced into scientific circulation in the study.
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Carvalho, Tânia Maria Gebin, and Elvira Cristina Martins Tassoni. "Mikhail M. Bakhtin e a mudança na forma de pensar." CADERNOS DE PESQUISA: PENSAMENTO EDUCACIONAL 14, no. 39 (March 5, 2020): 69–88. http://dx.doi.org/10.35168/2175-2613.utp.pens_ed.2020.vol14.n39.pp69-88.
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A organização deste artigo tem como objetivo colaborar com os leitores iniciantes, interessados nos estudos sobre a abordagem dialógica de linguagem na perspectiva de Bakhtin e do Círculo. Para tanto, apresenta colaborações de outros estudiosos sobre o tema e, ainda, traz as ações responsivas que se apresentavam para as autoras no decorrer das leituras de Bakhtin. Apresenta os conceitos: dialogismo, enunciado concreto e gênero do discurso, que estão discutidos separadamente apenas pelo caráter didático que se intenciona dar ao artigo, mas que são explorados de maneira inter-relacionada nos textos originais de Bakhtin. Este trabalho está organizado em dois momentos: a indicação dos objetivos e uma breve narrativa sobre a vida de Bakhtin para, em seguida, destacar os conceitos mencionados. Ao concluir, o artigo aponta para a importância de se buscar compreender o pensamento de Bakhtin na abrangência de sua obra e, que isso deve afetar a forma como pensamos. Enfatiza ainda uma abordagem dialógica da linguagem.
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Soloviev, I. A., A. P. Utochkin, and P. P. Lukianiuk. "CONTRIBUTION GENERAL-MAJOR OF MEDICAL SERVICE M. A. LUSCHITSKY IN THE DEVELOPMENT OF NAVAL SURGERY (TO THE 100 ANNIVERSARY FROM THE BIRTHDAY)." Marine Medicine 5, no. 4 (November 29, 2019): 104–8. http://dx.doi.org/10.22328/2413-5747-2019-5-4-104-108.
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The article is devoted to the outstanding naval surgeon professor Mikhail Luschitsky, head of the department of naval and hospital surgery of the Military medical Academy. S. M. Kirov (1973–1986 biennium), general-major of the medical service. Mikhail Alekseevich graduated from the Naval medical Academy in 1941 and was sent to the Pacific fleet. For participation in the war with militaristic Japan will be awarded the order of the red Star. From 1951 to 1958 he served in the Kronstadt naval hospital as head of the surgical Department. Kronstadska school of naval surgeons laid the future surgeon general of the navy and head of the department of naval and hospital surgery professor, the general-major of medical service M. A. Luschitsky to go the fundamental basis of his future scientific and pedagogical activity. In the period from 1958 to 1961, he, being an adjunct of the department of naval surgery, prepared his thesis «Surgical treatment of frostbite 3–4 degrees, combined with radiation sickness», for the scientific value of which the Scientific Council of the Academy awarded him the degree of doctor of medical Sciences. From 1973 to 1986 Mikhail Alekseevich was the head of the department of naval and hospital surgery, where his talent of a great teacher, surgeon and organizer was fully manifested. He created his own unique school of naval surgeons. Mikhail Alekseevich is the author of 146 scientific works, he was twice elected Chairman of the Surgical society of Pirogov. Under his leadership, 7 doctoral and 18 master’s theses were prepared and defended. He retired in 1986. Mikhail Alekseevich died on March 10, 1999.
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Bao, Tingting. "Chekhov’s context in Mikhail Zoshchenko’s ‘Sentimental Tales’." Вестник Пермского университета. Российская и зарубежная филология 14, no. 3 (2022): 69–77. http://dx.doi.org/10.17072/2073-6681-2022-3-69-77.
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Mikhail Zoshchenko’s Sentimental Tales are organized as a pyramid where each level is consistent and connected with the previous ones and with Russian classic literature. One of the writers who most influenced Zoshchenko was Anton Chekhov. Their creative similarity is manifold: the poetics of daily life, the image of the little man they wrote about, the lyrical humor, the existential problems they raised. The present study provides a comprehensive analysis and an intertextual comparison of M. Zoshchenko’s and A. Chekhov’s poetics. The paper aims to identify how Zoshchenko employs and transforms Chekhov’s principle of discovery story and to determine the meaning-forming functions performed by intertexts. The analysis revealed that M. Zoshchenko’s Sentimental Tales are to a great degree based on Chekhov’s discovery story genre. The theme of sudden insight, the it seemed versus it turned out compositional principle, existential problems, man-in-a-case complex continue the literary succession and offer new opportunities for the interpretation of Zoshchenko’s prose. Characters created by Zoshchenko represent the average intellectual type of the last century. The tragedy lies in the fact that their world no longer exists, and fate is irreversible, thus the intellectuals become senseless martyrs, victims of the change of epoch. Whether the characters are aware of this problem or not, being the subjects of orientation in reality, they inevitably plunge into a dead end of cognition of being. Consequently, fears, loneliness, lack of understanding, perplexity, disunity, communication failure acquire depth in M. Zoshchenko’s tales. The paper evidently demonstrates the authors sympathy for intellectuals he writes about. Existential pathos, eternal powerlessness of the thought and action, pathos of the impossibility of returning to the past life, and fear of the unknown future, constitute the inner issues of Sentimental Tales and raise the stories to the philosophical level.
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KUZNETSOVA, UL'IANA S. "MIKHAIL ELIZAROV: IN DIALOGUE WITH MUSIC AND LITERATURE." Cherepovets State University Bulletin 4, no. 109 (2022): 44–55. http://dx.doi.org/10.23859/1994-0637-2022-4-109-5.
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The article analyzes the features of the musical and poetic work by Mikhail Elizarov, a modern writer; examines the specifics of the artistic method, to which, in our opinion, his work should be attributed. The paper presents an analytical review of studies describing the specific features of M. Elizarov’s artistic works as well as the characterization of some of his poetic texts. There is a connection between M. Elizarov’s poetic and prose work, its autobiographical nature and some egocentricity. The songs of this author are considered to be a special poetic genre, possessing narrative completeness, ideological and artistic depth and a variety of linguistic expressive means.
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Deusdará, Bruno. "Enunciação e produção de subjetividade: contribuições de É. Benveniste e M. Bakhtin (La énonciation et production de subjectivité: les contributions de É. Benveniste et M. Bakhtin)." Estudos da Língua(gem) 11, no. 2 (December 30, 2013): 211. http://dx.doi.org/10.22481/el.v11i2.5494.
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Neste texto, discutimos os rearranjos provocados no campo dos estudos da linguagem, quando a subjetividade passa a constituir-se como tema de investigação do linguista. Para isso, retomamos aspectos importantes das obras de Émile Benveniste e Mikhail Bakhtin como contribuições para problematizar a subjetividade como produção social. Ao final, explicitamos as discussões propostas em análise de paródias em anúncios publicitários, destacando os efeitos da espetacularização do contemporâneo.PALAVRAS-CHAVE: análise do discurso; subjetividade; enunciação; gêneros do discurso.
RÉSUMÉDans cet article, nous parlons sur des réarrangements induits dans le domaine de la linguistique, où la subjectivité vient d'être constitué comme un objet d'étude par le linguiste. Pour cela, les travaux de Émile Benveniste et de Mikhail Bakhtine ont été repris pour permettre à problématiser la subjectivité comme production sociale. A la fin, les réflexions sont confrontés à l'analyse des parodies dans les publicités, mettant en évidence les effets de la spectaularisation de la vie contemporaine.MOTS-CLES: analyse du discours ; subjectivité; énonciation; genres de discours.
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Осовский, О. Е., and В. П. Киржаева. "Mikhail Mikhaylovich Bakhtin: Reconstructing a Scholarly Biography ( Part 1)." Вестник Рязанского государственного университета имени С.А. Есенина, no. 4(69) (February 16, 2021): 90–102. http://dx.doi.org/10.37724/rsu.2020.69.4.011.
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В статье представлена реконструкция научной биографии выдающегося мыслителя ХХ века М. М. Бахтина, влияние которого на развитие гуманитарных наук в России и за ее пределами не просто сохраняется в XXI веке, но становится более заметным. Понимание того, как формируется и эволюционирует мысль М. М. Бахтина на протяжении 1910–1970-х годов, какие влияния она испытывает и в диалоге с какими школами и течениями получает завершение, — одна из важнейших целей бахтиноведения как междисциплинарного направления гуманитаристики последних десятилетий. Особое значение в этом контексте приобретают Собрание сочинений М. М. Бахтина, издание которого завершилось в 2012 году, исследования В. Л. Махлина, Н. И. Николаева, Н. А. Панькова, Н. Д. Тамарченко, Л. А. Гоготишвили, М. Холквиста, Г. С. Морсона, К. Эмерсон, Г. Тиханова, К. Брендиста, статьи и очерки С. Г. Бочарова, В. В. Кожинова, В. Н. Турбина и др. С опорой на междисциплинарный подход, приемы микроистории и идею «малого времени» авторами дано комплексное описание жизни и творчества М. М. Бахтина на основе новейших разысканий отечественного и зарубежного бахтиноведения, собственных исследований 1990–2010-х годов, предложена периодизация научной биографии ученого, охарактеризованы основные достижения, прослежена эволюция философско-эстетических взглядов и исследовательской методологии, обозначены научный и социокультурный контексты работ невельско-витебского периода, «Проблем творчества Достоевского», исследований о романе, рукописи о Рабле, поздних текстов и фрагментов. В первой части статьи предлагается реконструкция жизни и творчества ученого с раннего периода до публикации «Проблем творчества Достоевского» и вынесения приговора по делу «Воскресения». The article reconstructs a scholarly biography of M. M. Bakhtin, an outstanding philosopher of the 20th century, whose influence on the development of humanities in Russia and abroad can hardy be overestimated and remains strong even in the 21st century. One of the most important goals of Bakhtin studies as an interdisciplinary humanitarian research of recent decades is the investigation of M. M. Bakhtin’s philosophy and its evolution during the 1910s–1970s as well as the study of external factors, philosophical schools and trends that influenced Bakhtin’s philosophy. M. M. Bakhtin’s collected works (published in 2012), research works conducted by V. L. Makhlin, N. I. Nikolayev, N. A. Pankov, N. D. Tamarchenko, L. A. Gogotisjvili, M. Kholkvist, G. S. Morson, K. Emerson, G. Tikhanov, K. Brendist, articles and essays written by S. G. Bocharov, V. V. Kozhinov, B. N. Turbin, and other works gain special significance in the present context. The authors of the article describe M. M. Bakhtin’s life and work through the prism of an interdisciplinary approach, employ the methods of microhistory and the idea of little time, rely on the investigations of Russian and foreign scholars working in the field of Bakhtin studies and their own research conduced in the 1990s-2010s. The article focuses on some landmarks of the philosopher’s scholarly biography, characterizes his major achievements, investigates the evolution of his philosophical and aesthetical views and his research methodology, characterizes the scholarly and socio-cultural contexts of Bakhtin’s work in Newel and Vitebsk, analyzes Bakhtin’s “Problems of Dostoyevsky’s Poetics”, investigates his manuscript about Rabelais and his late works. The first part of the article attempts to reconstruct the philosopher’s life and work starting with the early period and finishing with the “Problems of Dostoyevsky’s Poetics” and the exile caused by the Voskresenie case.
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Silva, Juan, Jandara Assis de Oliveira Andrade, Gabrielle Leite Dos Santos, and Maria da Penha Casado Alves. "ESTILÍSTICA DO LEITOR COROADO: SUBVERSÃO E CARNAVALIZAÇÃO NA CONSTRUÇÃO DO GÊNERO DISCURSIVO FANFICTION." IPOTESI – REVISTA DE ESTUDOS LITERÁRIOS 25, no. 1 (December 30, 2021): 70–83. http://dx.doi.org/10.34019/1982-0836.2021.v25.35885.
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Este trabalho analisa a fanfic como prática literária de experimentação em que os valores, questões e identidades dos autores são refletidas e refratadas para suas narrativas. Para tanto, compreende a fanfiction como produção escriturística realizada por sujeitos fãs, em fandoms, motivada pela relação emotivo-volitiva de afetividade desses sujeitos com um texto matriz. Para alcançar nossos objetivos, fazemos uso dos postulados advindos de Bakhtin (2015a; 2015b; 2015c), sobretudo referente à discussão de signo, ideologia, gêneros discursivos, carnavalização, coroação-destronamento e reelaboração. Na tentativa de aprofundar o debate, discussões acerca de cultura da convergência e da antropologia especulativa apontadas por Jenkins (2009) e Nodari (2015) juntam-se ao arcabouço teórico. Por fim, a pesquisa demonstrou elementos estilísticos que caracterizam e diferenciam a fanfic de outros gêneros romanescos e como sua prática é vetor de experimentação identitária para aqueles que a produzem. REFERÊNCIAS A. MHADHBI. Estudo da ONU revela que mundo tem abismo digital de gênero. ONU News: Perspectiva Global Reportagens Humanas. nov. 2019. Disponível em: https://news.un.org/pt/story/2019/11/1693711. Acesso em: 12 jul. 2021. BAKHTIN, Mikhail M. Os gêneros do discurso. Tradução Paulo Bezerra. São Paulo: 34, 2016. BAKHTIN, Mikhail M. Cultura popular na idade média e no renascimento: o contexto de François Rabelais. São Paulo: Hucitec, 2015a. BAKHTIN, Mikhail M. Problemas da poética de Dostoievski. Tradução Paulo Bezerra. 5. ed. Rio de Janeiro: Forense Universitária, 2015b. BAKHTIN, Mikhail M. Teoria do romance I: a estilística. Tradução Paulo Bezerra. São Paulo: 34, 2015c. BAKHTIN, Mikhail M. Estética da criação verbal. Tradução de Paulo Bezerra. 4. ed. São Paulo: Martins Fontes, 2003. BENJAMIM, W. A obra de arte na era de sua reprodutibilidade técnica. In: ______. Magia e técnica, arte e política: ensaios sobre literatura e história da cultura. Obras escolhidas. São Paulo: Brasiliense, 1987. v. 1. JAMISON, Anne. Fic: porque a fanfiction está dominando o mundo. Tradução Marcelo Barbão. Rio de Janeiro: Anfiteatro, 2017. JENKINS, Henry. Invasores do texto: fãs e cultura participativa. Tradução Érico Assis. Nova Iguaçu: Marsupial, 2015. JENKINS, H. Cultura da convergência. Tradução Susana L. de Alexandria. 2. ed. São Paulo: Aleph, 2009. KUNDERA, Milan. A arte do romance. Tradução Teresa Bulhões Carvalho da Fonseca. São Paulo: Companhia das Letras, 2009. MEYER, Stephenie. Crepúsculo. Tradução Ryta Vinagre. Rio de Janeiro: Intrínseca, 2009.
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Selunskaya, Nadezhda A. "The Intellectual biography of P. M. Bicilli in the interpretation of M. A. Birman." Slavic Almanac, no. 1-2 (2020): 472–81. http://dx.doi.org/10.31168/2073-5731.2020.1-2.6.01.
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Birman M. A. P. M. Bicilli (1879-1953). Life and creativity. - Moscow: Vodoley, 2018. - 444 p. The paper deals with the new publication devoted to P. M. Bicilli (1879-1953) in the broad historical context. The author of the book is Mikhail Birman, the specialist in the field of Slavic and Balkan studies, who has created the original approach to the intellectual biography and the interpretation of the heritage of P. M. Bicilli, was a pioneer in the field of emigration culture studies. The aim of the paper is to review the new publication of the “patriarch” of this trend of historiography, which summaries his previous performance.
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Wanas, M. I. "Non-Conventional Origin of Large-Scale Magnetic Fields." Symposium - International Astronomical Union 140 (1990): 518. http://dx.doi.org/10.1017/s0074180900191041.
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One of the models constructed (Wanas, 1985) within the framework of the generalized field theory (Mikhail and Wanas, 1977) is found to give results in favour of Blackett's speculation concerning rotation and the origin of magnetic fields. The formula giving the surface polar magnetic field of a spherical body of mass M, radius R, and uniform rotational velocity w is given by (Mikhail and Wanas, 1989) In case of a typical galaxy, the model gives a magnetic field of the order of 10-5 Gauss.
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Shakhmatova, Elena V. "Mikhail Matyushin’s Creative Method and the Russian Avant-Garde." Observatory of Culture 19, no. 4 (September 5, 2022): 400–409. http://dx.doi.org/10.25281/2072-3156-2022-19-4-400-409.
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The article reveals the connection between the creative method of M. Matyushin and the search for a new spirituality associated with the ideological and aesthetic searches of Russian modernism in the era of the Silver Age. The relevance of the article is due to the need for a comprehensive analysis of the heritage of the Russian avant-garde, because, in the Soviet period, everything that went beyond the method of socialist realism was excluded from public consideration. A new aesthetics of theatrical futurism emerged in 1913 in the experimental opera production “Victory over the Sun”. In 1923, M. Matyushin formulated the program of “extended viewing”, calling it “ZOR-VED”, which came from the Russian words “Vision” + “Knowledge”. The contemplative method he proposed, by analogy with Buddhist practices, made it possible to overcome the fragmentation of the reality perception. The observer was to go beyond the space-time limitations, while the boundaries between the object and the subject would become blurred, removing the animate / inanimate opposition, and an understanding of the integrity of the universe would be achieved. M. Matyushin perceived color as a complex phenomenon, depending on the illumination, color of the environment, movement. The result of the experiments conducted by Matyushin at the State Institute of Artistic Culture (GINHUK) was the “Guide to Color” (1932). The method of “extended viewing” brought closer a new era of comprehension of the world as a whole, foreshadowing a breakthrough in many areas of knowledge: the sciences of consciousness, philosophy, psychology and even physics. However, in the country of victorious socialism, the experiments, which anticipated the further development of the visual arts of the 20th century, were forcibly stopped. M. Matyushin continued his search for a new spatial aesthetics in his home theater. The novelty of the solution to the problems under consideration is due to the fact that the article introduces a whole layer of rejected culture of the first third of the 20th century into scientific use, analyzes the activities of the little-studied organic direction of the Russian avant-garde, and compares M. Matyushin’s method of “extended viewing” with Buddhist practices.
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Ponzio, Augusto. "Communication with the Other and Moral Answerability in Mikhail M. Bakhtin." Russian Journal of Communication 1, no. 3 (June 2008): 291–306. http://dx.doi.org/10.1080/19409419.2008.10756718.
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Razogreyeva, Lyudmila P. "Library of M. Sholokhov." Bibliotekovedenie [Library and Information Science (Russia)], no. 3 (June 28, 2015): 70–75. http://dx.doi.org/10.25281/0869-608x-2015-0-3-70-75.
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The study of reading preferences of Mikhail Sholokhov will allow to come closer to the understanding of personality of the writer. The theme of library, of literary interests of M. Sholokhov was not considered in the sufficient range by the researchers of his work. The article describes the library collected by M. Sholokhov; there are discussed a number of fragments from his letters and memoirs of contemporaries, indicating formation of the spiritual world of the writer, what place in his life was occupied by fiction, historical and philosophical books.Currently, the Museum-Reserve of M. Sholokhov is working on reconstruction of library of the writer, lost during the Great Patriotic War of 1941-1945, which is going to become one of the most important exhibits of the Museum-Reserve.
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Danyliuk, Uliana. "THE KYIV PERIOD OF MIKHAIL MORDKIN'S CREATIVITY (1918-1919)." Scientific Journal of Polonia University 48, no. 5 (January 17, 2022): 25–31. http://dx.doi.org/10.23856/4803.
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The purpose of the study is to identify the main directions of Mikhail Mordkin’s creativity in Kyiv in 1918-1919. Chronological, comparative, typological and other methods are used in this work. The Kyiv period of M. Mordkin's creativity is associated with his pedagogical, performing and choreographic activities. His productions of the ballets Flowers of Granada, Giselle, La Fille mal gardée (The Wayward Daughter), as well as dance numbers and divertissements in opera and drama performances became meaningful to the artistic life of the city. M. Mordkin gained valuable experience of the director as a result of cooperation with Ukrainian creative intellectuals (L. Kurbas, M. Bonch-Tomashevsky, A. Petritsky, V. Verkhovinets). The stage production skills of Mordkin as the dancer served as an example for many Ukrainian artists. Mordkin as the teacher managed to significantly increase the size of the ballet troupe of the Kyiv Opera in a short time. It was made thanks students from his own studio, he expanded their professional capabilities through careful and systematic physical training. The research materials can serve as a basis for creating special courses on the history of choreography, can be used in subsequent theoretical studies devoted to the learning of Russian and Ukrainian ballet theaters or in the educational process in academic institutions of the corresponding profile.
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Problems of endocrinology, Editorial team of. "Mikhail Ivanovich Balabolkin (To his 60th birthday)." Problems of Endocrinology 41, no. 2 (April 15, 1995): 46. http://dx.doi.org/10.14341/probl11378.
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60 years have passed since the birth of the famous scientist endocrinologist, director of the Research Institute of Diabetes of the Endocrinological Research Center of the Russian Academy of Medical Sciences, doctor of medical sciences, professor Mikhail Ivanovich Balabolkin. A large place in the studies of M.I. Balabolkin is occupied by the issues of diagnosis and treatment of pituitary adenomas, autoimmune diseases of the thyroid gland, and more recently, the problem of the pathogenesis and treatment of diabetes mellitus and its late complications. M. I. Balabolkin published 350 scientific works, including 10 monographs. He is the author of a textbook on endocrinology for medical schools.
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Kliuiev, O. M. "TO 100 ANNIVERSARY OF OUTSTANDING SCIENTIST-CRIMINALIST MIKHAIL VASILYEVICH SALTEVSKYI." Theory and Practice of Forensic Science and Criminalistics 17 (November 29, 2017): 420–26. http://dx.doi.org/10.32353/khrife.2017.53.
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The paper describes creative and life path of Doctor of Law, Professor M. V. Saltevskyi (08.11.1917-23.08.2009) - an outstanding Ukrainian scientist-criminalist, one of the founders of the Kharkiv forensic science school. The paper focuses on the practical contribution of M. V. Saltevskyi to the development of forensic studies of the Kharkiv Research Institute of Forensic Examinations. During his work at the Institute, he proved himself to be a talented expert and scientist; his active life position was realized in the personal execution of a considerable number of complex and unusual examinations, in the preparation ofpublications and inventions (three author’s certificates on inventions, new methods of measuring photography and identification of sound recording devices, improvement of forensic metric camera FSM-1 construction, etc.). As an experienced forensic expert, M. V. Saltevskyi participated in the inspections of places of incidents, investigative experiments, court sessions. Each of these events was conducted with creative inspiration and responsibility. He successfully combined scientific, methodical and expert work, assisting employees of law enforcement agencies, prosecution offices, courts. The powerful contribution ofprofessor M. V. Saltevskyi to development of the general theory of criminalistics, the theory criminalistic identification, separate criminalistic theories, criminalistic technics, criminalistic tactics and methods ofinvestigation ofseparate kinds of crimes. The brightest pages of formation and development criminalistics in Ukraine andfar behind its limits are connected with his name. Numerous publications of the scientist have not lost their actuality to this day, still being in demand by criminalistic scientists, forensic experts- practitioners, employees of law enforcement bodies and other institutions. The scientific heritage of Professor M. V. Saltevskyi largely determines the current trends of the scientific research in the Criminalistics and Forensic Expertise.
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Ustinov, Andrei B. "“Chinary” in M. Kuzmin’s Journals." Literary Fact, no. 19 (2021): 200–252. http://dx.doi.org/10.22455/2541-8297-2021-19-200-252.
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The paper presents selected records from Mikhail Kuzmin’s diary that deal with – directly or indirectly – Daniil Kharms and his literary associates since the first mentioning of “mystic-futurist Vvedensky” on March 16, 1924, and up to the arrest of Kharms and Vvedensky in “Gosizdat Juvenile Sector case” in December 1931. The records reveal lots of new biographical facts and aspects of literary life of the time. The publication is provided with the necessary commentary and the introductory article that recreates the background of Kuzmin’s relations with “Chinary” and later with OBERIU in the context of Leningrad culture of the late 1920s-early 1930s. A special attention is paid to the writers of “Kuzmin circle” that had personal relationships with Vvedensky and Kharms.
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Марина Израилевна, Нестьева,. "We Will Remember Obituary for Mikhail Byalik." Музыкальная академия, no. 4(780) (December 26, 2022): 200–203. http://dx.doi.org/10.34690/280.
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Некролог посвящен памяти Михаила Григорьевича Бялика (1929-2022) — выдающегося музыковеда, пианиста, музыкального критика, на протяжении многих лет печатавшегося в российских и зарубежных изданиях о музыке, в том числе в журнале «Музыкальная академия». Автор вспоминает М. Г. Бялика не только как активного участника общественной культурной жизни, но и как человека, оставившего глубокий след в сердцах коллег, учеников и друзей. This obituary is dedicated to the memory of Mikhail Grigorievich Byalik—an outstanding musicologist, pianist, and music critic, for many years published in Russian and foreign publications about music, including the “Music Academy” journal. The author recalls M. G. Byalik not only as an active participant in public cultural life but also as a person who left a deep mark on the hearts of colleagues, students and friends.
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Khaninova, Rimma. "Satirical Legacy of Mikhail Khoninov: Revisiting the Unpublished." Бюллетень Калмыцкого научного центра Российской академии наук 3, no. 19 (December 28, 2021): 319–43. http://dx.doi.org/10.22162/2587-6503-2021-3-19-319-343.
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Introduction. The family archive of the Kalmyk writer Mikhail V. Khoninov (1919–1981) contains unpublished works of various genres, both in the original and in translations. The latter comprise his satirical heritage represented by fables, feuilletons, apologues, couplets, quatrains, etc. Goals. The article introduces into scientific circulation Russian translations of some unpublished satirical poems and a feuilleton of the poet which for various reasons were never included in the author’s lifetime books, nor printed in magazine and newspaper versions. Materials and methods. The study explores the satirist’s fables and one feuilleton created in the 1970s and translated into Russian for a book in the Crocodile Library series. The historical literary, comparative, and descriptive methods made it possible to identify genre features, poetics of texts, and a tradition of laughter culture. Results. The analysis of the texts defines their satirical orientation characteristic of one part of the writer’s artistic heritage, variability of plots and motifs, stable images, allegorism, and connection with contemporaneity. Conclusions. Russian translations of the fables (‘Oh, Sanzhi ...’, ‘The Skillful Thief’, ‘Literary Horse Thief’, ‘Coryphaeus’, ‘Editing’) and one feuilleton (‘The Fraudsters’) by A. Vnukov, L. Shereshevsky, A. Nikolaev, M. Semenov, and A. Krongauz demonstrate a variety of themes and characters addressed by the poet. The to be introduced unpublished fables and one feuilleton by M. Khoninov shall be instrumental in supplementing book editions, reconstructing a creative history of the poet’s works and translation practices of ethnic poetry.
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Vorobyova, J. V. "EXHIBITION OF PHOTOGRAPHS BY M. FLINT «IMMERSING INTO THE MAGIC OF NATURE»." XXII workshop of the Council of nonlinear dynamics of the Russian Academy of Sciences 47, no. 1 (April 30, 2019): 240–47. http://dx.doi.org/10.29006/1564-2291.jor-2019.47(1).52.
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The article tells about the exhibition of Mikhail Vladimirovich Flint «Immersing into the magic of nature» which took place from March 1 to March 31, 2019 in the Gallery of Сlassical Photography. The exhibition includes about 80 author’s photographs, which depict the amazing landscapes of the Arctic, Novaya Zemlya archipelago, Aral Seas and Plato Usturt, Issyk-Kul Lake and Kirgizstan mountains, Caspian Sea shore and Mangistau Peninsula.
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Dvortsova, N. Р. "Mikhail Prishvin's «Diaries» as a publishing project." Bibliosphere, no. 1 (March 30, 2019): 42–48. http://dx.doi.org/10.20913/1815-3186-2019-1-42-48.
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The research centers upon the bibliographical study of the history (1991–2017) and prehistory (1957–1990) of M. M. Prishvin’s «Diaries» (1905–1954) publication recognized as the longest (18 volumes) diaries in Russian literature. In modern science Prishvin’s «Diaries» are studied in a number of aspects: as a historical and cultural chronicle of the country in 1905–1954; the writer’s self-consciousness and creative laboratory; a fiction text in the system of its motives, literary and philosophical contexts, as well as from the point of view of its publishing fate which is narrowly understood as a fragmentary history of its publication. The paper novelty is due to, first, reconstruction of the history and prehistory of the «Diaries» publication, and second, the system analysis of the publication history in connection with the changing economic models of publishing business, types of publishing houses, their repertoire, strategies, and features of the editorial work during the publication of the collected works. Moreover, the author distinguishes three types of ego-texts in Prishvin’s works (sketch books, diary, and diary books) and, accordingly, different publication strategies. The study reveals that within the prehistory of the «Diaries» publication there were two main approaches to their publishing: first, they were published in shortened versions (1986); second, in fragmentary versions based on the thematic or chronological principle, most often in a journal variant. Prishvin’s «Diaries» are considered in the context of the writer’s whole collected works: the pre-Soviet («Znanie Publishing House», 1912–1914) and the Soviet («Gosizdat», 1927–1930, 1929–1931; «Goslitizdat», 1935–1939; «Khudozhestvennaya literature», 1982–1986) periods. The history of Prishvin’s «Diaries» publication in the post-Soviet period is described as a collective book project carried out by the efforts of five state and non-state publishing houses: «Moskovskii Rabochii» (1991–1995), «Russkaya kniga» (1999–2004), «ROSSPEN» (2012); «Novyi Khronograf» (2013–2014); and «Rostok» (2006–2017). The author demonstrates the «Diaries» connection with the repertoire and strategies of these publishers. After the reconstruction of the history and prehistory of Prishvin’s «Diaries» publication from the initial fragments to full print and electronic versions, the author convincingly proves that this long-term collective book project belongs to the local history of the Russian publishing industry in the XX–XXI centuries.
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Samokhvalov, I. M. "Review of the practical manual for physicians «Mediastinitis» by M. M. Abakumov (Moscow, MK, 2020: 296. (In Russ.))." Grekov's Bulletin of Surgery 180, no. 2 (August 20, 2021): 108–11. http://dx.doi.org/10.24884/0042-4625-2021-180-2-108-111.
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A review of the manual for physicians «Mediastinitis» published in 2020, written by the famous Russian surgeon and scientist Professor Mikhail Mikhailovich Abakumov, is presented. The manual is based on the study of pathogenesis and practical experience in the diagnosis and treatment of patients with various forms of mediastinitis at the Sklifosovsky Research Institute for Emergency Medicine for 40 years. Sections of the manual include the history of the problem, terminology and classification issues, pathogenesis, clinical presentation and diagnosis, surgery and postoperative treatment of mediastinitis. The manual is intended for a wide range of surgeons who may be involved in acute mediastinitis diagnosis and treatment.
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Boiarkin, Nikolai I. "Mikhail Aleksandrovich Lobanov: serving the science." Finno-Ugric World 10, no. 3 (December 30, 2018): 106–19. http://dx.doi.org/10.15507/2076-2577.010.2018.03.106-119.
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October 16, 2018 is the 75th anniversary of the birth of an outstanding ethnomusicologist and folklorist, Doctor of Art History, professor M. A. Lobanov. His life and work are the examples of selfless devotion and service to science. The name of the scholar is inseparable from the processes of the development of musicology and folklore of the last decades. Lobanov contributed to the formation of new areas of research in ethnomuscology and exact academic research base, laid the conceptual basis for the study of genre and types of folklore style discovered by him, created an academic and pedagogical school in the field of studying archaic forms of traditional music and inter-ethnic interrelations. His numerous works, fundamental multi-volume works on bibliography, systematics of tunes, indexes have enriched modern science, laid solid foundations for future research in the field of theory and history of ethno-musicology. The materials of the study were the works of the scholar, personal impressions obtained during many years of communication with him, as well as the articles published in encyclopedias, journals and newsletters. The work uses the principles of historical analysis and generalization. The article gives a brief description of the activities of the scholar; analyses his fundamental works in the field of musical Slavic and Finno-Ugric Studies, and inter-ethnic folklore connections. It defines the significance of Lobanov’s works for the subsequent development of national and international ethnomuscology.
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Osipova, Tatyana. "Mikhail Sholokhov in the Creative Consciousness of Modern Russian Writers." Proceedings of Southern Federal University. Philology 2020, no. 1 (March 15, 2020): 21–26. http://dx.doi.org/10.18522/1995-0640-2020-1-21-26.
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The views of modern Russian writers D. Bykov, A. Melikhov, Z. Prilepin on the personality and work of M. Sholokhov are presented. The features of their reading of the writer’s works are considered, the diversity and inconsistency of assessments and opinions are emphasized. Particular attention is paid to the attitude of modern writers to the problem of authorship of the novel «And Quiet the Don Flows». The analysis showed that all of the above authors emphasize the connection of the novel-epic M. Sholokhov with previous and subsequent works of the writer. But, if A. Melikhov and Z. Prilepin completely deny the fact of plagiarism, D. Bykov admits the fact of partial borrowing.
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Pape, Carina. "HUSSERL, BAKHTIN, AND THE OTHER I. OR: MIKHAIL M. BAKHTIN – A HUSSERLIAN?" Horizon. Studies in Phenomenology 5, no. 2 (2016): 271–89. http://dx.doi.org/10.18199/2226-5260-2016-5-2-271-289.
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Krutko, N. P., V. V. Kokhanovsky, T. M. Ulyanova, and I. E. Shimanovich. "Life and creative development of academician M. M. Pavlyuchenko." Proceedings of the National Academy of Sciences of Belarus, Chemical Series 55, no. 4 (December 6, 2019): 502–12. http://dx.doi.org/10.29235/1561-8331-2019-55-4-502-512.
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The article is devoted to the 110 anniversary of the birth of the Belarusian scientist, the founder of the section of chemical science – Chemistry of solids, the organizer and the first director of Institute of the General and Inorganic Chemistry of the National Academy of Sciences of Belarus, academician of the Academy of Sciences of Belarus – Mikhail Mikhaylovich Pavlyuchenko. In the article, the career devoted to search of the implication and chemical mechanism of the processes proceeding with participation of solids is described. Identification of the defining stages (limiting stages) and regularities of thermal dissociation reactions and synthesis of different classes and various structure of substances, as well as the definition of ways to operate these processes are described in this paper. His pedagogical and practical activities were purposeful, he looked for and found the young people interested in scientific research, excited them with his ideas, prepared 40 candidates and 3 Doctors of Chemistry. Together with the academician N. F. Ermolenko and the engineering structure of the institute, he prepared, proved the ways and possibilities of use and enrichment of sylvinites of the Starobinsky field, and repeatedly reported for the government and wide audience on importance of chemical industry development in Belarus. His course of life is a service to science and the Homeland.
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Tishkin, A. A., and T. V. Tishkina. "History of archaeological research in Altai and adjacent territories (on the contribution of M. A. Demin)." Field studies in the Upper Ob, Irtysh and Altai (archeology, ethnography, oral history and museology) 17 (2022): 43–48. http://dx.doi.org/10.37386/2687-0584-2022-17-43-48.
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The article defines the importance of the scientific direction connected with the study of the history of archeological research in Altai and considers the contribution of Mikhail Alexandrovich Demin to this process. This theme is reflected in reports, articles, dissertations and monographs, which are especially in demand when summarizing the accumulated materials. Information from archival sources, local folklore and legends deserves special attention.
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Eremin, I. A. "Teacher, scientist, mentor. To the anniversary of Mikhail Alexandrovich Demin." Field studies in the Upper Ob, Irtysh and Altai (archeology, ethnography, oral history and museology) 17 (2022): 30–32. http://dx.doi.org/10.37386/2687-0584-2022-17-30-32.
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The article is dedicated to M.A. Demin, Doctor of Historical Sciences, professor, dean of the Faculty of History, who made a great contribution to the development of higher pedagogical education in the Altai Territory and the formation and development of the Regional Pedagogical Lyceum. Professor M. A. Demin significant influence on the professional development of the author.
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Осовский, О. Е., and В. П. Киржаева. "Mikhail Mikhaylovich Bakhtin: an Attempt to Reconstruct a Scholar’s Biography (Part 2)." Вестник Рязанского государственного университета имени С.А. Есенина, no. 1(70) (March 17, 2021): 90–102. http://dx.doi.org/10.37724/rsu.2021.70.1.010.
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В статье представлена реконструкция научной биографии выдающегося мыслителя ХХ века М. М. Бахтина, влияние которого на развитие гуманитарных наук в России и за ее пределами не просто сохраняется в XXI веке, но становится более заметным. Понимание того, как формируется и эволюционирует мысль М. М. Бахтина на протяжении 1910–1970-х годов, какие влияния она испытывает и в диалоге с какими школами и течениями получает завершение, — одна из важнейших целей бахтиноведения как междисциплинарного направления гуманитаристики последних десятилетий. Особое значение в этом контексте приобретают Собрание сочинений М. М. Бахтина, издание которого завершилось в 2012 году, исследования В. Л. Махлина, Н. И. Николаева, Н. А. Панькова, Н. Д. Тамарченко, Л. А. Гоготишвили, М. Холквиста, Г. С. Морсона, К. Эмерсон, Г. Тиханова, К. Брендиста, статьи и очерки С. Г. Бочарова, В. В. Кожинова, В. Н. Турбина и др. С опорой на междисциплинарный подход, приемы микроистории и идею «малого времени» авторами дано комплексное описание жизни и творчества М. М. Бахтина на основе новейших разысканий отечественного и зарубежного бахтиноведения, собственных исследований 1990–2010-х годов, предложена периодизация научной биографии ученого, охарактеризованы основные достижения, прослежена эволюция философско-эстетических взглядов и исследовательской методологии, обозначены научный и социокультурный контексты работ невельско-витебского периода, «Проблем творчества Достоевского», исследований о романе, рукописи о Рабле, поздних текстов и фрагментов. Во второй части статьи предлагается реконструкция жизни и творчества ученого с периода кустанайской ссылки по 1975 год, обозначен поворот от социологической к исторической поэтике в работах 1930-х годов, в частности в рукописи о Рабле показан новаторский характер научных поисков 1940–1950-х годов, значение идей ученого для обновления советской и мировой гуманитаристики в 1960–1970-х годах. The article reconstructs a scholarly biography of M. M. Bakhtin, an outstanding philosopher of the 20thcentury, whose influence on the development of humanities in Russia and abroad can hardy be overestimated and remains strong even in the 21stcentury. One of the most important goals of Bakhtin studies as an interdisciplinary humanitarian research of recent decades is the investigation of M. M. Bakhtin’s philosophy and its evolution during the 1910s–1970s as well as the study of external factors, philosophical schools and trends that influenced Bakhtin’s philosophy. M. M. Bakhtin’s collected works (published in 2012), research works conducted by V. L. Makhlin, N. I. Nikolayev, N. A. Pankov, N. D. Tamarchenko, L. A. Gogotisjvili, M. Kholkvist, G. S. Morson, K. Emerson, G. Tikhanov,K. Brendist, articles and essays written by S. G. Bocharov, V. V. Kozhinov, B. N. Turbin, and other works gain special significance in the present context. The authors of the article describe M. M. Bakhtin’s life and work through the prism of an interdisciplinary approach, employ the methods of microhistory and the idea of little time, rely on the investigations of Russian and foreign scholars working in the field of Bakhtin studies and their own research conduced in the 1990s-2010s. The article focuses on some landmarks of the philosopher’s scholarly biography, characterizes his major achievements, investigates the evolution of his philosophical and aesthetical views and his research methodology, characterizes the scholarly and socio-cultural contexts of Bakhtin’s work in Newel and Vitebsk, analyzes Bakhtin’s “Problems of Dostoyevsky’s Poetics”, investigates his manuscript about Rabelais and his late works. The second part of the article attempts to restructure the philosopher’s life and work from the beginning of his exile in Kustanay till 1975. The article shows that Bakhtin’s works of the 1930s bear witness to the fact that Bakhtins’ sociological poetics gradually transforms into historical poetics. The article deals with Bakhtin’s investigation of Rabelais’ works in the 1940s–1950s. It underlines the importance of Bakhtin’s ideas for the development of both Soviet and foreign humanitarian studies in the 1960s–1970s.
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Denisova, Ekaterina A. "The peculiarity of the comic in M. Stogovskii’s feuilletons (1918–1919)." Philology 18, no. 9 (2020): 185–93. http://dx.doi.org/10.25205/1818-7919-2019-18-9-185-193.
Full textAbstract:
Mikhail Stogovskii is the pseudonym of the now-forgotten Siberian author Mikhail Nikolaevich Ananyev. In 1918–1919 he regularly published his satirical texts in the newspaper Russian Speech. The newspaper was published in the Siberian city, which was then called Novo-Nikolaevsk. M. Stogovskii describes the absurdity of modern reality, so he often uses quotations from newspapers as epigraphs that define a comic position. During two years of work in the Novikolaevsk’s newspaper, there is a dynamic in his texts: from light humorous texts to sharp satire about the new political regime. M. Stogovskii preferred allegorical genres (fables, fairy tales), many of which are devoted to the topic of political struggle at the end of 1918 and at the beginning of 1919. By the end of 1919, the Bolsheviks and their political regime became the main object of ridicule, because Siberia was still under the control of the White Army during the publication of the newspaper Russian Speech. Bolshevism was perceived as an enemy movement, the authors faced the task of creating not just an entertaining text, but creating negative images of the leaders of Bolshevism, therefore caricature images of Lenin and Trotskii often appear in feuilletons. However, M. Stogovskii created a satire on all levels of society, including the local government and ordinary citizens. He skillfully mastered such comic techniques as irony and sarcasm, creating multi-valued, multi-level jokes and ridicule. This talent allowed M. Stogovskii to stand out among a large number of his contemporary feuilleton authors.
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SPIRIDONOV, ERNST. "Norilsk ore-bearing intrusives and sulfi ores. To the 120th anniversary of the birth of M. N. Godlevsky." Domestic geology, no. 6 (January 10, 2023): 95–116. http://dx.doi.org/10.47765/0869-7175-2022-10038.
Full textAbstract:
Mikhail Nikolaevich Godlevsky is one of the creators of modern geology in the Norilsk region, and a leading specialist in the field of magmatic sulfide deposits. All serious scientific works and production reports on the Norilsk region contain references to the famous book by M. N. Godlevsky "Traps and ore-bearing intrusions of the Norilsk region" [11]. Below we consider the current state of some of the problems that M. N. Godlevsky investigated in the Norilsk region.
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Tkachev, V. V. "PARTICIPATION OF THE INHABITANTS OF BAIKAL SIBERIA IN THE DESIGN OF THE PARIS WORLD EXHIBITION OF 1900 (BASED ON THE MATERIALS OF THE STATE ARCHIVES OF THE IRKUTSK REGION)." Northern Archives and Expeditions 5, no. 4 (December 30, 2021): 145–53. http://dx.doi.org/10.31806/2542-1158-2021-5-4-145-153.
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The article examines the history of the participation of the inhabitants of Baikal Siberia in the Paris World Exhibition of 1900. M. D. Butin (1835–1907), the history of the creation of his art collection. The work confirms that M. D. Butin participated in the design of the Paris World Exhibition. The study reveals the content side of the international art event for the Baikal region. Various representatives of the public (merchants, artists, scientists, teachers) were involved in the process of preparing the event, since many residents studied the history, features of the development of Siberia. All this allows us to conclude that as a result of participation in the exhibition, M. D. Butin created favorable conditions for the development of socio-cultural ties of the region with Western and Eastern states. Mikhail Dmitrievich's activities influenced the process of familiarizing residents with art objects. He supported the work of public organizations, scientific expeditions, art exhibitions and other educational events. The entrepreneur believed that if you prepare and organize open areas for society, then it is possible to raise the level of its well-being. As a result of expeditions, writing scientific papers, Mikhail Dmitrievich showed how the region should develop. Many interests and ideas of M. D. Butin in various fields of culture were realized during his lifetime and after by other representatives of the artistic intelligentsia of Baikal Siberia.
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Krivolutskaya, Nadezhda A. "Foundations of the theory of magmatic ore formation in works by M. N. Godlevsky and their modern development." Ores and metals, no. 4 (January 11, 2023): 119–35. http://dx.doi.org/10.47765/0869-5997-2022-10025.
Full textAbstract:
On the occasion of the 120th anniversary of the birth of Mikhail Nikolayevich Godlevsky, an outstanding geologist and researcher of magmatic sulfide deposits, a book about the life of this remarkable man “From the depths of the Norilsk ores. Mikhail Godlevsky” is being prepared at the Central Research Geological Prospecting Institute for Base and Precious Metals, where he worked in 1961-1984. The material published below is based on the article “The theory of magmatic ore formation in works by M. N. Godlevsky and its modern aspects” from the anniversary edition and contains minor editorial changes. The article considers the principal theoretical provisions of the magmatic genesis of the Norilsk platinum-copper-nickel deposits, that were developed by M. N. Godlevsky in his works. Particular attention is paid to his still unpublished doctoral dissertation that covers all aspects of the genesis of the unique Norilsk ores: from the formation conditions of the ore-bearing magmas in the northwest Siberian Platform and their crystallization in the upper zones of the earth's crust, to the formation of disseminated and veined ores of the Norilsk 1 and Zub-Marksheiderskoe deposits. Modern views are presented on the origin of ore deposits of the Norilsk region, which were characterized in the works by M. N. Godlevsky.
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Oliveira, Ana Maria Abrahão dos Santos. "O eu e sua dualidade: uma releitura de O Duplo, de Dostoiévski." RUS (São Paulo) 12, no. 20 (December 23, 2021): 281–300. http://dx.doi.org/10.11606/issn.2317-4765.rus.2021.190497.
Full textAbstract:
O artigo pretende elaborar uma releitura da novela O duplo (1846/2013), do escritor russo Fiódor M. Dostoiévski (1821-1881), tendo como foco a temática da duplicidade como um desdobramento do eu, segundo a visão psicanalítica freudiana, além de abordar o aspecto da estrutura da obra e a questão do dialogismo, na concepção de Mikhail Bakhtin (1997).
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Kholodynska, Svitlana. "Personalized History of Futurism: the Experience of Reconstruction the Mikhail Semenko’s Literary Milieu." Culturology Ideas, no. 14 (2'2018) (2018): 140–47. http://dx.doi.org/10.37627/2311-9489-14-2018-2.140-147.
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The theoretical significance of formal and logical structure of “personalized history of futurism” is considered within the context of biographical method, as it was the literary milieu of M. Semenko who played specific role in establishment and development of Ukrainian futurism model. The methodology of the study is defined by the following general theoretical principles applied to analyse humanitarian problems: systematization, historicism, and objectivism. The novelty lies in systematization of M. Semenko’s literary milieu as well as in defining the significance of the role that some representatives of futurism played in its history. For the first time in Ukrainian humanities moral and legal approaches within biography factor are employed to analyse M. Semenko’s literary milieu. Conclusions. 1. It is shown that personalization as a constituent of biography method and fundamental principle of culturological analysis enables to reconstruct adequately personal aspect within logics of ‘construction’ the aim and goals of any radically new literary and artistic group and evaluate creative contribution of each member unbiased. 2. It is emphasized that literary men surrounding the founder of Ukrainian futurism M. Semenko came in gradually shaping Ukrainian model of futurism as an integral and original phenomenon in the culture of the 1910s–1930s. 3. Gradually widening the circle of Ukrainian futuristic movement members, this study reveals life and creative work of D. Buzko, V. Polischuk, O. Vlizko and O. Slisarenko.
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LOYTER, SOFIA М., and NADEZHDA V. ROVENKO. "THE GREAT WORD GAME: THE IDIOSTYLE PECULIARITIES OF CHILDREN’S POETRY BY MIKHAIL YASNOV." Cherepovets State University Bulletin 4, no. 109 (2022): 56–69. http://dx.doi.org/10.23859/1994-0637-2022-4-109-6.
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The purpose of the article is to study the idiostyle of children's poetry by Mikhail Yasnov, one of the contemporary poets. His children’s poems are a special type of text, the figurative structure of which is considered in a variety of language games with the word and folklore origins. The roots of children’s poetry by M. Yasnov go back to folk literature, which makes it possible to reconstruct such genres for children as a lullaby, a tedious fairy tale, a rhyme, a riddle, etc. The research material included poems from various collections for children. The authors analyze various methods of word creation and emphasize the role of language games in the development of children's creativity. Almost every poem of this poet is a game with sounds, words and concepts. Particular attention is paid to the influence of V. Khlebnikov’s works on M. Yasnov’s views. All this together reveals M. Yasnov’s message about the “formal image of a poem” for children’s poetry.
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Smirnov, Sergey, and Alexey Buyakov. "Mikhail Natarov, the Russian Hero of the Battle of Khalkhyn Gol." Journal of Economic History and History of Economics 20, no. 1 (April 5, 2019): 54–65. http://dx.doi.org/10.17150/2308-2588.2019.20(1).54-65.
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In May 1939, there was a large-scale military conflict between Japan and the Soviet Union as a result of Japanese provocative acts in the territory of Manchurian-Mongolian border near Nomonhan-Burd-Obo. It took place in the territory of the Mongolian People’s Republic. The Soviet Union won in September of the same year. The article, based on the unique archive documents and emigrants’ publications, presents a biography of a Russian emigrant, a military officer of Manchukuo army M. Natarov who died in the battle of Khalkhyn Gol in July 1939. The authors also analyze the rise of the cult of warriors against the Communist International in the Russian emigrants’ community. M. Natarov’s death was used by the emigrant politicians supported by Japanese authorities to create the cult of heroes killed in the struggle against the Communist International. The aim of the cult was to unite Russian emigrants on the background of anti-Soviet climate. Due to the short period of its existence and tepid response from the emigrants’ community, the cult failed to gain ground in the minds of Russian emigrants in Manchukuo. The article is based on the documents of the Khabarovsk Region State Archive.
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Gusejnova, E. "SOME NOTES ON MIKHAIL YURYEVICH LERMONTOV'S WORK "ASHUG GARIB"." East European Scientific Journal 2, no. 6(70) (July 10, 2021): 37–40. http://dx.doi.org/10.31618/essa.2782-1994.2021.1.70.72.
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The great Russian poet and thinker M. Lermontov spent several years of his life in exile in the Caucasus and during these years he got acquainted with the national culture, folklore, life and way of life of the
Azerbaijani people. As a result of this acquaintance, he skilfully used the subjects and images he received from Azerbaijani folk art, folklore motifs in his works. His work "Ashug Garib" based on the Azerbaijani folk epos of the same name is very characteristic in this regard. The article analyses the idea-content features of the work, investigates the mythological essence of a number of episodes and images. Summarizing his comparisons and analysis, the author concludes that Lermontov's work is very valuable as the first recorded version of the epos "Ashug Garib". The work is also important in terms of studying the Russian-Azerbaijani literary and cultural relations.
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Weigl, Anna. "Черномырдинки и техника комического у Михаила Зощенко." Studia Rossica Posnaniensia 47, no. 1 (June 27, 2022): 229–42. http://dx.doi.org/10.14746/strp.2022.47.1.15.
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This article considers the sphere of linguistic humour, specifically the linguistic structure of the so-called ‘chernomyrdinki’. Chernomyrdinki are written fixations of spontaneous oral statements by Viktor S. Chernomyrdin, a Soviet and post-Soviet statesman (1938–2010), which have become aphorisms. Chernomyrdinki are regularly reproduced and have not lost their popularity. Chernomyrdinki are, for the most part, Chernomyrdin’s spontaneous reactions to typical questions from journalists. The task of this study is to show that the not fully conscious, spontaneous statements by V. Chernomyrdin and the speech of Mikhail Zoshchenko’s heroes, deliberately constructed by the author in the course of the creative process, have much in common in their techniques of the comic and are at times identical. This study is based on the classification of “humour” in the speech of the heroes of M. Zoshchenko, developed by Mikhail Kreps.
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Diakova, T. A. "COLLOQUIAL PHRASEOLOGY IN MIKHAIL MATUSOVSKY’S WORKS: MATERIALS FOR THE DICTIONARY OF THE WRITER’S LANGUAGE." Review of Omsk State Pedagogical University. Humanitarian research, no. 32 (2021): 64–71. http://dx.doi.org/10.36809/2309-9380-2021-32-64-71.
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The study focuses on colloquial phraseology as part of the vocabulary of the writer Mikhail Matusovsky. Phraseology as a language subsystem embodying ethnoculture by linguistic means is an integral part of the writer’s artistic-figurative system. The phraseological fund of the works of Mikhail Matusovsky is quite diverse semantically and stylistically. In the array of phraseological units, a significant part is made up of colloquial expressions. The author concludes that M. Matusovsky not only uses in the texts the expressions recorded by phraseographic sources, but also transforms individual phraseological units. Semantic and structural transformation of phraseological units is used. It isestablished that in works of fiction, phraseological units perform various stylistic functions: they provide the emotionally expressive sound of the text, serve as portrait, characteristics of characters, convey the psycho-emotional states of lyrical heroes and characters.