Relevant bibliographies by topics / MIES

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  2. Dissertations / Theses
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  5. Conference papers
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Academic literature on the topic 'MIES'

Author: Grafiati
Published: 4 June 2021
Last updated: 9 June 2025

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Journal articles on the topic "MIES"

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Hartoonian, Gevork. "Mies." Fabrications 18, no. 2 (December 2008): 26–49. http://dx.doi.org/10.1080/10331867.2008.10539633.

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Preciado, Beatriz. "Mies-conception." Multitudes 20, no. 1 (2005): 47. http://dx.doi.org/10.3917/mult.020.0047.

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Darnell, Helena, and Joni Skiftesvik. "Kotikoivuinen mies." World Literature Today 74, no. 3 (2000): 610. http://dx.doi.org/10.2307/40155910.

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Shanks, David R. "Who, Mies?" Journal of Architectural Education 73, no. 1 (January 2, 2019): 20–31. http://dx.doi.org/10.1080/10464883.2019.1560795.

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Ruotsala, Helena. "Kolmen kotimaan mies." Sananjalka 61, no. 61 (November 26, 2019): 272–80. http://dx.doi.org/10.30673/sja.84303.

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Rehm, Robin. "Japan – Wright – Mies." Figurationen 5, no. 2 (December 2004): 67–82. http://dx.doi.org/10.7788/figurationen.2004.5.2.67.

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Hietala, Veijo. "Mies ja masokismi." Lähikuva – audiovisuaalisen kulttuurin tieteellinen julkaisu 6, no. 2 (September 1, 1993): 6–16. http://dx.doi.org/10.23994/lk.116690.

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González Presencio, Mariano. "Mies the Dandy." Ra. Revista de Arquitectura 17 (December 22, 2015): 19–26. http://dx.doi.org/10.15581/014.17.19-26.

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Lizárraga Sánchez, Salvador. "Mies en Tultitlán." Bitácora arquitectura, no. 26 (September 21, 2016): 83. http://dx.doi.org/10.22201/fa.14058901p.2014.26.57142.

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Mies van der Rohe proyectó un conjunto para Bacardí y Cía. México del cual sólo se construyó el edificio para las oficinas centrales de la multinacional en este país. La historia de la única intervención del arquitecto alemán en América Latina coincidió con uno de los momentos más complejos de la Guerra Fría: la Revolución cubana y la crisis de los misiles. A pesar de la enorme influencia que Mies ejerció en la arquitectura mexicana del siglo xx, la historia y la crítica de este país han guardado un silencio casi absoluto al respecto de su proyecto en Tultitlán.
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Woolner-Pratt. "Mies à jour." Future Anterior: Journal of Historic Preservation, History, Theory, and Criticism 18, no. 1 (2021): 74. http://dx.doi.org/10.2307/48770645.

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Dissertations / Theses on the topic "MIES"

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Mantovani, Genari Eduardo. "Mies' two-way span." Doctoral thesis, Universitat Politècnica de Catalunya, 2015. http://hdl.handle.net/10803/402785.

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The 50' x50' House Project (1951-1952) introduces the construction of a new formal system in the work of Mies van der Rohe (1886-1969): the two-way span buildings. In 1951, at age 65 and after more than a decade in the US, Mies potentiates the formal construction of its architecture incorporating American technique to his intellectual formation -forged in the centre of modern European avant-garde. In an environment of economic and cultural prosperity, he experiences a period of intense architectural production and completes the Farnsworth House (1945-1951 )-one-way span-, and the 860-880 Lake Shore Drive (1948-1951 ) -skeleton frame. The proposal of the House 50' x 50' implies an abstract exercise in composition: a horizontal plane of square geometry superimposed on a horizontal reference plane of previously undefined limits -roof plan and ground plan; figure and ground. After solving the intrinsic conditions for architecture -technique, use and site- and its precise relationship to the geometric limit, Mies defines the minimums for a two-way span structure and the formal principles governing the construction of other projects in the system. In the 1950s and 1960s, Mies uses the same approach -with different scales, techniques, uses and sites- in five projects: 50' x50' House (1951 -1952); Convention Hall, Chicago, USA(1953-1954) (720 'x720'); Offices Ron Bacardi, Santiago, Cuba (1957-1960) (180 'x180'); Museum George Schaefer, Schweinfurt, Germany (1960-1963) (190 'x 190'); and National Gallery, Berlín, Germany (1962-1968) (212 'x 212')-the only project built from the system and conclusion of his research. The thesis focuses on the building process of Mies' two-way span, from the approach used with 50' x 50' House - 1951- until the construction of the Berlín Gallery-1968. lt aims understanding and visual confirmation of the internal order of each project and the system as a whole. Driven by precise criteria of the formal relationship, the definition of a city environ from a horizontal plane of square geometry, summarizes Mies' architectural principles, and materializes - in its maximum expression- the most consistent principles of modern art.<br>El proyecto de la Casa 50' x 50' (1951-1952) introduce la construcción de un nuevo sistema formal en la obra de Mies van der Rohe (1886-1969): los edificios diáfanos de estructura bidireccional, o two-way span. En 1951 , con 65 años y tras más de una década en Estados Unidos, Mies potencializa la construcción formal de su arquitectura incorporando la técnica americana a su formación intelectual - forjada en el centro de las vanguardias artísticas modernas europeas. En un entorno de prosperidad económica y cultural, vive un periodo de intensa producción arquitectónica y acaba de construir la Casa Farnsworth (1945-1 951) -one-way span- y las torres 860-880 del Lake Shore Drive (1948-1951) -skeleton trame. En la propuesta de la Casa 50' x 50' está implícito un ejercicio abstracto de composición: un plano horizontal de geometría cuadrada superpuesto a un plano horizontal de referencia de limites previamente indefinidos - plano de cubierta y plano de suelo; figura y fondo. Tras la solución de las condiciones intrínsecas a la arquitectura - técnica, programa y sitio-, y su precisa relación con el límite geométrico, Mies define la mínima estructura diáfana bidireccional y los principios formales que rigen la construcción de los demás proyectos del sistema. En las décadas de 1950 y1960, Mies utiliza el mismo planteamiento - con diferentes escalas, técnicas, programas y sitios en cinco proyectos: Casa 50' x 50' (1951-1952); Convention Hall, Chicago, Estados Unidos (1953-1954) (720' x 720'); Oficinas Ron Bacardí, Santiago, Cuba (1957-1960) (180' x 180'); Museo Georg Schaefer, Schweinfurt, Alemania (1960-1962) (190' x 190'); y Galería Nacional, Berlín, Alemania (1962-1968) (212' x212') - único proyecto construido del sistema y punto final de su investigación. La tesis se centra en el proceso de construcción de la forma de los edificios diáfanos de estructura bidireccional de Mies ,desde el planteamiento de la Casa 50' x 50' - 1951- hasta la construcción de la Galería de Berlín - 1968. Visa la comprensión y comprobación visual del orden interno de cada proyecto y del sistema como un todo. Conducido por precisos criterios de relación formal, la definición de un ámbito de ciudad a partir de un plano horizontal de geometría cuadrada, condensa los principios de la arquitectura de Mies, y materializa -en su máxima expresión- los principios más consistentes del arte moderno.
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Llobet, Ribeiro Xavier. "Mies y Hilberseimer: la metrópolis como ciudad jardín." Doctoral thesis, Universitat Politècnica de Catalunya, 2005. http://hdl.handle.net/10803/127155.

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In this thesis we discover a model of city developed jointly by the architect Mies van der Rohe and the city planner Ludwig Hilberseimer, which we have called the Metropolis as a Garden City. This name comes from a sketch by Hilberseimer in 1927, where we can see how he wanted to incorporate the architectural prototype of the Weissenhof colony in his city planning schemes. The Metropolis as a Garden City is a model of an ecological, sustainable, and socially just city, which remained completely hidden because of the disciplinary division their own authors established. To reconstruct it, we have decided to establish a double look analyzing the architecture of Mies through the eyes of Hilberseimer, and the city planning of Hilberseimer through the eyes of Mies. In the first part, we analyze the historical and cultural context where the Metropolis as a Garden City is produced, that is to say, its SUPERSTRUCTURE. From the analysis of a text by Mies and another by Hilberseimer, we discover that the antecedents of the Metropolis as a Garden City are in the theory of the Linear City by Arturo Soria (1882), and in the theory of the Garden Cities by Ebenezer Howard (1898). In the second part, we analyze the city planning model of the Metropolis as a Garden City. We arrive to the conclusion that the great contribution of Hilberseimer is produced in the field of the INFRASTRUCTURES, and we create the hypothesis that the first city planning models by Hilberseimer are applications of the theory of the Linear City. The next step was to introduce the variable of the landscape through the architectural model of the Weissenhof. In the third part, we analyze the transformation of the urban space from the architecture, which Mies calls STRUCTURES. Mies propose to redefine the texture of the city from the concept of mixed height, that is to say, mixing the architecture of the city and the architecture of the suburb. We create the hypothesis that this mixture is an application of the theory of the Garden Cities. The first example is the Weissenhof colony. If we bear in mind the refusal which the city planning of Le Corbusier suffered after the Second World War; the necessity to “deconstruct” the political and philosophical systems in the 60s and 70s; and the serious social and environmental pathologies we suffer now, maybe we would appraise the possibility to put the Metropolis as a Garden City in practice, and to convert it in a framework to our own generation and to the future generations<br>En aquesta tesi es descobreix un model de ciutat desenvolupat conjuntament per l'arquitecte Mies van der Rohe i l'urbanista Ludwig Hilberseimer, el que hem anomenat la metròpoli com la Ciutat Jardí. Aquest nom prové d'un esbós de Hilberseimer el 1927, en el qual podem veure com es volia incorporar el prototip arquitectònic de la colònia Weissenhof en els seus esquemes de planificació de la ciutat. La Metròpoli com Ciutat Jardi és un model d'una ciutat ecològica, sostenible i socialment justa, que va quedar completament ocult a causa de la divisió disciplinària seus propis autors van establir. Per reconstruir-lo, hem decidit establir una doble mirada analitzar l'arquitectura de Mies a través dels ulls de Hilberseimer, i la planificació de la ciutat de Hilberseimer a través dels ulls de Mies . A la primera part, s'analitza el context històric i cultural en què es produeix la metròpoli com a ciutat jardí, és a dir, la seva superestructura. A partir de l'anàlisi d'un text de Mies i un altre per Hilberseimer, vam descobrir que els antecedents de la Metròpoli com Garden City estan en la teoria de la Ciutat Lineal d'Arturo Soria ( 1882 ), i en la teoria de les Ciutats Jardí d'Ebenezer Howard ( 1898 ). A la segona part , s'analitza el model de planificació de la ciutat de la metròpoli com la Ciutat Jardí. Arribem a la conclusió que la gran aportació de Hilberseimer es produeix en el camp de les infraestructures, i vam crear la hipòtesi que els primers models de planificació de la ciutat per Hilberseimer són aplicacions de la teoria de la Ciutat Lineal. El següent pas va ser la introducció de la variable del paisatge a través del model arquitectònic de la Weissenhof. A la tercera part, s'analitza la transformació de l'espai urbà de l'arquitectura, que Mies diu ESTRUCTURES. Mies proposa redefinir la textura de la ciutat des del concepte d'altura mixt, és a dir, la barreja de l'arquitectura de la ciutat i l'arquitectura del barri. Creem la hipòtesi que aquesta barreja és una aplicació de la teoria de les ciutats - jardí. El primer exemple és la colònia Weissenhof . Si tenim en compte la negativa que la planificació de la ciutat de Le Corbusier va patir després de la Segona Guerra Mundial, la necessitat de "deconstruir" els sistemes polítics i filosòfics en els anys 60 i 70 , i les greus patologies socials i ambientals que patim ara, potser podríem avaluar la possibilitat de posar la metròpoli com ciutat jardí a la pràctica, i per convertir-lo en un marc per a la nostra generació i per a les generacions futures<br>En esta tesis se descubre un modelo de ciudad desarrollado conjuntamente por el arquitecto Mies van der Rohe y el urbanista Ludwig Hilberseimer, lo que hemos llamado la metrópoli como la Ciudad Jardín. Este nombre proviene de un boceto de Hilberseimer en 1927, en el que podemos ver cómo quería incorporar el prototipo arquitectónico de la colonia Weissenhof en sus esquemas de planificación de la ciudad. La metrópolis como ciudad jardin es un modelo de una ciudad ecológica, sustentable y socialmente justa, que quedó completamente oculto debido a la división disciplinaria sus propios autores establecieron. Para reconstruirlo, hemos decidido establecer una doble mirada analizar la arquitectura de Mies a través de los ojos de Hilberseimer, y la planificación de la ciudad de Hilberseimer a través de los ojos de Mies . En la primera parte, se analiza el contexto histórico y cultural en el que se produce la metrópoli como ciudad jardín, es decir, su superestructura. A partir del análisis de un texto de Mies y otro por Hilberseimer, descubrimos que los antecedentes de la Metrópoli como Garden City están en la teoría de la Ciudad Lineal de Arturo Soria (1882), y en la teoría de las Ciudades Jardín de Ebenezer Howard (1898). En la segunda parte, se analiza el modelo de planificación de la ciudad de la metrópoli como la Ciudad Jardín. Llegamos a la conclusión de que el gran aporte de Hilberseimer se produce en el campo de las infraestructuras, y creamos la hipótesis de que los primeros modelos de planificación de la ciudad por Hilberseimer son aplicaciones de la teoría de la Ciudad Lineal. El siguiente paso fue la introducción de la variable del paisaje a través del modelo arquitectónico de la Weissenhof. En la tercera parte, se analiza la transformación del espacio urbano de la arquitectura, que Mies llama ESTRUCTURAS. Mies proponen redefinir la textura de la ciudad desde el concepto de altura mixto, es decir, la mezcla de la arquitectura de la ciudad y la arquitectura del barrio. Creamos la hipótesis de que esta mezcla es una aplicación de la teoría de las ciudades-jardín. El primer ejemplo es la colonia Weissenhof. Si tenemos en cuenta la negativa que la planificación de la ciudad de Le Corbusier sufrió después de la Segunda Guerra Mundial, la necesidad de "deconstruir" los sistemas políticos y filosóficos en los años 60 y 70, y las graves patologías sociales y ambientales que sufrimos ahora, tal vez podríamos evaluar la posibilidad de poner la metrópoli como ciudad jardín, en la práctica, y para convertirlo en un marco para nuestra generación y para las generaciones futuras
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Müller, Ulrich Gropius Walter. "Raum, Bewegung und Zeit im Werk von Walter Gropius und Ludwig Mies van der Rohe /." Berlin : Akad.-Verl, 2004. http://www.gbv.de/dms/bs/toc/379095920.pdf.

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Massu, Claude. "Modernité et post-modernité : architecture et urbanisme à Chicago." Paris 1, 1987. http://www.theses.fr/1987PA010553.

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La presente these se propose d'analyser et d'interpreter en termes de modernite certains aspects de l'architecture et de l'urbanisme a chicago depuis la fin de la seconde guerre mondiale jusqu'au debut des annees 1980. La pratique architecturale et urbanistique du modernisme fait l'objet de la premiere partie. L'oeuvre de mies van der rohe a chicago est analysee en fonction de problemes esthetiques, economiques et de structure constructive. Puis, les realisations de l'agence skidmore, owings et merrill, de w. Netsch et de b. Goldberg sont tour a tour envisagees comme des facettes de la modernite constructive a chicago. La deuxieme partie est centree sur les doctrines et pratiques postmodernistes depuis le milieu des annees 1970. Les exemples retenus (helmut jahn, thomas beeby et stanley tigerman) mettent en evidence une logique de l'historicisme et de la communication semiologique dans l'architecture actuelle a chicago. Dans la troisieme partie, on vise a donner une interpretation globale du corpus analyse precedemment. La these presentee est la suivante : les continuites entre le modernisme et le post-modernisme sont plus significatives que les ruptures ouvertement proclamees entre ces deux pratiques artistiques. Une meme notion de la modernite les englobe. Le reperage de ces differents niveaux de continuite permet de souligner des enjeux fondamentaux sur le statut et la fonction socio-economique de l'architecture dans la societe americaine contemporaine<br>This thesis is an analysis ans interpretation in terms of modernity of some aspects of architecture and urbanism in chicago from the end of world war ii to the early 1980s. The first part deals with architectural and urbanistic modernism. Mies van der rohe's work in chicago is examined from the aesthetic, economic and structural points of view. The doctrines and buildings of the firm skidmore, owings and merrill, of w. Netsch and b. Goldberg are then examined as so many aspects of modernism in the building art in chicago. The second part focuses on post-modernist doctrines and productions since the mid-1970s. Selected examples (helmut jahn, thomas beeby and stanley tigerman) underline a concern for historicism and semiological communication in chicago current architecture. In the third part is put forward a global interpretation of the set of works analysed previously. The conclusion is the following : the openly proclaimed and supposedly real break between modernism and post-modernism is far less significant than the underlying continuities between the two. They are both part of modernity. To point out different levels of continuity is a means to emphasize some fundamental questions at stake in the status and socio-economic function of architecture in current american society
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Moliner, Xavier. "El Fotomuntatge arquitectònic. El cas de Mies Van der Rohe." Doctoral thesis, Universitat de Girona, 2010. http://hdl.handle.net/10803/7858.

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ATENCIÓ: el pes del fitxer txmm3de3.pdf és de 70 MB<br/>RESUM:<br/>El treball realitzat vol ser un anàlisi exhaustiu de l'efecte causat per l'aparició de la fotografia en la representació de l'arquitectura, la seva introducció en les presentacions dels projectes i l'ús del fotomuntatge. Amb el canvi de segle, del dinou al vint, la fotografia ja va començar a entrar en les diferents disciplines artístiques inclosa l'arquitectura, de tal manera que amb l'aparició de les avantguardes artístiques els moviments arquitectònics<br/>moderns també es van mostrar reaccionaris i van incloure, a part de nous conceptes arquitectònics, noves maneres de presentar-les, la qual cosa els va acostar a les propostes pictòriques i conseqüentment a la introducció<br/>de la fotografia en el seu procés de treball i de presentació.<br>The study undertaken aims to present a comprehensive analysis of the impact of the emergence of photography in the representation<br/>of architecture, its introduction into project presentations and the use of photomontage. <br/>As the 19th century gave way to the 20th, photography had already begun its inroads into other artistic disciplines, including<br/>architecture, hence the fact that with the emergence of the artistic avant-garde modern architectural movements also registered a reaction<br/>and included, in line with the new architectural concepts, new ways of presenting them, moving closer to pictorial approaches, and hence the introduction of photography within their working and presentational process.
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Kim, Ransoo. "The "art of building" (BAUKUNST) of Mies van der Rohe." Diss., Available online, Georgia Institute of Technology, 2006, 2006. http://etd.gatech.edu/theses/available/etd-05042006-143310/.

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Thesis (Ph. D.)--Architecture, Georgia Institute of Technology, 2007.<br>Lewcock, Ronald B., Committee Chair ; Gamble, Michael E., Committee Member ; Bafna, Sonit, Committee Member ; Trubiano, Franca, Committee Member ; Mical, Thomas, Committee Member.
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Mies, Sebastian [Verfasser], and M. [Akademischer Betreuer] Zitterbart. "Autonomous Interconnection of Heterogeneous Networks / Sebastian Mies. Betreuer: M. Zitterbart." Karlsruhe : KIT-Bibliothek, 2012. http://d-nb.info/1026283787/34.

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Moon, Junsik S. M. Massachusetts Institute of Technology. "Shape grammar for Mies van der Rohe's high-rise apartment." Thesis, Massachusetts Institute of Technology, 2007. http://hdl.handle.net/1721.1/39310.

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Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Architecture, 2007.<br>Includes bibliographical references (leaves 49-50).<br>This thesis explores an application of a rule-based method to a practical architecture design. It uses shape grammar, a paradigm of generating designs in a specific style by using shape tokens (architectural elements) and rules of transforming between them. If a shape grammar can be made for mass production design that needs many repetitious units with slight differences, it would be very productive and valuable in the context of professional architectural practice. As an example, this thesis proposes a shape grammar for generating apartment plans in the style of Mies van der Rohe's high-rise projects that he made in the first half of twentieth century. Through this grammar, alternative apartment plans with different volumetric schemes can be developed rapidly for the given site, and allow an architect to quickly evaluate different possibilities of a building's mass and layout. Such a grammar also can be a good pedagogical tool, and an architectural student can use it to study and understand Mies van der Rohe's apartment designs. The thesis evaluates the advantages and the disadvantages of this shape grammar in the context of professional practice, and discusses the possibilities of similar grammars that could be developed for other architectural styles.<br>by Junsik Moon.<br>S.M.
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Sales, Emanuel Belisário da Cunha. "Estrutura e espacialidade na obra de Mies van der Rohe." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2009. http://hdl.handle.net/10183/24765.

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O presente trabalho trata da análise da estrutura e da espacialidade na obra de Mies van der Rohe. O objetivo é identificar sistemas e estratégias estruturais diversas ao longo do seu trabalho e entender sua relação com a evolução da concepção espacial de suas obras. Adotou-se como referência para esta análise dois períodos da carreira de Mies: o Período Europeu, de 1906 a 1938, e o Período Americano de 1938 a 1968, nos quais foram identificadas respectivamente quatro fases estruturais, conforme os sistemas estruturais e espaciais utilizados. A investigação centrou-se em quatro obras de referência do arquiteto: o Pavilhão de Barcelona (1928-29), o Crown Hall (1950), o Edifício Seagram (1954) e a Neuegalerie (1968). Compreendendo que o elemento poético da obra do arquiteto, aquele a partir do qual se articulam estrutura e espacialidade, é a tectônica, buscou-se analisar as convergências entre concepção espacial e estrutural e a tectônica destas obras. O resultado mostra que Mies van der Rohe, através de sessenta anos de ensaios e pesquisas estruturais e espaciais, consegue nas décadas de 1950-60 chegar à essência da sua obra: a estrutura como meio ordenador espacial do edifício.<br>This dissertation analyzes the structure and spatial characteristics on Mies van der Rohe´s work. The goal is to identify many structural strategies and systems throughout Rohe's work in order to understand their relationship with his spatial conception evolution. Two periods of Rohe's career were adopted as reference for this analysis: the European period, from 1906 to 1938, and the American period, from 1938 to 1968. In these periods, four structural stages were identified according to the structural and spatial systems used. The investigation focused on four of his key works: Barcelona Pavilion (1928), Crown Hall (1950), Seagram Building (1954) and Neuegalerie (1968).Understanding that the poetic element within the architect´s work - that from which structural and spatial concepts articulate - is its tectonic element, it was developed here the analysis of the convergence between the space and structural conceptions and the tectonics of the cited works. The dissertation finds that Mies van der Rohe - after 60 years of attempts, and structural spatial researches - achieved, during the 50s and 60s , the essence of his work: the structure as the spatial organizer of the building.
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Jiménez, Gómez Eva Maria. "El pilar en Mies van der Rohe: el lèxic de l'acer." Doctoral thesis, Universitat Politècnica de Catalunya, 2012. http://hdl.handle.net/10803/85418.

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The thesis focuses on the columns in Mies, as architectural element through which we can explain all his work. The development of a chronological table that organizes the work of Mies according to the shape of the column reveals us the existence of three distinct periods, each of which corresponds to the development of a different column. FIRST PERIOD: This period corresponds to the study of the star column of small riveting profiles, where a parallelism between the work of Mies, the Alfred Grenander¿s, architect of Siemens, and Peter Behrens¿, architect of AEG, is set up. Mies builds the same construction system of small riveting profiles published in different manuals of that time, adding small construction variations to achieve his architectural concerns. For example, he proposes an alternative to the usual gusset plates to solve the joints between the column and the beam, reducing them to a point therefore getting the absolutely flat roof of the German Pavilion. SECOND PERIOD: This period corresponds to the study of the grey column, which Mies uses at the United States, where he met the architecture of great welded steel  profiles used by Albert Kahn, the Henry Ford's architect. The application of the assembly line in manufacturing automobiles requires Kahn and Ford to innovate in the structures of large size and to spread the same structural order in all the buildings of the same industrial complex. The first buildings of Mies at the IIT are almost identical to those of Albert Kahn, with small variations, starting  a process that will end with the Crown Hall. THIRD PERIOD: This period corresponds to the study of the star column built with double-T profiles and the incorporation of the waffle slab structure in the work of Mies, which he develops from its relationship with Konrad Wachsmann, professor at IIT and architect of the US Air Force. Wachsmann develops three-dimensional structures in order to build large hangars for aircrafts, which can be assembled and disassembled by unskilled people in a very short time. Moreover, they don't generate any waste material. Mies will simplify constructively this structure, finally reaching the National Gallery. CONCLUSIONS. THE EFFECTS OF SCALE IN ARCHITECTURE: An overview of the technological context allows us to explore the link between Mies and those architects who lead the construction with steel structure in different industries and who are linked to the research and technological development institutions as relevant as the Werkbund, the Bauhaus and the IIT, in which Mies has taken a leading role in places of highest responsibility. The reconstruction of this technological context throughout the three periods allows us to draw a path of the development of the steel structures, which increasingly takes on new challenges of scale. Furthermore, shows us how Mies incorporates these advances in their work, and applies them to all scales in all three pillars. ARCHITECTURAL MANIFESTO: The comparative study of transitional projects reveals how Mies proposes some collage in every one of the three periods, as an architectural manifesto, which links the concept of neo-plastic space with every new structure. This is an invariant aspect in his work from the concrete house project in 1923 and the brick house project in 1924. TOWARDS THE CLARIFICATION OF THE STRUCTURE: The comparative study of the column allows us to realize its capacity to express the structure. The step from a column to another is part of a process in the work of Mies to the clarification of the structure. Thus it is becoming cleaner and he can leave it more and more visible. It is a constructive refinement process, and it is part of the same work line initiated by Viollet-le-Duc on the constructive shape that best expresses the steel structure, the one which responds to the material logic and the constrution processes.
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Books on the topic "MIES"

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Junkkaala, Eero. Mitä mies! Helsinki: Uusi tie, 2000.

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Cronvall, Marjatta. Seitsemäs mies. Helsinki]: Edita, 2007.

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Hynynen, Jouni. Mies katoaa. Helsinki: Like, 2009.

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Amado, Jorge. Mies roja. Bogotá, Colombia: Editorial Oveja Negra, 1985.

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Skiftesvik, Joni. Kotikoivuinen mies. Porvoo: W. Söderström, 1999.

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Kylmälä, Timo. Kutsetin mies. Helsinki: Kirjayhtymä, 1986.

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Sauri, Pekka. Hyvä mies. Porvoo: W. Söderström, 1998.

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Soikkeli, Martti. Vaitelias mies. Helsinki: Edita, 2008.

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Stenius, Yrsa. Elämäni mies. Helsinki: Kirjayhtymä, 1998.

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Nieminen, Kaiho. Äiditön mies: Romaani. Helsinki: Söderström, 1985.

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Book chapters on the topic "MIES"

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Hartoonian, Gevork. "On Mies." In Time, History and Architecture, 91–114. New York : Routledge, 2018. |: Routledge, 2017. http://dx.doi.org/10.4324/9781315270210-6.

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Xiong, Xiangnan. "Introduction." In Mies at Home, 1–10. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003036715-1.

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Xiong, Xiangnan. "The Weissenhof Apartment Building." In Mies at Home, 71–100. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003036715-6.

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Xiong, Xiangnan. "Revisiting the Tugendhat House." In Mies at Home, 142–73. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003036715-9.

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Xiong, Xiangnan. "Devising a Way of Living, Planning a Dwelling." In Mies at Home, 101–24. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003036715-7.

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Xiong, Xiangnan. "Mies's Writings in the 1920s." In Mies at Home, 13–38. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003036715-3.

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Xiong, Xiangnan. "Economic or Aesthetic." In Mies at Home, 125–41. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003036715-8.

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Xiong, Xiangnan. "Epilogue." In Mies at Home, 174–82. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003036715-10.

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Xiong, Xiangnan. "Mies's Life at Am Karlsbad 24." In Mies at Home, 39–68. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003036715-4.

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Hartoonian, Gevork. "Two Dreams in One Bed." In Mies Contra Le Corbusier, 117–52. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003465263-5.

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Conference papers on the topic "MIES"

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McEwan, J. J., D. P. Enright, and J. E. Leitch. "The Methodology and Problems Associated with Corrosion Testing in South African Mines." In CORROSION 1995, 1–18. NACE International, 1995. https://doi.org/10.5006/c1995-95228.

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Abstract The corrosion costs to the South African mining industry are in excess of R1 billion (US$ 300 million) per year. An area of particular concern is in the mine shafts where not only can the conditions be very corrosive, but shaft utilization entails that there is very little time available for maintenance, repair etc. The problems are compounded in the newer ultra-deep gold mines (up to 4 km or 214 miles deep), where large volumes of sometimes untreated water are required for both the mining operation and cooling. This paper details the corrosion problems encountered in shafts, and also the problems associated with performing in situ evaluations.
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Bhatia, Arti, and Stephen Westwood. "Developing a Baseline Inline Inspection Program with Design and Operational Decisions on the Use of a High Resolution Magnetic Flux Leakage Tool." In CORROSION 2003, 1–9. NACE International, 2003. https://doi.org/10.5006/c2003-03172.

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Abstract The Alliance Pipeline System consists of four system sections known as the Canadian Interconnect Pipeline System, Canadian Lateral Pipeline System, Canadian and US Mainline Pipeline System, and US Delivery Pipeline System. The Canadian portion of the system consists of 339 km (211 miles) of 1067 mm (42 inch) and 1220 km (758 miles) of 914 mm (36 inch) diameter steel pipe. The United States portion of the system consists of 888 miles (1429 km) of 36 inch (914 mm) diameter steel pipe. The 36 inch mainline section from Windfall, Alberta to the Aux Sable Meter Station in Illinois has an outside diameter of 914 mm (36 inch) and has a Maximum Operating Pressure (MOP) of 12000 kPa (1740 psi). The line speed ranges from 7 to 9 metres/second (15.6 to 20.1 miles per hour) and the nominal pipe wall thickness ranges from 14.2 mm to 22.7 mm (0.560 to 0.895 inch). The pipeline is also internally lined with liquid epoxy for flow enhancement applied to a thickness of 2 mils (51 microns). Alliance's commitment to ensure integrity management of the pipeline has extended to a baseline metal loss inspection of the system to assist in developing and optimizing future programs. This paper will outline the issues faced by the operator in evaluating tools that have been designed and are commercially available for a gas pipeline system requiring speed control and high magnetic saturation for heavy wall pipe. The paper will also describe the process followed by the pipeline inspection vendor including tests performed before the inspection as well the mechanical, electronic and magnetic challenges the inspection vendor had to overcome to ensure a successful inspection.
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Gleeson, Andrew Ryan. "The Mies Mystique: Irreducible Opposites in the Work of Mies Van Der Rohe." In 108th Annual Meeting Proceedings. ACSA Press, 2020. http://dx.doi.org/10.35483/acsa.am.108.79.

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A chronological historiography of Mies van der Rohe’s architecture uncovers a constant reassessment of his work by critics in changing eras. By the 1990’s he was reassessed as a more complex figure than previously understood. Publications, such as, The Presence of Mies, and, Mies in Berlin/America revealed new ways to conceptualize his work. Today he’s a well-worn symbol of the elite European architect in a necessary, refresh¬ing, and fruitful landscape of broader inclusivity. However, in the canon of Western Modern Architecture Mies is the most mysterious; an architect who conceals multitudes with his silence. Mies’s works are like tofu, his buildings act as tabula rasa in which new meanings can be absorbed within the constant, restless, and shifting tastes of architectural scholarship. Mies cultivated this mystery by saying one thing and doing another. Like Andy Warhol he reduced explanations of his design process to the point of rationalist banality. But a closer understanding of Mies’s philosophy betrays a much deeper surface. A new English translation of highlighted passages in Mies’s personal copy of Romano Guardini’s “Der Gegensatz” (The Opposite), gives a clue into how mysteries within Mies’s works are cultivated. For Mies, these passages revised the understanding of dualities as laid out by classic German philosophy. Hegel supported the synthesis of contradiction through a reposed resolution, but this passage declares an irreducible simultaneity present within paradox. Architecture is a relevant discipline for exploring dualities because it is a discipline steeped in both the rational and the spiritual, serving immediate and abstract needs. Reframing a transitional period in Mies’s career—the projects for the Ulrich Lange and Hubbe House—within the context of his meditations on Guardini reveals a new complexity embedded in the work. His quest to understand the nature of dualities is the underlying flavor of his work after the 1920s.
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Nestor, J. A., B. Soudan, and Z. Mayet. "MIES: a microarchitecture design tool." In the 22nd annual workshop. New York, New York, USA: ACM Press, 1989. http://dx.doi.org/10.1145/75362.75422.

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Fan, LinSheng, and JianXin Deng. "Application of lean logistics in engine plant." In 2016 Manufacturing & Industrial Engineering Symposium (MIES). IEEE, 2016. http://dx.doi.org/10.1109/mies.2016.7779984.

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Ashangani, Kithmi, K. U. Wickramasinghe, D. W. N. De Silva, V. M. Gamwara, Anupiya Nugaliyadde, and Yashas Mallawarachchi. "Semantic video search by automatic video annotation using TensorFlow." In 2016 Manufacturing & Industrial Engineering Symposium (MIES). IEEE, 2016. http://dx.doi.org/10.1109/mies.2016.7779985.

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Wijerathna, W. H. A. C., I. D. M. H. Jayantha, and P. Gamage. "Improve surface roughness in turning operation based on the factorial design methodology." In 2016 Manufacturing & Industrial Engineering Symposium (MIES). IEEE, 2016. http://dx.doi.org/10.1109/mies.2016.7779986.

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Arachchi, Shanika M. A., and Narendra Pinto. "Falls at work place; Effect of hip geometry on hip fractures in Sri Lankan working community." In 2016 Manufacturing & Industrial Engineering Symposium (MIES). IEEE, 2016. http://dx.doi.org/10.1109/mies.2016.7779987.

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Perera, H. A. D. "Productivity improvement through lean tools in a Sri Lankan small and medium enterprise: A case study." In 2016 Manufacturing & Industrial Engineering Symposium (MIES). IEEE, 2016. http://dx.doi.org/10.1109/mies.2016.7779988.

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Kumari, D. M. S., and A. N. Wijayanayake. "An efficient inventory model to reduce the wastage of blood in the national blood transfusion service." In 2016 Manufacturing & Industrial Engineering Symposium (MIES). IEEE, 2016. http://dx.doi.org/10.1109/mies.2016.7779989.

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Reports on the topic "MIES"

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Borja, Tathiana, Pedro Cueva, Nadin Medellín, and Diego Martinez. ¿Cómo funciona el Bono de Desarrollo Humano?: Mejores prácticas en la implementación de Programas de Transferencias Monetarias Condicionadas en América Latina y el Caribe. Inter-American Development Bank, December 2017. http://dx.doi.org/10.18235/0009639.

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El Bono de Desarrollo Humano (BDH) es el programa de transferencias monetarias condicionadas (PTMC) de Ecuador que inició operaciones en 2003, sucediendo así al programa de transferencias no condicionadas Bono Solidario, que comenzó en 1998. El Ministerio de Inclusión Económica y Social (MIES) es la institución encargada de implementar el BDH. El mecanismo de focalización es un proxy means test de nivel de consumo que se estima con base en la información de los hogares del Sistema de Información del Registro Social (SiiRS), que es gestionado por el Ministerio Coordinador de Desarrollo Social (MCDS). Aunque el programa se dirigía originalmente a los hogares pobres, desde 2014 ajustó su población objetivo únicamentea los hogares que viven en situación de pobreza extrema. Este cambio supuso un nuevo levantamiento de información socioeconómica, lo que motivó el egreso de cerca del 60% de los beneficiarios. Además de la entrega de una transferencia fija de 50 dólares a cada hogar, el programa entrega pensiones no contributivas a aquellos hogares con adultos mayores y discapacitados. A pesar de que el programa establece cuáles son las corresponsabilidades que deben cumplir las familias y las sanciones por incumplimiento, solo se implementa de forma parcial un proceso para dar seguimiento a las corresponsabilidades. Este documento es parte de una serie de estudios realizados en varios países de América Latina y el Caribe que tiene el objetivo de sistematizar el conocimiento sobre la operación de los PTMC. El resto de casos está disponible en la página web de Transferencias Monetarias Condicionadas del BID.
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EFFC/DFI Concrete Task Group. French Guide to Tremie Concrete for Deep Foundations, 2nd Edition - Guide du Béton de Fondations Profondes Mis en Oeuvre au Tube Plongeur, 2nd Edition. European Federation of Foundation Contractors and Deep Foundations Institute, December 2021. https://doi.org/10.37308/effc-dfi-ctg-trem-frene2-2021.

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Le guide du béton de fondations profondes mis en œuvre au tube plongeur a fait l’objet d’une première édition de l’EFFC (European Federation of Foundation Contractors) et du DFI (Deep Foundations Institute, USA). Une seconde édition a été publiée en 2018 pour intégrer les conclusions de travaux de recherche et d’essais en laboratoire ou en place. Ainsi, cette mise à jour intègre les résultats obtenus pour établir définitivement les méthodes de test et les plages d’acceptation des paramètres de contrôle du béton frais mis en œuvre au tube plongeur. Compte tenu de la rigueur, du niveau de détail et de la grande applicabilité de ce guide, il peut servir de point de départ pour les futurs textes normatifs européens et américains, et est déjà utilisé depuis la première édition par les entreprises qui utilisent du béton mis en œuvre au tube plongeur. Le SOFFONS a assuré la traduction française de cette seconde édition pour diffusion auprès des professionnels francophones, avec l’autorisation de l’EFFC.
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Traore, Raïssatou Joëlle. La politique d’harmonisation fiscale au sein de l’Union Économique etMonétaire Ouest Africaine : analyse et perspectives. Institute of Development Studies, July 2024. http://dx.doi.org/10.19088/ictd.2024.058.

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Depuis 1994, l’Union Économique et Monétaire Ouest Africaine (UEMOA) s'est engagée dans un ambitieux projet d'harmonisation de sa fiscalité intérieure. Plus d'un quart de siècle après, ce document se propose d'évaluer les effets de cette politique d'harmonisation sur ses États membres et d'examiner l'application effective des mesures fiscales au sein de ces États. Cette étude met en lumière les réussites et les défis associés à cette stratégie d'harmonisation fiscale initiée par l’UEMOA. Bien que l'UEMOA ait réussi à établir un cadre normatif solide et ait atteint ses objectifs primaires d'harmonisation, le succès d'une politique fiscale se mesure à sa mise en oeuvre effective. À cet égard, les résultats sont nuancés. Il est impératif que l’UEMOA intensifie ses mécanismes de surveillance, de contrôle et de sanction, pour assurer une meilleure mise en oeuvre par ses États membres de sa politique fiscale communautaire. Parallèlement, une mise à jour de sa stratégie fiscale est nécessaire pour mieux répondre aux nouveaux défis nationaux des États membres, mais également aux défis internationaux, y compris ceux relatifs à la nouvelle gouvernance fiscale mondiale qui se met en place. En outre, certaines lacunes du système fiscal des États membres de l’UEMOA sont mises en exergue dans ce document. Pour garantir le succès de l'harmonisation fiscale, il est crucial que ces États renforcent leurs administrations fiscales, améliorent leur efficacité, et limitent les dépenses fiscales en rationnalisant les régimes dérogatoires et incitatifs qui entravent les objectifs communautaires et le bon fonctionnement du marché commun. Bien que quelques avancées notables aient été réalisées, il reste des domaines d'amélioration clés. Ce document est conclu par une feuille de route dressée pour l'UEMOA et ses États membres, soulignant les domaines sur lesquels des efforts concertés sont nécessaires pour maximiser l'efficacité de la politique fiscale régionale.
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Sulaiman, Abdulgafar, Uthman Mohamed Ali, and Imad Al-Qadi. Evaluation of the Asphalt Mixture Design Framework for Airfield Pavements in Illinois. Illinois Center for Transportation, August 2023. http://dx.doi.org/10.36501/0197-9191/23-011.

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The Federal Aviation Administration (FAA) advisory circular AC 150/5100-13 authorized the use of state highway material specifications at nonprimary public-use airports serving aircraft less than 60,000 pounds gross weight. This approval is based on the condition that the safety and life span of these airports will not be adversely affected. The use of highway materials provides the Illinois Department of Transportation (IDOT) with benefits, including cost, expertise, material availability, and sustainability. This study investigated the feasibility of using highway mixes for nonprimary airport pavements. Three classes of mixes were evaluated—namely, IDOT highway mixes, IDOT state airport mixes, and FAA airport mixes. The matrix consisted of 18 mixes: 15 surface and 3 binder mixes. The 15 surface mixes comprised seven laboratory-designed (five highway, two airport) and eight plant-produced mixes (four highway, four airport). All binder mixes were airport mixes and had the same composition and mix design parameters as highway mixes. Mixture performance was evaluated using the Hamburg wheel-tracking test (HWTT) to evaluate rut potential, the Illinois flexibility index test (I-FIT) to assess cracking potential, and the tensile strength ratio (TSR) test to evaluate moisture susceptibility. Performance testing was performed at both air voids of 4% and 7% corresponding to the initial in-place densities of nonprimary airports and highways, respectively. From the HWTT results, highway mixes had lower rut potential than airports mixes. With respect to the TSR test, airport mixes had lower tensile strengths than highway mixes. However, the TSR values (ratio of conditioned to unconditioned tensile strength) were similar for highway and airports mixes. The I-FIT results demonstrated comparable results between highway and airport mixes. Airport mixes had higher and comparable flexibility index for laboratory and plant mixes, respectively. By leveraging highway construction materials and methods, nonprimary airports could be constructed with greater expertise using more sustainable pavement materials that may yield reduced costs.
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Reynolds, J. K. Reassignment of experimental MIBs to standard MIBs. RFC Editor, June 1991. http://dx.doi.org/10.17487/rfc1239.

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Gautrais, Vincent, Anne Tchiniaev, and Émilie Guiraud. Formulaire du Guide des bonnes pratiques en IA: Disposition de la Loi 25 et bonnes pratiques. Observatoire international sur les impacts sociétaux de l’intelligence artificielle et du numérique, July 2023. http://dx.doi.org/10.61737/pupd4808.

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Ce document, qui se présente sous la forme d’un formulaire, propose une liste de questions relatives à certaines obligations légales découlant de la Loi modernisant des dispositions législatives en matière de protection des renseignements personnels (« Loi 25 ») ainsi qu’aux bonnes pratiques pour les entreprises et les organismes publics qui utilisent l’IA. Tant les obligations explicitement identifiées dans la Loi 25 que celles que nous avons mis de l’avant dans le présent Guide sont mises en perspective dans ce formulaire. Le formulaire est divisé en sept sections reprenant les sept principes relatifs à l’utilisation des données et à la protection des renseignements personnels dans un contexte d’IA formulés dans le présent Guide. Il permet au répondant d’évaluer sa conformité aux principales obligations visant à assurer une circulation responsable des données. Le formulaire a été construit selon un effet miroir dans lequel certaines des obligations légales de la Loi 25 se reflètent sur les bonnes pratiques en matière d’IA.
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Maneraguha, François Kajiramugabi, and Soutongnoma Safiata Kaboré Kaboré. Compte rendu du colloque La santé dans tous ses états: Explorer les dynamiques numériques et leurs impacts. Observatoire international sur les impacts sociétaux de l'IA et du numérique, April 2025. https://doi.org/10.61737/jjsk6973.

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Le colloque « La santé dans tous ses états : Explorer les dynamiques numériques et leurs impacts », organisé conjointement par l’Obvia et le Réseau de recherche en santé des populations du Québec (RRSPQ), s’est tenu les 20 et 21 février 2025 à HEC. Son objectif principal était de mobiliser des savoirs issus de divers domaines tels que la nutrition, l’éthique, l’écologie et l’éducation afin d’explorer les impacts des technologies numériques sur la santé. Les deux journées du colloque ont permis de dresser un état des lieux des défis de la transformation numérique en santé. Les présentations, échanges et ateliers ont mis en lumière des approches innovantes et les conditions nécessaires pour une intégration responsable de l’IA au profit des populations. Le colloque témoigne de l’engagement de l’Obvia pour la mise en valeur de la recherche en santé durable et de la contribution du Réseau de recherche en santé des populations du Québec (RRSPQ) à la communauté scientifique.
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Griffin, Sean R., Jr Grosz, and Francis B. Instrumented Mines. Fort Belvoir, VA: Defense Technical Information Center, September 2001. http://dx.doi.org/10.21236/ada625972.

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Kress, Marin, Patricia DiJoseph, Morgan Johnston, Brian Tetreault, James Kilroy, Brady Towne, Andrew Smith, David Sathiaraj, and Andy Van Pelt. A method for evaluating Automatic Identification System (AIS) coverage on select inland waterways in 2020 and 2021 : Upper Mississippi River, Illinois River, and Ohio River. Engineer Research and Development Center (U.S.), November 2023. http://dx.doi.org/10.21079/11681/47839.

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The Automatic Identification System (AIS) shares vessel position information for navigational safety purposes. AIS broadcasts are received by other ships and terrestrial stations; however, in some areas there is no, or low, terrestrial station coverage to receive broadcasts. The US Army Corps of Engineers (USACE) developed an Online Travel Time Atlas (OTTA) to process AIS data and derive a transit count. This study examined OTTA output from 2020 and 2021 to identify areas of high or low AIS coverage along the Upper Mississippi, Illinois, and Ohio Rivers. Segments with a yearly average of two or more transit per day were classified as high coverage, those with less than a yearly average of two transits per day were classified as low coverage. Rivers were segmented using the USACE National Channel Framework reach boundaries. Results based on calculated vessel transits were as follows: Upper Mississippi River: 837.4 miles (98%) had high coverage, with 17.4 miles (2%) of low coverage; Illinois River: 190.5 miles (59%) had high AIS coverage, and 133 miles (41%) had low AIS coverage; Ohio River: 644 miles (66%) had high coverage, and 337 miles (34%) had low coverage. AIS coverage could be improved by raising antennae heights, installing repeater equipment, or adding towers.
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Nguyen, Thu Thuy. A Thousand Miles. Ames: Iowa State University, Digital Repository, 2014. http://dx.doi.org/10.31274/itaa_proceedings-180814-1054.

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