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Journal articles on the topic 'Michael Snow'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 January 2023

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1

MacDonald, Scott. ": So Is This . Michael Snow." Film Quarterly 39, no. 1 (October 1985): 34–37. http://dx.doi.org/10.1525/fq.1985.39.1.04a00090.

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2

Polan, Dana. "The Michael Snow Project Publication Series: Visual Art, 1951-1993: Exploring Plane and Contour . Dennis Reid, Philip Monk, Louise Dompierre. ; Music/Sound, 1948-1993 . Michael Snow. ; The Collected Writings of Michael Snow . Michael Snow." Film Quarterly 49, no. 3 (April 1996): 55–57. http://dx.doi.org/10.1525/fq.1996.49.3.04a00110.

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3

Polan, Dana. "The Michael Snow Project Publication Series." Film Quarterly 49, no. 3 (1996): 55–57. http://dx.doi.org/10.2307/1213475.

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4

Elder, R. Bruce. "Michael Snow: Wavelength (review)." University of Toronto Quarterly 80, no. 2 (2011): 285–87. http://dx.doi.org/10.1353/utq.2011.0123.

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5

MacDonald, Scott. "Review: So Is This by Michael Snow." Film Quarterly 39, no. 1 (1985): 34–37. http://dx.doi.org/10.2307/1212281.

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6

Karl, Alexandra. "Score for Wavelength. An Homage to Michael Snow." ASAP/Journal 4, no. 3 (2019): 510–16. http://dx.doi.org/10.1353/asa.2019.0035.

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7

Beilenhoff, Awolfgang. "Worte: Verfilmt - So Is This (Michael Snow, 1982)." Maske und Kothurn 53, no. 2-3 (September 2007): 385–98. http://dx.doi.org/10.7767/muk.2007.53.23.385.

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8

McElhone, John P. "Michael Snow’s Authorization: Materials and Preservation / Autorisation de Michael Snow. Matériaux et conservation." National Gallery of Canada Review 7 (May 2016): 89–96. http://dx.doi.org/10.3138/ngcr.7.mcelhone.

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9

O'Rourke, Michael, and Michael Auren. "Closure to “Snow Loads on Gable Roofs” by Michael O'Rourke and Michael Auren." Journal of Structural Engineering 125, no. 4 (April 1999): 471. http://dx.doi.org/10.1061/(asce)0733-9445(1999)125:4(471).

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10

Delattre, Elisabeth. "Michael Longley’s Poetry of the Elements in Snow Water." Estudios Irlandeses, no. 6 (March 15, 2011): 1–7. http://dx.doi.org/10.24162/ei2011-1951.

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11

Browne, Dan. "Objects of vision: the polymorphic cinema of Michael Snow." Brno Studies in English 39, no. 2 (2013): 17–35. http://dx.doi.org/10.5817/bse2013-2-2.

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12

Remes, Justin. "Boundless Ontologies: Michael Snow, Wittgenstein, and the Textual Film." Cinema Journal 54, no. 3 (2015): 69–87. http://dx.doi.org/10.1353/cj.2015.0026.

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13

Michelson, Annette. "The Sound of Music: A Conversation with Michael Snow." October 114 (October 2005): 43–60. http://dx.doi.org/10.1162/016228705774889565.

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14

Oliveira Junior, Luiz Carlos. "Interiores: Wavelength (1967) e The living room (2000), de Michael Snow." Significação: Revista de Cultura Audiovisual 49, no. 57 (February 4, 2022): 152–80. http://dx.doi.org/10.11606/issn.2316-7114.sig.2022.184312.

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O artigo se debruça sobre o cinema de Michael Snow com foco no filme The living room (A sala de estar, 2000), realizado num período em que o cineasta utilizava tecnologias digitais de forma experimental e lúdica. A análise será guiada pelo método comparativo, cotejando o filme com trabalhos anteriores de Snow, sobretudo Wavelength (Comprimento de onda, 1967), marco do cinema estrutural, e com obras tanto de outros cineastas (Georges Méliès e Alfred Hitchcock) quanto de artistas visuais que trabalharam com mídias diferentes, como pintura e colagem. Verificaremos a hipótese de os filmes de Snow analisados representarem um regime escópico contemporâneo a que chamaremos, na esteira de Pascal Bonitzer, “perspectiva telescópica”, no intuito de demonstrar que a obra do cineasta extrapola o quadro de referências que lhe é usualmente atribuído e se reporta a uma crise da experiência perceptiva já colocada desde a modernidade visual do século XIX.
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15

Amaral, Vitor Alevato do. "Death and the Snow: an inconspicuous relation in James Joyce's "The Dead"." Cadernos de Tradução 40, no. 3 (September 11, 2020): 210–21. http://dx.doi.org/10.5007/2175-7968.2020v40n3p210.

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O presente artigo argumenta que, no conto de James Joyce “Os mortos” (Dublinenses, 1914), o verbo lie (jazer) – ao se referir tanto à neve quanto ao corpo de Michael Fury – e o substantivo snow (neve) se associam de forma que reforçam a constante presença da morte na narrativa. O objetivo deste artigo é demonstrar como essa associação opera em prol da criação de um sentido de unidade na narrativa e discutir as traduções do par lie-snow pelo tradutor brasileiro Caetano Galindo.
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16

La Rochelle, Réal. "Parcours québécois et canadiens en cinéphonographie." Cinémas 3, no. 1 (March 8, 2011): 95–112. http://dx.doi.org/10.7202/1001182ar.

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Depuis Norman McLaren durant les années 40 jusqu’à récemment, la frange expérimentale et exploratoire des cinémas au Québec et au Canada a produit un nombre significatif de films qui sont au coeur de la problématique de la musicalité filmique. Depuis les images el les sons gravés ou peints sur pellicule par McLaren, en passant par le concept d’opéra audiovisuel de Maurice Blackburn et de son Atelier de conception sonore à l’ONF, ou encore par les travaux des Charles Gagnon. Michael Snow, William MacGillivray, Pierre Hébert, les frères Gagné el André Duchesne, entre autres, s’est tissée une tapisserie visuelle et sonore digne de figurer dans le musée imaginaire du nouvel opéra de Michel Fano.
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17

HyungWoo lee. "The Photographic Act and Gaze - Focusing on by Michael Snow -." Korean Journal of Art and Media 15, no. 3 (August 2016): 95–116. http://dx.doi.org/10.36726/cammp.2016.15.3.95.

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18

Michalski, Przemysław. "Michael Longley and Birds." Text Matters, no. 8 (October 24, 2018): 68–83. http://dx.doi.org/10.1515/texmat-2018-0005.

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The following essay attempts to shed some light on Michael Longley’s poems about birds, which form a fairly complicated network of mutual enhancements and cross-references. Some of them are purely descriptive lyrics. Such poems are likely to have the name of a given species or a specific individual representative of that species in the title. Others make references to birds or use them for their own agenda, which often transcends the parameters of pure description. Sometimes birds perform an evocative function (“Snow Geese”), prompt the poet to explore the murky mysteries of iniquity (“The Goose”), judge human affairs from the avian vantage (“Aftermath”), or raise ecological problems (“Kestrel”). Most of the time, however, Longley is careful not to intrude upon their baffling otherness. Many of his bird poems are suffused with an aura of subtle yet suggestive eroticism, a conflation of the avian and the amorous.
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19

Donald, Stephanie Hemelryk. "Beijing Time, Black Snow and Magnificent Chaoyang." Theory, Culture & Society 28, no. 7-8 (December 2011): 321–39. http://dx.doi.org/10.1177/0263276411424917.

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Modern social order is premised on a shared conception of and obedience to a set of defined temporal systems. Time is therefore a powerful tool with which to layer, classify and police the nature of social order. This article explores the relationship between temporality and the social in China’s capital, Beijing. The article draws on observations of Chinese film of the 1990s, the 90th anniversary of the Chinese Communist Party in 2011, and the Chaoyang district beautification campaign, to identify how temporal structures and symbols are traded and manipulated in the pursuit of political rectification and harmony. The article is based on an extended review of Michael Dutton’s recent book, Beijing Time, and refers its new observations to the examples and premises in that book, which are in turn informed by Dutton’s other work on policing and street life in China.
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20

Brearton, Fran. "Cenotaphs of snow: memory, remembrance, and the poetry of Michael Longley." Irish Studies Review 12, no. 2 (August 2004): 175–89. http://dx.doi.org/10.1080/0967088042000228941.

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21

Erekson, Sarah. "From the Chair: My Chicago." DttP: Documents to the People 45, no. 1 (May 2, 2017): 3. http://dx.doi.org/10.5860/dttp.v45i1.6297.

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I’m so excited that the Annual Conference this year is in my hometown. As a passionate steward of government information in Chicago, here are a few highlights of my city and my collection.The last time the American Library Association conference was in Chicago was the Midwinter Meetings held in February 2015, when attendees got a taste of Chicago’s winter. Between Saturday night and Monday morning, more than nineteen inches of snow fell as librarians settled into hotel rooms and bars from Streeterville to McCormick Place.1 In winters past, such storms have at times been politically significant. After the Blizzard of 1979, Jane Byrne won the mayoral election in an unprecedented upset. Chicagoans had re-elected the incumbent mayor in the five previous elections (Richard J. Daley served from 1955 to 1976). Michael Bilandic’s term as mayor could have been the start to another dynasty, if not for the snow. You could take Whet Moser’s word for it, in “Snowpocalyspe Then: How the Blizzard of 1979 Cost the Election for Michael Bilandic.”Or you could use the government information expertise and collections of the Chicago Public Library.
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22

Marchessault, Janine. "Site specificity in the age of intermediality (with thanks to Michael Snow)." MIRAJ, Moving Image Review & Art Journal 2, no. 2 (October 1, 2013): 150–59. http://dx.doi.org/10.1386/miraj.2.2.150_1.

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23

Emmelhainz, Irmgard. "Figuring Redemption: Resighting My Self in the Art of Michael Snow (review)." University of Toronto Quarterly 74, no. 1 (2004): 589–91. http://dx.doi.org/10.1353/utq.2005.0087.

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24

Mertens, Jacob. "Michael Snow and SSHTOORRTY: The Collision of Two Spheres of Avant-Garde Cinema." Film Matters 2, no. 3 (April 10, 2012): 23–27. http://dx.doi.org/10.1386/fm.2.3.23_1.

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25

Dimendberg, Edward. "A Conversation with Annette Michelson." October 169 (August 2019): 17–37. http://dx.doi.org/10.1162/octo_a_00358.

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Film scholar Edward Dimendberg spoke to Annette Michelson in July 2014 for a series of interviews sponsored by the Getty Research Institute. In their conversation, which is published for the first time here, Michelson discusses her first encounters with North American avant-garde film, the early days of Anthology Film Archives, and such figures as Jonas Mekas, P. Adams Sitney, Peter Kubelka, Yvonne Rainer, Hollis Frampton, Michael Snow, Stan Brakhage, Hans Richter, Harry Smith, Jack Smith, Marcel Duchamp, Joyce Wieland, Agnès Varda, Richard Serra, and Marguerite Duras, among others.
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26

Potempski, Jacob. "Revisiting Michael Snow’s Wavelength, after Deleuze’s Time-Image." Acta Universitatis Sapientiae, Film and Media Studies 6, no. 1 (August 1, 2013): 7–17. http://dx.doi.org/10.2478/ausfm-2014-0001.

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Abstract Michael Snow’s Wavelength (1967) is one of the most written about avant-garde films. It has served as “a blue screen in front of which a range of ideological and intellectual dramas have been played out,” as Elizabeth Legge put it in a book-length study of the film, whose recent publication testifies to the continuing relevance of the film (Legge 2009). This paper takes Annette Michelson’s article, Toward Snow, one of the first and most often cited encounters with Snow’s cinema, as its point of departure (Michelson 1978). Michelson sees the film as a reflection which reveals the cinema as a temporal narrative medium. Drawing on Husserl’s phenomenology of time-consciousness, she argues that this reflection on the medium is at the same time a reflection on the structures of consciousness. However, the paper also draws on the work of Gilles Deleuze, whose two-volume study of the cinema has opened up new possibilities for thinking about time and the cinema (Deleuze 1983, 1985). The paper is not an interpretation of Deleuze. It appropriates and puts to work his idea that the cinema is not essentially a narrative medium; but a medium that disrupts linear time, making visible a non-chronological dimension of time, which fragments the subject and exposes it to liminal situations. Wavelength, I argue, reverses the flow of time, to make visible an abyss at the heart of time, which shatters the unity of the subject
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27

Arlandis, Sergio, and Agustin Reyes-Torres. "Thresholds of Change in Children’s Literature: The Symbol of the Mirror." Journal of New Approaches in Educational Research 7, no. 2 (July 15, 2018): 125–30. http://dx.doi.org/10.7821/naer.2018.7.275.

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This article approaches the study of children’s literature as a threshold of change that allows readers to explore the reality around them, imagine other worlds and understand other perspectives. Based on the notion of the child’s cognitive development organized into four stages ―pre-reading, fantastic stage, fantastic-realistic stage and aesthetics stage― reading becomes a resource to combine fantasy and experience where the mirror is a highly suggestive element and prone to hundreds of interpretations and applications as can be seen in the plots of well-known books such as the brother Grimm’s Snow White, Lewis Carroll’s Through the Looking-Glass, Michael Ende’s The Neverending story and J.K. Rowling’s The Philosopher’s Stone, among others. As a result, as young readers go from one stage to another, the mirror gains greater symbolic complexity and they face the discovery of the self and the other as well as the confrontation between the so-called primary and secondary worlds, reality and the marvelous.
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28

Ruiz-Garrido, Miguel F. "Book Reviews : Guide to Report-Writing Michael Netzley and Craig Snow. Upper Saddle River, NJ: Prentice Hall, 2002. 87 pages." Business Communication Quarterly 66, no. 1 (March 2003): 111–13. http://dx.doi.org/10.1177/108056990306600117.

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29

Carroll, Samantha. "Review: Michael, Soul Covers: Rhythm and Blues Remakes and the Struggle for Artistic Identity — Aretha Franklin, Al Green, Phoebe Snow." Media International Australia 128, no. 1 (August 2008): 154–55. http://dx.doi.org/10.1177/1329878x0812800121.

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30

Young, Vershawn Ashanti. "Soul Covers: Rhythm and Blues Remakes and the Struggle for Artistic Identity (Aretha Franklin, Al Green, Phoebe Snow) by Michael Awkward." Souls 11, no. 1 (March 12, 2009): 79–82. http://dx.doi.org/10.1080/10999940902734929.

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31

Calkowski, Marcia. "House of the Turquoise Roof. By Dorje Yudon Yuthok. Edited by Michael Harlin Ithaca, N.Y.: Snow Lion Publications, 1990. 330 pp. $14.95." Journal of Asian Studies 52, no. 1 (February 1993): 160–61. http://dx.doi.org/10.2307/2059179.

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32

Calkowski, Marcia. "House of the Turquoise Roof. By Dorje Yudon Yuthok. Edited by Michael Harlin Ithaca, N.Y.: Snow Lion Publications, 1990. 330 pp. $14.95." Journal of Asian Studies 52, no. 01 (February 1993): 160–61. http://dx.doi.org/10.1017/s0021911800135314.

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Brown, John Webster. "Discussion of “ Roof‐Snow Load for Seismic‐Design Calculations ” by Michael J. O'Rourke and Robert S. Speck Jr. (September, 1992, Vol. 118, No. 9)." Journal of Structural Engineering 120, no. 1 (January 1994): 309–12. http://dx.doi.org/10.1061/(asce)0733-9445(1994)120:1(309.2).

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34

O'Rourke, Michael, and Robert Speck. "Closure to “ Roof‐Snow Load for Seismic‐Design Calculations ” by Michael J. O'Rourke and Robert S. Speck Jr. (September, 1992, Vol. 118, No. 9)." Journal of Structural Engineering 120, no. 1 (January 1994): 312. http://dx.doi.org/10.1061/(asce)0733-9445(1994)120:1(312).

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35

de Freitas Massuno, Tatiana, and Daniel Barreiros. "Ethics and Fragmented Knowledge in McEwan's Solar: Implications for Big History." Journal of Big History 4, no. 3 (December 28, 2020): 79–96. http://dx.doi.org/10.22339/jbh.v4i3.4340.

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This essay is a reflection on the consequences and outreach of the “two cultures” (as conceived by C. P. Snow) that resorts to a reading of McEwan’s acclaimed novel Solar. Michael Beard, the main character, is a Nobel Laureate who, at a very young age, gained recognition, and who then spent most of his adult years wasting his ingeniousness on futile and personal pursuits. He is unable to understand the ethical and humanitarian implications of his gained knowledge. Even though he ends his career by trying to address the problem of climate change, he does so in a detached manner, as though human and nonhuman lives were not implicated in this Earth phenomenon. At the root of it all lies an assumption that nature and culture belong to distinct ontological spheres. Hence, we aim at investigating how Beard’s worldview can be read as a symptom of epistemological assumptions that no longer serve us. This article explores the ethical implications of a rigid disciplinary perspective in a moment of global urgency – the Anthropocene –, and how Big History can help to narrow the gap between different forms of human knowledge. It also makes brief remarks on how Big History should avoid the ethical perils represented by the idea of a “grand unifying theory of the past” by assuming a permanent and coherent critical stance on its methods and concepts.
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36

Costa, Mayra Cristina da Silva, and Paulo Alves Porto. "A pilha de Daniell: um estudo de caso histórico." Caderno Brasileiro de Ensino de Física 38, no. 3 (December 15, 2021): 1650–73. http://dx.doi.org/10.5007/2175-7941.2021.e82360.

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O modelo didático da pilha de Daniell tem papel central no ensino de eletroquímica, associado a conceitos fundamentais, tais como as reações de oxirredução. O dispositivo criado originalmente por John F. Daniell (1790-1845), porém, apresenta diferenças em relação ao modelo didático difundido na atualidade. Este artigo apresenta um estudo de caso histórico sobre o desenvolvimento da pilha por Daniell em meados do século XIX. A análise das comunicações de Daniell acerca desse assunto à Royal Society revelam a influência de Michael Faraday e William Snow Harris sobre seus trabalhos. Foram necessários cerca de dez anos para que Daniell chegasse à versão final de sua pilha, com um eletrodo de zinco amalgamado em um eletrólito de ácido sulfúrico diluído, e outro eletrodo de cobre em contato com uma solução ácida de sulfato de cobre. A separação entre os eletrólitos, inicialmente feita com uma membrana de origem animal, foi posteriormente feita por um recipiente de argila porosa. Essa pilha, capaz de fornecer corrente contínua de maneira constante por um tempo considerável, foi fundamental para a expansão das redes telegráficas nessa época. A compreensão do processo de desenvolvimento do conhecimento científico e tecnológico, e de suas implicações para a sociedade, por meio de um estudo de caso histórico, pode trazer contribuições relevantes para o ensino de ciências na atualidade.
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37

Strachan, Jeremy. "“Listening Out” to Experimental Music in Canada: Publics, Subjects, Places." Articles 36, no. 2 (October 1, 2018): 67–75. http://dx.doi.org/10.7202/1051599ar.

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In 2016 Michael Snow and Mani Mazinani improvised on vintage analog synthesizers in Yonge-Dundas Square, filling Toronto’s busiest commercial commons with retro-futuristic sonic filigree; almost fifty years earlier, Otto Joachim’s four-channel electronic sound installation Katimavik furnished the Canadian Pavilion at Expo 67 in Montreal with uncannily similar sounds. In both cases, listeners perambulated amongst a sonic-spatial architecture defined by publicness and auditory plurality. In the intervening decades, non-profit artist-run centres proliferated across the country, offering refuge for local experimentalists to develop their craft in the name of regional and national cultural growth. Such is experimental music’s longstanding position on the margins and centres of listening in Canada: its history as a niche practice is replete with attempts to insert itself into the everyday. I argue that the diffusion of experimental music into increasingly quotidian spheres in Canada offers a way to understand how place is engendered through the intersubjectivity of listening—an act implicated in a range of agentive processes. Different from other listening contexts, in listening to experimental music we become interpellated into a relational nexus where the loci of composition, performance, and perception become distributive and unstable. I thus suggest that listening to experimental music in Canada can be thought of as a “listening out” an “attentive and anticipatory communicative disposition.” The examples serve as case studies for refiguring the engagement between creative music and the commons in Canada—what experimental music can “mean in the world.”
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Gunderson, Gerald. "African American Entrepreneurship in Richmond, 1870–1940. The Story of R. C. Snow. By Michael A. Plater. New York: Garland Publishnig, Inc., 1996 Pp. xxiii, 191. $49.00." Journal of Economic History 57, no. 3 (September 1997): 753–54. http://dx.doi.org/10.1017/s0022050700019355.

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39

Snoek, Kees. "2003 - Michiel van Kempen: Een geschiedenis van de Surinaamse literatuur. Breda, De Geus." Internationale Neerlandistiek 50, no. 1 (January 1, 2012): 127–29. http://dx.doi.org/10.5117/ivn2012.0.snoe.

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40

Imanuel, Melda. "PEMBELAJARAN IPS BERBASIS MULTIKULTURAL UPAYA MENANGKAL RADIKALISME DI INDONESIA." Prosiding Kolokium Doktor dan Seminar Hasil Penelitian Hibah 1, no. 1 (February 8, 2019): 205–13. http://dx.doi.org/10.22236/psd/11205-21373.

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Penelitian ini mencoba untuk menggali secara mendalam pemanfaatan nilai-nilai multikultural dalam menangkal radikalisme di kalangan sekolah, sebagai bahan pengembangan model pembelajaran IPS berbasis multikultural di sekolah menengah pertama di wilayah DKI Jakarta. Hasil penelitian diharapkan dapat menemukan model pembelajaran IPS terintegrasi nilai-nilai multikultural yang dapat digunakan sebagai kebijakan pemerintah daerah Provinsi DKI Jakarta bidang pendidikan. Persoalan utama dalam penelitian ini mencakup: pengetahuan guru sekolah menengah pertama di Provinsi DKI Jakarta tentang konsep, fungsi, jenis, bentuk, klasifikasi dan interpretasi multikultural terintegrasi dalam pembelajaran IPS sebagai berntuk inovasi pembelajaran. Penelitian ini diusulkan untuk satu tahu dalam waktu 12 bulan. Aktivitas penelitian difokuskan untuk menaganalisis nilai-nilai multikultural yang diintegrasikan dalam pembelajaran IPS di SMP yang dikemas dalam perangkat pembelajaran seperti video, lembar balik atau komik sederhana untuk menangkal radikalisme yang merajalela. Langkah awal, dimulai dengan menguji pemahaman guru SMP tentang: (a) berkembangnya radikalisme yang terjadi di lingkungan sekolah, dan (b) nilai-nilai multikultural, yang diperdalam dengan kajian fenomenalogi tentang budaya mengajar IPS di SMP. Penelitian menggunakan pendekatan kuantitatif terkait dengan pemahaman guru tentang nilai-nilai multikultural dan radikalisme dikalangan siswa SMP. Pendekatan kualitatif model fenomenologi sebagaimana dikembangkan Miles and Huberman untuk mendalami radikalisme melibatkan guru IPS SMP yang diintegrasikan dengan nilai-nilai multikultural untuk memangkal radikalisme di sekolah. Hasil akhir penelitian berupa (1) lembar balik deskripsi pembelajaran IPS SMP berisi nilai-nilai multikultural, komik sederhana dan video. Sampel penelitian adalah guru dan sekolah menengah pertama negeri/ swasta di lima wilayah DKI Jakarta dengan teknik pengambilan sampel model Isaac dan Michael yaitu tabel penentu jumlah sampel dari populasi dengan taraf kesalahan 5%. Instrumen penelitian untuk memperoleh data kuantitatif dengan menggunakan angket dan wawancara. Sedangkan data kualitatif tentang nilai-nilai multikultural dan radikalisme disekolah diperoleh dengan melakukan observasi partisipan dan wawancara mendalam kepada informan dengan pendekatan snow ball. Metode penelitian yang digunakan adalah kuantitatif dan kualitatif sesuai dengan kebutuhan masing-masing. Data kuantitatif dianalisis secara deskriptif, sementara data kualitatif dianalisis dengan menggunakan analisis data interaktif model Miles and Huberman. Uji signifikansi perbedaan model pembelajaran lama dengan model pembelajaran baru yang dikembangkan menggunakan statistik t –test berkorelasi.
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Snow, Nancy. "UNDER THE SECURITY UMBRELLA: JAPAN’S WEAK STORYTELLING TO THE WORLD." Defence Strategic Communications, no. 8 (July 3, 2020): 173–88. http://dx.doi.org/10.30966/2018.riga.8.5.

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A Review Essay by Nancy Snow Japan Rearmed: The Politics of Military Power Sheila A. Smith. Harvard University Press, 2019. National Identity and Japanese Revisionism: Abe Shinzo’s Vision of a Beautiful Japan and Its Limits Michal Kolmaš. Routledge, 2019. Peak Japan: The End of Great Ambitions Brad Glosserman. Georgetown University Press, 2019. Keywords—US-Japan relations, US-Japan Security Alliance, strategic communication, strategic communications, national identity
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42

Lawrence, Christopher. "Peter Vinten-Johansen, Howard Brody, Nigel Paneth, Stephen Rachman, Michael Rip, with the assistance of David Zuck, Cholera, chloroform and the science of medicine: a life of John Snow, Oxford University Press, 2003, pp. xv, 437, illus., £39.95 (hardback 0-19-513544-X)." Medical History 48, no. 4 (October 1, 2004): 531–32. http://dx.doi.org/10.1017/s0025727300008164.

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43

Riquet, Johannes. "Islands erased by snow and ice: approaching the spatial philosophy of cold water island imaginaries." Island Studies Journal 11, no. 1 (2016): 145–60. http://dx.doi.org/10.24043/isj.340.

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Representations of islands in Western fiction typically revolve around tropical islands. Critical discourse tends to reproduce this tendency and rarely addresses the specific spatial poetics of cold-water island fictions. This paper discusses three texts that poetically deploy the geographical inventory of northern snow- and icescapes to challenge essentialist assumptions about islands: D. H. Lawrence’s short story “The man who loved islands”, Georgina Harding’s novel The solitude of Thomas Cave, and Michel Serres’s treatise Le passage du Nord-Ouest. It is argued that these texts reflect on the importance of the horizontal and vertical components of material and textual topographies for the conception and experience of islands. In all three, the physical transformation of the islandscapes by snow and ice serves to put the island concept itself into question. Serres’s philosophical text geopoetically portrays the Arctic archipelago of the Northwest Passage to explore the reciprocal relations between language and the material world. In Lawrence and Harding, the snow-covered islands cease to function as economically productive spaces and turn into complex spatial figures offering a philosophical meditation on islandness as a contradictory and multifaceted condition.
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44

Lotsari, Lind, and Kämäri. "Impacts of Hydro-Climatically Varying Years on Ice Growth and Decay in a Subarctic River." Water 11, no. 10 (October 2, 2019): 2058. http://dx.doi.org/10.3390/w11102058.

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Predicting the future changes in river ice development and impacts on seasonal sediment transport requires more in-depth examination of present river ice cover growth processes. This paper therefore investigates: (1) the impacts of hydro-climatically varying years on river ice development in a Scandinavian subarctic meandering river and (2) the accuracy of existing analytical models for predicting ice thickness growth and ice decay. Stefan’s ice growth equation (version by Michel et al.) and Bilello’s ice decay equation are applied to varying hydro-climatic conditions experienced in the years 2013–2019. Estimates from these equations are compared with observed field conditions such as ice thicknesses, ice clearance dates and freeze-thaw days. Overall, the equations were most accurate in the winter of 2016–2017 when the maximum mid-winter snow thickness value was high, the number of freeze-thaw days was the closest to the long-term average of northern Scandinavia, and the rate of thermal snow-melt in the subsequent spring was slow. The equations would need to be adjusted to take into account expected future changes to conditions such as shorter winters, less snow formation and increased frequency of air temperatures crossing 0 °C.
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45

Snow, Stephanie J. "Book Review Cholera, Chloroform, and the Science of Medicine: A Life of John Snow By Peter Vinten-Johansen, Howard Brody, Nigel Paneth, Stephen Rachman, and Michael Rip, with the assistance of David Zuck. 437 pp., illustrated. New York, Oxford University Press, 2003. $49.95. 0-19-513544-X." New England Journal of Medicine 350, no. 1 (January 2004): 90–91. http://dx.doi.org/10.1056/nejm200401013500122.

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46

Ager, Thomas A. "Late Quaternary vegetation and climate history of the central Bering land bridge from St. Michael Island, western Alaska." Quaternary Research 60, no. 1 (July 2003): 19–32. http://dx.doi.org/10.1016/s0033-5894(03)00068-1.

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AbstractPollen analysis of a sediment core from Zagoskin Lake on St. Michael Island, northeast Bering Sea, provides a history of vegetation and climate for the central Bering land bridge and adjacent western Alaska for the past ≥30,000 14C yr B.P. During the late middle Wisconsin interstadial (≥30,000–26,000 14C yr B.P.) vegetation was dominated by graminoid-herb tundra with willows (Salix) and minor dwarf birch (Betula nana) and Ericales. During the late Wisconsin glacial interval (26,000–15,000 14C yr B.P.) vegetation was graminoid-herb tundra with willows, but with fewer dwarf birch and Ericales, and more herb types associated with dry habitats and disturbed soils. Grasses (Poaceae) dominated during the peak of this glacial interval. Graminoid-herb tundra suggests that central Beringia had a cold, arid climate from ≥30,000 to 15,000 14C yr B.P. Between 15,000 and 13,000 14C yr B.P., birch shrub-Ericales-sedge-moss tundra began to spread rapidly across the land bridge and Alaska. This major vegetation change suggests moister, warmer summer climates and deeper winter snows. A brief invasion of Populus (poplar, aspen) occurred ca.11,000–9500 14C yr B.P., overlapping with the Younger Dryas interval of dry, cooler(?) climate. During the latest Wisconsin to middle Holocene the Bering land bridge was flooded by rising seas. Alder shrubs (Alnus crispa) colonized the St. Michael Island area ca. 8000 14C yr B.P. Boreal forests dominated by spruce (Picea) spread from interior Alaska into the eastern Norton Sound area in middle Holocene time, but have not spread as far west as St. Michael Island.
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47

Beyer, Jessica L. "Digital Media and Political Engagement Worldwide: A Comparative Study. Edited by Eva Anduiza, Michael J. Jensen, and Laia Jorba. New York: Cambridge University Press, 2012. 304p. $104.99 cloth, $34.99 paper. - Democracy’s Double-Edged Sword: How Internet Use Changes Citizens’ Views of Their Government. By Catie Snow Bailard. Baltimore: Johns Hopkins University Press, 2014. 176p. $34.95." Perspectives on Politics 13, no. 3 (September 2015): 874–76. http://dx.doi.org/10.1017/s1537592715001838.

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48

Falsetto, Mario. "Canadian Catalogues and Monographs of the Avant-Garde, 1989-1995. ELDER, R. Bruce. The Body in Film. Toronto : Art Gallery of Ontario, 1989, 56 p. JONASSON, Catherine (editor). Richard Hancox. Toronto : Art Gallery of Ontario, 1990, 48 p. RICHMOND, Cindy (editor and curator). Richard Kerr : Overlapping Entries, with an essay by Bart Testa. Regina, Saskatchewan : MacKenzie Art Gallery, 1994, 54 p. SHEDDEN, Jim (editor). David Rimmer : Films and Tapes 1967-1993, with an essay by Catherine Russell. Toronto : Art Gallery of Ontario, 1994, 96 p. SHEDDEN, Jim (editor). Presence and Absence : The Films of Michael Snow, 1956-1991 (The Michael Snow Project). Toronto : Art Gallery of Ontario/Alfred A. Knopf Canada, 1995, 256 p." Cinémas: Revue d'études cinématographiques 7, no. 1-2 (1996): 245. http://dx.doi.org/10.7202/1000943ar.

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49

Kmak, Aleksander. "Kryzys reprezentacji, Ziemia-krajobraz i posthumanistyczny panteizm w „La Région centrale” Michaela Snowa." Kwartalnik Filmowy, no. 110 (August 26, 2020): 46–61. http://dx.doi.org/10.36744/kf.314.

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Autor omawia film Michaela Snowa La Région centrale. Przywołując różne opracowania dotyczące filmu, koncentruje się na tym, co pozostało poza obszarem zainteresowania ich autorów, mianowicie na zmysłowym wymiarze doświadczenia tego filmu i jego konsekwencjach dla statusu kina jako przestrzeni poznawania rzeczywistości. La Région centrale zostaje zestawiony z koncepcją malarskiej katastrofy i obrazu-diagramu Gilles’a Deleuze’a, a celem tego zestawienia jest wskazanie, jak doświadczenie krajobrazu w filmie staje się posthumanistycznym projektem konstruowania nowego świata, w którym dotychczasowe dualizmy ciała i umysłu, podmiotu i przedmiotu, człowieka i zwierzęcia zostają w pełni odrzucone. Interpretacji towarzyszy namysł nad rolą kina w epoce antropocenu i próba dowartościowania tradycji realizmu w teorii filmu.
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50

Ealy, Nicholas. "From Blood-on-Snow to Boys-on-Sand: Perceval’s Mirror in Michel Tournier’s The Ogre." Studies in the Novel 44, no. 1 (2012): 62–79. http://dx.doi.org/10.1353/sdn.2012.0027.

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