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Books on the topic 'Michael Snow'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 January 2023

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1

Michael Snow: Wavelength. London: Afterall Books, 2009.

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2

editor, Südbeck Annette, Lipsky Tina editor, Langford Martha author, Pálffy András author, and Wiener Secession, eds. Michael Snow: Recent works : Secession. Berlin: Revolver, 2012.

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3

Michael, Snow. The collected writings of Michael Snow. Waterloo, Ont: Wilfrid Laurier University Press, 1994.

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4

Bisaccia, Antonio. Effetto Snow: Teoria e prassi della comunicazione artistica in Michael Snow. Genova: Costa & Nolan, 1995.

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5

Michael, Snow. Visual art, 1951-1993: [the Michael Snow Project]. Toronto: Alfred A. Knopf Canada [for] the Art Gallery of Ontario [and] The Power Plant, 1994.

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6

Turin, Italy) Festival internazionale cinema giovani (1986. Michael Snow: [catalogo] : Torino 18/23 marzo 1986. Torino: Festival Internazionale Cinema giovani, 1986.

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7

1963-, Shedden Jim, Testa Bart, Michael Snow Project, and Art Gallery of Ontario, eds. Presence and absence: The films of Michael Snow, 1956-1991. Toronto: Art Gallery of Ontario, 1995.

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8

Michael, Snow. Michael Snow, [from January 27 to April 23, 1995, Works from the collection of the National Gallery of Canada and film retrospective]. Montréal: Musée d'art contemporain de Montréal, 1995.

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9

R, Reid Dennis, Snow Michael 1929-, Monk Philip 1950-, Dompierre Louise, Art Gallery of Ontario, and Power Plant (Art gallery), eds. Visual art, 1951-1993: Exploring plane and contour : the drawing, painting, collage, foldage, photo-work, sculpture and film of Michael Snow from 1951 to 1967. Toronto: A.A. Knopf Canada, 1994.

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10

WWF Attitude, Official Acclaim Strategy Guide. Glen Cove, NY: Acclaim Entertainment, Incorporated, 1999.

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11

Michael Snow. MIT Press, 2019.

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12

Michelson, Annette, and Kenneth White. Michael Snow. MIT Press, 2019.

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13

Michelson, Annette, and Kenneth White. Michael Snow. MIT Press, 2019.

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14

Michelson, Annette, and Kenneth White. Michael Snow. MIT Press, 2019.

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15

Michelson, Annette, and Kenneth White. Michael Snow. MIT Press, 2019.

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16

Michael Snow: Solo Snow. Galerie de l'UQAM / ABC Art Books Canada, 2011.

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17

Michael Snow: Digital Snow. Daniel Langlois Foundation, 2002.

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18

Legge, Elizabeth, and E. Legge. Michael Snow: Wavelength. MIT Press, 2009.

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19

Damisch, Hubert, and Alain Fleischer. Michael Snow Panoramique. Galgiani, Phillip, 1999.

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20

Michael Snow Photocentric. Yale University Press, 2014.

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21

Early Snow: Michael Snow 1947-1962. Figure 1 Publishing, 2020.

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22

Michael Snow: Cover to Cover. Primary Information, 2020.

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23

James, King. Michael Snow: Lives and Works. Dundurn Press, 2019.

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24

James, King. Michael Snow: Lives and Works. Dundurn Press, 2019.

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25

Snow, Michael, and Louise Dompierre. Collected Writings of Michael Snow. Wilfrid Laurier University Press, 2010.

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26

Snow, Michael, and Louise Dompierre. Collected Writings of Michael Snow. Wilfrid Laurier University Press, 2006.

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27

Snow, Michael, and Louise Dompierre. Collected Writings of Michael Snow. Wilfrid Laurier University Press, 1994.

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28

Michael Snow: Lives and Works. Dundurn, 2019.

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29

Buble, Michael. Michael Buble - Let It Snow! Leonard Corporation, Hal, 2009.

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30

Buble, Michael. Michael Buble - Let It Snow. Leonard Corporation, Hal, 2009.

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31

Michael Buble - Let It Snow. Leonard Corporation, Hal, 2009.

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32

Buble, Michael. Michael Buble - Let It Snow (Songbook). Leonard Corporation, Hal, 2009.

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33

Michael Snow Almost Cover to Cover. Black Dog, 2000.

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34

Theriault, Michele. Timelength: Andy Warhol And Michael Snow. Galerie De I'uqam, 2005.

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35

Michael Snow: My Mother's Collection of Photographs. D.A.P./Distributed Art Publishers, 2022.

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36

Friis-Hansen, Dana. Visionary Apparatus: Michael Snow and Juan Geuer. Massachusetts Inst Technology, 1986.

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37

Snow, Michael. Michael Snow: Biographie Of The Walking Woman. Exhibitions International, 2005.

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38

Michael Snow &Ndash; Sequences: A History of His Works. Polígrafa, Ediciones, S. A., 2016.

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39

1929-, Snow Michael, Centre national de la photographie (France), Cinémathèque royale de Belgique, Palais des beaux-arts (Brussels, Belgium). Société des expositions., and Centre pour l'image contemporaine (Saint-Gervais, Geneva, Switzerland), eds. Michael Snow: Panoramique : oeuvres photographiques & films = photographic works & films, 1962-1999. Bruxelles: Société des Expositions du Palais des Beaux-Arts, 1999.

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40

1929-, Snow Michael, Art Gallery of Ontario, and Power Plant (Art gallery), eds. Music/sound: The performed and recorded music/sound of Michael Snow. Toronto: A.A. Knopf, 1994.

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41

Kellman, Tila L. Figuring Redemption: Resighting My Self in the Art of Michael Snow. Wilfrid Laurier University Press, 2006.

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42

Kellman, Tila L. Figuring Redemption: Resighting My Self in the Art of Michael Snow. Wilfrid Laurier University Press, 2010.

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43

Figuring Redemption: Resighting My Self in the Art of Michael Snow. Wilfrid Laurier University Press, 2002.

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44

Kellman, Tila. Figuring Redemption: Resighting My Self in the Art of Michael Snow. Wilfrid Laurier University Press, 2002.

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45

Adriano, Aprà, and Centro cinema Paolo e Vittorio Taviani., eds. Lucca film festival 2007: Cinema & film, Paolo e Vittorio Taviani, Michael Snow, Guy Debord, Aldo Tambellini, eventi speciali, concorso. Corazzano (Pisa): Titivillus, 2007.

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46

1929-, Snow Michael, Geuer Juan 1917-, Hayden Gallery, and MIT Committee on the Visual Arts., eds. Visionary apparatus: Michael Snow and Juan Geuer : Hayden Gallery, List Visual Arts Center, Massachusetts Institute of Technology, October 10 through December 21, 1986. Cambridge, Mass: The Committee, 1986.

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47

1929-, Snow Michael, Art Gallery of Ontario, Power Plant (Art gallery), and Michael Snow project, eds. Music/sound, 1948-1993: The performed and recorded music/sound of Michael Snow, solo and with various ensembles, his sound-films and sound installations : improvisation/composition from 1948 to 1993. Toronto: A.A. Knopf, 1994.

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48

1955-, Jenkner Ingrid, Cleveland Center for Contemporary Art., and Macdonald Stewart Art Centre, eds. Site memory: Contemporary art from Canada : Claude-Philippe Benoit, Roland Brener, Stan Denniston, Paterson Ewen, Suzanne Giroux, Hugh LeRoy, Al McWilliams, Roland Poulin, Jim Reid, Ron Shuebrook, Michael Snow, Tim Whiten. Guelph, Ont: Macdonald Stewart Art Centre, 1991.

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49

Jackson, MacDonald P. Screening the Tragedies. Edited by Michael Neill and David Schalkwyk. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780198724193.013.37.

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Jonathan Miller’s BBC TV production of King Lear and Michael Elliott’s version for Granada TV, starring Laurence Olivier, illustrate contrasting approaches to the small-screen medium, with Miller recording lengthy takes of characters artfully choreographed within bare sets, and Elliott employing a montage technique to view individuals in expressive close-ups. The near-monochrome BBC costumes suggest the world of Jacobean politics, whereas Granada’s pastel colours suit the ‘Once upon a time’ quality of Shakespeare’s opening. The cinematic adaptations by Peter Brooke and Grigori Kozintsev better convey the play’s vastness, bleakness, and grandeur, Brooke filming in the snow-bound tundra of Northern Jutland, Kozintsev in a primitive rock-strewn Russian landscape, through which peasants trudge. Brooke’s style is New Wave, his vision unsparing. Kozintsev draws on both traditional epic convention and Christian-humanist tradition. Several other screen versions merit attention, notably Akiro Kurosawa’s Ran and Brian Blessed’s undervalued movie with himself as Lear.

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50

Guy, Adam. The nouveau roman and Writing in Britain After Modernism. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198850007.001.0001.

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This book shows the centrality of the nouveau roman to the literary culture of postwar Britain. Emerging in the mid–late 1950s in France, the nouveau roman grouped together a range of writers committed to innovation in the novel, such as Michel Butor, Marguerite Duras, Robert Pinget, Alain Robbe-Grillet, Nathalie Sarraute, and Claude Simon. Transferred to a different national context, the nouveau roman became a focal point for debates in Britain about realism, modernism, and the end of empire. The nouveau roman and the Novel in Britain After Modernism draws on extensive research into archival and periodical sources in order to tell the story of the nouveau roman’s dissemination and reception in Britain. It also looks at postwar writers working in Britain so as to gauge the impact of the nouveau roman in novels of the 1960s and 1970s. Whether in translations of Nathalie Sarraute’s writing by Maria Jolas (one of the founders of the interwar little magazine transition), or in the conservative critiques of the nouveau roman levelled by the circle around C. P. Snow, the question of the legacies of European high modernism is always in view. But equally, for writers like Brian W. Aldiss, Christine Brooke-Rose, Eva Figes, B. S. Johnson, Alan Sheridan, Muriel Spark, and Denis Williams, the nouveau roman also provided the source of aesthetic innovations that could exceed the modernist account of the new. This book uncovers a neglected history of the postwar British literary field, with continuing relevance for contemporary innovative writing.

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