Academic literature on the topic 'Mexico (Mexique) – Dans la littérature'
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Journal articles on the topic "Mexico (Mexique) – Dans la littérature"
Oñate, Abdiel. "French Bankers in Revolutionary Mexico: Exploring the Limits of informal Empire, 1917–1928." French Colonial History 12 (May 1, 2011): 143–66. http://dx.doi.org/10.2307/41938214.
Full textVereel Wyatt. "La Perception De La Competitivite Des Destinations Par Les Touristes." ENDLESS: INTERNATIONAL JOURNAL OF FUTURE STUDIES 6, no. 2 (June 21, 2023): 267–77. http://dx.doi.org/10.54783/endlessjournal.v6i2.175.
Full textMcCaa, Robert. "Marriageways in Mexico and Spain, 1500–1900." Continuity and Change 9, no. 1 (May 1994): 11–43. http://dx.doi.org/10.1017/s026841600000415x.
Full textBazán, Cristina Oehmichen. "Aspects de la violence dans les relations interethniques et le racisme à Mexico." Anthropologie et Sociétés 30, no. 1 (October 24, 2006): 97–116. http://dx.doi.org/10.7202/013830ar.
Full textCôté, Jean-François, and Sophie Bélanger. "La nord-américanité en roman : Le soleil des gouffres de Louis Hamelin." Études 25, no. 3 (August 28, 2006): 525–40. http://dx.doi.org/10.7202/201502ar.
Full textMelenotte, Sabrina. "Matérialiser l’absence : Arts et mémoires des disparitions au Mexique." Revue internationale de politique comparée 302, no. 2 (October 23, 2023): 139–76. http://dx.doi.org/10.3917/ripc.302.0139.
Full textAbrassart, Loïc. "La politique par la rue. Manifestations et propagande politique à Mexico durant la campagne présidentielle de 1909-1910." Revista Trace, no. 39 (September 5, 2018): 49. http://dx.doi.org/10.22134/trace.39.2001.556.
Full textPerrin, Michel. "Raby Dominique, L’épreuve fleurie. Symboliques du genre dans la littérature des Nahua du Mexique préhispanique." Journal de la société des américanistes 95, no. 95-2 (December 5, 2009): 303–6. http://dx.doi.org/10.4000/jsa.12764.
Full textStratford, Madeleine, and Louis Jolicoeur. "La littérature québécoise traduite au Mexique : trois anthologies à la Foire internationale du livre de Guadalajara." Meta 59, no. 1 (September 5, 2014): 97–123. http://dx.doi.org/10.7202/1026472ar.
Full textRobledo Silvestre, Carolina, and Paola Alejandra Ramírez González. "Situating the Investigation on Clandestine Graves in Mexico." Social Anthropology/Anthropologie sociale 30, no. 3 (September 1, 2022): 79–95. http://dx.doi.org/10.3167/saas.2022.300306.
Full textDissertations / Theses on the topic "Mexico (Mexique) – Dans la littérature"
Alvarez, Romero Ana. "L'empreinte ethnographique dans la littérature mexicaine des années 1950, 1960 et 1970." Thesis, Montpellier 3, 2017. http://www.theses.fr/2017MON30060.
Full textThis study analyzes ethnography’s relationship with a diverse corpus of Mexican literature published during the decades of 1950, 1960 and 1970. These relationships are analyzed through what we call “ethnographic imprint”, a semiotic frontier (in Yuri Lotman’s terminology) where ethnography’s interests and methods are translated into literary terms. Through this concept, we analyze Juan Pérez Jolote: biografía de un tzotzil (1948), by Ricardo Pozas; El diosero (1952), by Francisco Rojas González; Benzulul (1959), by Eraclio Zepeda; Balún Canán (1957) and Los convidados de agosto (1964), by Rosario Castellanos; La tumba (1964), by José Agustín; Gazapo (1965), by Gustavo Sainz; Los hongos alucinantes (1964), by Fernando Benítez; Los albañiles (1963), by Vicente Leñero; Hasta no verte Jesús mío (1969) and La noche de Tlatelolco (1971), by Elena Poniatowska; Chin chin el teporocho (1971), by Armando Ramírez; and Vida de María Sabina. La sabia de los hongos (1977), by Álvaro Estrada. The interconnection appears through literary work focused on rebuilding subjects framed and shaped by their culture: if the original focus was the native, in the later period the subject explained according to its culture was the urban dweller. Thus, the ethnographic imprint reveals how an apparently diverse corpus is interconnected. Similarly, we propose that this ethnographic imprint is constructed through what we call “cultural realism”: a writing style that tries to account specific cultures (with correspondence in the extratextual world) from the actors’ point of view
Le, Gall Erik. "La superposition des temporalités dans la ville de Mexico : une archéologie littéraire." Electronic Thesis or Diss., Sorbonne université, 2023. http://www.theses.fr/2023SORUL090.
Full textThe superposition of temporalities, like archaeological strata, is a phenomenon that affects every space and city. In Mexico City, it has become a powerful literary motif, and has been particularly recurrent in the Mexican literature of the last seventy years. The destruction of México-Tenochtitlan in the wake of the conquest and the subsequent rebuilding of New Spain’s capital city on its ruins constitute a major historical turn. Mexica stones, once reshaped, serve as the foundations and material of the newbuilt “Novohispana” colonial city, suggesting an essential continuity between the two cities. The Mexican city thus enjoys the fascinating aura of vanished civilisations. Its influence on contemporary Mexican culture also inspires the idea of an atavistic permanence, triggering the resurgence of vengeful pre-Hispanic myths. The first demolition would be the starting point for a series of drastic changes that the city has undergone through time, as if shedding skins. Mexican writers preserve the traces of these bygone cities, which eventually accumulate in an intertextual palimpsest. The successive re-elaborations of the literary motif of superposition of temporalities are sedimented as, since Carlos Fuentes’s early works, generations pass by. In a city criss-crossed by major archaeological excavations, we propose a literary archaeology through Mexico City’s historical and literary diachronic depths. Beyond the reminiscence of a past that was buried alive, we are to find how distinct legacies that gave birth to both the city and the nation are questioned, in particular its dual pre-Columbian and Spanish roots
Pressacco, De La Luz Coralie. "La violence dans la littérature mexicaine actuelle. Approche littéraire, lexicologique et traductologique." Thesis, Reims, 2019. http://www.theses.fr/2019REIML002/document.
Full textGiven the emergence in Mexico since the end of the twentieth century of a literary trend commonly called narco-literature, we propose through this work to highlight the diversity of the tools chosen by the authors to write about violence related to drug trafficking. The first step is to explore the historical and social roots of this ever-growing literary cycle and to determine its characteristics in order to better understand its development and wide success. Then, through the analysis of lexical processes used by authors within a body of literature published between 2002 and 2014, we characterize the different trends identified in the writing of violence. Noting the increasing diffusion of these works beyond Mexico’s borders, the final step of our study is devoted to the analysis of the strategies implemented by the translators to depict in another language a local reality that is, quite often, very particular and very foreign to the language and culture of the potential reader
Lopez, Pedroza Claudia Cecilia. "Les chroniques urbaines d'Angel de Campo dans " El Imparcial " : Mexico à la fin du XIXème siècle." Phd thesis, Université de la Sorbonne nouvelle - Paris III, 2009. http://tel.archives-ouvertes.fr/tel-00947640.
Full textNguyen, Laura. "Récits de voyage au Mexique : une invitation : réflexions sur l'évolution du genre dans les récits de trois auteurs et voyageurs espagnols contemporains : Francisco Solano, Paco Nadal et Suso Mourelo." Thesis, Lyon, 2016. http://www.theses.fr/2016LYSE2118/document.
Full textThis thesis explores the style of travel literature and the development over the centuries of a poetic of travel, unique to the Mexican territory. Two backgrounds depicted by occidental travelers’ writings introduce the topic. The first one focuses on the travel’s writing evolution from Middle Age until the XX century. The second one gives us an outline of Mexico’s history from the XVI century till today. These foundation help determine the narratives of Francisco Solano, Paco Nadal and Suso Mourelo, three contemporary Spanish authors who authentically traveled to Mexico between 1994 and 2008. Their analysis reflects paradigm shifts of the travel concept and his writing forms, but also the continuity of a model (the classic travel book) and an imagination (Occidental view of Mexico) transmitted for centuries. Like the studied style, this work takes a transdisciplinary approach. It questions Mexico’s representation and shows how this country acquired in the speeches of travelers a mythical dimension. Finally, in the light of the decolonial theories, it reveals the ideologies that the three Spanish authors and travelers convey
Jurado, David. "Catastrophe et récit. La représentation littéraire et cinématographique du « terrorisme d’État » en Argentine, au Chili et au Mexique." Thesis, Paris 4, 2017. http://www.theses.fr/2017PA040081.
Full textThis study set out to describe, using the concept of “catastrophe” and its relationships with aesthetic narration, conceptual and narrative specificities of literary and cinematographic works derived from mass violence periods in Latin America. Thus, its main object of study is the narrative of catastrophe in three countries, Argentina, Chile and Mexico. It made use of a corpus composed by 6 films and 6 literary texts, classed by two main narrative configurations, the narrative of the catastrophe and catastrophism narrativity, and two main historical periods. The first period under discussion is circumscribed to the apparition of “state terrorism” and citizens’ vulnerability, and the second one taken into account is “transitional periods”, where this vulnerability is carried out by government policies and civil organizations’ initiatives. In this sense, this thesis has a double objective, the analysis of two historical periods through narrative configurations and the formulation of the two narrative configurations that highlight those two periods. These two formulations take into account the relationships between the concept of catastrophe with testimonial and fictional texts, with experience of vulnerability, silence or self-censorship and with catastrophism. These notions constitute the conceptual background that defines the narratives of catastrophe and that offer new readings on historical and narrative discourses from the two studied periods
Lemus, Martinez Violetta. "Versions en conflit, versions d’un conflit : l’Intervention française au Mexique (1862-1867) entre histoire et fiction." Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCA064/document.
Full textIn this doctoral dissertation, we are studying a selection of both Mexican and French literary works related to the historic events of the Second French Intervention in Mexico (1862-1867) and of the Second Mexican Empire (1864-1867). This body of works has been published between the XIXth and the XXIth century and has been selected, both because their poetic and political thoughts are emblematic of this period and because they have contributed to the construction of a Mexican cultural and identity iconography. We have decided to select the fiction and theatrical genres, to carry out a comparative and diachronic analysis. The decision of which literary works and authors to include has been made based on how both the French Intervention and the way it has been depicted in literature, have been dealt with in particular in each literary work and each author we considered to studied. The studied novels belong to the sub-genre of serialized fiction in the XIXth century with, on the French side, Benito Vázquez (1869) by Lucien Biart and Doña Flor (1877) by Gustave Aimard and, on the Mexican side, Clemencia (1869) by Manuel Altamirano and El Cerro de las Campanas (1868) by Juan Mateos. As far as theatre plays are concerned, we have carried out a comparative study of both Corona de Sombra (1943) by Rodolfo Usigli and Charlotte et Maximilien (1945) by Maurice Rostand. We have completed our analysis with a complementary study of El Tuerto es Rey (1970) by Carlos Fuentes. Regarding more contemporaneous historic and literary creations, we chose to include Noticias del Imperio (1987) by Fernando del Paso and Yo, el francés by Jean Meyer (2002). This corpus allows to carry out a comparative, linguistic, semiotic and literary analysis of afore-mentioned works. Such analysis calls for a thorough reflection on the interpretation of conflict, an armed and political conflict which influenced both History and Mexican and French literary productions
Urrieta, Garcia Salvador. "Protection du patrimoine et aménagement dans le centre ancien de Mexico." Paris 8, 1995. http://www.theses.fr/1995PA081106.
Full textThis thesis focuses on the rehabilitation and conservation of the urban patrimony as an important alternative for the de development and reordering of historical cities the disertation is divided into two principal sections. The first deals with the protection of urban patrimony with a view of the historical evolution on three levels, being cognizant of : a) on an international level, through the study of european experience regarding protection and rehabilitation. A study into legislation relative to the cultural patrimony, interventions into ancient districts, and rehabilitation methodologies. The goal is to identify the principal ideas central to patrimony conservation problems. B) on a national level, through the analysis of mexico's cultural patrimony viewed from its cultural history in order to comprehend the origin of notions of identity and nationalism. Fundamental ideas and feelings to establish the importanc e of the notion of patrimony in that nation. C) on a regional level, through the analysis of urban and reordering policies of ancient spaces in the city of mexico. Subjects viewed through the evolution of planning, the centralist policy, and the transformations of urban spaces that range from the global city to the central city. The second part refers to the curent rearrangement of the ancien center of mexico city and viewed from two aspects : a) the dimensions and the problems of the historical center of mexico city; examined to understand the specifics of this area to compare them with the conservation policies implemented by public authorities. B) the interest that are at stake in this ancient center. The future of mexico's urban patrimony, analyzed from the perspective of the permanence of its current inhabitants, of the balance between urban functions, of the appropriation of public space, and finally, of the democratization of the city and the participation of its inhabitants
Cano, Castillo Antonio. "Le clergé séculier dans le diocèse de Mexico (1519-1650)." Paris, EHESS, 2007. http://www.theses.fr/2007EHES0063.
Full textThis work analyzes the establishment of the secular clergy in the diocese of Mexico in 1519 and its evolution until 1650. The study is based on the career of secular clergy according to canonical and royal guidelines. The first part explores the establishment of diocesan priests on this huge diocesan territory, as well as the obstacles they faced in the exercise of the duties. The second part, presents the social origins and the intellectual background of the secular clergy which was so determining for the career of its members. Finally, the third part approaches the processes leading to the appointment of these priests and focuses on their pastoral mission. The purpose of the whole thesis is to throw some light on the activity of the secular clergy who was the spiritual guide of Mexican Catholics following the innovative outlined orientations by the Council of Trent. Never before, the specificity of the secular clergy has been taken into account for itself, when considering the development of tridentine pastoral theology, showing this theology rooted in everyday life during the first decades of the early Mexican Church
Comboni, Salinas Sonia. "Immigration et culture paysanne : la recherche de la survie en milieu urbain modernite et rupture dans un bidonville de la peripherie de la ville de mexico." Paris 3, 1997. http://www.theses.fr/1997PA030072.
Full textThe mexican city expansion in the last 20 yeats has been the product of the natural population grouth on one hand, and of the migration flow on the other hand. That means that the mexican capital has been an attraction pole throughout all these years. In this economical crisis context rises an urban crises, whose manifestations shows out through signs as the elevation of the logement fees, the exclusion of the hausing market of all those people with no economic means form facing these fees. On the other hand we have peasants who are obliged to leave their original birth places and go to the industrial centes looking for a better work and be able to survive. In these context emerges the aglomeration know as valley of chalco, that is situated 30 kms away from mexico city. In this place meet th to a new village expression of a peripherique cumture, untrysides. This familial immigration gives places to certains social, political and economical manifestations, that are beginning to give birth to a new village expression of a peripherique culture, that is built up at the same place and at the same time that they share their every day problems that have to do with the buying of their lots, getting all the services they need, as water, education and transportation. To conclude, we have found a creative process of popular manifestations of a culture which i call peripherique culture, because it turns arround of the dominant culture of the big city, but it construct itself by the convergence of many manifestations and original traditions of the migrants
Books on the topic "Mexico (Mexique) – Dans la littérature"
Pagnoux, Elisabeth. Ecrire le mexique: Mexico dans la littérature mexicaine contemporaine ; lexique des mexicanismes. Paris: Editions Messene, 1998.
Find full textNérée, Marcel. Langue, culture et société dans la littérature contemporaine au Mexique: Le cas d'Octavio Paz. Villeneuve d'Ascq, France: Presses universitaires du Septentrion, 2000.
Find full textTeotl: Dieu en images dans le Mexique colonial. Paris: Presses universitaires de France, 2009.
Find full textSeita, Musée-Galerie de la, ed. Figures de pierre: L'art du Guerrero dans le Mexique précolombien. Paris: Musée-Galerie de la Seita, 1992.
Find full textPonce, Fernando Matamoros. Mémoire et utopie au Mexique: Mythes, traditions et imaginaire indigène dans la genèse du néozapatisme. Paris: Editions Syllepse, 1998.
Find full textGruzinski, Serge. La colonisation de l'imaginaire: Sociétés indigènes et occidentalisation dans le Mexique espagnol, XVIe-XVIIIe siècle. [Paris]: Gallimard, 1988.
Find full textJacques, Blazy, Bosquet Alain, Stierlin Henri, and Musée-Galerie de la Seita, eds. Figures de pierre: L'art du Guerrero dans le Mexique précolombien : [exposition presentée du 2 Octobre au 21 Novembre 1992. Paris: Musée-Galerie de la Seita, 1992.
Find full textNadal, Marie-José. À l'ombre de Zapata: Vivre et mourir dans le Chiapas. Paris: Éditions du Félin, 1995.
Find full textÀ l'ombre de Zapata: Vivre et mourir dans le Chiapas. Lachine, Québec: La Pleine lune, 1994.
Find full textParadise discourse, imperialism, and globalization: Exploiting Eden. New York: Routledge, 2009.
Find full textBook chapters on the topic "Mexico (Mexique) – Dans la littérature"
Ugalde Quintana, Sergio. "La violence et la construction du « commun » : la littérature internationaliste écrite au Mexique dans les années 1940." In Minor Universality / Universalité mineure, 305–22. De Gruyter, 2023. http://dx.doi.org/10.1515/9783110798494-018.
Full textMartínez-Lomelí, Liliana. "« Manger dehors » dans les villes de Mexico et de Guadalajara : de quelques tensions entre les dimensions sanitaires et patrimoniales au Mexique." In Manger en ville. Regards socio-anthropologiques d’Afrique, d’Amérique latine et d’Asie, 57–69. éditions Quae, 2020. http://dx.doi.org/10.35690/978-2-7592-3091-4/c4.
Full textBonfil, Carlos. "Les seuils du mélodrame." In D'un seuil à l'autre, 175–87. Editions des archives contemporaines, 2017. http://dx.doi.org/10.17184/eac.770.
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