Relevant bibliographies by topics / Metropol parasol

Academic literature on the topic 'Metropol parasol'

Author: Grafiati
Published: 10 March 2023
Last updated: 11 March 2023

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Journal articles on the topic "Metropol parasol"

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Mayer H, Jürgen. "Metropol Parasol, Seville." Architectural Design 82, no. 5 (September 2012): 70–73. http://dx.doi.org/10.1002/ad.1463.

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Schmid, Volker, George Faller, and Jan-Peter Koppitz. "Metropol Parasol in Sevilla." Bautechnik 88, no. 10 (October 2011): 715–22. http://dx.doi.org/10.1002/bate.201101507.

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Koppitz, Jan-Peter, José de la Peña, and Volker Schmid. "Metropol Parasol – Adventures in Engineering." IABSE Symposium Report 102, no. 13 (September 1, 2014): 2303–10. http://dx.doi.org/10.2749/222137814814069066.

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Sánchez, Angel, Ramón Sánchez, and Fco Javier R. Ortiz. "Metropol Parasol Construction of a Timber Structure." IABSE Symposium Report 102, no. 32 (September 1, 2014): 754–61. http://dx.doi.org/10.2749/222137814814066906.

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Schmid, Volker, Jan-Peter Koppitz, and Anja Thurik. "Neue Konzepte im Holzbau mit Furnierschichtholz - Die Holztragkonstruktion des Metropol Parasol in Sevilla." Bautechnik 88, no. 10 (October 2011): 707–14. http://dx.doi.org/10.1002/bate.201101508.

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Schmid, Volker. "Metropol Parasol: A new Plaza and a unique Timber Mega Structure right in the heart of Seville." IABSE Symposium Report 97, no. 33 (January 1, 2010): 32–38. http://dx.doi.org/10.2749/222137810796024204.

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KALIN, Arzu, and Ayşe AZAKLI. "A PROPOSAL ON RHETORIC ANALYSIS OF THE CANOPY THAT DEFINES URBAN SPACE." INTERNATIONAL REFEREED JOURNAL OF DESIGN AND ARCHITECTURE, no. 26 (2022): 0. http://dx.doi.org/10.17365/tmd.2022.turkey.26.07.

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Aim: The research aims to propose an analysis framework that enables the rhetorical reading of the covers with different functions in urban spaces. Method: In the method of the research, four rhetorical canons from Cicero were transformed into an analysis (reading) framework. In the doctrine of invention, the current change of the canopy is interpreted as an "urban condition" and overlaps with the state of the language. In the arrangement canon, 4 cover classifications were made in accordance with urban situations. The style canon examines the formation of the structure and the referential thought it is based on through metaphor, metonym, hyperbola, parabola. In the memory canon, the characteristics of the chosen style figure, such as the ability to explain the idea of form and fiction, convey its concept, and be evocative and memorable, are examined. Results: Four spatial structures (Metropol Parasol, Fuji Kindergarten, Jay Pritzker Pavilion and Dels Encants District Market) are selected for the canopy classes determined in the study. In the next stage, these selected samples are analyzed according to the rhetorical analysis method created. The findings show that the striking shapes of today's magnificent canopies are based on quite extensive rhetorical figures. Conclusion: Analysis has demonstrated that underlying the complexity of the forms is the technological development and digitalization of construction systems and design thinking that references many main sources such as history, memory, and nature.
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Miles, William F. S. "Mitterrand in the Caribbean: Socialism (?) Comes to Martinique." Journal of Interamerican Studies and World Affairs 27, no. 3 (1985): 63–79. http://dx.doi.org/10.2307/165600.

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May 10, 1981, not only ushered in a political surprise for France, as well as for its European and American allies, but sent positive shockwaves throughout that part of the Caribbean which is still French. On that date François Mitterrand came to power in the Metropole of France at the same time that the Départements d'Outre-Mer (DOM or overseas departments) of Martinique, Guadeloupe and Guiana rejected his candidacy with a unanimity as stunning as it is rare in West Indian politics. Ever since the DOM have been coping with Socialism in France, decentralization in the Caribbean, and an unprecedented antilleanization of local culture, institutions, and politics. The result has been a paradox of heightened social liberalism combined with intensified political violence; but paradox has always been at the heart of the French Antilles.
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Lang, Jon. "Miami Modern Metropolis: Paradise and Paradox in Midcentury Architecture and Planning." Journal of Urban Design 16, no. 2 (April 2011): 297–99. http://dx.doi.org/10.1080/13574809.2011.548981.

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Paliwoda, Agata. "Nowy Jork w prozie Janusza Głowackiego." Postscriptum Polonistyczne 26, no. 2 (December 28, 2020): 121–29. http://dx.doi.org/10.31261/ps_p.2020.26.09.

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W artykule zarysowany został obraz Nowego Jorku jaki wyłania się z prozy Janusza Głowackiego. Pisarz skrupulatny w odtwarzaniu topografii metropolii, widział ją miastem wielkich kontrastów, nieograniczonych możliwości i całkowitej nieprzewidywalności. Zawsze krytyczne w twórczości Głowackiego spojrzenie na Nowy Jork zwłaszcza w ostatnich powieściach ujawniło całą swą ostrość i głębię. Miasto jawi się parabolą świata globalnego – chaosu i pomieszania wartości – rzeczywistości, w której nędza i bogactwo sąsiadują ze sobą, ludzie pozbawieni autentyczności instrumentalnie posługują się innymi, konfrontacja z innością rozmywa tożsamość, a wartości są kreowane przez rynek i pieniądz.
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Dissertations / Theses on the topic "Metropol parasol"

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LO, BELLO CHIARA. "Architettura e obsolescenza nella città europea (1960-2015). Percorsi interpretativi, progetti e strategie per la costruzione dello spazio pubblico." Doctoral thesis, 2016. http://hdl.handle.net/2158/1031890.

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La ricerca sviluppa un percorso d’indagine sul rapporto tra il progetto di architettura dello spazio pubblico della città europea e la sua obsolescenza. Alcuni interventi contemporanei, frutto di un pensiero progettuale, già poco dopo la loro inaugurazione, risultano interessati da fenomeni di abban¬dono o sottoutilizzo, fallimentari, incapaci di intessere relazioni propositive con la città. Tali spazi non sono irrilevanti dato che nella città permangono e si stratificano, consumando suolo, denaro, energie fisiche e intellettuali, l’idea stessa dello spazio pubblico. La ricerca non solo propone la possibilità di riscrivere la storia di alcune opere dal punto di vista della loro ricezione, ma permette di riconoscere un tipo di obsolescenza legata ad interpretazioni poco attente della città e di attribuirne le ragioni alla mancata coincidenza tra modalità e strumenti di lettura del contesto e strumenti operativi utilizzati nel processo del progetto piuttosto che solo al degrado tecnico, funzionale, estetico, tecnolo¬gico, fisico, simbolico, programmato, dell’oggetto del progetto architettonico. Il carattere sperimentale della tesi ha consentito la definizione di un sistema di criteri atti a valutare tale fenomeno. La procedura critica individuata, che propone di colmare la diffusione ancora minima delle valutazioni post-occupative degli spazi pubblici, concentrandosi più sull’efficacia che sull’efficienza del progetto, è stata verificata mediante l’applicazione su casi studio (il Metropol Parasol a Siviglia, l’Esplanade Charles-De-Gaulle a Bordeaux-Mériadeck, il Sistema delle Piazze a Gibellina). Le indagini interdisciplinari realizzate sul campo hanno ricostruito i processi progettuali dalle prime volontà politiche alla fruizione dell’opera nel corso del tempo, attraverso la lettura dei differenti attori coinvolti (fruitore, progettista, istituzione) e l’analisi degli scarti tra le diverse fasi. L’architettura dello spazio pubblico, se manifesta inconsciamente il portato della società contemporanea, diviene non sol¬tanto un prodotto ma un sottoprodotto, un marcatore di defunti processi socio-economici: architetture concepite ‘per’ le vite di scarto e/o ‘da’ coscienze di scarto, attraverso processi progettuali e procedimenti burocratici che riflettono consapevolmente o inconsapevolmente tale natura. Riconoscendo il fenomeno dell’obsolescenza contemporanea come un sistema e non frutto di casualità, è possibile scardinarne il meccanismo. Introducendo nel processo del progetto un capitolo sulla valutazione post-occupativa è infatti possibile, durante ogni fase del processo del progetto, dare elementi di riflessione agli attori coinvolti e stabilire nuove modalità operative nella costruzione del progetto dello spazio pubblico.
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Books on the topic "Metropol parasol"

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Inês, Steingräber Cristina, Hoffmann Sebastian, J. Mayer H. Architekten, Kulturforum (Berlin Germany), and Kunstbibliothek (Berlin Germany), eds. J. Mayer H.: Metropol Parasol : redesigning of Plaza de la Encarnación in Sevilla. [Berlin]: Staatliche Museen zu Berlin, 2005.

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Metropol Parasol. Hatje Cantz Verlag GmbH & Co KG, 2011.

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3

The Paradox of the American Metropolis. CreateSpace Independent Publishing Platform, 2016.

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4

Miami Modern Metropolis Paradise And Paradox In Midcentury Architecture And Planning. Bass Museum of Art, 2009.

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Book chapters on the topic "Metropol parasol"

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Koppitz, Jan-Peter, Gregory Quinn, Volker Schmid, and Anja Thurik. "Metropol Parasol - Digital Timber Design." In Computational Design Modelling, 249–57. Berlin, Heidelberg: Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-642-23435-4_28.

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2

Leon, Ana Marıa. "Occupied Sites: Tlatelolco and Metropol Parasol." In Participation in Art and Architecture. I.B.Tauris, 2016. http://dx.doi.org/10.5040/9780755694938.ch-002.

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Faflik, David. "Photography and the Image of the City." In Urban Formalism, 96–123. Fordham University Press, 2020. http://dx.doi.org/10.5422/fordham/9780823288045.003.0005.

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This chapter examines the visual form of urban photography during the technology’s foundational stages of the mid-nineteenth century. Of special interest in this chapter is the photographic form of the daguerreotype. Because of its technical limitations and cumbersome requirements for prolonged exposure, the daguerreotype was never a literal window onto the city. The photographic process itself posed the practical and philosophical paradox of whether a city that could not and would not stand still might be interpreted by a mode of representation that required its objects of observation to be stationary. This new technology could offer up images of exquisite detail. It could also produce (unlike the alternative later technology of the stereoscope) pictures in which the pulsating life of the metropolis was more or less absent. Chapter 4 addresses this representational paradox, while presenting a selective visual survey of some of the early city views from New York and Paris that photography afforded the nineteenth-century reader.
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"The Age of Individualization: Chinese Paradox and Resolution – The Experience of One Metropolis." In Residency, Class, and Community in the Contemporary Chinese City, 39–63. BRILL, 2018. http://dx.doi.org/10.1163/9789004392335_005.

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