Relevant bibliographies by topics / Merlau

Academic literature on the topic 'Merlau'

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Published: 11 March 2023

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Journal articles on the topic "Merlau"

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Prinz, Sophia. "Das unterschlagene Erbe." Phänomenologische Forschungen 2017, no. 2 (2017): 77–92. http://dx.doi.org/10.28937/1000107737.

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Maurice Merleau-Ponty’s phenomenology of the body has so far been widely neglected in the debate on practice theory. This failure is surprising considering Merleau-Ponty’s early contribution of a number of fundamental insights – including bodily practice as a theoretical basic unit, the priority of “practical sense” and “implicit knowledge” over consciousness, and the collectivity of practice. The article addresses these approaches in detail, examining them relative to corresponding concepts from Bourdieu and Foucault. It turns out that both theorists owe more to their teacher than they were willing to admit. Revisiting Merlau-Ponty also offers the opportunity to both supplement practice theoretical vocabulary with the aspect of implicit perceptual knowledge and refine it with regard to the question of individual deviation from order.
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Sunday, Agama Christina. "The Doctrine of Intentionality in Merlau-Ponty." International Journal of Research and Scientific Innovation 08, no. 01 (2021): 66–70. http://dx.doi.org/10.51244/ijrsi.2021.8103.

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Araújo, Eleno Marques de, Vania Maria de Oliveira Vieira, and José Humberto Rodrigues dos Anjos. "TRAÇOS DA FENOMENOLOGIA DA LINGUAGEM EM MERLAU-PONTY EM MOSCOVICI / TRACES OF MERLEAU-PONTY'S PHENOMENOLOGY OF LEGUABE IN MOSCOVICI." Brazilian Journal of Development 6, no. 11 (2020): 86435–53. http://dx.doi.org/10.34117/bjdv6n11-169.

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Borecký, Felix. "Authors and Servants: A Contribution to Merlau-Ponty’s Philosophy of Speech." Pro-Fil 21, no. 1 (June 19, 2020): 69. http://dx.doi.org/10.5817/pf20-1-2070.

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Passos, Luiz Augusto. "Metodologia da Pesquisa Ambiental a partir da Fenomenologia de Maurice Merlau-Ponty." Pesquisa em Educação Ambiental 9, no. 1 (June 18, 2014): 38. http://dx.doi.org/10.18675/2177-580x.vol9.n1.p38-52.

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<div class="page" title="Page 1"><div class="layoutArea"><div class="column"><p><span>O presente artigo pretende expor pontos centrais da concepção fenomenológica de Maurice Merleau-Ponty, e alguns gonzos que fundam o que se poderia chamar uma concepção filosófica com consequências teórico- metodológicas para pesquisa. Corpo próprio, carnalidade, intencionalidade, quiasma, abrem um importante diálogo entre ciência e filosofia, contemplando uma longa interlocução com a neurociência, psicanálise, antropologia propondo a uma perspectiva positiva de educação ambiental dentro de uma radical interpenetração entre todos os seres animados e inanimados. Quebra-se, de maneira radical, todo antropocentrismo e retoma-se o sentido de animalidade que funda a rede da vida. </span></p> <p><strong>Palavras-chave</strong><span><strong>:</strong> Merleau-Ponty. Educação Ambiental. Pesquisa em Fenomenologia. </span></p></div></div></div>
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Letiche, Hugo, Terrence Letiche, and Jean-Luc Moriceau. "Liminality Affect and Flesh." Somatechnics 12, no. 3 (December 2022): 140–61. http://dx.doi.org/10.3366/soma.2022.0385.

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Liminality is an anthropological concept that has been influential in contemporary social studies. This article is written from an organisation culture and studies perspective wherein liminality has been seen: (i) as something that must be controlled, (ii) as a utopian call to creativity, and (iii) as a dystopian entrapment. Liminality has to do with whether the study of practice has been excessively cognitive whereby the human is reduced to concepts of control, efficiency and profit; and whereby the soma (Gr.) of the physical body is marginalised as mind, spirit, and ideation are prioritised. Thus, what of sarx (Gr.) or the flesh of existence (see Merleau-Ponty, Klossowski)? In this article we explore liminality evaluating its relationship to bodily-ness / bodyless-ness, affect and text. We start with a discussion of liminality as originated by the anthropologists van Gennep and Turner, and as pushed aside by Weick, but lionised as creativity by Kostera, and denounced as stagnation by Szakolczai. This is followed by an auto-ethnographic case study. The case study points to the unheimisch 2 of liminality which we examine via Pierre Klossowski’s manifoldness. Realising that text about liminality and its embodiment easily becomes paradoxical (unembodied and affectless), we present a non-textual (i.e., not written) visual reaction to the case; again, in the spirit of Klossowski; and we conclude with reflections co-inspired by Maurice Merlau-Ponty on the physical affectivity of liminality.
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Martin, L. "Female Reformers as the Gatekeepers of Pietism: The Example of Johanna Eleonora Merlau and William Penn." Monatshefte XCV, no. 1 (March 1, 2003): 33–58. http://dx.doi.org/10.3368/m.xcv.1.33.

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Krzyżak, Anna, and Mirosław Michalik. "Poza słowami – Marcela Marceau koncepcja milczenia." Przestrzenie Teorii, no. 33 (June 15, 2020): 85–101. http://dx.doi.org/10.14746/pt.2020.33.4.

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The article deals with the concept of silence developed by Marcel Marceau, one of the founders of contemporary mime. An analysis of the concept of silence is proposed, starting from a broader research, linguistic and philosophical perspective, encompassing the ideas of Martin Heidegger, Maurice Merlau-Ponty, Józef Tischner and Martin Buber, which aims at an interpretation of Marceau’s theatrical concept, which is presented in his work and statements and contains many elements of philosophical anthropology. For Marceau, the human stands in the center, working in a world where words fail. Mime artist and spectator conduct a distinctive dialogue without using words, thus giving rise to reflections and leading to catharsis. Because the scope of the concept is wide, it has been included in the cognitive framework of the anthropology of silence, proving that Marceau’s concept enriches the debate on the anthropology of silence and opens the perspective for further research on his concept of theater.
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Chaves Peña, Daniel Eduardo, and Jaime Yáñez Canal. "Los modos de la atención." Sophía, no. 30 (January 12, 2021): 225–44. http://dx.doi.org/10.17163/soph.n30.2021.08.

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En este texto se analizan algunas concepciones clásicas y alternativas del fenómeno de la atención. Luego de revisar algunos de los planteamientos tradicionales a la hora de concebir este proceso cognitivo, se defiende la importancia de una perspectiva fenomenológica de la atención. En este sentido se retoman las ideas de fenomenólogos como Husserl, Sartre y Merlau-Ponty con el objeto de establecer una distinción de niveles en el proceso atencional. Específicamente, se distingue entre las formas pasivas y activas de la atención. La separación y caracterización de niveles es fundamental, pues permite establecer estratos del fenómeno que a menudo se pasan por alto en las teorías de la atención. La concepción fenomenológica de la atención postula distintos niveles de consciencia que ponen en evidencia las formas de significación de las que dispone el sujeto en su relación con el mundo: la forma pasiva se corresponde con la consciencia prerreflexiva, mientras que la activa puede vincularse a las formas reflexivas de dirigir la atención. En cuanto a las formas pasivas, se enfatiza en las formas de la organización de los contenidos de la experiencia, y en lo que concierne a las formas activas, se resalta cómo el sentido de agencia es fundamental en la determinación de la corriente de experiencias. Tales distinciones son fundamentales para una caracterización apropiada del campo de atención.
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Rueda, Carlos. "Re-creación e historicidad en el cedazo de la modernidad: la Casa de Huéspedes Ilustres de Rogelio Salmona." REVISTA NODO 11, no. 21 (April 11, 2021): 8–20. http://dx.doi.org/10.54104/nodo.v11n21.788.

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Este escrito re-elabora y actualiza ideas relativas a los procesos de re-creación poética de lugar en la arquitectura (Rueda 2009) con un estudio de la Casa de Huéspedes Ilustres en Cartagena de Indias (1980-1982) del arquitecto colombiano Rogelio Salmona (1927-2007). Una premisa inicial es: hacer lugar resulta un proceso re-creativo, si se tiene en cuenta que implica la transformación de un sitio existente, el cual tiene un potencial de interpretación poética que, con la obra, el arquitecto eleva a la dimensión de un constructo habitable de historicidad. Se entiende por historicidad, la inmanencia del pasado, del tiempo y la historia en la construcción del presente y la imaginación del futuro. Se enfatiza que con la historicidad se busca en forma paradójica una expresión a-histórica o de eternidad en el tiempo. El concepto de lugar, inclusivo y más complejo que el de sitio, se despliega en totalidades mayores y que constituyen en conjunto, un “mundolugar”. “Lugar” y “mundo” son sinónimos en la tradición fenomenológica (Merlau-Ponty, 2004, p. 196, xi, pp. 405-407; Malpas, 1999, p. 196; Rueda, 2015, pp. 19-46). Hacer lugar se entiende entonces como re-creación poética: unión, condensación o transfiguración de imágenes arquitectónicas –materiales, experienciales, memorables– provenientes de otros lugares para configurar un mundo o totalidad de experiencia.
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Dissertations / Theses on the topic "Merlau"

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Filho, Ronaldo Manzi. "Quando os corpos se invadem: Merlau-Ponty às voltas com a psicanálise." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/8/8133/tde-08112013-120854/.

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Pretendemos realizar um exame crítico do debate do filósofo Merleau-Ponty com as teorias psicanalíticas contemporâneas a ele, mostrando como tal foi determinante no desenvolvimento de seu pensamento. Não se trata de mostrar que há somente uma convergência entre a sua interpretação da psicanálise com a fenomenologia, mas uma verdadeira necessidade de diálogo. Longe de afirmar que este tenha sido o único debate importante de Merleau-Ponty com as não-filosofias ou que ele foi homogêneo em sua obra, pretendemos mostrar como alguns conceitos clínicos foram incorporados em seu trabalho se confundindo com os próprios conceitos-chave que o filósofo cunhou para cumprir seu projeto filosófico.
Our objective is to perform a critical analysis of the debate between the philosopher Merleau-Ponty and the psychoanalytical theories contemporaries with him, demonstrating how this debate was determining in the development of his thought. We do not aim at demonstrating that his interpretation of psychoanalysis simply meets the phenomenology, but that it configures itself as a real need for dialog. Far from stating that this was Merleau-Pontys only important dialog with the non-philosophies or that his work is homogeneous, we aim at demonstrating how some clinical concepts were embodied in his work, fading among the key concepts created to accomplish his philosophical project.
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VARGAS, MUNOZ JUVENAL 170471, and MUNOZ JUVENAL VARGAS. "La destrucción de la ontología clásica en la obra de Heidegger y Merlau-Ponty." Tesis de doctorado, Universidad Autónoma del Estado de México, 2018. http://hdl.handle.net/20.500.11799/98931.

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Se desarrolla la superación de la metafísica clásica a través del tópico de la deconstrucción ontológica a partir de dos autores fundamentales del siglo XX tales como son Heidegger y el francés Merleau-Ponty
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Fontenelle, Plinio Santos. "Da percepção à visão radical do mundo: a condição de abertura do plano de imagens no percurso de Merlau-Ponty." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/8/8133/tde-04022015-121548/.

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O presente trabalho objetiva oferecer uma leitura do pensamento de Maurice Merleau- Ponty desde a tese inicial de 1945, Fenomenologia da percepção à obra inacabada O visível e o invisível, no que diz respeito a um percurso sobre as imagens pictóricas nesta filosofia. O foco central pretendido para este itinerário, não só suscita as imagens nas obras de vários artistas citados pelo filósofo francês, tendo a referência essencial às pinturas de Paul Cézanne, como busca justamente compreender certa organização do trabalho pictórico realizada pelos artistas para o ato de criação das obras de arte. Para isso, chamamos de plano das imagens o modo como os autores se abrem à organização estruturante das obras desde a sua concepção à entrega delas aos sujeitos percipientes. Conforme esta linha de articulação pretendida, enveredamos no percurso citado a fim de explicitar, primeiramente, na fase fenomenológica do filósofo, o contexto no qual se verifica a percepção das imagens da arte moderna e o sentido que elas têm diante da questão central do corpo próprio e da pintura clássica que se preocupou em representar o mundo conforme a nítida captação da natureza. Mediante a expressão que possui cada artista, Merleau-Ponty nos permite pensar quanto ao segundo passo, na linguagem expressiva que abre o sujeito ao outro numa significação atrelada ao mundo. Cézanne é o artista que especialmente restabeleceu com suas imagens a expressão que ultrapassa perspectivas de um mundo pronto e determinado. Como último ponto deste trabalho, procuramos elucidar a plasticidade das imagens como condição de envolvimento carnal no mundo, para tanto, centramos nossa leitura na direção merleau-pontyana dada para o pacto visível que os pintores têm com as imagens e por meio das quais eles terminam organizando um ato fecundo de criação graças ao plano de imagens que eles constroem e conforme a sua tarefa dinâmica.
The present work has as objective a reading of Maurice Merleau-Ponty since his inicial thesis in 1945, Perception Phenomenology to his unfinished work The visible and the invisible, in what concerns a route over the pictorial images of this philosophy. The main focus for this route, not only raises the images in the works of various artists cited by the French philosopher, having as the essential reference the paintings of Paul Cézanne, as it rightly seeks to understand certain \"organization\" of the pictorial work by the artists for the act of artwork creation. To achieve this, well use the expression pictures plane in reference to the way the authors open themselves to the structural organization of their works from their conception to their deliver to the percipient audiences. As follows this line of articulation, we set the \"route\" to explain, firstly, the phenomenological phase of the philosopher, the context in which appears the perception of images of modern art, and the sense that they have on the central question of \"own body\", and of classical painting that focused in representing the world as a clear depiction of nature. Upon the expression that each artist has Merleau-Ponty allows us to think, concerning the second instance, about the expressive language that opens the subject audience to the others self in a meaning linked to the world. In the final instance of this work, we sought to elucidate the plasticity of the images as a condition of carnal involvement in the world, therefore, focusing our reading on Merleau-Pontys direction given to the visible pact that painters have with images and through which they finish \"organizing\" a fruitful act of creation thanks to the pictures plan they construct and to its dynamic task.
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Andrade, André Dias de. "Intersubjetividade em Merleau-Ponty." reponame:Repositório Institucional da UFPR, 2015. http://hdl.handle.net/1884/37401.

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Orientador: Prof. Dr. Luiz Damon Santos Moutinho
Dissertação (mestrado) - Universidade Federal do Paraná, Setor de Ciências Humanas, Letras e Artes, Programa de Pós-Graduação em Filosofia. Defesa: Curitiba, 26/02/2015
Inclui referências
Área de concentração: História da filosofia moderna e contemporânea
Resumo: Este trabalho desenvolve questões sobre como a intersubjetividade é tematizada e quais as dificuldades que tal noção enfrenta na filosofia de Merleau-Ponty. Primeiramente, estudamos a abordagem fenomenológica de uma dimensão de experiência comum – a percepção –, partindo da generalidade para então demarcar os limites da subjetividade. Trata-se, na Fenomenologia da Percepção, de investigar a relação entre eu e outro tendo em vista o elo que os une através do corpo próprio. Em seguida passamos ao exame de teses intermediárias da obra de Merleau-Ponty, a fim de pensar a intersubjetividade no âmbito da linguagem. Se num primeiro momento havia uma dimensão de solidão que faz par com a comunicação, ainda em 1945, com os trabalhos em torno do fenômeno da fala este silencio vai passar a ser considerado de outra maneira. Buscamos entender quais as consequências para a intersubjetividade ao se pensar aquele campo comum da experiência como um campo diacrítico, em que o Eu e o Outro não são anteriores à relação. Por fim, examinamos como os elementos descobertos com a fenomenologia da linguagem permitem a Merleau-Ponty pensar a intersubjetividade a partir dum pano de fundo ontológico – o sensível – e, assim, vertê-la em intercorporeidade. Palavras-chave: Merleau-Ponty; Ego; alter Ego; Intersubjetividade; Intercorporeidade.
Abstract: This academic work develops questions about how intersubjectivity is tematized and about which are the difficulties that this notion faces on Merleau-Ponty’s philosophy. Firstly we study the phenomenological approach of a common ground of experience – the perception –, tarting of generality to line off the limits of subjectivity. In Phenomenology of Perception the goal is to investigate the relation between I and other aiming the tie tha bunds then throught the body proper. Afterward we examinate Merleau-Ponty’s middle thesis in order to think intersubjectivity in the field of language. If, at a starting point, there were a dimension of silence and loneliness along with the communication, still in 1945, with the works around the phenomenon of speech this silence will be considered otherwise. We seek to understand wich are the consequences among intesubjectivity when one thinks that common field of experience as a diacritical field, where I and other don’t subsists to relation. Finally, we examine how the elements discovered on the phenomenology of language allow Merleau-Ponty to think intersubjectivity from an ontological stanground – the sensible – and, furthermore, turn it into intercorpority. Keywords: Merleau-Ponty; Ego; alter Ego; Intersubjetividade; Intercorporeidade
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Cappoccia, Nilce. "Expressão em Merleau-Ponty." Pontifícia Universidade Católica de São Paulo, 2017. https://tede2.pucsp.br/handle/handle/19946.

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This study contemplates a reflection on the philosophy of Maurice Merleau-Ponty, whose main texts and triggers were The Doubt of Cézanne and The Eye and the Spirit, which articulated the theme of expression, mainly pictorial expression, as a form of sensitive creative manifestation. The painting is presented as a visible manifestation of any effort developed by the painter in contact with his object of study, in a meditative process. The artist experiences and makes use of the body, finding in the gestures and in the perception all the lived experience. The philosopher takes up painting as a path and theme for reflection
Este estudo contempla uma reflexão sobre a filosofia de Maurice Merleau-Ponty, cujos textos principais e desencadeadores foram A Dúvida de Cézanne e O Olho e o espírito, que articularam a temática da expressão, principalmente da expressão pictórica, como forma de manifestação criativa sensível. A pintura é apresentada como manifestação visível de todo esforço desenvolvido pelo pintor em contato com seu objeto de estudo, num processo meditativo. O artista vivencia e faz uso do corpo, encontrando, nos gestos e na percepção, toda a experiência vivida. O filósofo retoma a pintura como caminho e tema para a reflexão
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Barbaras, Renaud. "L'ontologie de Merleau-Ponty." Lyon 3, 1990. http://www.theses.fr/1990LYO31003.

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L'objet de ce travail est de reconstituer et de prendre la mesure de l'ontologie de merleau-ponty, telle qu'elle s'elabore dans le visible et l'invisible. Il s'agit pour lui de penser ensemble la transcendance irreductible du sensible et la possibilite de la signification, telle qu'elle s'atteste dans l'expression linguistique. Une telle prespective le conduit a recuser l'opposition du fait et de l'essence, opposition qui recouvre en realite une meme attitude ontologique, consistant a penser l'etre comme positivite et la connaissance comme adequation ou coincidence. En tant que le monde sensible est dicible, il s'avere irreductible a l'ordre du fait; mais en tant que la signification s'incarne dans une parole, et s'enracine donc dans le monde sensible, elle s'avere irreductible a l'ordre de l'essence. Le refus de cette opposition conduit merleau-ponty a une critique symetrique de l'eidetique husserlienne et de la dialectique sartrienne. . . L'experience doit etre comprise comme chair, c'est-a-dire comme un processus de phenomenalisation par lequel l'etre vient a lui-meme, s'exprime dans l'element d'une visibilite, se presente en se dissimulant. L'analyse de la visibilite, element irreductible a la ponctualite du vu comme a l'idealite de la vision permet alors de rendre compte des differentes strates constitutives d'une experience totale, depuis la transcendance objective, correlative d'une intercorporeite, jusqu'a l'univers de l'idealite transparaissant dans l'element de la parole
The purpose of this work is to reconstitute and estimate the ontology of merleauponty, built up in "le visible et l'invisible". The question is for him to conciliate the irreducible transcendancy of the perceptible world and the possibility of the meaning, testified by the linguistic expression. This purpose leads him to challenge the opposition between the facticity and the essence, opposition which in fact refers to a single ontological attitude, consisting in thinking the being as positivity and the knowledge as adequation or coincidence. In so far as the perceptible world can be said, it proves irreducible to the facticity; but in so far as the meaning is embodied in words, it proves irreducible to the essence. The refusal of this opposition leads merleau-ponty to criticize symetrically the eidetical philosophy of hussel and the dialectical philosophy of sartre. . . It is necessary to grasp the experience as "chair", that is to say as a process of phenomenalisation by which the being achieves itself, express itself in the element of the visibility, offers itself while concealing itself. The analysis of the visibility, irreducible to the ponctuality of the seen and to the ideality of the vision, allows then to make clear the different constitutive stratums, from the objective transcendancy, correlative of the intercorporeity, to the universe of ideality appearing through the element of language
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Scarpa, Mariana Cabral Tomzhinsky. "A linguagem em Merleau-Ponty." reponame:Repositório Institucional da UFPR, 2017. http://hdl.handle.net/1884/46282.

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Orientador: Prof. Dr. Luiz Damon Santos Moutinho
Tese (doutorado) - Universidade Federal do Paraná, Setor de Ciências Humanas, Programa de Pós-Graduação em Filosofia. Defesa: Curitiba, 23/02/2017
Inclui referências : f. 228-232
Área de concentração: História da Filosofia
Resumo: Neste trabalho buscamos apresentar o tema da linguagem ao longo das obras de Merleau-Ponty, perseguindo os diferentes deslocamentos sofridos na abordagem dessa problemática. Em um primeiro momento, tratamos das obras dos anos 1940 a fim de apresentar a gênese da linguagem como uma das expressividades possíveis do corpo no mundo. No momento seguinte, início dos anos 1950, passamos a mostrar como a noção de diacriticidade dos signos, inspirada na linguística de Saussure, permite a Merleau-Ponty uma reformulação e ampliação do escopo do papel da linguagem. Em seguida, por meio desta virada linguística, exploramos os ganhos advindos da noção de instituição na problematização da linguagem. E, por fim, nos últimos escritos do filósofo, expomos o modo como a abordagem da linguagem lança a reflexão filosófica de Merleau-Ponty numa atmosfera de negatividade e permanente criação. Palavras-chave : linguagem; diacriticidade; instituição; fenomenologia; Merleau-Ponty.
Résumé: Dans ce travail nous présentons le thème du langage au long des oeuvres de Merleau Ponty, ceci en suivant les différents déplacements trouvés dans l'approche de cette thématique. Premièrement, nous nous occupons des oeuvres des années 1940, de sorte à montrer la genèse du langage em tant qu'une des expressivités possibles du corps dans le monde. À partir des oeuvres du début des années 1950, nous présentons la notion de la diacriticité des signes, qui est calquée sur le modèle de la linguistique de Saussure. Cette notion permets à Merleau Ponty une reformulation et un élargissement du rôle du langage dans ces ouvres. En suite, grace au tournant linguistique, nous étudions les gains théoriques permis par la notion de l'institution. Pour conclure, à partir des derniers écrits du philosophe, nous exposons la façon à travers laquelle le langage conduit la réflexion de Merleau-Ponty à une atmosphère de négativité et création permanent. Mots-clés : langage; diacriticité; institution; phénoménologie; Merleau-Ponty.
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Mantovani, Harley Juliano. "Arqueologia fenomenológica de Merleau-Ponty." Universidade Federal de São Carlos, 2006. https://repositorio.ufscar.br/handle/ufscar/4822.

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Universidade Federal de Minas Gerais
This dissertation is based the relationship between Phenomenology and Metaphysics, one of the pillars of contemporary French Philosophy. If, in that context, there seems to be a consensus according to which the metaphysical is originary, we, on the other hand, aim at investigating its place and its origins. This work focuses on one of the aspects over which that relationship has developed, and which, at the same time, characterize one novelty of contemporary Philosophy, namely, the concern with language and with writing. When the phenomenological discourse unveiled what it first denied, the Being, when it neutralized itself in this incapability of expression, it brought the metaphysical, which thereafter needed to be seen as originary. What characterizes the metaphysical in discourse is, thus, a rational cohesion without a concept, that is, the absence of abstract and objective categories and of pure meanings given a priori, for a thought which could possibly be prior to language. With this rearrangement of the metaphysical concerning language, and taking it as a Philosophical theme, we return to the origins and to the inauguration of Philosophy. Finally, we analyze this surpassing of Phenomenology through the return to language phenomenon, which meant having another encounter with Philosophy after Phenomenology. This re-visitation meant the narrative of a new beginning. As we proceeded in this process, the importance of language for the whole ontological project of Merleau-Ponty became more and more clear, especially concerning the initial moments of a Phenomenology of perception, when it was not in the center of our analysis, and when it was not discussed. This silence was revealing to us.
Essa dissertação ganha vida na relação entre fenomenologia e metafísica, que é um dos pilares da filosofia francesa contemporânea. Se, neste contexto, parece haver o acordo de que o metafísico é o originário, procuramos investigar o seu lugar e a sua proveniência. Essa dissertação toma um dos aspectos sobre os quais se desenvolveu aquela relação, e que caracteriza, ao mesmo tempo, uma novidade da filosofia contemporânea, a saber, a preocupação com a linguagem e com a escritura. Quando o discurso fenomenológico desvelou o que o negava, o Ser, quando ele neutralizou-se nessa incapacidade de expressão, ele trouxe o metafísico para o discurso, que precisava ser, doravante, sempre originário. O que caracteriza o metafísico no discurso é, pois, uma coesão racional e sem conceito, isto é, a ausência das categorias abstratas e objetivas e das significações puras dadas a priori por um pensamento anterior à linguagem. Com esse remanejamento do metafísico para a linguagem, tomando-a como tema filosófico, voltamos às origens e à inauguração da filosofia. Restavanos analisar esse ultrapassamento da fenomenologia através do retorno ao fenômeno da linguagem, o que significou reencontrarmos a filosofia depois da fenomenologia. Reencontro que foi a narrativa de um começo. Ao longo desse caminho de volta foi se nos desvelando a importância da linguagem para o projeto ontológico de Merleau-Ponty, sobretudo, nos momentos iniciais de uma Fenomenologia da Percepção em que ela não estava no centro das análises, em que não se falou dela. Esse silêncio foi-nos revelador.
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Colì, Maria Lucia. "Merleau-Ponty e la natura." Paris 1, 2007. http://www.theses.fr/2007PA010633.

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Le travail traite quelques-uns des thèmes qui reviennent fréquemment dans la spéculation merleau-pontyenne, à savoir celui de la réflexion ontologique qu'il portait au concept de Nature, et ceux de la possibilité et du sens de la philosophie. C'est dans la dernière phase de la réflexion du philosophe français, la phase dite ontologique, que l'élaboration de ces thèmes atteint sa pleine maturité. Ce qui émerge des pages consultées, c'est la tentative de Merleau-Ponty d'élaborer une nouvelle ontologie, et donc une nouvelle conception de l'Être et de la Nature, cette dernière représentant pour le philosophe français un accès concret au problème ontologique. A côté de ces questions, on trouve aussi une réflexion sur la crise de la philosophie et sur la possibilité de surmonter l'impasse dans laquelle se trouve la pensée occidentale. L'ontologie merleau-pontyenne ne considère pas la Nature comme un objet mais qu'elle s'y réfère comme à un élément qui n'est accessible que de l'intérieur.
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Mokkila, Granlund Edward. "Musik, mening och Merleau-Ponty." Thesis, Linköpings universitet, Avdelningen för filosofi, historia, konst och religion, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-165385.

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Är upplevelsen av musik meningsfull och på vilket sätt är det möjligt för ett musikstycke att gestalta en yttre värld? I denna uppsats undersöker jag lite kort vad inom musiken skulle kunna förstås som en mening. Genom att se till olika förhållanden av meningsfullhet och musikalisk upplevelse går det att förstå dess breda förklaringssvårigheter. Meningen ter sig subjektiv men kan också bidra till en kollektiv samstämmighet om ett musikstyckes meningsfullhet. Upplevelsen av musik i sin tur kan hjälpa en kompositör eller artist att gestalta en omvärld för sig själv. Denna gestaltning bebor inte musiken på liknande sätt som en manual beskriver ett tillvägagångssätt utan med hjälp av medlet musik kan artisten uttrycka något som en vokabulär inte möjligtvis är kapabelt till. Med kroppen som länk mellan den yttre världen och subjektets vilja används vanan av att bruka ett instrument som en förlängning för kroppen. Att utgå från kroppen som en medvetandehorisont är något som är nära besläktat till Merleau-Pontys existentiella fenomenologi i Phenomenology of Percetion och utgör en bra grund för denna uppsats. Även om jag inte kommer fram till ett svar ifall musik besitter en mening så har upplevelsen av musik utforskats genom olika musikaliska verk och hur musikalisk gestaltning kan användas för varseblivning.
Is the experience of music meaningful and in which way is it possible for a musical arrangement to depict an external world? This essay will firstly examine what meaning within music might refer to. Though there are difficulties to pinpoint an exact definition of meaning in regard to several different experiences of music it seems to originate from the subject itself. Even so, music can possess a collective acceptance within their respective social groups. The experience of music can help a composer to portray a surrounding, not by the virtue of musical characteristics, but by mediating the will of the composer. Unlike a manual which is guiding the reader to take certain steps the composer can express what a vocabulary is lacking by the habit and familiarity of ones instrument as an extension of the performers body to link an external world. This is very much related to the existential phenomenology put forward by Merleau-Ponty in Phenomenology of Perception and on which I base my arguments on. Even though I might not find a meaning within music I have examined the possibility for experiencing music as a way of portraying the surrounding world.
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Books on the topic "Merlau"

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Schwöbel, Gerlind. Sehnsucht nach dem Vollkommenen: Johanna Eleonora von Merlau zu Merlau verheiratete Petersen im Dialog mit Philipp Jakob Spener und Johann Jakob Schütz. Frankfurt am Main: Lembeck, 2007.

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Traducciones malditas: La experiencia de la imagen en Marx, Merlau-Ponty y Foucault. Buenos Aires, Argentina: Colihue, 2017.

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Long, R. Charles. Le merle d'Amérique. Ottawa, Ont: Service canadien de la faune, 2005.

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Merla. Madrid, España: Editorial BETANIA, 1991.

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Carman, Taylor. Merleau-Ponty. Second Edition. | New York: Routledge, 2020. | Series: Routledge philosophers: Routledge, 2019. http://dx.doi.org/10.4324/9781315537542.

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Diprose, Rosalyn, ed. Merleau-Ponty. Durham: Acumen Publishing Limited, 2009. http://dx.doi.org/10.1017/upo9781844654024.

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Merleau-Ponty. Paris: Les Belles lettres, 2011.

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Merleau-Ponty. Roma: Carocci, 2012.

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Merleau-Ponty. Milton Park, Abingdon, Oxon: Routledge, 2008.

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Merleau-Ponty. London: Routledge, 1998.

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Book chapters on the topic "Merlau"

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Albrecht, Ruth. "Petersen, Johanna Eleonora, geb. von und zu Merlau (Frankfurt am Main 25. 4. 1644–Thymer 19. 3. 1724)." In Frauen in Sachsen-Anhalt, 288–93. Köln: Böhlau Verlag, 2015. http://dx.doi.org/10.7788/9783412502133-072.

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Scholz, Hannelore. "Mereau, Sophie." In Metzler Autorinnen Lexikon, 353–54. Stuttgart: J.B. Metzler, 1998. http://dx.doi.org/10.1007/978-3-476-03702-2_246.

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Waldenfels, Bernhard. "Merleau-Ponty." In A Companion to Continental Philosophy, 281–91. Oxford, UK: Blackwell Publishing Ltd, 2017. http://dx.doi.org/10.1002/9781405164542.ch23.

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Carman, Taylor. "Introduction." In Merleau-Ponty, 1–4. Second Edition. | New York: Routledge, 2020. | Series: Routledge philosophers: Routledge, 2019. http://dx.doi.org/10.4324/9781315537542-1.

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Carman, Taylor. "Life and works." In Merleau-Ponty, 5–32. Second Edition. | New York: Routledge, 2020. | Series: Routledge philosophers: Routledge, 2019. http://dx.doi.org/10.4324/9781315537542-2.

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Carman, Taylor. "Intentionality and perception." In Merleau-Ponty, 33–75. Second Edition. | New York: Routledge, 2020. | Series: Routledge philosophers: Routledge, 2019. http://dx.doi.org/10.4324/9781315537542-3.

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Carman, Taylor. "Body and world." In Merleau-Ponty, 76–127. Second Edition. | New York: Routledge, 2020. | Series: Routledge philosophers: Routledge, 2019. http://dx.doi.org/10.4324/9781315537542-4.

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Carman, Taylor. "Others and freedom." In Merleau-Ponty, 128–54. Second Edition. | New York: Routledge, 2020. | Series: Routledge philosophers: Routledge, 2019. http://dx.doi.org/10.4324/9781315537542-5.

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Carman, Taylor. "Vision and style." In Merleau-Ponty, 155–82. Second Edition. | New York: Routledge, 2020. | Series: Routledge philosophers: Routledge, 2019. http://dx.doi.org/10.4324/9781315537542-6.

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Carman, Taylor. "History and politics." In Merleau-Ponty, 183–206. Second Edition. | New York: Routledge, 2020. | Series: Routledge philosophers: Routledge, 2019. http://dx.doi.org/10.4324/9781315537542-7.

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Conference papers on the topic "Merlau"

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Rosa, Mauricio Bueno da, and Ericson Falabretti. "A INTENCIONALIDADE EM MERLEAU-PONTY." In XVIII SEMIC. 10.5935, 2019. http://dx.doi.org/10.5935/2019.3763.

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Nuzullah, Annisa Firdausy, and Refa Firgiyanto. "Aplikasi Berbagai Jenis Media dan ZPT Terhadap Aklimatisasi Anggrek Vanda (Vanda sp.)." In Seminar Nasional Semanis Tani Polije 2021. Politeknik Negeri Jember, 2021. http://dx.doi.org/10.25047/agropross.2021.202.

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Anggrek dapat dibudidayakan secara vegetatif maupun generatif. Teknik kultur jaringan merupakan salah satu perbanyakan secara generatif. Tanaman hasil kultur jaringan merupakan tanaman yang masih rentan terhadap lingkungan in-vivo. Penyesuaian tanaman yang tidak tepat akan menurunkan tingkat keberhasilan proses aklimatisasi. Penggunaan media merupakan salah satu faktor keberhasilan tahap aklimatisasi. Aplikasi ZPT bertujuan untuk mendukung tingkat keberhasilan aklimatisasi dan meningkatkan pertumbuhan tanaman anggrek vanda yang lambat. Tujuan penelitian ini ialah untuk mengetahui hasil terbaik pengaplikasian media tanam, pengaplikasian ZPT serta interaksi pada aklimatisasi anggrek. Metode yang digunakan adalah Rancangan Acak Kelompok (RAK) faktorial, terdiri dari dua faktor. Tiap faktok terdiri dari 3 taraf perlakuan dengan 3 ulangan, tiap ulangan terdiri dari 3 tanaman, menghasilkan 9 kombinasi perlakuam media tanam dan ZPT yaitu, M1Z1: (media cocopeat+ bawang merah) , M1Z2: (media cocopeat+tauge), M1Z3: (media cocopeat+air kelapa), M2Z1 (media pakis+ bawang mera), M2Z2 (media pakis+ tauge), M2Z3 (media pakis+ air kelapa), M3Z1 (media moss + bawang merah), M3Z2 (media moss+ tauge), M3Z3 (media moss+ air kelapa). Hasil uji DMRT 5 % menunjukkan bahwa pengaplikasian jenis media cocopeat (M1) menunjukkan hasil terbaik pada parameter presentase hidup, penambahan tinggi tanaman minggu ke-3, bobot basah, bobot kering, kadar air dan volume akar. Faktor tunggal jenis ZPT bawang merah (Z1) menunjukkan hasil berbeda nyata hanya pada parameter bobot basah. Media cocopeat dan ZPT bawang merah (M1Z1) menunjukkan hasil berpengaruh nyata pada parameter penambahan diameter batang 9 MST dan bobot basah.
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Salek, Amir H., Jinan Lou, and Massoud Pedram. "MERLIN." In the 36th ACM/IEEE conference. New York, New York, USA: ACM Press, 1999. http://dx.doi.org/10.1145/309847.309982.

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Livshits, Benjamin, Aditya V. Nori, Sriram K. Rajamani, and Anindya Banerjee. "Merlin." In the 2009 ACM SIGPLAN conference. New York, New York, USA: ACM Press, 2009. http://dx.doi.org/10.1145/1542476.1542485.

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Kaliorakis, Manolis, Dimitris Gizopoulos, Ramon Canal, and Antonio Gonzalez. "MeRLiN." In ISCA '17: The 44th Annual International Symposium on Computer Architecture. New York, NY, USA: ACM, 2017. http://dx.doi.org/10.1145/3079856.3080225.

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Tembey, Priyanka, Ada Gavrilovska, and Karsten Schwan. "Merlin." In SOCC '14: ACM Symposium on Cloud Computing. New York, NY, USA: ACM, 2014. http://dx.doi.org/10.1145/2670979.2670993.

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Soulé, Robert, Shrutarshi Basu, Parisa Jalili Marandi, Fernando Pedone, Robert Kleinberg, Emin Gun Sirer, and Nate Foster. "Merlin." In CoNEXT '14: Conference on emerging Networking Experiments and Technologies. New York, NY, USA: ACM, 2014. http://dx.doi.org/10.1145/2674005.2674989.

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Altman, Abbe, Jan Boucher, and Marion Smith. "CATS-MERLOT." In the 28th annual ACM SIGUCCS conference. New York, New York, USA: ACM Press, 2000. http://dx.doi.org/10.1145/354908.354982.

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Garrington, Simon T., B. Anderson, C. Baines, J. A. Battilana, Mike N. Bentley, D. Brown, P. Burgess, et al. "e-MERLIN." In SPIE Astronomical Telescopes + Instrumentation, edited by Jacobus M. Oschmann, Jr. SPIE, 2004. http://dx.doi.org/10.1117/12.553235.

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Diamond, Phil J. "The MERLIN upgrade." In Astronomical Telescopes and Instrumentation, edited by Harvey R. Butcher. SPIE, 2000. http://dx.doi.org/10.1117/12.390467.

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Reports on the topic "Merlau"

1

Schattman, Rachel. Clovercrest Farm: A Family Dairy in Charleston, Maine. USDA Northeast Climate Hub, September 2017. http://dx.doi.org/10.32747/2017.6949552.ch.

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Chishti, Athar. Biochemical Characterization of Native Schwannomin/Merlin. Fort Belvoir, VA: Defense Technical Information Center, September 2005. http://dx.doi.org/10.21236/ada443934.

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Chishti, Athar. Biochemical Characterization of Native Schwannomin/Merlin. Fort Belvoir, VA: Defense Technical Information Center, September 2004. http://dx.doi.org/10.21236/ada428957.

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Chishti, Athar. Biochemical Characterization of Native Schwannonmin/Merlin. Fort Belvoir, VA: Defense Technical Information Center, September 2006. http://dx.doi.org/10.21236/ada460469.

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Carl Richardson. Evaluation of MerCAP for Power Plant Mercury Control. Office of Scientific and Technical Information (OSTI), September 2008. http://dx.doi.org/10.2172/962932.

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Lal, Anita, and Gilson S. Baia. Merlin, the Hippo Pathway, and Tumor Suppression in Meningiomas. Fort Belvoir, VA: Defense Technical Information Center, February 2009. http://dx.doi.org/10.21236/ada497595.

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Pautz Stephenson, Stefani, Rebecca Banks, and Merijke Coenraad. Outcomes of Increased Practitioner Engagement in Edtech Development: How Strong, Sustainable Research-Practice-Industry Partnerships will Build a Better Edtech Future. Digital Promise, June 2022. http://dx.doi.org/10.51388/20.500.12265/158.

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A new participatory research model, Research-Practice-Industry Partnerships (RPIP), presents a unique value proposition. Design processes have typically placed professional designers, not the end users, at the center of the work. RPIPs create an intentional feedback loop that transforms the knowledge, action, or goals of all involved parties (Baker et al., 2022). RPIP aims to create better designs for scalable technologies that both meet the needs of educators and incorporate research from the learning sciences. This yields a product more likely to be used, used appropriately, and have the desired impact for learners. Digital Promise partnered with edtech startup Merlyn Mind and the University of California, Irvine (UCI) in an RPIP. This white paper describes our engagement and suggests that this model can yield positive impacts and new learning for all participants. Surveys and interviews with participants showed that engagement was mutually valued among all parties, practitioners learned more about AI and edtech in general, and Merlyn Mind staff learned more about working with schools and educators. Practitioners also benefited from the networking and collaboration that participation in the RPIP brought and felt it helped them grow professionally.
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Izard, Tina. Structural Basis of Merlin Tumor Suppressor Functions in Neurofibromatosis-2. Fort Belvoir, VA: Defense Technical Information Center, December 2014. http://dx.doi.org/10.21236/ada613321.

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Ramesh, Vijaya, and Anat Stemmer-Rachamimov. Role of Merlin/NF2 in mTOR Signaling and Meningioma Growth. Fort Belvoir, VA: Defense Technical Information Center, April 2012. http://dx.doi.org/10.21236/ada566365.

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Izard, Tina. Structural Basis of Merlin Tumor Suppressor Functions in Neurofibromatosis-2. Fort Belvoir, VA: Defense Technical Information Center, October 2013. http://dx.doi.org/10.21236/ada593130.

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