Relevant bibliographies by topics / Meiji period

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Meiji period'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2024

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Journal articles on the topic "Meiji period"

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OKABE, Mamoru, and Yukio TAGUCHI. "Rural Planning in Meiji Period:." JOURNAL OF RURAL PLANNING ASSOCIATION 24, no. 3 (2005): 187–93. http://dx.doi.org/10.2750/arp.24.187.

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Lilienfeld, Aidan. "Against a Rupture Narrative: Japanese “Western Learning” from Tokugawa to Meiji." Columbia Journal of Asia 1, no. 2 (December 9, 2022): 12–20. http://dx.doi.org/10.52214/cja.v1i2.10120.

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Throughout the 19th century, Japanese elite society simultaneously expanded its interest in affairs beyond its borders while reaffirming its distrust foreigners and foreignness (jōi). This paper examines the variety of ways in which Japan engaged with the outside in the tumultuous 19th century. Scholarship on 19th century Japan so often treats the Tokugawa period and the Meiji period as absolutely separate entities, between which occurred a complete shift in thought and ideology. Even scholars who argue that Sakoku was a myth still tend to leave the Meiji period well enough alone; likewise, Meiji scholars often fail to address the similarities in thought between the two periods. In terms of the ideological and scholarly currents about Japanese relationships with the exterior, the late Tokugawa period and the Meiji period were actually quite similar. I intend to create a discourse on Japanese external relations that synthesizes a number of temporally narrow scholarly works in order to show not a rupture but a continuity in Japanese national thought throughout the 19th century— in the transition from the Tokugawa to Meiji eras, views on the outside world did not change nearly as much as most scholars have presumed.
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Christanda, Richard Ahadi Christanda, and Ni Luh Putu Rosiandani. "Binary Opposition as the Manifestation of the Spirit of Meiji in Natsume Sōseki’s Kokoro." Journal of Language and Literature 19, no. 2 (October 1, 2019): 78. http://dx.doi.org/10.24071/joll.v19i2.2132.

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<p><em>Every period in history has its own unique identity. Meiji period in historical Japan is no exception to this, having its own identity called the spirit of Meiji. This research attempts to reveal this identity, which present in the story of Kokoro, by using binary opposition. Binary opposition allows comparing and examining contradicting elements. Since the spirit of Meiji is defined as having “two contradictory elements”, therefore, binary opposition is suitable for revealing the spirit of Meiji.</em></p><p><em></em><em>The goal of this research is to show how binary opposition constitutes as a crucial element to the unique identity of Meiji period, which is the spirit of Meiji. In order to achieve this, two research problems are used as guides. One is how story of Kokoro presents the binary oppositions and two is how the spirit of Meiji manifests in the binary oppositions.</em></p><p><em>In this research, library research was conducted in order to collect the relevant data. It uses texts in both printed form and digital form. The primary source for the research is the novel Kokoro by NatsumeSōseki while the secondary sources are taken from various books and articles.</em></p><p><em></em><em>The first step in explaining the spirit of Meiji is to examine the binary oppositions within in the story. The binary oppositions itself are revealed through the characters and the setting of the story. Through these two elements, five binary oppositions are revealed. They are past against present, old against young, rural against urban, community against privacy, and family against individual. These binary oppositions are then compared to the situation in real-world Meiji period in order to validate whether they really are the spirit of Meiji or not. It is then, through this direct comparison, the binary oppositions are found mirroring the situation in the real Meiji period. Therefore, it can be concluded that binary opposition is the manifestation of the identity of Meiji period, which is the spirit of Meiji.</em></p><p><strong><em>Keywords:</em></strong> binary opposition, Meiji period, spirit of Meiji.</p><p>_________________________________________</p><p>DOI &gt; <a href="https://search.crossref.org/?q=10.24071%2Fjoll.2019.190208">https://doi.org/10.24071/joll.2019.190208</a></p>
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Silverberg, Miriam Rom, Irokawa Daikichi, and Marius B. Jansen. "The Culture of the Meiji Period." Journal of the American Oriental Society 107, no. 1 (January 1987): 169. http://dx.doi.org/10.2307/602989.

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TAKIKAWA, Eiichi. "Hikiainin (_??__??__??_) in the early Meiji period." Legal History Review, no. 44 (1994): 1–41. http://dx.doi.org/10.5955/jalha.1994.1.

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Waswo, Ann, Irokawa Daikichi, and Marius B. Jansen. "The Culture of the Meiji Period." Journal of Japanese Studies 13, no. 1 (1987): 140. http://dx.doi.org/10.2307/132590.

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Duus, Peter, Marius B. Jansen, and Irokawa Daikichi. "The Culture of the Meiji Period." American Historical Review 91, no. 1 (February 1986): 166. http://dx.doi.org/10.2307/1867349.

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Marshall, Byron K., Irokawa Daikichi, and Marius B. Jansen. "The Culture of the Meiji Period." Monumenta Nipponica 41, no. 1 (1986): 114. http://dx.doi.org/10.2307/2384784.

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Cornell, L. L., Irokawa Daikichi, and Marius B. Jansen. "The Culture of the Meiji Period." Pacific Affairs 59, no. 2 (1986): 320. http://dx.doi.org/10.2307/2758965.

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李 賢貞. "Representation of Meiji period through Mokuami Kamuki." Journal of Japanese Culture ll, no. 37 (May 2008): 131–45. http://dx.doi.org/10.21481/jbunka..37.200805.131.

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Dissertations / Theses on the topic "Meiji period"

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Patessio, Mara. "Women and the public sphere in the early Meiji period." Thesis, University of Cambridge, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.431181.

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Itani, Yoshie. "Export porcelain from Seto in the Meiji era." Thesis, University of Oxford, 2006. http://ora.ox.ac.uk/objects/uuid:351096e6-d76a-4244-b070-248f41f49ef0.

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McArthur, Ian Douglas. "Mediating Modernity - Henry Black and Narrated Hybridity in Meiji Japan." Thesis, The University of Sydney, 2002. http://hdl.handle.net/2123/518.

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Henry Black was born in Adelaide in 1858, but arrived in Japan in 1864 after his father became editor of the Japan Herald. In the late 1870s, Henry Black addressed meetings of members of the Freedom and People�s Rights Movement. His talks were inspired by nineteenth-century theories of natural rights. That experience led to his becoming a professional storyteller (rakugoka) affiliated with the San�y� school of storytelling (San�yuha). Black�s storytelling (rakugo) in the 1880s and 1890s was an attempt by the San�y�ha to modernise rakugo. By adapting European sensation fiction, Black blended European and Japanese elements to create hybridised landscapes and characters as blueprints for audiences negotiating changes synonymous with modernity during the Meiji period. The narrations also portrayed the negative impacts of change wrought through emulation of nineteenth-century Britain�s Industrial Revolution. His 1894 adaptation of Oliver Twist or his 1885 adaptation of Mary Braddon�s Flower and Weed, for example, were early warnings about the evils of child labour and the exploitation of women in unregulated textile factories. Black�s kabuki performances parallel politically and artistically inspired attempts to reform kabuki by elevating its status as an art suitable for imperial and foreign patronage. The printing of his narrations in stenographic books (sokkibon) ensured that his ideas reached a wide audience. Because he was not an officially hired foreigner (yatoi), and his narrations have not entered the rakugo canon, Black has largely been forgotten. A study of his role as a mediator of modernity during the 1880s and 1890s shows that he was an agent in the transfer to a mass audience of European ideas associated with modernity, frequently ahead of intellectuals and mainstream literature. An examination of Black�s career helps broaden our knowledge of the role of foreigners and rakugo in shaping modern Japan.
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McArthur, Ian Douglas. "Mediating Modernity - Henry Black and Narrated Hybridity in Meiji Japan." University of Sydney. School of European, Asian and Middle Eastern Languages and Studies, 2002. http://hdl.handle.net/2123/518.

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Henry Black was born in Adelaide in 1858, but arrived in Japan in 1864 after his father became editor of the Japan Herald. In the late 1870s, Henry Black addressed meetings of members of the Freedom and People�s Rights Movement. His talks were inspired by nineteenth-century theories of natural rights. That experience led to his becoming a professional storyteller (rakugoka) affiliated with the San�y� school of storytelling (San�yuha). Black�s storytelling (rakugo) in the 1880s and 1890s was an attempt by the San�y�ha to modernise rakugo. By adapting European sensation fiction, Black blended European and Japanese elements to create hybridised landscapes and characters as blueprints for audiences negotiating changes synonymous with modernity during the Meiji period. The narrations also portrayed the negative impacts of change wrought through emulation of nineteenth-century Britain�s Industrial Revolution. His 1894 adaptation of Oliver Twist or his 1885 adaptation of Mary Braddon�s Flower and Weed, for example, were early warnings about the evils of child labour and the exploitation of women in unregulated textile factories. Black�s kabuki performances parallel politically and artistically inspired attempts to reform kabuki by elevating its status as an art suitable for imperial and foreign patronage. The printing of his narrations in stenographic books (sokkibon) ensured that his ideas reached a wide audience. Because he was not an officially hired foreigner (yatoi), and his narrations have not entered the rakugo canon, Black has largely been forgotten. A study of his role as a mediator of modernity during the 1880s and 1890s shows that he was an agent in the transfer to a mass audience of European ideas associated with modernity, frequently ahead of intellectuals and mainstream literature. An examination of Black�s career helps broaden our knowledge of the role of foreigners and rakugo in shaping modern Japan.
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Chen, Shuangli, and 陳霜麗. "Cultivating new ryōsai kenbo : St. Agnes' School in the Meiji period." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2015. http://hdl.handle.net/10722/209473.

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This thesis examines the contribution and influence that American Protestant missionary girls’ schools had on Japanese women’s education during the Meiji period. Between 1868 and 1912, over thirty missionary girls’ schools were established. These schools had the primary aim of introducing Christianity to Japanese female students. However, at the same time, they provided young women with opportunities for schooling outside of their families and played a pioneering role in promoting “Western enlightenment” inside and outside the classrooms. Set against the backdrop of Japan’s modernization efforts, this thesis uses as a case study St. Agnes’ School (Heian Jogakkō), one of the oldest missionary girls’ schools in the Kansai region, to consider how it cultivated new middle-class women through its education. Under the slogan of ryōsai kenbo (good wife, wise mother), the Japanese government introduced primary school education for girls as a part of its initiative to build a modern nation. The government considered the home women’s proper sphere and showed little interest in developing women’s secondary and higher education in the first two decades. Therefore it was private schools including missionary girls’ schools like St. Agnes’ that stepped in and filled the void for secondary education. Furthermore, the school introduced advanced courses such as bungaku bu (Arts Division) and kasei bu (Home Economics Division) in 1895. The aim of bungaku bu was to cultivate women who could engage in work for the public benefit. St. Agnes’ School was established by the Episcopal Church of the United States of America in 1875 in Osaka and later moved to Kyoto in 1895. The thesis explores the academics and practical skills St. Agnes’ taught in its classrooms, chapel, and dormitory. These included English language, Bible classes, science, physical training, and domestic science, including skills such as needlework and the concept of hygiene, which were considered important for American middle-class women. In addition, the school presented regulations on girl students’ decorum, provided a mentoring relationship between missionaries and students, and encouraged girl students to participate in charity and volunteer work such as raising funds for the poor, orphans, and disaster victims. By using historical documents, including the letters of American Episcopal missionaries and students’ letters and essays in from the archives of St. Agnes’ School, the thesis argues that missionary girls’ schools like St. Agnes’ School cultivated new ryōsai kenbo and ultimately new middle-class womanhood. It presents a case study of its two star graduates: Ukita Fuku, a scholarship recipient who later became a teacher at her alma mater; and Izumi Sonoko, who successfully developed American cookie-baking skills into a family business and became one of the most successful businesswomen and philanthropists of her time. Through their missionary school education, they acted as new middle-class women who engaged in “socially sanctioned activities” such as teaching and charity services in the social sphere. The education helped to construct new norms for middle-class women who worked in both domestic and social spheres in modern Japan.
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Modern Languages and Cultures
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Thouny, Christophe. "Mapping Tokyo : cartography and modernity in Japan in the early Meiji period." Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=33935.

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Studies of the Early Meiji Period have until now been mainly articulated around the issue of continuity and discontinuity between the Edo and Meiji eras. Thus Tokyo has become the central locus of production of multiple discourses on Japanese modernity, urbanity and culture.
This work adopts a discontinuist approach by considering each era as two entirely distinct, although related, historical assemblages. For this, I focus my study on the conditions of production of Tokyo as a modern urban space. The entry into modernity is the crossing of a threshold. As Edo is marked by the order of the general equivalent and the law of the sumptury, Tokyo is produced in abstract space. We shift from an essentially heterogeneous space to a homogeneous, fragmented and hierarchized space. Following Henri Lefebvre, I try to analyze the production of modern abstract space as it is associated with a new mode of control of social space through administrative policies, cartography and urbanism.
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Hio, Noriko. "The influence of Victorian literature upon Japanese literature of the Meiji Period." Thesis, University of Exeter, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.328709.

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Traganou, Georgia. "The transformations of the Tôkaidô from the Edo to the Meiji Period." Thesis, University of Westminster, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.286123.

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Wong, Kenneth Ka Kin. "The evolution of military justice system of the imperial Japanese army in the Meiji era, 1868-1912." HKBU Institutional Repository, 2018. https://repository.hkbu.edu.hk/etd_oa/494.

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In 1868, the Meiji government decided to establish a military system that would improve not only the fighting capacity but also the military discipline of Japan's army. On the one hand the Meiji leaders rebuilt Japan's army with inspiration from Western models, initially the French. On the other hand they adopted from Western countries modern military justice system, that helped to shape gradually the Japanese navy and army in the 19th century.;This thesis delves deep into the introduction and evolution of the military justice system in the Meiji era, in an effort to explain how it helped reshape military discipline within the Imperial Japanese Army. Utilizing a range of primary sources, it studies the creation and enforcement of the military justice system from a military history rather than legal history perspective. It is hoped that this thesis reveals the crucial role that the military justice system played in Japan's military modernization during this period. The findings also explain why military discipline of the Imperial Japanese Army began to decline again after the Russo-Japanese War.
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Papp, Zilia English Media &amp Performing Arts Faculty of Arts &amp Social Sciences UNSW. "Investigating the influence of Edo and Meiji period monster art on contemporary Japanese visual media." Publisher:University of New South Wales. English, Media, & Performing Arts, 2008. http://handle.unsw.edu.au/1959.4/41276.

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Abstract Japanese anime being an important part of modern and contemporary popular visual culture, its aesthetic merits, its roots in Japanese visual arts as well as its rich symbology derived from Japanese folkloristic, literary and religious themes are worth investigating. This research aims to track the visual links between Edo and Meiji period monster art (y??kai-ga) paintings and modern day anime by concentrating on the works of Edo and Meiji period painters and the post-war period animation and manga series Gegegeno Kitaro, created by Mizuki Shigeru. Some of the Japanese origins of anime and manga imagery can be traced back to the early 12th century Ch??j?? Giga animal scrolls, where comic art and narrative pictures first appear. However, more recent sources are found in woodblock prints of the late Edo period. These prints are the forerunners of manga in that dialogues appear with the image, generally no anatomical details are given nor are they in perspective, but often a mood is expressed in a cartoon-like manner. The visual rendering of y??kai (monsters) is a Japanese cultural phenomenon: y??kai paintings originate in the Muromachi period, and take up part of the visual arts of that era. The distinct monster (y??kai) imagery emerging in the late Edo to early Meiji periods is the focus of this research. Investigating the Gegegeno Kitaro series, the study pinpoints the visual roots of the animation characters in the context of y??kai folklore and Edo and Meiji period monster painting traditions. Being a very popular series consisting of numerous episodes broadcast from the 1960s to the present time, by analyzing the changing images related to the representation of monsters in the series the study documents the changes in the perception of monsters in this time period, while it reflects on the importance of Mizuki??s work in keeping visual traditions alive and educating new audiences about folklore by recasting y??kai imagery in modern day settings in an innovative way. Additionally, by analyzing and comparing character, set, costume and mask design, plot and storyline of y??kai-themed films, the study attempts to shed light on the roles the representations of y??kai have been assigned in post-war Japanese cinema.
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Books on the topic "Meiji period"

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editor, Kusaka Sanzō 1968, ed. Meiji shōsetsu korekushon: Novels set in the Meiji period. Tōkyō: Kashiwa Shobō, 2017.

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Yabuno, Ken. Meiji kenchiku no tabi: Fu Meiji-mura. Tōkyō: Shinchōsha, 1988.

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Daikichi, Irokawa. The culture of the Meiji period. Princeton, N.J: Princeton University Press, 1985.

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Iso, Tatsuo. Riben qian xian dai jian zhu xun li: 1868-1942, Mingzhi, Dazheng, Zhaohe ming jian zhu 50 xuan = Japanese pre modern architecture. Taibei shi: Yuan liu chu ban shi ye gu fen you xian gong si, 2019.

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1932-, Murakami Etsuya, Ueda Hiroshi 1940-, and Ōta Noboru 1947-, eds. Ishikawa Takuboku shū: Kashūhen. Ōsaka-shi: Izumi Shoin, 1986.

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Richards, Tom. Japanese railways in the Meiji period, 1868-1912. Uxbridge, UK: Brunel University, 1991.

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Barry Davies Oriental Art (London, England), ed. Japanese metalwork of the Meiji period (1868 - 1912). London: Barry Davies Oriental Art, 1990.

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Art, Barry Davies Oriental, ed. Okimono: Japanese decorative sculptures of the Meiji period = Okimono : Meiji jidai no chōkoku bijutsu. London: Barry Davies Oriental Art Ltd., 1996.

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Natsume, Kyōko. Wo de xian sheng Xiamu Shushi. Beijing: She hui ke xue wen xian chu ban she, 2019.

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Umi o watatta Meiji no bijutsu: Saiken! 1993-nen Shikago Koronbusu Sekai Hakurankai : 1997.4.3-5.11. Tōkyō: Tōkyō Kokuritsu Hakubutsukan, 1997.

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Book chapters on the topic "Meiji period"

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Hiroshi, Takagi, and D. V. Botsman. "The 50th and 60th Anniversaries of the Meiji Restoration: Memory, Commemoration and Political Culture in the Pre-War Period." In Commemorating Meiji, 44–56. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003123774-4.

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McNabb, David E. "Commerce and Industry in the Meiji Period." In A Comparative History of Commerce and Industry, Volume II, 137–57. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/9781137503305_9.

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Chaiklin, Martha. "Art, Ivory and the Meiji Period — An Introduction." In Ivory and the Aesthetics of Modernity in Meiji Japan, 1–18. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137363336_1.

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Kogure, Tomokazu. "Astronomy from Meiji to Taisho Period 1868–1926." In Historical & Cultural Astronomy, 15–43. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-57061-3_2.

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Henshall, Kenneth G. "Building a Modern Nation: the Meiji Period (1868–1912)." In A History of Japan, 75–107. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9780230369184_5.

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Henshall, Kenneth G. "Building a Modern Nation: The Meiji Period (1868–1912)." In A History of Japan, 73–105. London: Palgrave Macmillan UK, 2004. http://dx.doi.org/10.1057/9780230502925_5.

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Henshall, Kenneth G. "Building a Modern Nation: the Meiji Period (1868–1912)." In A History of Japan, 70–102. London: Palgrave Macmillan UK, 1999. http://dx.doi.org/10.1057/9781403906502_4.

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Feng, Tianyu. "Translation of Economy into Keizai in the Late Edo Period and During the Meiji Period." In The Cultural History of the Chinese Concepts Fengjian (Feudalism) and Jingji (Economy), 121–33. Singapore: Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-99-2617-6_16.

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Angles, Jeffrey. "Translation Within the Polyglossic Linguistic System of Early Meiji-Period Japan." In Divided Languages?, 181–205. Cham: Springer International Publishing, 2013. http://dx.doi.org/10.1007/978-3-319-03521-5_11.

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Powell, Brian. "Theatre Cultures in Contact: Britain and Japan in the Meiji Period." In The History of Anglo-Japanese Relations 1600–2000, 103–17. London: Palgrave Macmillan UK, 2002. http://dx.doi.org/10.1057/9780230373600_6.

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Conference papers on the topic "Meiji period"

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Ying, Jiatong. "Schoolgirls’ Resistance of Ryōsai Kenbo in Late Meiji Period." In 5th International Symposium on Social Science (ISSS 2019). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200312.027.

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Hacin, Rok. "Kriminaliteta v občinah ob schengenski meji." In Varnost v ruralnih in urbanih okoljih: konferenčni zbornik. Univerzitetna založba Univerze v Mariboru, 2020. http://dx.doi.org/10.18690/978-961-286-404-011.

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The paper focuses on the crime analysis in the 32 municipalities at the Schengen border in the period 2010–2019. The results of the analysis of police crime statistics show that crimes against property present the most frequent form of crime in municipalities at the Schengen border, followed by forgery of documents, threat, the prohibited crossing of the state border or territory, counterfeiting or destruction of business documents, and minor bodily injury. In the analysed period, the number of crimes against public order and peace increased significantly (especially number of crimes of the prohibited crossing of the state border or territory), which can be [at least partially] attributed to the migrant crisis in recent years. In the period 2010–2019, these forms of crime increased mainly in the following municipalities Brežice, Cirkulane, Ilirska Bistrica, Krško, Podlehnik, Razkrižje and Šentjernej. Overall, the number of crimes, similarly as elsewhere in Slovenia, increases with the size of the municipality and the number of population in the municipality.
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Takahashi, Haruko. "A Digital Archive of the Fashion, Dress and Behavior from Meiji to Early Showa Periods (1868-1945) in Japan." In 2011 Second International Conference on Culture and Computing (Culture Computing). IEEE, 2011. http://dx.doi.org/10.1109/culture-computing.2011.58.

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Yang, Haiyan, and Na Jiang. "Application of Jurkevich Method in the Study of Optical Variability Period." In Proceedings of the 2018 8th International Conference on Management, Education and Information (MEICI 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/meici-18.2018.187.

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Wang, Jing. "Exploration on the Training of Advertising Teaching Based on the New Period." In 7th International Conference on Management, Education, Information and Control (MEICI 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/meici-17.2017.54.

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Mao, Chenlei. "Research of Human Resource Ecosystem of Auto Aftermarket Industry During Economic Transformation Period." In 2015 International Conference on Management, Education, Information and Control. Paris, France: Atlantis Press, 2015. http://dx.doi.org/10.2991/meici-15.2015.218.

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Chen, Shouyu. "The Input-output Analysis on Science and Technology Project in Shaoxing during the 12th Five-Year Plan Period." In 2016 4th International Conference on Management, Education, Information and Control (MEICI 2016). Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/meici-16.2016.125.

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Poloni, Željka. "Obilježavanje značajnih događaja u svrhu konstruisanja političkog spektakla: Analiza obilježavanja historijskih obljetnica kao kulture sjećanja u medijima." In Međunaordna naučno-kulturološka konferencija “Istoriografija o BiH (2001–2017 )”. Academy of Sciences and Arts of Bosnia and Herzegovina, 2020. http://dx.doi.org/10.5644/pi2020.186.24.

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Period proteklih dvadesetak godina obiluje važnim obljetnicama svjetskih događaja, koji su ujedno usko vezani za povijest Bosne i Hercegovine. Obljetnice i njihov javni diskurs nisu u užem smislu historiografija, ali u širem shvatanju su predmet zanimanja medijskih napisa, što u koncu dovodi do izvještaja koji, kao i historiografija, čine poimanje prošlosti. Istraživati povijest medijskih napisa i razumjeti ih izuzetno je važno, jer na taj način shvatamo prošlost i možemo razumjeti sadašnjost. Kroz ovakva istraživanja razumijemo i kako se kroz medijsko izvještavanje o povijesnim događajima, pa i o obljetnicama, direktno utječe na znanje i način razmišljanja društva u kojemu živimo. Stoga ne čudi da teme kao što su stogodišnjice Prvog svjetskog rata i proglašenje austrougarske aneksije Bosne i Hercegovine, ali i teme obilježavanja dvadesetogodišnjice počinjenog genocida u Srebrenici ili potpisivanja Dejtonskog mirovnog sporazuma, nisu nešto što se može sagledati kroz aspekt države Bosne i Hercegovine, već se izlaganju o obilježavanju, nažalost, mora pristupiti kroz prizmu entiteta, koji često o ovim temama imaju potpuno drugačije stanovište. Na kraju, tekst se bavi i kratkim osvrtom na možda manje / politički / bitne događaje koji nisu, a trebali su zauzeti važnije mjesto u javnom diskursu. Primjer tome je izvještavanje o stogodišnjici rođenja našeg, rođenog kod Krupe, na Uni, velikog pisca Branka Ćopića. Kao historiografija i kao dopuna historiografiji, mediji su svojim izvještavanjem utjecali na brojne generacije, jer su na indirektan način d
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