Journal articles: 'Mehldau'

1

Schroeter-Wittke, Harald. "Finding Gabriel. Zum 50. Geburtstag von Brad Mehldau." Praktische Theologie 55, no. 3 (August 1, 2020): 189–93. http://dx.doi.org/10.14315/prth-2020-550318.

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Brennicke, Axel. "Mehltau-Pilze imitieren Pollenschläuche." Biologie in unserer Zeit 41, no. 3 (June 2011): 162. http://dx.doi.org/10.1002/biuz.201190043.

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Schönberger, Hansgeorg. "Pilzkrankheiten breiten sich in Getreide aus." agrarzeitung 76, no. 16 (2021): 6. http://dx.doi.org/10.51202/1869-9707-2021-16-006-2.

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Der kühl-feuchte April hat Gelbrost und Septoria tritici begünstigt. Wird es wärmer, wird sich auch Mehltau schnell ausbreiten. Die Wirkstoffauswahl wird enger. Besonders schwierig wird die Bekämpfung von Ramularia in Gerste.

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Rudolf, Bernhard. "Niedrigzins liegt wie Mehltau auf Branche." Versicherungsmagazin 60, no. 12 (November 25, 2013): 36–37. http://dx.doi.org/10.1365/s35128-013-0432-x.

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Lamberth, Clemens. "Fungizide gegen Kartoffelfäule und Falschen Mehltau - die nächste Generation." Nachrichten aus der Chemie 55, no. 2 (February 2007): 130–34. http://dx.doi.org/10.1002/nadc.200746683.

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MEHLMAN, MAXWELL J. "Reply from Maxwell J. Mehlman." Frontiers of Health Services Management 17, no. 3 (2001): 43–44. http://dx.doi.org/10.1097/01974520-200101000-00008.

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Burth, Ulrich, Hans-Jürgen Goedicke, Marga Jahn, Sabine Rathke, and Dietrich Schmidt. "Zum Einfluß von Licht auf die Wirkung ausgewählter Mehltau-Fungizide." Archives Of Phytopathology And Plant Protection 22, no. 4 (January 1986): 321–28. http://dx.doi.org/10.1080/03235408609438610.

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Müller, Thomas, and Frank Bielka. "Untersuchungen zur reaktion von roggeninzuchtlinien gegenüber mehltau(erysiphe graminisDC. F. SP.secalismarchal)." Archives Of Phytopathology And Plant Protection 28, no. 3 (May 1993): 229–34. http://dx.doi.org/10.1080/03235409309383046.

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Albrecht, Maria, and Andreas Kortekamp. "Auswirkungen des Herbizids Basta® auf die Weinrebe und den Falschen Mehltau." Gesunde Pflanzen 60, no. 3 (August 12, 2008): 101–10. http://dx.doi.org/10.1007/s10343-008-0186-2.

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Müller, Thomas, and Frank Bielka. "Untersuchungen zur reaktion von roggeninzuchtlinien gegenüber mehltau (erysiphe graminisDC. F. SP. secalis marchal)." Archives Of Phytopathology And Plant Protection 28, no. 3 (May 1993): 223–28. http://dx.doi.org/10.1080/03235409309383045.

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Opel, Horst, Horst Hartleb, and Christa Lausch. "Ein polyzyklischer Test in Klimazellen zur Ermittlung partiell resistenter Formen von Sommergerste gegen Mehltau." Archives Of Phytopathology And Plant Protection 23, no. 4 (January 1987): 301–5. http://dx.doi.org/10.1080/03235408709437717.

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Bielka, Frank, and Heinrich Neumann. "Charakterisierung von Prüfstandorten bezüglich des Befalls von Winterroggen (Secale cerealeL.) durch Mehltau (Erysiphe graminisDC.)." Archives Of Phytopathology And Plant Protection 26, no. 5 (January 1990): 465–68. http://dx.doi.org/10.1080/03235409009439008.

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13

Jackson, Donald A. "Bootstrapping Principal Components Analysis: Reply to Mehlman Et Al." Ecology 76, no. 2 (March 1995): 644–45. http://dx.doi.org/10.2307/1941220.

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Hartleb, Horst, Dieter Lau, Horst Meyer, and Uwe Meyer. "Bewertung von Zuchtstämmen und Sippen der Sommergerste auf partielle Resistenz gegen Mehltau auf dem Feld." Archives Of Phytopathology And Plant Protection 23, no. 1 (January 1987): 55–61. http://dx.doi.org/10.1080/03235408709438047.

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Kern, M., W. D. Ibenthal, and R. Heitefuss. "Assimilatverteilung in Sommergerstensorten mit unterschiedlicher Resistenz gegenüber dem Echten Mehltau (Erysiphe graminis f. sp. hordei)." Journal of Phytopathology 119, no. 4 (August 1987): 319–32. http://dx.doi.org/10.1111/j.1439-0434.1987.tb04403.x.

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Heibertshausen, D., and A. Kortekamp. "Infektionszyklus und biologische Bek�mpfung von Podosphaera xanthii, dem Echten Mehltau der Ringelblume (Calendula officinalis)." Gesunde Pflanzen 56, no. 7-8 (November 11, 2004): 201–7. http://dx.doi.org/10.1007/s10343-004-0052-9.

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Weber, Inge, Brigitte Weit, and Fritz Kampe. "Die Resistenz von Gurken gegen Gurkenmosaik-Virus (cucumber mosaic virus), Echten Mehltau (Sphaerotheca fuliginea[Schlecht et Fr.] Pollacci) und Falschen Mehltau (Pseudoperonospora cubensis[Berk. et Curt] Rostov) unter natürlichen Infektionsbedingungen und nach experimenteller Inokulation." Archives Of Phytopathology And Plant Protection 27, no. 5 (January 1991): 361–67. http://dx.doi.org/10.1080/03235409109434474.

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Bielka, Frank, and Gisela Szigat. "Charakterisierung des mehltaus(erysiphe graminisDC) eines amphidiploidenhordeum bulbosumxH. vulgare‐bastards." Archives Of Phytopathology And Plant Protection 28, no. 4 (July 1993): 303–9. http://dx.doi.org/10.1080/03235409309383055.

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19

Seed, John Richard, and Samuel J. Black. "The Classic Paper of Tobie, Von brand, and Mehlman (1950) REVISITED." Journal of Parasitology 87, no. 4 (August 2001): 718–20. http://dx.doi.org/10.1645/0022-3395(2001)087[0718:tcpotv]2.0.co;2.

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Seed, John Richard, and Samuel J. Black. "The Classic Paper of Tobie, Von Brand, and Mehlman (1950) Revisited." Journal of Parasitology 87, no. 4 (August 2001): 718. http://dx.doi.org/10.2307/3285124.

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21

Fain, Lucas. "Jean Laplanche: Between seduction and inspiration: man. Translated by Jeffrey Mehlman." Continental Philosophy Review 49, no. 3 (September 2016): 395–401. http://dx.doi.org/10.1007/s11007-016-9383-3.

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22

Klemm, Horst. "Ein bemerkenswertes Schadauftreten von Echtem Mehltau (Erysiphe cichoracearumDC. ex Mérat) an Kopfsalat (Lactuca sativaL.) in der DDR." Archives Of Phytopathology And Plant Protection 21, no. 4 (January 1985): 287–95. http://dx.doi.org/10.1080/03235408509435946.

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23

Seed, John Richard, and Samuel J. Black. "Addendum: The Classic Paper of Tobie, von Brand, and Mehlman (1950) Revisited." Journal of Parasitology 88, no. 4 (August 2002): 828. http://dx.doi.org/10.2307/3285377.

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24

Kluge, Eberhard. "Einfluß acker- und pflanzenbaulicher Faktoren auf die Entwicklung des Mehltaus an Winterweizen." Archives Of Phytopathology And Plant Protection 26, no. 6 (January 1990): 541–50. http://dx.doi.org/10.1080/03235409009439024.

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Kluge, Eberhard. "Einfluß acker- und pflanzenbaulicher Faktoren auf die Entwicklung des Mehltaus an Sommergerste." Archives Of Phytopathology And Plant Protection 27, no. 5 (January 1991): 369–74. http://dx.doi.org/10.1080/03235409109434476.

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Kluge, Eberhard. "Einfluß acker- und pflanzenbaulicher Faktoren auf die Entwicklung des Mehltaus an Wintergerste." Archives Of Phytopathology And Plant Protection 27, no. 2 (January 1991): 143–51. http://dx.doi.org/10.1080/03235409109439058.

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27

Kluge, Eberhard. "Einfluss acker‐ und pflanzenbaulicher faktoren auf die entwicklung des mehltaus an winterroggen∗." Archives Of Phytopathology And Plant Protection 28, no. 5 (December 1993): 431–37. http://dx.doi.org/10.1080/03235409309383071.

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28

Hartleb, Horst, and Horst Opel. "Ermittlung und Bewertung partieller Resistenz von Sommergerste gegen Mehltau mit Frühselektionsverfahren und ihre Relation zu Ergebnissen aus Feldversuchen." Archives Of Phytopathology And Plant Protection 23, no. 6 (January 1987): 457–64. http://dx.doi.org/10.1080/03235408709437753.

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SAPIRO, GISÈLE. "Some Overseas Angles on the History of French Literature." Contemporary European History 8, no. 2 (July 1999): 335–46. http://dx.doi.org/10.1017/s096077739900209x.

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Martyn Cornick, The Nouvelle Revue Française under Jean Paulhan 1925–1940 (Amsterdam and Atlanta: Rodopi, 1995), 224 pp., Fl. 65, $40.50, ISBN 9-051-83767-6.Nicholas Hewitt, Literature and the Right in Postwar France: The Story of the ‘Hussards’ (Oxford and Washington, DC: Berg Publishers, 1996), 218 pp. (hb.), £34.95, ISBN 1-859-73029-9.Denis Hollier, Absent Without Leave: French Literature under the Threat of War, trans. Catherine Porter (Cambridge, MA and London: Harvard University Press, 1997), 256 pp. (pb.), £18.50, ISBN 0-674-21271-1.Jeffrey Mehlman, Geneologies of the Text: Literature, Psychoanalysis, and Politics in Modern France (Cambridge and New York: Cambridge University Press, 1995), 262 pp., hardcover, ISBN 0-521-47213-X.Jennifer E. Milligan, The Forgotten Generation: French Women Writers of the Inter-War Period (New York and Oxford: Berg Publishers, 1996), 236 pp. (pb.), £14.99, ISBN 1-859-73118-X.

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30

Ungar, Steven R. "Genealogies of the Text: Literature, Psychoanalysis, and Politics in Modern France. Jeffrey Mehlman." Modern Philology 96, no. 4 (May 1999): 552–55. http://dx.doi.org/10.1086/492799.

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31

Pierce, Jennifer Burek. "Natalia Mehlman Petrzela.Classroom Wars: Language, Sex, and the Making of Modern Political Culture." American Historical Review 121, no. 3 (June 2016): 995.1–995. http://dx.doi.org/10.1093/ahr/121.3.995.

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32

Schlagenhaufer, Stefan, Bernhard Engelhard, and Peter F. J. Wolf. "Sporenverteilung des Echten Mehltaus im Hopfen ausgehend von Infektionsherden und Abhängigkeit vom Vegetationsstadium." Gesunde Pflanzen 61, no. 1 (February 25, 2009): 31–37. http://dx.doi.org/10.1007/s10343-009-0199-5.

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33

Côté-Fournier, Laurence. "« Là où est le pouvoir, les mots passent invisibles » : le pacte de lecture de Jean Paulhan." Tangence, no. 107 (November 6, 2015): 13–31. http://dx.doi.org/10.7202/1033948ar.

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Le point de départ de cet article est Les fleurs de Tarbes ou la Terreur dans les Lettres de Jean Paulhan. Nous analysons cet essai pour voir quelle politique de la lecture l’auteur y met en avant, en nous arrêtant autant sur ses propos que sur son mode d’écriture. Nous procédons en deux temps : nous observons d’abord la conception de l’acte de lecture qui se dégage de la structure et du mode d’assertion des Fleurs de Tarbes ; ces analyses sont ensuite enrichies d’une discussion des lectures qu’ont faites d’autres critiques des positions de Paulhan sur le geste interprétatif, autant celles de ses contemporains (Benda, Blanchot) que celles de critiques plus récents, issus pour la plupart de l’école américaine de spécialistes de Paulhan (Mehlman, Syrotinski, Milne). Nous postulons que la rhétorique de Paulhan, en mettant l’accent sur la matérialité des mots, travaille les modalités de lecture en régime démocratique et les incorpore dans son mode même d’assertion en dépit de l’absence d’une rhétorique commune pour unifier le sens.

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34

Küchler, Manfred, Ernst-Eckhard Krüper, and Frank Bielka. "CO2-stoffwechselphysiologische Untersuchungen an mit Mehltau (Erysiphe graminis DC. f. sp. secalis Marchal) infizierten Jungpflanzen von Winterroggen (Secale cereale L.)." Zentralblatt für Mikrobiologie 143, no. 5 (1988): 351–61. http://dx.doi.org/10.1016/s0232-4393(88)80026-x.

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35

Teubner, Gudrun, and Wilfried Neuhaus. "Modellversuche zur bekämpfung des echten mehltaus (Oidium lycopersicumcooke ET massee) an tomaten unter glas." Archives Of Phytopathology And Plant Protection 28, no. 2 (March 1993): 133–38. http://dx.doi.org/10.1080/03235409309383033.

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36

Vorhaus, Daniel. "A Review of: “Max Mehlman. 2003.Wondergenes: Genetic Enhancement and the Future of Society.”." American Journal of Bioethics 5, no. 6 (November 2005): 72–73. http://dx.doi.org/10.1080/15265160500320585.

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Seigner, Elisabeth, Stefan Seefelder, Brigitte Haugg, Bernhard Engelhard, Stefanie Hasyn, and Friedrich G. Felsenstein. "Infektionspotenzial des Echten Mehltaus (Sphaerotheca humuli) in Abhängigkeit vom Entwicklungsstadium des Hopfens (Humulus lupulus)." Gesunde Pflanzen 55, no. 2 (February 2003): 29–33. http://dx.doi.org/10.1046/j.1439-0345.2003.02079.x.

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Stetsiuk, Bohdan. "The origins and major trends in development of jazz piano stylistics." Aspects of Historical Musicology 19, no. 19 (February 7, 2020): 411–28. http://dx.doi.org/10.34064/khnum2-19.24.

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This article characterizes development trends in jazz piano from its origins in the “third-layer” (Konen, V., 1984) of music (ragtime and other “pre-jazz” forms) to the present time (avant-garde and retro styles of the late 20th – early 21st centuries). Main attention was devoted to the stylistic sphere, which represents an entirety of techniques and methods of jazz piano improvisation and combines genre and style parameters. In this context, the currently available information about jazz pianism and its sources (Kinus,Y., 2008; Stoliar, R., 2017) was reviewed, and sociocultural determinants, which contributed to the advent and changes of jazz piano styles were highlighted. Standing out among them at the first (traditional) stage are the schools and individual creative techniques known under generic name “stride piano” and based on the ragtime technique. At the second (contemporary) stage beginning from bebop, jazz piano stylistics gradually diverge from standardized textural formulas of homophonicharmonic type and attain fundamental diversity depending on creative attitudes of leading jazz pianists. The question of jazz piano stylistics is one of the least studied in jazz theory. The existing works devoted to this subject address mostly the sequence of the advent and changes of jazz piano styles along with the general characteristics of their representatives. Beginning from approximately the 1920s, jazz piano styles appeared and changed so fast that they left no time for their comprehension and perception (Kinus, Y., 2008). Only in the newest stylistics of the period after bebop, which divided the art of jazz into traditional and contemporary stages, did these styles attain a certain shape in new modifications and become the components of a phenomenon defined by the generic notion “jazz pianism”. It was stated that the genesis of this phenomenon is usually seen in the art of ragtime, carried in the United States of the late 19th – early 20th centuries by itinerant pianists. This variety of “third-layer” piano music playing produced a significant impact on the art of jazz in general, which is proved by its reproduction in the Dixieland and New Orleans styles as some of the first examples of jazz improvisation. The stylistics of ragtime influenced the entire first stage of jazz piano, which traces its origins back to approximately the 1910s. It combined mental features and esthetics of two traditions: European and Afro-American, which in the entirety produced the following picture: 1) popular and concert area of music playing; 2) gravitation toward demonstration of virtuosic play; 3) domination of comic esthetics; 4) objectivity of expression; 5) tendency toward the completeness of form; 6) inclination toward stage representation. In technological (texturalpianistic) aspect, ragtime, reproduced in the jazz stylistics of stride piano, demonstrated the tendency toward universalization of piano, which combined in the person of one performer the functions of solo and accompaniment, derived from the practice of minstrel banjoists related to the percussion-accented rhythmics of dance accompaniment (Konen, V., 1984). It was stated that ragtime as the transitional bridge to jazz piano existed simultaneously with other forms of “third-layer” music playing found in the Afro-American environment (unlike ragtime itself, which was an art of white musicians). These were semi-folklore styles known as “barrel house” and “honky-tonk(y) piano” cultivated in Wild West saloons. The subsequent development of jazz piano stylistic went along the lines of more vocal and specific directions related mostly to peculiarities of playing technique. Among the more global origins equal in significance to ragtime and stride pianists derivative, blues piano stylistics is worth noting. It represents an instrumental adaptation of vocal blues, which had the decisive influence over the melodics and rhythmics of the right hand party of jazz pianists (ragtime and stride piano highlighted and consolidated the typical texture of accompaniment, i.e., the left hand party). Blues piano style is a multicomponent phenomenon that shaped up as a result of efforts taken by a whole number of jazz pianists. It was developed, and continues to exist until presently, in two variants: a) as a solo piano variant, b) as a duet variant (piano and vocal). Along with blues piano, a style known as “boogie-woogie” was cultivated in jazz piano stylistics of the period before bebop as the new reminiscence of the pre-jazz era (with rock-n-roll becoming a consequence of its actualization in the 1950–1960s). A stylistic genre known as “Harlem piano style” (its prominent representatives include Luckey Roberts, James P. Johnson, Willie “the Lion” Smith, and Thomas “Fats” Waller) became a sort of compendium that combined genetic components of traditional jazz piano. This school has finally defined jazz piano as a form of solo concert music playing, which also determined the subsequent stylistic varieties of this art, the most noteworthy of which are “trumpet piano style”, “swing piano style” and “locked hands style”. Their general feature was interpretation of the instrument as a “small orchestra”, which meant rebirth at the new volute of a historical-stylistic spiral of the “image” of universal piano capable of reproducing the “sounds” of other instruments, voices and their ensembles. Outstanding pianists of various generations have been, and are, the carriers (and often “inventors”) of jazz piano styles. It should suffice to mention the names of such “legends” of jazz as Art Tatum, Oscar Peterson, Thelonious Monk, Bud Powell, Bill Evans, and also Herbie Hancock, Chick Corea, Keith Jarrett (older generation), Gonzalo Rubalcaba, Brad Mehldau, Vadim Neselovskyi, Robert Glasper (middle generation), Eldar Djangirov, Tigran Hamasyan, Cory Henry (younger generation). Conclusions. The description of the stages of development of jazz piano pianism made in this article proves that its polystylistic nature is preserved, and the main representative of certain stylistic inclinations were and remain the texture. Textured formulas serve as the main objects of stylistic interpretations for jazz pianists of different generations. These readings are represented by two vectors – retrospective (revival of jazz traditions) and exploratory, experimental (rapprochement with the academic avant-garde). Of great importance are the styles of personalities, in which polystylistic tendencies are combined with the individual playing manners and improvisation, which, in general, is the most characteristic feature of the current stage of development of jazz piano art.

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39

Zinkernagel, V. "Untersuchungen zur Anfälligkeit und Resistenz von Kopfsalat (Lactuca sativa) gegen falschen Mehltau (Bremia lactucae) III. Peroxydase-, peroxydatische Katalase-und Polyphenoloxydase-Aktivitäten." Journal of Phytopathology 115, no. 3 (March 1986): 257–66. http://dx.doi.org/10.1111/j.1439-0434.1986.tb00883.x.

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Pelcz, Jutta, and Hans Wolffgang. "Untersuchungen über die Dauer induzierter Resistenz- und Anfälligkeitsveränderungen in der Wirt-Parasit-Kombination Gerste — Mehltau (Hordeum vulgareL.-Erysiphe graminisDC. f. spec.hordeiMarch.)." Archives Of Phytopathology And Plant Protection 22, no. 6 (January 1986): 459–64. http://dx.doi.org/10.1080/03235408609440489.

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41

Hawley, John Stratton. "Ashes of Immortality: Widow-Burning in India. Catherine Weinberger-Thomas , Jeffrey Mehlman , David Gordon White." Journal of Religion 81, no. 2 (April 2001): 340–42. http://dx.doi.org/10.1086/490866.

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42

Kumar, Nita. "Ashes of Immortality: Widow-Burning in India. Catherine Weinberger-Thomas , Jeffrey Mehlman , David Gordon White." History of Religions 41, no. 2 (November 2001): 183–85. http://dx.doi.org/10.1086/463677.

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43

Leuprecht, Bernhard. "Untersuchungen und Erfahrungen zum Auftreten des Echten Mehltaus (Oidium neolycopersici, ehemals O. lycopersicum) an Tomaten." Gesunde Pflanzen 58, no. 1 (February 10, 2006): 57–61. http://dx.doi.org/10.1007/s10343-005-0106-7.

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Frauenstein, Käte, and Karl Hammer. "Prüfung vonAegilops-Arten auf Resistenz gegen Echten Mehltau,Erysiphe graminis DC., Braunrost,Puccinia recondita Rob. ex Desm., und Spelzenbräune,Septoria nodorum Berk." Die Kulturpflanze 33, no. 2 (June 1985): 155–63. http://dx.doi.org/10.1007/bf01997268.

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Ranhorn, Kathryn, and Christian A. Tryon. "New Radiocarbon Dates from Nasera Rockshelter (Tanzania): Implications for Studying Spatial Patterns in Late Pleistocene Technology." Journal of African Archaeology 16, no. 2 (November 27, 2018): 211–22. http://dx.doi.org/10.1163/21915784-20180011.

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AbstractLate Pleistocene and Holocene evidence from multiple rockshelters in north-central Tanzania suggests a regional pattern of changing technological behaviors through time. We use independent chronological evidence to test if the proposed technological patterns across space were also temporally equivalent. We applied AMS radiocarbon dating methods to the carbonate fraction of five ostrich eggshell fragments from Mehlman’s 1975-1976 excavations at Nasera rockshelter and compared our results to recent re-dating efforts of Mumba rockshelter. We document radiocarbon results >46 ka at Nasera in Level 5, indicating that associated and underlying technologies (including what Mehlman termed the ‘Nasera Industry’) are older than previously documented. Backed pieces first appear >46 ka at Nasera, which is in accordance with recent evidence from nearby rockshelters like Enkapune ya Muto, Panga ya Saidi, and potentially Kisese II. We also provide an age of 11,260-11,710 calBP for the ‘Silale Industry’ of Level 3B. Overall, the shifts in lithic technology previously considered to be shared between Mumba and Nasera rockshelters are not temporally aligned, emphasizing the possibility that intra-site variability was the norm throughout the Late Pleistocene in eastern Africa.

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de Lacey, Sheryl. "Transhumanist dreams and dystopian nightmares: The promise and peril of genetic engineering, by Maxwell J. Mehlman." IJFAB: International Journal of Feminist Approaches to Bioethics 6, no. 2 (September 2013): 198–200. http://dx.doi.org/10.3138/ijfab.6.2.198.

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Estruth, Jeannette. "Review: Classroom Wars: Language, Sex, and the Making of Modern Political Culture by Natalia Mehlman Petrzela." Southern California Quarterly 99, no. 4 (2017): 486–88. http://dx.doi.org/10.1525/scq.2017.99.4.486.

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48

Paul, H. W. "Jacques Lacan & Co.: A History of Psychoanalysis in France, 1925-1985. Elisabeth Roudinesco , Jeffrey Mehlman." Isis 83, no. 3 (September 1992): 522–23. http://dx.doi.org/10.1086/356270.

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Silvers, Anita. "The price of perfection: Individualism and society in the era of biomedical enhancement, by Maxwell J. Mehlman." IJFAB: International Journal of Feminist Approaches to Bioethics 4, no. 1 (March 2011): 231–36. http://dx.doi.org/10.3138/ijfab.4.1.231.

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50

Sutton, Matthew Avery. "Review: Classroom Wars: Language, Sex, and the Making of Modern American Political Culture by Natalia Mehlman Petrzela." Pacific Historical Review 86, no. 2 (May 1, 2017): 377–79. http://dx.doi.org/10.1525/phr.2017.86.2.377.

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Journal articles on the topic 'Mehldau'

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