Relevant bibliographies by topics / Mehldau

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  2. Dissertations / Theses
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Academic literature on the topic 'Mehldau'

Author: Grafiati
Published: 4 June 2021
Last updated: 17 February 2022

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Journal articles on the topic "Mehldau"

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Schroeter-Wittke, Harald. "Finding Gabriel. Zum 50. Geburtstag von Brad Mehldau." Praktische Theologie 55, no. 3 (August 1, 2020): 189–93. http://dx.doi.org/10.14315/prth-2020-550318.

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Brennicke, Axel. "Mehltau-Pilze imitieren Pollenschläuche." Biologie in unserer Zeit 41, no. 3 (June 2011): 162. http://dx.doi.org/10.1002/biuz.201190043.

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Schönberger, Hansgeorg. "Pilzkrankheiten breiten sich in Getreide aus." agrarzeitung 76, no. 16 (2021): 6. http://dx.doi.org/10.51202/1869-9707-2021-16-006-2.

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Der kühl-feuchte April hat Gelbrost und Septoria tritici begünstigt. Wird es wärmer, wird sich auch Mehltau schnell ausbreiten. Die Wirkstoffauswahl wird enger. Besonders schwierig wird die Bekämpfung von Ramularia in Gerste.
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Rudolf, Bernhard. "Niedrigzins liegt wie Mehltau auf Branche." Versicherungsmagazin 60, no. 12 (November 25, 2013): 36–37. http://dx.doi.org/10.1365/s35128-013-0432-x.

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Lamberth, Clemens. "Fungizide gegen Kartoffelfäule und Falschen Mehltau - die nächste Generation." Nachrichten aus der Chemie 55, no. 2 (February 2007): 130–34. http://dx.doi.org/10.1002/nadc.200746683.

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MEHLMAN, MAXWELL J. "Reply from Maxwell J. Mehlman." Frontiers of Health Services Management 17, no. 3 (2001): 43–44. http://dx.doi.org/10.1097/01974520-200101000-00008.

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Burth, Ulrich, Hans-Jürgen Goedicke, Marga Jahn, Sabine Rathke, and Dietrich Schmidt. "Zum Einfluß von Licht auf die Wirkung ausgewählter Mehltau-Fungizide." Archives Of Phytopathology And Plant Protection 22, no. 4 (January 1986): 321–28. http://dx.doi.org/10.1080/03235408609438610.

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Müller, Thomas, and Frank Bielka. "Untersuchungen zur reaktion von roggeninzuchtlinien gegenüber mehltau(erysiphe graminisDC. F. SP.secalismarchal)." Archives Of Phytopathology And Plant Protection 28, no. 3 (May 1993): 229–34. http://dx.doi.org/10.1080/03235409309383046.

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Albrecht, Maria, and Andreas Kortekamp. "Auswirkungen des Herbizids Basta® auf die Weinrebe und den Falschen Mehltau." Gesunde Pflanzen 60, no. 3 (August 12, 2008): 101–10. http://dx.doi.org/10.1007/s10343-008-0186-2.

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Müller, Thomas, and Frank Bielka. "Untersuchungen zur reaktion von roggeninzuchtlinien gegenüber mehltau (erysiphe graminisDC. F. SP. secalis marchal)." Archives Of Phytopathology And Plant Protection 28, no. 3 (May 1993): 223–28. http://dx.doi.org/10.1080/03235409309383045.

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Dissertations / Theses on the topic "Mehldau"

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Amestoy, Jean-Luc. "Brad Mehldau et le lâcher-prise : une approche comportementale de l'improvisation musicale." Thesis, Toulouse 2, 2016. http://www.theses.fr/2016TOU20079.

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Actuellement, la musicologie de l’improvisation s’appuie pour l’essentiel sur une lecture intentionnelle du projet artistique ; notre thèse propose une approche différente, en regardant l’improvisation comme un processus complexe, comportant une dimension auto-organisée, à l’image des comportements collectifs observés dans les sociétés animales. Ceux-ci résultent de composantes aléatoires, de nombreuses interactions, de logiques d’amplification et de processus non linéaires. Les outils et les concepts mis au point à l’interface physique-biologie pour comprendre ces dynamiques naturelles nous permettent de construire une démarche de modélisation propre à la musicologie, qui décrit les actes de l’improvisateur à partir d’intuitions musicales pour analyser l’interaction entre ce qui participe de savoir pré-construits et de l’intention, d’une part, et ce qui peut être compris comme un réglage de l’aléatoire, d’autre part. Cette démarche de modélisation est mise en oeuvre sur deux transcriptions du pianiste américain Brad Mehldau. Pour la première (Am Zauberberg), la démarche itérative de modélisation est exposée en détail, partant du modèle le plus pauvre jusqu’à la nécessité d’incorporer le geste de la main. Pour la seconde (Bard), cette démarche est étendue à la conception harmonique, chaque voix d’accompagnement étant conçue comme mue d’un mouvement propre au sein de contraintes d’espace donnée par les autres voix. Nous concluons en ouvrant des perspectives de possibles expérimentations inspirées par ces modèles, du côté de l’enseignement de l’improvisation ou de celui du musicien cherchant à incorporer à son jeu une dimension de lâcher-prise qui est au cœur du processus d’improvisation
Currently, the musicology of improvisation essentially highlights the intentional part of an artistic project ; our thesis starts with a quite distinct approach, looking at improvisation as a complex process, with a self-organization dimension inspired of the way biologists analyse collective behaviors in animal societies. These behaviors are todays perceived as the result of combined statistical processes at the individual scale, with numerous inter-individual interactions, amplifications, and non linear loops. Such an analysis of observed natural phenomena led biologists and physicists to introduce and set-up concepts and tools that we use here to propose a modeling approach adapted to Musicology. We start with musical intuitions to propose a description of the perceptions and actions of the improviser that puts forward the deep interaction between what is made of pre-builded knowledge and intention, on one side, and of « tuning random behaviors », on the other. This modeling approach is carried out on two transcriptions of the american pianist Brad Mehldau. With the first piece (Am Zauberberg), we fully describe the iterative process leading from the poorest model to the need of incorporating hand-gestures. With the second piece (Bard), we dress the question of improvising harmony, each voice being conceived as animated of its own displacement rules, but spatially constrained by the others. We conclude by opening up prospects of experiments inspired by these models, some concerning the teaching of improvisation, others aiming at better understanding the process by which a musician seeks to incorporate to his play more « letting go », at the heart of what improvisation is about
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Cotton, André. "Virtuosité des pianistes de jazz américains, de Jelly Roll Morton à Brad Mehldau : histoire parallèle et héritage du Romantisme européen." Thesis, Lyon, 2018. http://www.theses.fr/2018LYSE2071/document.

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L’objectif de cette thèse est de s’interroger sur la prégnance éventuelle de paradigmes romantiques chez les pianistes improvisateurs solistes issus du jazz. Du modèle de la virtuosité soliste au style et plus généralement à l’esprit romantique,est-il possible de déceler, chez eux, une part d’héritage assumée ou non ? Concernant des pianistes aussi différents que les virtuoses de la musique savante romantique du XIXe siècle en Europe et les pianistes de jazz américains du siècle suivant, le terme d’héritage pourrait sembler inadapté voire abusif. Or il ne faut pas sous-estimer l’apport de la musique savante écrite aux musiques improvisées, en particulier dans le domaine pianistique. Tous les pianistes improvisateurs se sont plus ou moins trouvés confrontés à des pages extraites des répertoires classique, romantique ou contemporain, tout au moins pendant leurs études pianistiques qui pour certains, ont été extrêmement approfondies. Peut-on discerner dans le jeu de certains virtuoses les influences des deux grands génies romantiques au caractère si différent que furent Chopin l’intimiste et Liszt l’extraverti au travers de cette virtus latine reliant habileté et transcendance, apanage du héros prométhéen qui vole le feu pour l’offrir à l’humanité ? La musique improvisée est fréquemment une entité de partage, le récital de soliste restant l’exception. C’est à l’occasion de ce moment privilégié que les rares élus, dont la relation à l’instrument sur lequel ils jouent est à chaque fois nouvelle, accèdent au statut de héros en valorisant énergie, action et savoir humain. De Jelly Roll Morton, autoproclamé « inventeur » du jazz à l’improvisation totale de l’ère post-bop, en passant par les pianistes de stride et Art Tatum, la représentation du romantisme revêt des aspects protéiformes allant de l’émancipation des aspects fonctionnels liés à la danse aux préoccupations programmatiques d’un Brad Mehldau se remémorant Schumann
The aim of this thesis is to question the possible impact of romantic paradigms for soloist improviser pianists coming from the jazz scene. From the soloist virtuosity to the style and more generally to the romantic spirit, is it possible to find in their work a certain heritage, whether it is overtly admitted or not? However, 19th century classical music virtuosi and jazz pianists from the following century are so different that it seems natural to wonder whether the word ‘heritage’ is the proper one to use. Yet, the contribution of written classical music to improvised music pieces shouldn’t be overlooked, especially when examining thepianistic domain. Every improviser pianists have been faced with pieces from the classical, romantic or contemporary repertoire to some extent, at the very least during their piano studies which, for some of them, were extremely advanced. Through the Latin virtus connecting dexterity and transcendence – the prerogative of the Promethean hero stealing fire as a present for humanity - could it be possible to find in the playing of certain virtuosi the influence of the two great romantic geniuses, Chopin the intimist and Liszt the extrovert, whose characters were so different? Improvised music is frequently a moment of sharing (soloists’ recitals being the exception) and it is the moment when a few chosen ones can reach the status of heroes, emphasizing energy, action and human knowledge. From Jelly Roll Morton, self-proclaimed “inventor” of jazz music, the stride pianists and Art Tatum,to the complete improvisation of the post-bop era, romanticism is represented through many different protean aspects such as the emancipation of functional aspects connected to dance or again the programmatic concerns of a certain Brad Mehldau, reminiscing about Schumann
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Keil, Sven. "Epidemiologische Aspekte der Falschen Mehltauinfektion durch Plasmopara viticola an Vitis." [S.l. : s.n.], 2007. http://nbn-resolving.de/urn:nbn:de:bsz:100-opus-2676.

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Mehlhaf, Eugen [Verfasser]. "Kommunen im Finanzausgleich des Grundgesetzes / Eugen Mehlhaf." Baden-Baden : Nomos Verlagsgesellschaft mbH & Co. KG, 2017. http://d-nb.info/1160322295/34.

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Dudenhöffer, Jens [Verfasser]. "Molekulare Untersuchung von Resistenzen gegen den Falschen Mehltau der Weinrebe (Plasmopara viticola) / Jens Dudenhöffer." Karlsruhe : KIT-Bibliothek, 2016. http://d-nb.info/109355939X/34.

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Heinrich, Irene [Verfasser]. "Anwendungsmöglichkeiten der Infrarotthermographie zur Detektion von Cercospora-Blattfleckenkrankheit, Echtem Mehltau und Rübenrost an Zuckerrüben / Irene Heinrich." Bonn : Universitäts- und Landesbibliothek Bonn, 2011. http://d-nb.info/1016155832/34.

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Intelmann, Johann Frederik. "Versuche zur Differenzierung von Unterpopulationen von Plasmopara halstedii, dem Falschen Mehltau der Sonnenblume, mit molekularbiologischen Techniken /." Beuren : Grauer, 2001. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=010129424&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

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Mehlan, Ralf [Verfasser]. "Ein Transceiverkonzept für die Interfahrzeugkommunikation bei 64 GHz / Ralf Mehlan." Aachen : Universitätsbibliothek der RWTH Aachen, 2021. http://nbn-resolving.de/urn:nbn:de:101:1-2021100606471456374863.

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Kontradowitz, Lena [Verfasser]. "Resistenz und Virulenz im Pathosystem Beta vulgaris-Erysiphe betae : Entwicklung von Grundlagen für eine nachhaltige Mehltau-Resistenzzüchtung / Lena Kontradowitz." Kiel : Universitätsbibliothek Kiel, 2009. http://d-nb.info/1019870354/34.

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Föller, Iris. "Untersuchungen von Leindotter (Camelina sativa (L.) Crtz.) auf Krankheiten unter besonderer Berücksichtigung von Falschem Mehltau (Peronospora parasitica (Pers.) Fr.)." [S.l.] : [s.n.], 2000. http://deposit.ddb.de/cgi-bin/dokserv?idn=962098795.

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Books on the topic "Mehldau"

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Mehldau, Brad. The Brad Mehldau Collection. Hal Leonard Corporation, 2002.

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MEHLMAN, MA. Mehlman Benzene - Scientific Update. John Wiley & Sons Inc, 1985.

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Pflanzenparasitische Kleinpilze: Bestimmungsbuch für Brand-, Rost-, Mehltau-, Flagellatenpilze und Wucherlingsverwandte in Deutschland, Österreich, der Schweiz und Südtirol (German Edition). Springer Spektrum, 2015.

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Book chapters on the topic "Mehldau"

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Bass, Mirko, and Herbert Stoffels. "Mehltau statt Visionen." In Die digitalen Macher, 1–37. Wiesbaden: Springer Fachmedien Wiesbaden, 2019. http://dx.doi.org/10.1007/978-3-658-26433-8_1.

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Gioia, Ted. "Jazz without Boundaries." In The History of Jazz, 477–506. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190087210.003.0010.

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This chapter looks at the spread of jazz—both geographically and institutionally. Almost from the start, jazz seemed destined to travel beyond its birthplace in New Orleans, but the pace of that expansion has accelerated in recent decades. Europe, which once looked to the United States for jazz role models, is increasingly self-sufficient, and other regions are also developing strong, homegrown jazz scenes. At the same time, jazz has broken down other barriers, entering schools and universities, and enjoying the support of influential nonprofit organizations such as Jazz at Lincoln Center. This shift has led to the rise of a new generation of musicians who have learned their craft in formal jazz education programs, and in many instances also teach at them, but also operate with fluency in the world of commercial music and popular culture. Artists discussed in this chapter include Brad Mehldau, Regina Carter, Esbjörn Svensson (and his band e.s.t.), and Joshua Redman.
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Pontalis, Jean-Bertrand. "Réponse à Jeffrey Mehlman." In Passé présent, 71. Presses Universitaires de France, 2007. http://dx.doi.org/10.3917/puf.bonte.2007.01.0071.

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Mehlman, Jeffrey. "Of Sade, Blanchot, and the French Twentieth Century." In Being Contemporary, 97–106. Liverpool University Press, 2016. http://dx.doi.org/10.5949/liverpool/9781781382639.003.0007.

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‘Of Sade, Blanchot, and the French Twentieth Century: Thoughts at Columbia’, written by Jeffrey Mehlman, retraces the peregrinations of Maurice Blanchot and considers his relevance today. The essay’s attention to authors’ reading (Blanchot’s readings of Sade and Duras; Marty’s readings, in turn, of Blanchot and Genet) underscores the critical valences of rereading as a contemporary practice.
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"Zwischen dem Mehltau des öffentlichen Desinteresses an der Hochschulentwicklung und dem Ringen um Konsolidierung einer Forschungsinstitution." In Hochschulforschung, was sonst?, 75–81. Budrich Academic Press, 2020. http://dx.doi.org/10.2307/j.ctv17mrtwk.9.

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Butcher-Powell, Loreen Marie. "Telework Information Security." In Information Security and Ethics, 316–23. IGI Global, 2008. http://dx.doi.org/10.4018/978-1-59904-937-3.ch024.

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The sophistication of technology available to businesses as well as to homes has increased dramatically in the last 10 years. The speed of information exchange and the ease of use of computer software have become a major influence on the decision of businesses to allow unconventional working environments. As a result, telework has become an increasingly preferred option to working in the office (Manochehri & Pinkerton, 2002). In the early 1970s, Jack Nilles coined the word telework. Telework refers to an approved working arrangement whereby an employee—a teleworker—officially performs his or her assigned job tasks in a specified work area of his or her home on a regular basis (United States Department of Defense, 2002). According to the Communications Security Establishment’s Telework Pilot Program (2002), telework has become a very important alternative work pattern, which allows employees to better manage their home life and work life in a complex society. Telework offers many advantages, including the following: 1. Substantial savings in physical facility-related costs, including rent, storage, and electricity; 2. Expanding labor pools without geographic restrictions (Hirsch, 2002; Mehlman, 2002; Motskula, 2001).
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