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Books on the topic 'Mediterranean Renaissance'

Author: Grafiati
Published: 23 September 2022
Last updated: 28 September 2022

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1

Venetian Renaissance fortifications in the Mediterranean. Jefferson, North Carolina: McFarland & Company, 2016.

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2

Printing a Mediterranean world: Florence, Constantinople, and the renaissance of geography. Cambridge: Harvard University Press, 2012.

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3

Vratović, Vladimir. Croatian latinity and the Mediterranean constant. Zagreb: Croatian P.E.N. Centre, 1993.

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4

To wake the dead: A Renaissance merchant and the birth of archaeology. New York: W.W. Norton & Co., 2009.

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5

Stoenescu, Livia. The Pictorial Art of El Greco. NL Amsterdam: Amsterdam University Press, 2019. http://dx.doi.org/10.5117/9789462989009.

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The Pictorial Art of El Greco: Transmaterialities, Temporalities, and Media investigates El Greco’s pictorial art as foundational to the globalising trends manifested in the visual culture of early modernity. It also exposes the figurative, semantic, and allegorical senses that El Greco created to challenge an Italian Renaissance-centered discourse. Even though he was guided by the unprecedented burgeoning of devotional art in the post-Tridentine decades and by the expressive possibilities of earlier religious artifacts, especially those inherited from the apostolic past, the author demonstrates that El Greco forged his own independent trajectory. While his paintings have been studied in relation to the Italian and Spanish school traditions, his pictorial art in a global Mediterranean context continues to receive scant attention. Taking a global perspective as its focus, the book sheds new light on El Greco’s highly original contribution to early Mediterranean and multi-institutional configurations of the Christian faith in Byzantium, Venice, Rome, Toledo, and Madrid.
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6

Letizia, Gaeta, ed. La scultura meridionale in età moderna nei suoi rapporti con la circolazione mediterranea: Atti del Convegno internazionale di studi "La scultura meridionale in età moderna nei suoi rapporti con la circolazione mediterranea," Lecce, 9-10-11 giugno 2004. [Galatina (Lecce)]: Mario Congedo, 2007.

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7

Barbatelli, NIcola, Maria Cristina Paoluzzi, and Alessandro Tomei. Leonardo e il Rinascimento fantastico: "una mostra tra Napoli e le rotte del Mediterraneo". Sorrento: Comune di Sorrento, 2010.

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8

Garnier, Edith. L' age d'or des galeres de France: Le champ de bataille mediterraneen a la Renaissance. Paris: Felin, 2005.

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9

Guidotti, Carmen Ravanelli. MediTERRAneum.: Cerámica española en Italia entre el Medioevo y el Renascimiento [sic]. Viterbo [Italy]: FAVL, 1992.

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10

Eslami, Alireza Naser, 1957- editor, ed. Incontri di civiltà nel Mediterraneo: L'Impero Ottomano e l'Italia del Rinascimento : storia, arte e architettura. Firenze: Leo S. Olschki editore, 2014.

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11

Università di Bari. Dipartimento per lo studio delle società mediterranee, ed. Immagini e potere nel Rinascimento europeo: Atti del convegno internazionale di studi tenutosi presso il Dipartimento per lo studio delle società mediterranee (Bari, 9 ottobre 2008). Milano: Ennerre, 2009.

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12

Crane, Lee. Mediterranean Renaissance. Pavilion Press, 2003.

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13

Shaw, Christine. Popular Government and Oligarchy in Renaissance Italy (Medieval Mediterranean). Brill Academic Publishers, 2006.

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14

Belozerskaya, Marina. To Wake the Dead: A Renaissance Merchant and the Birth of Archaeology. Norton & Company, Incorporated, W. W., 2011.

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15

Belozerskaya, Marina. To Wake the Dead: A Renaissance Merchant and the Birth of Archaeology. Norton & Company, Incorporated, W. W., 2009.

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16

Venice's Intimate Empire: Family Life and Scholarship in the Renaissance Mediterranean. Cornell University Press, 2018.

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17

Imperial Ambition in the Early Modern Mediterranean: Genoese Merchants and the Spanish Crown. Cambridge University Press, 2014.

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18

Taste the Vinoy: Without Reservations. Not Avail, 2004.

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19

Tazzara, Corey. The Free Port of Livorno and the Transformation of the Mediterranean World. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198791584.001.0001.

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In the twilight of the Renaissance, the grand duke of Tuscany—a scion of the fabled Medici family of bankers—invited foreign merchants, artisans, and ship captains to settle in his port city of Livorno. The town quickly became one of the most bustling port cities in the Mediterranean, presenting a rich tableau of officials, merchants, mariners, and slaves. Nobody could have predicted in 1600 that their activities would contribute a chapter in the history of free trade. Yet by the late seventeenth century, the grand duke’s invitation had evolved into a general program of hospitality towards foreign visitors, the liberal treatment of goods, and a model for the elimination of customs duties. Livorno was the earliest and most successful example of a free port in Europe. The story of Livorno shows the seeds of liberalism emerging, not from the studies of philosophers such as Adam Smith, but out of the nexus between commerce, politics, and identity in the early modern Mediterranean.
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20

Bar, Museo Mar Itimo de La Diputaci on de. Mediterraneum: El Esplendor del Mediterraneo Medieval, S. XIII-XV. Lunwerg Editores, 2004.

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21

E, Chevedden P., Kagay Donald J, Padilla P. G, Burns Robert Ignatius, University of California (Los Angeles). Centre for Medieval and Renaissance Studies., and Medieval Spain and the Western Mediterranean (Colloquium) (1992 : University of California, Los Angeles), eds. Iberia and the Mediterranean world of the Middle Ages: Essays in honour of Robert I. Burns. : a colloquium sponsored by The Centre for Medieval and Renaissance Studies, University of California, Los Angeles October 26-27, 1992. Leiden: E. J. Brill, 1996.

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22

Batchvarov, Kroum N. Shipwreck Reconstruction Based on the Archaeological Record: Mediterranean Whole-Molding and the Kitten Wreck Case Study. Edited by Ben Ford, Donny L. Hamilton, and Alexis Catsambis. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780199336005.013.0011.

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This article gives a case study based on the archaeological evidence of the wrecks from Catalonia, Yassiada, Sardineaux, and Kitten. It gives the description of the hull and the process of reconstruction of the Kitten vessel, based on archaeological evidence. The Kitten shipwreck is the first, and so far only, example of a postmedieval ship from the Black Sea to have been excavated and recorded, and for this reason, no exact parallels for this wreck have been published. The reconstructed method of controlling the shape of the Kitten vessel fits well with the tradition recorded in documents of the Italian Renaissance. The lines of the Kitten vessel were reconstructed from the archaeological evidence, traditional proportions, iconography, and limited comparative material from vernacular boats. This article describes the whole procedure of reconstruction and molding of the Kitten vessel, from shipwreck reconstruction, based on archaeological record.
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23

Parcerisa, J. Padro I., and J. Padro'I Parcerisa. Egyptian-Type Documents from the Mediterranean Littoral of the Iberian Peninsula Before the Roman Conquest: Introductory Survey (Education and Society in the Middle Ages and Renaissance , No 1). Brill Academic Pub, 1997.

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24

Maglaque, Erin. Venice's Intimate Empire. Cornell University Press, 2018. http://dx.doi.org/10.7591/cornell/9781501721656.001.0001.

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During the Renaissance, the Venetian Mediterranean empire stretched from the lagoon city’s shores to the island of Cyprus. This vast empire was governed by aristocratic men: educated as humanists, they were sent out into the empire armed with ancient geographies and classical epics. Once there, they married women who were their own subjects, and in doing so crossed the boundaries of ethnic and religious identity which divided the early modern Mediterranean world. An Intimate Empire undertakes the first study of this relationship between humanism, empire, and family. Mining private writings, humanist geographies, letters, and extensive archival documentation, the book takes an intimate view into the emotions and subjectivities of imperial governors. It finds that it was within intimate life that one’s relationship to empire – to its politics, its shifting social structures, its metropolitan and colonial cultures – was determined.
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25

Parcerisa, J. Padro I., and J. Padro'I Parcerisa. Egyptian-Type Documents from the Mediterranean Littoral of the Iberian Peninsula Before the Roman Conquest: Study of the Meterial (Education and Society in the Middle Ages and Renaissance , No 2). Brill Academic Pub, 1997.

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26

Parcerisa, J. Padro I., and J. Padro'I Parcerisa. Egyptian-Type Documents from the Mediterranean Littoral of the Iberian Peninsula Before the Roman Conquest: Study of the Material (Education and Society in the Middle Ages and Renaissance , No 3). Brill Academic Pub, 1997.

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27

Fialho, Maria do Céu, and António Manuel Martins, eds. Relendo o Parménides de Platão. Imprensa da Universidade de Coimbra, 2020. http://dx.doi.org/10.14195/978-989-26-1972-9.

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This book presents a collection of selected essays from the papers presented to the international conference on Plato’s Parmenides on the occasion of the 2nd Meeting of the Mediterranean Section of the International Plato Society (Coimbra, 14-16 June 2012). It opens with an introduction to the different approaches to this most challenging dialogue taken by the contributors of the volume. Samuel Scolnicov helpfully brings together the theoretical and ethical dimensions of the Parmenides. Luc Brisson, Néstor Cordero, Maurizio Migliori, Franco Trabattoni, Francesco Fronterotta, Mario Jorge Carvalho, J.D.Bares Partal, Beatriz Bossi, Francesca Pizzuti and Gabriele Cornelli present an in-depth analysis and commentary of the main topics of the first and second part of the dialogue from different points of view. The book also includes further clarification of interpretation problems and the reception of this dialogue in late Antiquity and Renaissance.
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28

Arnold, Felix. The Age of the Great Caliphates (900–1000 CE). Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190624552.003.0002.

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This chapter discusses how competition between two Islamic empires launched a Golden Age for palatial architecture in the Western Mediterranean during the Tenth Century. Trying to outdo rivals and attain global representation, the Fatimid caliphs of North Africa and the Umayyad caliphs of Córdoba founded palatial cities on a scale not seen before in the west, and realized ambitious building projects. Each developed its own style of architecture, based in part on Abbasid prototypes, in part on local traditions. Prominent Fatimid sites include Mahdīya, Manṣūriya, Raqqāda, Aǧdābiyā, and Ašīr. For the Umayyads, the cities of Córdoba and Madīnat az-Zahrā’ as well as their “suburban” surroundings included architectural feats like the Dār al-Mulk, the Salón Rico, and the Munyat ar-Rummāniya. Together the achievements of both dynasties evince the increased importance of the beholder’s perspective in the Islamic architecture of the West— a development which may have influenced art in the Renaissance.
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29

Mediterraner Kulturtransfer am Beginn der Neuzeit: Die Rezeption der italienischen Renaissance in Kastilien zur Zeit der Katholischen Könige ... Renaissance in der Romania) (German Edition). Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2010.

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