Academic literature on the topic 'Mediterranean Renaissance'
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Journal articles on the topic "Mediterranean Renaissance"
McManamon, John M. "Res nauticae: Mediterranean Seafaring and Written Culture in the Renaissance." Traditio 70 (2015): 307–67. http://dx.doi.org/10.1017/s0362152900012411.
Full textObad Šćitaroci, Mladen, and Mara Marić. "Landscape Areas within Fortified Medieval-Renaissance." Prostor 28, no. 1 (59) (June 27, 2020): 2–19. http://dx.doi.org/10.31522/p.28.1(59).1.
Full textPaci, Deborah. "The Renaissance of Imperial Geopolitics." Cadernos do Tempo Presente 12, no. 01 (May 21, 2021): 03–12. http://dx.doi.org/10.33662/ctp.v12i01.15713.
Full textSTANIVUKOVIC, GORAN V. "Recent Studies of English Renaissance Literature of the Mediterranean." English Literary Renaissance 32, no. 1 (January 2002): 168–86. http://dx.doi.org/10.1111/1475-6757.00007.
Full textTrivellato, Francesca. "Renaissance Italy and the Muslim Mediterranean in Recent Historical Work." Journal of Modern History 82, no. 1 (March 2010): 127–55. http://dx.doi.org/10.1086/650509.
Full textMcManamon, John M. "Res nauticae: Mediterranean Seafaring and Written Culture in the Renaissance." Traditio 70, no. 1 (2015): 307–67. http://dx.doi.org/10.1353/trd.2015.0000.
Full textCasale, Giancarlo. "Mehmed the Conqueror between Sulh-i Kull and Prisca Theologia." Modern Asian Studies 56, no. 3 (April 8, 2022): 840–69. http://dx.doi.org/10.1017/s0026749x21000184.
Full textRoberts (book author), Sean, and Margaret Small (review author). "Printing a Mediterranean World: Florence, Constantinople, and the Renaissance of Geography." Aestimatio: Critical Reviews in the History of Science 11 (May 31, 2016): 339–41. http://dx.doi.org/10.33137/aestimatio.v11i0.26697.
Full textPopper, Nicholas. "Printing A Mediterranean World: Florence, Constantinople, and the Renaissance of Geography." Geographical Review 104, no. 2 (April 1, 2014): 245–48. http://dx.doi.org/10.1111/j.1931-0846.2014.12021.x.
Full textHamilton, Louis I. "The Rituals of Renaissance: Liturgy and Mythic History in The Marvels of Rome." Medieval Encounters 17, no. 4-5 (2011): 417–38. http://dx.doi.org/10.1163/157006711x598794.
Full textDissertations / Theses on the topic "Mediterranean Renaissance"
Markou, Georgios E. "From Cyprus to Venice : art, exchange and exile across the Renaissance Mediterranean." Thesis, University of Cambridge, 2018. https://www.repository.cam.ac.uk/handle/1810/273777.
Full textMaltempi, Anne R. "WE ARE THE KINGDOM OF SICILY: HUMANISM AND IDENTITY FORMATION IN THE SICILIAN RENAISSANCE." University of Akron / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=akron1596150493052512.
Full textMaglaque, Erin. "Venetian humanism in the Mediterranean world : writing empire from the margins." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:4d671b0d-6917-4a1f-bcfb-2045128a11e0.
Full textNieddu, Luisa. "Retables peints en Corse aux XVe et XVIe." Thesis, Corte, 2022. http://www.theses.fr/2022CORT0003.
Full textThe research project carried out here is the result of a territorial census connected with an action of identification and recognition of the movable heritage of the XV-XVI century in Corsica, which I commenced on behalf of the Directorate of the Heritage of the Collectivité de Corse, back in 2004. This discussion therefore presents for the first time an analytical inventory of the wooden altarpieces of the chronological phase in question, in which, on the basis of formal and stylistic values, the pictorial evidences are linked to their possible cultural matrices of reference. In 1453 the Republic of Genoa transferred the island to the powerful institute of the Bank of Saint George, which possessed it at least until 1562. However, the island, Genoese from a political-administrative point of view, was not Genoese from a cultural-figurative one. In general, it would seem that the local artists refashioned in a reductive and basically modest way the styles of the masters working in the North Western Italian area (from Liguria to the Oltregiogo, to the Po Valley, and to Nice region), creating their own language, so much reworked in its simplification to make hardly recognizable any figurative matrices of the mainland. However, thanks to the commercial flows and the constant political relations with the Motherland, the island proved to be receptive to the impulses coming from the entire coastal arc of Liguria, in equal measure from the two shores of Ponente and Levante, as proved by the retable of Cassano, signed and dated by Antonio da Calvi in 1505. There was also a flow of up-to-date creations along the transalpine traffic routes into Corsica, such as the polyptych of the Assumption of Canari attributed to the mature phase of the Piedmontese Agostino Bombelli (1530 ca.). The sending of this work documents the spread in the territory of a "Palladian window" architectural scheme, with a triumphal arch, based on more modernized criteria, similar to the polyptychs of Moltifato and Tox. There are also cases that suggest adhesion to Lombard naturalism, and more specifically the Ligurian-Pavese one, such as the Madonna and Child of Piedicroce. The critical rediscovery of the figurative heritage of Corsica thus highlights how much this is the product of heterogeneous conjunctures, expressed by native masters who reworked multiple stylistic features according to their own means, so that perhaps we can finally speak of a "Corsican pictorial school"
Cazenave, de la Roche Arnaud. "La construction navale au XVIème siècle en Méditerranée : l’apport de l’épave de la Mortella III (Saint-Florent, Haute-Corse)." Thesis, Sorbonne université, 2018. http://www.theses.fr/2018SORUL014.
Full textDuring the 16th century, the Mediterranean shipbuilding –especially in Italy– was renowned for its quality. It held a technical culture inherited by an ancient tradition that had passed down orally from one generation to the next. But today it is largely unknown, since, to the scarcity of documentation in writing, is added a poor archaeological documentation. The discovery of the Mortella shipwrecks (Saint-Florent, Upper Corsica, France) in 2005 and 2006, and the programme of archaeological excavations of one of them –the Mortella III– undertaken in 2010, highlight an architecture from the 16th century that belongs to the Mediterranean tradition and offer the prospect of contributing to fill the existing gaps. After studying the archaeological data from the five excavation campaigns done on this wreck, our research sets as key goal identifying ‘indicators’ such as ‘technical and architectural traits’ which can contribute to the definition of a model of shipbuilding from the 16th century in the Mediterranean, initiated by previous archaeological research started in the eighties. In this perspective, the analysis is based on comparisons with archaeological data from other wrecks of that period. Moreover, it also relies on the references provided by the written sources, as well as the iconography. Finally, the archival researches undertaken in the margins of the archaeological work have allowed to link the wrecks of the Mortella to their history, in this case to the Italian wars of 1527. In this regard, the archaeological study –which remains the epicenter of this thesis– is usefully supplemented by the historical research
Books on the topic "Mediterranean Renaissance"
Venetian Renaissance fortifications in the Mediterranean. Jefferson, North Carolina: McFarland & Company, 2016.
Find full textPrinting a Mediterranean world: Florence, Constantinople, and the renaissance of geography. Cambridge: Harvard University Press, 2012.
Find full textVratović, Vladimir. Croatian latinity and the Mediterranean constant. Zagreb: Croatian P.E.N. Centre, 1993.
Find full textTo wake the dead: A Renaissance merchant and the birth of archaeology. New York: W.W. Norton & Co., 2009.
Find full textStoenescu, Livia. The Pictorial Art of El Greco. NL Amsterdam: Amsterdam University Press, 2019. http://dx.doi.org/10.5117/9789462989009.
Full textLetizia, Gaeta, ed. La scultura meridionale in età moderna nei suoi rapporti con la circolazione mediterranea: Atti del Convegno internazionale di studi "La scultura meridionale in età moderna nei suoi rapporti con la circolazione mediterranea," Lecce, 9-10-11 giugno 2004. [Galatina (Lecce)]: Mario Congedo, 2007.
Find full textBarbatelli, NIcola, Maria Cristina Paoluzzi, and Alessandro Tomei. Leonardo e il Rinascimento fantastico: "una mostra tra Napoli e le rotte del Mediterraneo". Sorrento: Comune di Sorrento, 2010.
Find full textGarnier, Edith. L' age d'or des galeres de France: Le champ de bataille mediterraneen a la Renaissance. Paris: Felin, 2005.
Find full textGuidotti, Carmen Ravanelli. MediTERRAneum.: Cerámica española en Italia entre el Medioevo y el Renascimiento [sic]. Viterbo [Italy]: FAVL, 1992.
Find full textEslami, Alireza Naser, 1957- editor, ed. Incontri di civiltà nel Mediterraneo: L'Impero Ottomano e l'Italia del Rinascimento : storia, arte e architettura. Firenze: Leo S. Olschki editore, 2014.
Find full textBook chapters on the topic "Mediterranean Renaissance"
Arbel, Benjamin. "Cypriot Wildlife in Renaissance Writings." In Mediterranean Nexus 1100-1700, 321–44. Turnhout: Brepols Publishers, 2012. http://dx.doi.org/10.1484/j.mednex.1.102925.
Full textGarb, Yoni. "Fear and Power in Renaissance Mediterranean Kabbalah." In Fear and its Representations, 137–51. Turnhout: Brepols Publishers, 2002. http://dx.doi.org/10.1484/m.asmar-eb.3.3069.
Full textMatar, Nabil. "Arab Views of Europeans, 1578–1727: The Western Mediterranean." In Re-Orienting the Renaissance, 126–47. London: Palgrave Macmillan UK, 2005. http://dx.doi.org/10.1057/9780230523869_8.
Full textPapacostas, Tassos. "A Gothic Basilica in the Renaissance: Saint George of the Greeks at Famagusta." In Mediterranean Nexus 1100-1700, 339–66. Turnhout: Brepols Publishers, 2014. http://dx.doi.org/10.1484/m.mednex-eb.4.00061.
Full textCroke, Brian. "Procopius of Caesarea in Renaissance Italy." In Italy and the East Roman World in the Medieval Mediterranean, 23–48. London: Routledge, 2021. http://dx.doi.org/10.4324/9781315108094-2-4.
Full textLuiten, Loek. "Slavery and violence against women in Renaissance Central Italy." In Women and Violence in the Late Medieval Mediterranean, ca. 1100–1500, 160–72. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003098430-13.
Full textHeywood, Colin. "Microhistory/Maritime History: Aspects of British Presence in the Western Mediterranean in the Early Modern Period." In Études Renaissantes, 83–111. Turnhout: Brepols Publishers, 2014. http://dx.doi.org/10.1484/m.er-eb.4.00181.
Full textFuess, Albrecht. "Braudel and the Sea: Revisiting Braudel’s Méditerranée for the Study of the Greater Mediterranean Region in the 15th and 16th Centuries." In Études Renaissantes, 47–65. Turnhout: Brepols Publishers, 2014. http://dx.doi.org/10.1484/m.er-eb.4.00179.
Full text"The Mediterranean in the Medieval and Renaissance World." In The Mediterranean, 91–109. Routledge, 2014. http://dx.doi.org/10.4324/9781315832524-13.
Full text"2. The Mediterranean Dawn." In The Renaissance of the Levant, 55–110. De Gruyter, 2019. http://dx.doi.org/10.1515/9783110634006-004.
Full textConference papers on the topic "Mediterranean Renaissance"
Perojević, Snježana, and Branislav Trifunović. "The Aquila tower: a part of the Renaissance coastal defence system of Pučišća." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11423.
Full textVillada Paredes, Fernando. "De cerca medieval islámica a frente abaluartado: génesis y evolución del Frente de Tierra de Ceuta." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11403.
Full textZapata Parra, José Antonio. "El castillo de Mula (1520-2020). Historia de la construcción de una fortaleza renacentista." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11355.
Full textBroglia, Francesco. "Fortifications at Piacenza. Historical background, restoration, open-air museum and urban planning." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11427.
Full textMollo, Giuseppe, and Giuseppe Piccolo. "La trasformazione dell’impianto fortificato della città di Nola tra Quattrocento e Cinquecento." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11416.
Full textLópez-Menchero Bendicho, Víctor Manuel, Herbert D. G. Maschner, James Bart McLeod, Jeffrey P. Du Vernay, and Miguel Ángel Hervás Herrera. "The work of Global Digital Heritage for the massive digitization of fortifications in Spain." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11415.
Full textBertocci, Stefano, and Matteo Bigongiari. "Rilievo digitale delle fortificazioni di Piombino." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11530.
Full textTaddei, Domenico, Caterina Calvani, Roberto Pistolesi, Antonio Taddei, and Andrea Martini. "Recupero architettonico e strutturale del “mastio” e del suo cortile della fortezza nuova di Volterra." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11361.
Full textRinaldi, Simona. "L’architettura militare italiana della Cittadella di Ancona: tecniche costruttive e sistemi difensivi del XVI secolo." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11481.
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