Relevant bibliographies by topics / Medievalism

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Medievalism'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 July 2024

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Medievalism.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Medievalism"

1

RÍOS SALOMA, Martín F. "Europa a América: Claudio Sánchez-Albornoz y la fundación de los "Cuadernos de Historia de España"." Medievalismo, no. 28 (October 8, 2018): 235–70. http://dx.doi.org/10.6018/medievalismo.28.345161.

Full text
Abstract:
En el presente trabajo se reconstruyen trazos poco conocidos de la biografía del medievalista español Claudio Sánchez Albornoz (1893-1984) y se analizan los factores de orden personal y las circunstancias históricas que llevaron a uno de los más destacados historiadores españoles de la primera mitad del siglo XX a emigrar a Buenos Aires y la forma en que dicha experiencia se materializó en la fundación de los Cuadernos de Historia de España que dirigió entre 1944 y 1981, poniendo de relieve la significación intelectual e historiográfica de dicha fundación para el medievalismo hispano. In this paper we reconstruct little-know aspects about the biography of the Spanish medievalist Claudio Sánchez-Albornoz (1893-1984). At the same time, we analyse the personal causes and the historical circumstances that led one of the most important Spanish historians from the first half of the 20th century to emigrate to Buenos Aires, and in what way that experience resulted in the foundation of the Cuadernos de Historia de España. We highlight the intellectual and historiographic significance of this foundation for Hispanic medievalism.
APA, Harvard, Vancouver, ISO, and other styles
2

Imer Kappel, Trine. "Gralen, kætterne og korstoget – Myter og middelalderisme i Languedoc." Slagmark - Tidsskrift for idéhistorie, no. 79 (June 25, 2019): 135–47. http://dx.doi.org/10.7146/slagmark.vi79.130733.

Full text
Abstract:
The Languedoc region between the Rh.ne River and the Pyrenees is renowned for its medieval history. Or rather, its special version of medievalism. This article seeks to explain how and why the Albigensian Crusade (1209-1229) and the heretical Cathars came to be intertwined with myths about the Holy Grail after World War I by examining three different definitions of medievalism by Eco, Gentry & Müller, and Matthews. The theories approach medievalisms from different perspectives, but they all pay special attention to the political usage of medievalisms, which can be detected in all corners of the Albigensian Crusade historiography and fictional literature. This shows that a special Occitanian medievalism-hybrid has been created, which is constantly being developed and highlighted by both literature, myths and the region’s tourism industry. Finally, the article argues that the perceptions of medieval Languedoc and the myths surrounding the area reflects the challenges and political reality of the authors’ own time and experiences.
APA, Harvard, Vancouver, ISO, and other styles
3

Collyer, Rachel. "Attitudes to Representations of Medieval Music in Role-Playing Computer Games." Journal of Sound and Music in Games 4, no. 2 (2023): 1–23. http://dx.doi.org/10.1525/jsmg.2023.4.2.1.

Full text
Abstract:
The proliferation over the past two decades of computer games that reimagine the European Middle Ages has produced a powerful agent through which medieval music is represented in popular culture. This article evaluates attitudes to the music of medieval-themed role-playing games through the framework of medievalism. Recent ludomusicological research has used musical and intertextual analyses to locate and describe medieval sonic signifiers. These signifiers borrow from cinematic and cultural conventions to inform the game player about the virtual world. While some signifiers such as plainchant are derived from music of the Middle Ages, others have acquired medieval meaning despite historical or geographical incongruencies. To measure the effectiveness of these signifiers, this research compiled audiovisual samples within a Likert-type scale to assess and to compare attitudes toward modern musical medievalisms and reconstructed medieval music in the setting of medievalist game imagery. The survey was delivered online and sampled 110 participants of varying age, gender, musical education, and gaming experience. It found that attitudes toward modern musical medievalism in games were not only favorable but were equivalent to attitudes toward reconstructed medieval music in the same setting. Higher levels of music education correlated with more critical attitudes toward either music. Notably, the length of time spent playing computer games was connected to an increasing acceptance of medievalist game music and a decreasing acceptance of reconstructed medieval music. The findings of this research indicate that computer games are potent disseminators of medievalist sound. They provide timely advice for music educators and lay the groundwork for further research into informal musical learning connected to historically inspired computer games.
APA, Harvard, Vancouver, ISO, and other styles
4

Gori Olesen, Mattias. "Modernitetens sine qua non – Islamisk middelalderfilosofi og moderne reformisme." Slagmark - Tidsskrift for idéhistorie, no. 79 (June 25, 2019): 63–75. http://dx.doi.org/10.7146/slagmark.vi79.130729.

Full text
Abstract:
The trope that modern Europe , emerging from its Dark Ages, is indebted to the Islamic Middle Ages is widespread. The article traces this ‘Islamic medievalism’ back to Muslim discourses of the late 19th and early 20th century. Focusing on the Egyptian intellectual Muhammad Lutfi Jum’a’s (1886-1953) portrayal of medieval Islam and its philosophers as well as his mobilization of these within a reformist ideology, it argues the following: Firstly, that Jum’a’s medievalism, perceiving medieval Islamic philosophy as the sine qua non of European modernity, is indebted to readings of European orientalist histories of philosophy, demonstrating how medievalism emerged from a global discursive formation. Secondly, that Jum’a mobilized the medievalist argument and the philosophers to argue for the possibility of an alternative counter-modern Muslim and Eastern modernity where the materialist and disenchanting tendencies of European modernity are negated – a vision he shared with other so-called Easternist thinkers, who conceived of Muslim countries as belonging to a broader East ranging from North Africa to Japan.
APA, Harvard, Vancouver, ISO, and other styles
5

Kovalcik, Timothy M. "Medievalism." Essays in Medieval Studies 32, no. 1 (2016): 1–3. http://dx.doi.org/10.1353/ems.2016.0000.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Kuipers, Nadine. "Studies in Medievalism XXIII: Ethics and Medievalism; Medievalism: A Critical History." English Studies 97, no. 5 (May 31, 2016): 568–70. http://dx.doi.org/10.1080/0013838x.2016.1175220.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Classen, Albrecht. "Matthew X. Vernon, The Black Middle Ages: Race and Construction of the Middle Ages. The New Middle Ages. Cham, Switzerland: Palgrave Macmillan, 2018, xiii, 266 pp." Mediaevistik 32, no. 1 (January 1, 2020): 387–88. http://dx.doi.org/10.3726/med.2019.01.77.

Full text
Abstract:
When I agreed to review this book, I had not paid enough attention to the subtitle, which reveals that the author is primarily concerned with the issue of Medievalism. In essence, Vernon is examining how Black or African American medievalists and writers have viewed the Middle Ages and what the study of the medieval world might mean for the struggle of Black Americans against racism and colonialism today. He argues that the examination of the Middle Ages mattered deeply for those intellectuals because many issues in that past are still mirrored in the present. This could be of relevance especially for those who are interested in the history of scholarship and the particular approach to that period from a specific ethnic perspective. Of course, then we would also need books about Asian American medievalists, Hispanic American medievalists, etc., which seems to be valid in political terms, but does not really do justice to the subject matter. At any rate, I cannot examine and evaluate the major portion of this book because it falls into the category of modern Medievalism.
APA, Harvard, Vancouver, ISO, and other styles
8

Ferré, Vincent, and Alicia Montoya. "MEDIEVALISM AND THEORY: Toward a Rhizomatic Medievalism." RELIEF - REVUE ÉLECTRONIQUE DE LITTÉRATURE FRANÇAISE 8, no. 1 (September 29, 2014): 1. http://dx.doi.org/10.18352/relief.882.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Workman, Leslie J. "Medievalism Today." Medieval Feminist Newsletter 23 (March 1997): 29–33. http://dx.doi.org/10.17077/1054-1004.1380.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Fawcett, Daniel. "Modern Medievalism." American Journal of Semiotics 31, no. 3 (2015): 361–76. http://dx.doi.org/10.5840/ajs2016248.

Full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Medievalism"

1

Moura, Fernanda Korovsky. "Double-voiced medievalism." reponame:Repositório Institucional da UFSC, 2016. https://repositorio.ufsc.br/xmlui/handle/123456789/173272.

Full text
Abstract:
Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Inglês: Estudos Linguísticos e Literários, Florianópolis, 2016.
Made available in DSpace on 2017-02-14T03:07:54Z (GMT). No. of bitstreams: 1 343955.pdf: 4381644 bytes, checksum: d67534e21dc02da3bd23f4e0048830c6 (MD5) Previous issue date: 2016
Abstract : The problem addressed in this thesis concerns the analysis of William Charles Macready's reconstruction of Shakespeare's King John in Victorian London. During the nineteenth century, the Medieval Revival movement achieved its peak. This movement aimed at reviving the Middle Ages as the glorious birth of English culture and identity in opposition to the Ancient Roman and Greek traditions. As a consequence, artistic manifestations which expressed medieval themes gained prominence, including Shakespeare's historical plays. Macready's production of King John premiered at Royal Theatre Drury Lane on 24 October 1842, therefore, during the heyday of the Medieval Revival. My initial questioning was on the implications of this medievalist trend of the nineteenth century in Macready's production. My initial hypotheses were two: Macready's production followed the general Victorian perspective on the Middle Ages, which was romanticised and idealised; or his production maintained a more negative outlook on the medieval past, characteristic of the Renaissance period, in which Shakespeare wrote the original play. What I came to realise during this study was that in Macready's case both perspectives intertwined on the Victorian stage. My analysis is based on postmodern discussions on history, historiography, and theatre historiography, mainly supported by the works of Linda Hutcheon, Hayden White, Thomas Postlewait, and Richard Schoch. Schoch's concept of double-voiced historicism¬ permeates this thesis. From his concept, I have created the notion of double-voiced medievalism, which is the combination of two different perspectives on the Middle Ages in one artistic manifestation. The main corpus of the present analysis was Charles Shattuck's published version of Macready's prompt-book for Shakespeare's King John.

O problema abordado nesta dissertação diz respeito à análise da reconstrução de William Charles Macready da peça King John de Shakespeare na Londres vitoriana. Durante o século XIX, o movimento Medieval Revival atingiu o seu auge. Esse movimento destinava-se a reviver a Idade Média como o glorioso nascimento da cultura e da identidade inglesas em oposição às tradições da Antiguidade Greco-Romana. Como consequência, as manifestações artísticas que expressavam temas medievais ganharam destaque, incluindo as peças históricas de Shakespeare. A produção de King John de Macready estreou em 24 de outubro de 1842 no Royal Theatre Drury Lane, portanto, durante o auge do Medieval Revival. Meu questionamento inicial foi sobre as implicações dessa tendência medievalista do século XIX na produção de Macready. Minhas hipóteses iniciais eram duas: a produção de Macready seguiu a perspectiva geral vitoriana sobre a Idade Média: romantizada e idealizada; ou a sua produção manteve uma perspectiva mais negativa sobre o passado medieval, típica do período da Renascença, em que Shakespeare escreveu a peça original. O que eu vim a perceber durante este estudo foi que, no caso de Macready, ambas as perspectivas se entrelaçaram no palco vitoriano. Minha análise é baseada em discussões pós-modernas sobre história, historiografia e historiografia do teatro, tendo como suporte, principalmente, os trabalhos de Linda Hutcheon, Hayden White, Thomas Postlewait e Richard Schoch. O conceito de double-voiced historicism de Schoch permeia esta tese. A partir do seu conceito, eu criei a noção de double-voiced medievalism, que é a combinação de duas perspectivas diferentes sobre a Idade Média em uma manifestação artística. O principal corpus da presente análise foi a versão publicada de Charles Shattuck do prompt-book de Macready da peça King John de Shakespeare.
APA, Harvard, Vancouver, ISO, and other styles
2

Cruz, Vergari Elena de la. "Édition critique d'une traduction française anonyme en prose du XIIIe siècle de l'Epitoma rei militaris de Végèce." Doctoral thesis, Universitat de Barcelona, 2016. http://hdl.handle.net/10803/392731.

Full text
Abstract:
Nous présentons l'édition critique de la traduction française anonyme en prose médiévale de l'Epitoma rei militaris de Végèce du XIIIe siècle (VegLev) à partir des deux témoins conservés, un à la Bibliothèque Nationale de Saint-Pétersbourg, Fr. F. y. IX, 1, et l'autre à Wolfenbüttel, Bibliothèque Herzog August, Blankenburg 111. L'analyse codicologique, qui accompagne l'édition, a permis de situer les manuscrits et leurs enluminures au XIII siècle, au Levant. L'établissement de sa source latine en a facilité l'édition et montre les procédés de la traduction médiévale car il permet de la mettre en rapport avec la traduction anglo-normande de maître Richard. Cette traduction de l'Epitoma rei militaris, considérée la plus ancienne qui nous est parvenue, est conservé dans un codex unicus et contient aussi une copie latine dont le colophon fait référence à la ville d'Acre. De même, l'analyse de la langue et de la scripta a signalée quelques structures, formes et mots, qui se retrouvent reliés au Levant dans d'autres études ou outils lexicographiques, ainsi que des barbarismes reliés au domaine gallo-roman méridional et italique. L'étude des interventions du traducteur a permis d'insére ce projet au sein d'une société guerrière au Levant pendant le XIIIe siècle. Ces interventions touchent la structure de l'oeuvre, les destinataires, ses habitudes sociales avec lesquelles le traducteur a mis à jour le bréviaire, telles que l'âge et l'origine des combatants, leurs habitudes dans l'exercice de la guerre, etc. Cette traduction, servile â la phrase latine, présente un texte souvent difficile à comprendre. Néanmoins, cette ancienne traduction a pu donner accès à une chaste guerrière incapable de comprendre le latin à un des textes militaires latins les plus célèbres, et aider ensuite à la réalisation d'autres traductions postérieures de l'Epitoma rei militaris. Enthousiaste des maximes, le traducteur devient soudainement autonome au texte latin lorsqu'il se consacre à la confection et la multiplication de sentences por enseignemens et en remembrance de l'art de la chevalerie.
We present the critical edition of the anonymous 13th-century French translation in medieval prose of the Epitoma rei militaris by Vegetius (VegLev) based on two manuscripts conserved in the National Library of Russia in Saint Petersburg, Fr. F. v. IX, 1, and the Herzog August Library in Wolfenbiittel, Blankenburg 111. The codicological analysis, which is part of the edition, has dated the manuscripts and their miniatures to the 13th century Levant. Determining its Latin source made it easier to prepare the edition and also revealed the procedures of medieval translation because it could be compared with the Anglo-Norman translation by Master Richard. This Anglo-Norman translation of the Epitoma rei militaris, regarded as the oldest in existence, has been preserved in a codex unicus and there is also a Latin copy, which names the city of Acre. Likewise, the analysis of the language and the scripta reveals some structures, forms and words that have been associated with the Levant by other studies and lexicographical tools, and the use of loan words from the southern Gallo-Roman empire and Italy. The analysis of the translator's interventions has effectively framed this translation within the warfaring society of the 13th-century Levant. The interventions affect the structure of the work and inform us about the readers, such social customs of the time as the age and origin of the combatants, warfaring habits, etc. This translation faithfully follows the Latin phrasing and is often difficult to follow. However, the aim of the translation was to make one of the most famous military texts available to a warring caste unable to understand Latin and, perhaps, to be the basis on which subsequent translations of the Epitoma rei militaris could be made. The translator, an enthusiastic user of maxims, moves away from the Latin text when he devotes himself to devising numerous aphorisms por enseignements et en remembrance of the art of chivalry.
APA, Harvard, Vancouver, ISO, and other styles
3

Carpenter, Clare. "Medievalism and paganism : interpretations of the Carmina Burana." Thesis, University of York, 2001. http://etheses.whiterose.ac.uk/10816/.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Rose, Katherine Mae. "Multivalent Russian Medievalism: Old Russia Through New Eyes." Thesis, Harvard University, 2016. http://nrs.harvard.edu/urn-3:HUL.InstRepos:33493416.

Full text
Abstract:
This thesis explores representations of medieval Russia in cultural and artistic works of the late nineteenth and early twentieth centuries, with an eye to the shifting perceptions of Russia’s cultural heritage demonstrated through these works. The thesis explores the history of medievalism as a field of study and interrogates the reasons that medievalism as a paradigm has not been applied to the field of Russian studies to date. The first chapter is an investigation of architectural monuments incorporating Old Russian motifs, following the trajectory of the “Russian Style” in church architecture, one of the most prominent and best-remembered forms of Russian medievalism. Chapter two explores the visual representation of medieval Russian warriors, bogatyri, in visual and plastic arts, and the ways in which this figure is involved in the national mythmaking project of the nineteenth century. The third chapter focuses on the Rimsky-Korsakov opera, The Invisible City of Kitezh and the Maiden Fevroniya, investigating the ways that different medieval and modern elements come together in this work to present an aestheticized image of medieval Russia. In this analysis of diverse and far-ranging facets of Russian medievalism in the plastic, visual, literary and performing arts, the complicated relationship between medievalism and the prevalent discourse of nationalism is investigated, opening up new opportunities for scholarly intersections with other medievalisms – in Western Europe and beyond.
Slavic Languages and Literatures
APA, Harvard, Vancouver, ISO, and other styles
5

Cooper, Victoria Elizabeth. "Fantasies of the North : medievalism and identity in Skyrim." Thesis, University of Leeds, 2016. http://etheses.whiterose.ac.uk/16875/.

Full text
Abstract:
The primary text of this thesis is Skyrim, a fantasy role-playing game released in 2011 to huge commercial success and critical acclaim. Through this text, the project explores the intersection of medievalist fantasy, politics, and whiteness. It investigates the parallels between political medievalisms, playful medievalisms, and the ways in which medieval fantasy is used to reinvent or reaffirm white identities. The Middle Ages, as a time period, an imagined geographic space, and an ideological concept, is often nostalgically recalled as a key element in Western nationalism and identity formation. Skyrim provides a major case study through which to interrogate the tropes of medieval fantasy in order to understand how the genre situates itself as a space of creativity and resistance, but in fact maintains conservative social values. Furthermore, it asks how players engage in identity play in medieval fantasy games, and to what extent Skyrim’s politics encourage discussion and reflection. This thesis is highly interdisciplinary in its form and utilises multiple methodologies to explore the construction of the self and the other through medievalism in fantasy. Traditional humanities methods are combined with a survey of players’ narrative choices and modes of identification with characters and factions within Skyrim, as well as analysis of ‘gamer’-activism in popular politics. Ultimately, although the games explored are established to be highly conservative in their modes of racial representation, the thesis finds that players are actively engaged in identity play. Although this is limited in many ways by game design—especially where medieval fantasy genre conventions are heeded—the potential for game worlds to destabilise racial boundaries and provide a space for identity play is acknowledged, opening up several avenues for further research in the fields of enquiry.
APA, Harvard, Vancouver, ISO, and other styles
6

van, Gent Celeste. "Edmund Blacket, Medievalism and the Gothic in the Colony." Thesis, Department of History, 2021. https://hdl.handle.net/2123/24948.

Full text
Abstract:
Edmund Blacket (1817-83) was an English-born Gothic Revival architect. This thesis uses the critical framework of medievalism to identify the function of multiple timeframes, real and imagined, within the Gothic style. It traces Blacket’s youth sketching Gothic ruins in the Yorkshire countryside, his construction of quintessentially English churches in the Colony of New South Wales, and his grand designs for the University of Sydney’s first buildings. This journey shows how Blacket’s use of the Gothic style spoke at once to a romanticised medieval past and the fragmented colonial present, as well as anticipating the Colony’s future.
APA, Harvard, Vancouver, ISO, and other styles
7

Chiari, Gisele Gemmi. "A presença do medievalismo em Gonçalves Dias: uma estudo das Sextilhas de Frei Antão." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/8/8149/tde-27112009-132947/.

Full text
Abstract:
A dissertação visa estudar as Sextilhas de Frei Antão de Gonçalves Dias, procurando compreender seu significado no conjunto da obra do autor e destacar sua relação com a corrente medievalista do Romantismo. As Sextilhas parecem destoar do espírito nacionalista que vigorou depois da Independência brasileira, pois além de reunir temas e lendas portugueses, simula uma linguagem arcaica. Por isso, o quadro ufanista e o programa de construção da nacionalidade do Segundo Império influenciaram a recepção negativa da crítica dos poemas de Frei Antão, contrariamente aos poemas indianistas de G. Dias que foram consagrados. A análise dos poemas das Sextilhas suscitou uma reflexão sobre o contexto histórico-cultural brasileiro do século XIX, temas caros e polêmicos para a sociedade brasileira oitocentista como a monarquia e a escravidão. Considera-se necessário recuperar o lugar dos poemas medievalistas como um dos aspectos precípuos da obra de Gonçalves Dias, pois a sua obra lírica e teatral, bem como a sua correspondência apontam para um programa poético de valorização da história e do medievalismo romântico. Para compreensão das Sextilhas, a pesquisa recorreu ao estudo de obras (livros, teses, periódicos) que versam sobre movimento romântico europeu e brasileiro, a poesia de Gonçalves Dias e outros românticos, o processo de construção da identidade nacional, a história do Segundo Império no Brasil e os aspectos temáticos e formais da lírica trovadoresca. Para o presente estudo considerou-se a edição das Sextilhas de Frei Antão revista pelo autor em 1857, composta por quatro poemas. A edição exclui o poema Lenda de Sam Gonçalo.
The dissertation aims to study the Sextilhas de Frei Antão by Gonçalves Dias, trying to understand its meaning in the set of the authors work. The paper also detaches Gonçalves Dias relation with the medievalism current of the Romantic Movement. The Sextilhas seems to disagree to the nationalistic spirit that invigorated after Brazilian Independence, because it congregates subjects and Portuguese legends and simulates an archaic language. In order that, the ufanism tendency as the nacionalism program had influenced the negative reception of the critical of the poems of Frei Antão. On the other hand, the critical review had consecrated the indianist poems of G. Dias. The analysis of these poems also motivated a reflection on the Brazilian historical and cultural context of century XIX about important and controversial subjects for the Brazilian society in the 1800s such as the monarchy and the slavery. It is considered necessary to recover the place of medievalist poems as one of the main aspects of the literature of Gonçalves Dias. His lyric and drama works, as well as his correspondence points out to a poetical program of valuation of history and the Romantic medievalism. For understanding the Sextilhas, the research had recoursed to the study of workmanships (books, theses, articles) about European and Brazilian Romantic Movement, Gonçalves Dias and other Romantic authors, the Brazilian process of the construction of national identity, the poetry history of Brazil and aspects of the medieval lyric. For the present study it was considered the edition of the Sextilhas de Frei Antão reviewed by the author in 1857, composed of four poems. The edition excludes the poem \"Lenda de Sam Gonçalo\".
APA, Harvard, Vancouver, ISO, and other styles
8

Ferreira, Jefferson Nunes. "Sem medo das palavras: Introdução à Obra de Lourdes Ramalho." Universidade Federal da Paraí­ba, 2011. http://tede.biblioteca.ufpb.br:8080/handle/tede/6157.

Full text
Abstract:
Made available in DSpace on 2015-05-14T12:39:27Z (GMT). No. of bitstreams: 1 parte1.pdf: 2022840 bytes, checksum: be6666f7bffce7a6d8829806767b9707 (MD5) Previous issue date: 2011-05-07
Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES
This dissertation is a brief introduction to the work of one of the most important playwriters of the present time: Lourdes Ramalho (Maria de Lourdes Nunes Ramalho, Jardim do Seridó- RN, 1926). Her literary production for adults (plays and cordéis ) has been thought here considering three aspects that, connected, give to her writing a singular form: the archetypicals images and characters of the european Middle Ages imaginary and of the Northeast of Brazil, the regionalist discourse based on folk culture and the medieval iberian focus on brazilian northeastern culture. At the same time, those marks put the author among a large literary tradition that, during the XXth century, tried to find a cultural identity to the brazilian Northeast. There is also, in this study, a attempt to approach the author style to the grotesque realism of François Rabelais, bringing up the analysis of this author and style made by the Literature theoretician Mikhail Bakhtin. After that, there is a discussion about the theatrical language and it is shown how two of Lourdes Ramalho s plays ( As Velhas and Romance do conquistador ) were brought to the stage through the interpretations of those texts made by one of the most creative directors of contemporary theatre: Moncho Rodriguez (Vigo/Spain, 1951). Those stagings of Lourdes Ramalho s texts become stronger the idea of a brazilian Northeast still immersed into traditions and esthetics that go back to the iberian Middle Ages. Both of the artists see, imaginate and create a brazilian Northeast as a space of traditions (iberians, jewishes, moorishes, africans) and also as an universe where the presence of the supernatural, of the fantastic, is very strong.
Esta dissertação é uma breve introdução à obra de uma das mais importantes dramaturgas da atualidade: Lourdes Ramalho (Maria de Lourdes Nunes Ramalho, Jardim do Seridó-RN, 1926). A sua produção literária para adultos (peças de teatro e/ou cordéis) foi pensada aqui considerando três aspectos que, relacionados, dão à sua escrita uma forma singular: as imagens e personagens arquetípicos do imaginário medieval europeu e do Nordeste do Brasil, o discurso regionalista firmado na cultura popular e o enfoque medieval ibérico sobre a cultura nordestina brasileira. Ao mesmo tempo, essas características colocam a autora em meio a uma extensa tradição literária que, ao longo do século XX, tentou encontrar uma identidade cultural para o Nordeste brasileiro. Existe ainda, neste estudo, a tentativa de aproximar o estilo da autora do realismo grotesco de François Rabelais, recorrendo às análises desse autor e estilo feitas pelo teórico da Literatura Mikhail Bakhtin. Em seguida, após uma discussão sobre a linguagem teatral, é mostrado como duas peças de Lourdes Ramalho (As velhas e Romance do conquistador) foram transpostas para o palco através das interpretações desses textos, feitas por um dos mais criativos diretores do teatro contemporâneo: Moncho Rodriguez (Vigo/Espanha, 1951). Essas encenações dos textos ramalhianos vêm reforçar a idéia de um Nordeste brasileiro ainda imerso em tradições e estéticas que remontam ao medievo ibérico. Ambos os artistas vêem, imaginam e criam um Nordeste brasileiro como espaço das tradições (ibéricas, judaicas, mouriscas, africanas) e também como um universo onde a presença do sobrenatural, do fantástico, é muito forte.
APA, Harvard, Vancouver, ISO, and other styles
9

McWilliams, S. J. "Magic and Possibility : Medievalism and the idea of the Occult." Thesis, Queen's University Belfast, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.527868.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Clarkson, Peter. "Chivalry and medievalism in Cheltenham's Victorian public schools 1841-1918." Thesis, University of Bath, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.275783.

Full text
Abstract:
Whilst the chivalric aspect of public schools has received some academic attention, most notably from Mark Girouard in The Return to Camelot (1981) where he explored Clifton College, few authors have examined provincial public school architecture using an approach that goes beyond mere description. Girouard's work was the departure for my own thesis. There has been no adequate or full study of the influence of chivalry, its history and myths, on the architecture of public schools and the effect that the resulting Gothic ambience had on students. Previous studies concentrated exclusively on boys' schools; my thesis is the first study to contrast the effect of the chivalric myths between Cheltenham College (1841) and Cheltenham Ladies' College (1854), undeniably crucial exemplars of Victorian public schools. These schools were established in a formative period for modern Britain, a period of urbanism, educational revolution and religious revival - all of which have left an imprint on their architecture. The close physical proximity and foundation dates of the schools, their shared governors, architects and patrons, make them an appropriate, rewarding and self-contained case study. The provincial location of these schools has allowed their architecture to be overshadowed by their more illustrious cousins. I contend that both schools inhabit buildings of outstanding architectural importance deserving of attention.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "Medievalism"

1

Fay, Elizabeth. Romantic Medievalism. London: Palgrave Macmillan UK, 2002. http://dx.doi.org/10.1057/9781403913616.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

J, Workman Leslie, ed. Medievalism in Europe. Cambridge: D.S. Brewer, 1994.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Scordilis, Brownlee Marina, Brownlee Kevin, and Nichols Stephen G, eds. The New medievalism. Baltimore: Johns Hopkins University Press, 1991.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Czarnowus, Anna, and Janet M. Wilson. New Zealand Medievalism. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003287407.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Karl, Fugelso, ed. Memory and medievalism. Cambridge: D.S. Brewer, 2007.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Karl, Fugelso, ed. Defining medievalism(s). Cambridge: D.S. Brewer, 2009.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Simons, John, ed. From Medieval to Medievalism. London: Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1007/978-1-349-22233-9.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Fugelso, Karl, ed. Studies in Medievalism XVII. Woodbridge, UK: Boydell and Brewer Limited, 2009. http://dx.doi.org/10.1017/upo9781846157639.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Fugelso, Karl, ed. Studies in Medievalism XVIII. Woodbridge, UK: Boydell and Brewer Limited, 2009. http://dx.doi.org/10.1017/upo9781846157646.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

J, Workman Leslie, and Verduin Kathleen, eds. Medievalism in England II. Cambridge [England]: D.S. Brewer, 1996.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Medievalism"

1

Matthews, David. "Medievalism." In The Routledge Companion to Medieval English Literature, 445–54. New York: Routledge, 2022. http://dx.doi.org/10.4324/9780429197390-43.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Welsh, Jennifer M. "Medievalism." In Edmund Burke and International Relations, 49–69. London: Palgrave Macmillan UK, 1995. http://dx.doi.org/10.1057/9780230374829_3.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Toswell, M. J. "Borges’ Medievalism." In Borges the Unacknowledged Medievalist, 84–100. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137444479_6.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Aurell, Jaume. "Introduction: Medievalism and Medievalists in the 20th century." In Rewriting the Middle Ages in the Twentieth Century, 9–23. Turnhout: Brepols Publishers, 2005. http://dx.doi.org/10.1484/m.stmh-eb.3.4460.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Falk, Richard. "A ‘New Medievalism’?" In Contending Images of World Politics, 106–16. London: Macmillan Education UK, 2000. http://dx.doi.org/10.1007/978-0-333-98553-3_8.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Frost, Jennifer, and Warwick Frost. "Japan and medievalism." In Medieval Imaginaries in Tourism, Heritage and the Media, 215–26. London: Routledge, 2021. http://dx.doi.org/10.4324/9780429025617-11.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Matthews, David. "11. Ruined Medievalism." In Premodern Ecologies in the Modern Literary Imagination, edited by Vin Nardizzi and Tiffany Jo Werth, 240–66. Toronto: University of Toronto Press, 2019. http://dx.doi.org/10.3138/9781487519520-015.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Knight, Stephen. "Trans-Tasman medievalism." In New Zealand Medievalism, 47–62. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003287407-4.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Prendergast, Thomas A., and Stephanie Trigg. "The space of time and the medievalist imaginary." In Affective medievalism, 22–49. Manchester University Press, 2018. http://dx.doi.org/10.7228/manchester/9781526126863.003.0002.

Full text
Abstract:
Conventional wisdom sees medievalism occurring “after” the Middle Ages; and indeed much medievalist practice seems to support this view, as the Middle Ages are often conceptualised in spatio-temporal terms, through the fictions of time-travel and the specific trope of “portal medievalism”. But the two formations are more accurately seen as mutually constitutive. Medieval literature offers many examples of layered or multiple temporalities. These are often structured around cultural and social difference, which is figured in powerfully affective, not just epistemological terms. Several examples from medieval English literature demonstrate how medieval culture prefigures many of medievalism’s concerns with the alterity of the past.
APA, Harvard, Vancouver, ISO, and other styles
10

Prendergast, Thomas A., and Stephanie Trigg. "Introduction: Medieval and medievalist practice." In Affective medievalism, 1–21. Manchester University Press, 2018. http://dx.doi.org/10.7228/manchester/9781526126863.003.0001.

Full text
Abstract:
Scholars of the medieval past are often drawn to a kernel of historical truth that might guarantee the truth of their inquiries, but medievalist scholarly and cultural practice reveals the impossibility of this secure knowledge. Affective responses to the past continue to structure our understanding of historicity and temporality; just as the strange familiarity of the Middle Ages in the present is a form of “uncanny” knowledge and feeling. Medievalism is a social and cultural practice, not a secure epistemological category. Indeed, as a practice, medievalism constantly troubles the apparently simple alterity of the Middle Ages, leading to intellectual and affective discontent from both medieval scholars and medievalist practitioners.
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Medievalism"

1

Helmsing, Mark. "The Curriculum and Cultural Pedagogy of Medievalism Across Mediated Spaces." In 2022 AERA Annual Meeting. Washington DC: AERA, 2022. http://dx.doi.org/10.3102/1891289.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Lopez-Menchero Bendicho, Victor Manuel, Herbert Donald Maschner, Selma Rizvic, Edin Bujak, Ana Marić, Adisa Lepić, and Ángel Javier Cárdenas Martín-Buitrago. "LA DIGITALIZACIÓN 3D DE LOS CEMENTERIOS DE TUMBAS MEDIEVALES STEĆCI EN BOSNIA Y HERZEGOVINA. PRIMEROS RESULTADOS." In II Simposio de Patrimonio Cultural ICOMOS España. Valencia: Editorial Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/icomos2022.2022.15370.

Full text
Abstract:
Entre 2019 y 2021 el equipo de Global Digital Heritage (GDH), en colaboración con la Universidad de Sarajevo y el Museo Nacional de Bosnia y Herzegovina, ha llevado a cabo la digitalización 3D de un importante conjunto de stećci conservados tanto en el Museo Nacional de Bosnia y Herzegovina como en algunos cementerios medievales cercanos a la ciudad de Sarajevo y a la zona oriental de Bosnia. Los cementerios medievales de stećci constituyen un valioso patrimonio arqueológico de gran interés histórico pero poco conocido a nivel internacional pese a que algunos de ellos han sido declarados Patrimonio Mundial en 2016. A pesar de tratarse de un patrimonio en peligro apenas se han acometido trabajos de documentación 3D sistemáticos. Este artículo expone la metodología empleada y los resultados obtenidos por GDH, incluyendo las dificultades que ha sido necesario resolver y los retos que todavía han de abordarse para poder acometer la paulatina digitalización 3D del mayor número posible de cementerios medievales de stećci en Bosnia y Herzegovina.
APA, Harvard, Vancouver, ISO, and other styles
3

Vivar García, Eva, Ana Isabel Calero Castillo, and Ana García Bueno. "Estudio de métodos de limpieza sobre yeserías medievales." In I Simposio anual de Patrimonio Natural y Cultural ICOMOS España. Valencia: Editorial Universitat Politècnica de València, 2020. http://dx.doi.org/10.4995/icomos2019.2020.11750.

Full text
Abstract:
El empleo de yeso en revestimientos arquitectónicos decorativos ha sido frecuente en la historia, debido tanto a la presencia de abundantes yacimientos, como a las características de éste. En la península ibérica se ha empleado en elementos decorativos (cornisas romanas, yeserías medievales, pinturas murales…), destacando los revestimientos elaborados en periodo medieval, denominados yeserías, presentes en importantes monumentos como la Alhambra de Granada o el Real Alcázar de Sevilla. En la actualidad estos revestimientos presentan graves problemas de conservación como los repolicromados o encalados, que son muy perjudiciales porque ocultan la policromía original, e incluso pueden producir su pérdida definitiva. A esto se une la escasez de estudios específicos de tratamientos de limpieza adecuados para estas obras. Por ello, este trabajo aborda una primera investigación sobre métodos de limpieza en revestimientos con esta problemática; partiendo de tratamientos empleados de manera tradicional, tales como métodos físicos (bisturí) y métodos químicos (empacos de algodón con disolventes), pero también adaptando otros tratamientos de reciente incorporación como geles de polisacáridos o éteres de celulosa como vehículo del disolvente. Los resultados obtenidos establecen que geles, como el alga roja o éteres de celulosa, son eficaces para la limpieza de encalados y repolicromados en revestimientos de yeso.
APA, Harvard, Vancouver, ISO, and other styles
4

Gurriarán Daza, Pedro. "Las técnicas constructivas en las murallas medievales de Almería." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11546.

Full text
Abstract:
Building techniques in the medieval walls of AlmeríaAlmería was one of the most important cities in al-Andalus, a circumstance that was possible thanks to the strength of its port. Its foundation as an urban entity during the Caliphate of Córdoba originated a typical scheme of an Islamic city organized by a medina and a citadel, both walled. Subsequent city’s growths, due to the creation of two large suburbs commencing in the eleventh century, also received defensive works, creating a system of fortifications that was destined to defend the place during the rest of the Middle Ages. In this work we will analyse the construction techniques used in these military works, which cover a wide period from the beginning of the tenth century until the end of the fifteenth century. Although ashlar stone was used in the Caliphate fortification, in most of these constructions bricklayer techniques were used, more modest but very useful. In this way, the masonry and rammed earth technique were predominant, giving rise to innumerable constructive phases that in recent times are being studied with archaeological methodology, thus to know better their evolution and main characteristics.
APA, Harvard, Vancouver, ISO, and other styles
5

Onušková, Gabriela. "Umberto Eco – Baudolino: Postmoderný prístup autora (medievalistu) k historickej látke." In Slavica Iuvenum 2020. University of Ostrava, 2020. http://dx.doi.org/10.15452/slavicaiuvenum.xxi.39.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Pereira García, Irene. "Las inscripciones medievales del monasterio de San Millán de la Cogolla." In Lugares de escritura: el monasterio Lugares de escritura: el monasterio. Servicio de Publicaciones de la UA, 2016. http://dx.doi.org/10.14198/xijornadassecth-16.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Gonçalves, Marcos Ferreira. "Medievalismo, marianismo e imaginários costurados com vestidos brancos de mangas longas: história cultural e vestimenta feminina no Brasil." In VI Congresso Internacional de História. Programa de Pós-Graduação em História e Departamento de História – Universidade Estadual de Maringá – UEM, 2013. http://dx.doi.org/10.4025/6cih.pphuem.220.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Chircu, Adrian. "Antroponimia Hatzegasiensis medievalia et praemoderna. Observaţii asupra numelor de persoană româneşti din Condica Haţegului." In The Fourth International Conference on Onomastics „Name and Naming”, Sacred and Profane in Onomastics. Editura Mega, Editura Argonaut, 2017. http://dx.doi.org/10.30816/iconn4/2017/4.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Herce Martín, Álvaro. "La Edad Media videolúdica: entre lo documental y espectacular en los videojuegos históricos medievales." In VI Congreso Internacional de Investigación en Artes Visuales ANIAV 2024. València: Editorial Universitat Politècnica de València, 2024. http://dx.doi.org/10.4995/aniav2024.2024.17864.

Full text
Abstract:
El pasado histórico se ha consolidado como fuente de origen de incontables contenidos puestos al servicio de los medios de consumo de masas de la sociedad contemporánea. El interés por la historia es algo innato en el ser humano y en un presente donde las tecnologías experimentan cambios cada vez más frenéticos y dinámicos, “recorrer” y “vivir” el pasado ya es una posibilidad. No solo eso, sino que podemos hablar de un fenómeno de comercialización y espectacularización del pasado, donde la Edad Media en concreto se ha consolidado como uno de los períodos más explotados por la industria del entretenimiento, convirtiendo su imagen y recuerdo en un producto mercantilizado, siendo reiterado de manera continuada a través de los distintos medios culturales, desde la novela y el cine, pasando por la televisión y el cómic, y llegando, finalmente, al videojuego. Será este último medio, el videojuego, el principal catalizador de un recuerdo medieval deformado y mutado por la incesante reproducción de imágenes pretéritas adaptadas al consumo masivo, un fenómeno que ha provocado que el recuerdo científico e histórico entre en conflicto con la creación de un imaginario medieval basado en arquetipos, estereotipos y mitos, creando así una Edad Media alternativa fruto de su propia explotación dentro de un sistema capitalista ya tardío y sangrante. Por esta razón se hace imperativo el estudio de los contenidos de los conocidos como videojuegos “históricos” medievales con el objetivo de entender y analizar hasta qué punto este tipo de productos contribuyen, o no, a la transmisión de un medievo tergiversado por diversos filtros culturales repetidos hasta la saciedad en una sociedad de consumo que antepone la espectacularización del pasado a una representación veraz y documentada.
APA, Harvard, Vancouver, ISO, and other styles
10

Orihuela Uzal, Antonio. "Nuevas aportaciones sobre la cronología de los restos conservados de las murallas medievales de Almería (España)." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11461.

Full text
Abstract:
New contributions on the chronology of the preserved remains of the medieval city walls of Almeria (Spain)The medieval city walls of Almeria have abundant references in Arabic sources and numerous preserved remains, either in all its elevation, or as small archaeological remains on the current slope and even under the ground. This circumstance has given rise to a lot of scientific literature on the chronology of each of the different existing precincts: Alcazaba, Medina, suburbs and outer enclosure. The problem lies in the fact that, since its foundation in the tenth century until the conquest by the Catholic Monarchs in 1489 and its reuse until the mid-nineteenth century, the medieval walls have undergone various repairs, extensions and reconstructions. In order to provide greater chronological precision, from the School of Arab Studies (CSIC), a Project of the State Research Plan was requested, which was granted with reference HAR2015-71609-P. It has allowed to make radiocarbon dating of wood and other building materials of the walls, in combination with studies of construction, metrological, historical techniques and restorations carried out since the mid-twentieth century. All this has allowed us to contribute new hypotheses about the chronology of the preserved remains, many of which are much more recent than the foundational walls that they have replaced.
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Medievalism' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography