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Books on the topic 'Medieval romance lyric'

Author: Grafiati
Published: 14 March 2023

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1

Steinle, Eric Martin. The medieval lyric romance. Ann Arbor, MI: University Microfilms International, 1985.

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2

The female voice in medieval Romance lyric. New York: P. Lang, 1988.

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3

Fernández, Fernando Carmona. Lírica románica medieval. [Murcia]: Universidad de Murcia, 1986.

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4

The subject of crusade: Lyric, romance, and materials, 1150 to 1500. Chicago: The University of Chicago Press, 2020.

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5

Menocal, Maria Rosa. Shards of love: Exile and the origins of the lyric. Durham: Duke University Press, 1994.

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6

Mölk, Ulrich. La lirica dei trovatori. Bologna: Mulino, 1986.

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7

editor, Barroso Ernesto, and Latorre Marta editor, eds. Estudios sobre lírica medieval. Madrid [España]: CECE, Centro para la Edición de los Clásicos Españoles, 2014.

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8

J, Tobin Frank, Vivian Kim, and Lawson Richard H, eds. Arthurian romances, tales, and lyric poetry: The complete works of Hartmann von Aue. University Park, Pa: Pennsylvania State University Press, 2001.

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9

Romanische alba- und somni-Dichtungen: Ein Beitrag zur Motiv- und Themengeschichte der romanischen Lyrik des Mittelalters. Berlin: De Gruyter, 2012.

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10

Brittain, F. Medieval Latin and Romance Lyric to A. D. 1300. Cambridge University Press, 2009.

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11

Galvez, Marisa. Subject of Crusade: Lyric, Romance, and Materials, 1150 To 1500. University of Chicago Press, 2020.

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12

Galvez, Marisa. Subject of Crusade: Lyric, Romance, and Materials, 1150 To 1500. University of Chicago Press, 2020.

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13

Menocal, Mar. Shards of Love: Exile and the Origins of the Lyric. Duke University Press, 1994.

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14

Menocal, María Rosa. Shards of Love: Exile and the Origins of the Lyric. Duke University Press, 1993.

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15

Menocal, María Rosa. Shards of Love: Exile and the Origins of the Lyric. Duke University Press, 1993.

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16

Menocal, María Rosa. Shards of Love: Exile and the Origins of the Lyric. Duke University Press, 1993.

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17

Lírica románica medieval I : Desde los orígenes hasta finales del siglo XIII. Universidad de Murcia, 1986.

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18

Golden, Rachel May, and Katherine Kong, eds. Gender and Voice in Medieval French Literature and Song. University Press of Florida, 2021. http://dx.doi.org/10.5744/florida/9780813069036.001.0001.

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This volume brings together literary and musical compositions of medieval France, including the Occitanian region, identifying the use of voice in these works as a way of articulating gendered identities. The contributors to this volume argue that because medieval texts were often read or sung aloud, voice is central for understanding the performance, transmission, and reception of work from the period across a wide variety of genres. These chapters offer close readings of narrative and lyric poetry, chivalric romance, sermons, letters, political writing, motets, troubadour and trouvère lyric, crusade songs, love songs, and debate songs. Through literary, musical, and historiographical analyses, contributors highlight the voicing of gendered perspectives, expressions of sexuality, and power dynamics. The volume includes feminist readings, investigations of masculinity, queer theory, and intersectional approaches. The contributors interpret literary or musical works by Chrétien de Troyes, Aimeric de Peguilhan, Hue de la Ferté, the Chastelain de Couci, Jacques de Vitry, Christine de Pizan, Anne de Graville, Alain Chartier, and Giovanni Boccaccio, among others. Gender and Voice in Medieval French Literature and Song offers a valuable interdisciplinary approach and contributes to the history of women’s voices in the Middle Ages and Early Modern periods. It illuminates the critical role of voice in negotiating culture, celebrating and innovating traditions, advancing personal and political projects, and defining the literary and musical developments that shaped medieval France.
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19

Tudor, Adrian P., and Kristin L. Burr, eds. Shaping Identity in Medieval French Literature. University Press of Florida, 2019. http://dx.doi.org/10.5744/florida/9780813056432.001.0001.

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Contributors to Shaping Identity in Medieval French Literature consider the multiplicity and instability of identity in medieval French literature, examining the ways in which literary identity can be created and re-created, adopted, refused, imposed, and self-imposed. Moreover, it is possible to take one’s place in a group while remaining foreign to it. Chrétien de Troyes’s Conte du Graal provides the perfect example of the latter. The tale opens with Perceval hunting alone in the forest, absorbed in his own pursuits, world, and thoughts. His “alone-ness” and self-absorption are evident as he moves toward an integration into a society from which he emerges both accepted and yet even more “different.” The ability to exist simultaneously inside and outside of a community serves as the focal point for the volume, which illustrates the breadth of perspectives from which one may view the “Other Within.” The chapters study identity through a wide range of lenses, from marginal characters to gender to questions of religious difference and of voice and naming. The works analyzed span genres—chanson de geste, romance, lyric poetry, hagiography—and historical periods, ranging from the twelfth century to the late Middle Ages. In so doing, they highlight the fluidity and complexity of identity in medieval French texts, underscoring both the richness of the literature and its engagement with questions that are at once more and less modern than they may initially appear.
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20

Wolfram. Parzival: With Titurel and the Love Lyrics (Arthurian Studies). D.S.Brewer, 2004.

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21

Kenneth, Varty, Davies Peter V, and Kennedy Angus J. 1940-, eds. Rewards and punishments in the Arthurian romances and lyric poetry of mediaeval France: Essays presented to Kenneth Varty on the occasion of his sixtieth birthday. Cambridge [England]: D.S. Brewer, 1987.

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