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Books on the topic 'Medieval Courtesy Books'

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Author: Grafiati
Published: 10 December 2022
Last updated: 28 January 2023

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1

The matter of courtesy: Medieval courtesy books and the Gawain-poet. Woodbridge, Suffolk: D.S. Brewer, 1985.

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2

Courtly love in medieval manuscripts. Toronto: University of Toronto Press, 2003.

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3

Library, British, ed. Courtly love in medieval manuscripts. London: British Library, 2003.

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4

Robinson, Cynthia. Medieval Andalusian courtly culture in the Mediterranean: Ḥadīth Bayād wa-Riyād. New York: Routledge, 2006.

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5

Medieval Andalusian courtly culture in the Mediterranean: Ḥadīth Bayāḍ wa-Riyāḍ. London: Routledge, 2007.

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6

Drawings and sketches in the plea rolls of the English Royal Courts, c. 1200-1300. Kew, Surrey: List and Index Society, 2002.

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7

Tesnière, Marie-Hélène, and Nathalie Coilly. Le Roman de la rose: L'art d'aimer au Moyen Âge. Paris]: Bibliothèque nationale de France, 2012.

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8

The Clement Bible at the medieval courts of Naples and Avignon: A story of papal power, royal prestige, and patronage. Surrey, UK, England: Ashgate, 2010.

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9

Henley, Virginia. A woman of passion. New York: Island Books, 2000.

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10

Henley, Virginia. A Woman of Passion. Rockland, Mass: Wheeler Pub., 1999.

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11

Henley, Virginia. A Woman of Passion. New York: Delacorte Press, 1999.

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12

The Romance of the rose and its medieval readers: Interpretation, reception, manuscript transmission. Cambridge [England]: Cambridge University Press, 1993.

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13

Ritter und Turniere: Ein höfisches Fest in Buchillustrationen des Mittelalters und der frühen Neuzeit. Stuttgart: Belser Verlag, 1992.

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14

Guillaume. Vollständige Faksimile-Ausgabe des Rosenromans für François I: M. 948 aus dem Besitz der Pierpont Morgan Library in New York. Graz: Akademische Druck- u. Verlagsanstalt, 1993.

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15

Daniel, Poirion, and Dufournet Jean, eds. Le Roman de la Rose. [Paris]: Flammarion, 1999.

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16

Margareta, Friesen, ed. Der Rosenroman für Francois I.: Ms M.948 der Pierpont Morgan Library, New York. Graz: Akademische Druck- u. Verlagsanstalt, 2007.

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17

Guillaume. Der Rosenroman des Berthaud d'Achy: Codex Urbinatus latinus 376. Zürich: Belser Verlag, 1987.

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18

Guillaume. The romance of the Rose. Syracuse, N.Y: Syracuse University Press, 2002.

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19

Jean, de Meun, d. 1305? and Horgan Frances, eds. The Romance of the Rose. Oxford: Oxford University Press, 1994.

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20

The romance of the Rose. 3rd ed. Princeton, N.J: Princeton University Press, 1995.

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21

Jean, de Meun, d. 1305? and Strubel Armand, eds. Le Roman de la rose. Paris: Le Livre de poche, 1992.

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22

Jean, de Meun, d. 1305? and Horgan Frances, eds. The Romance of the Rose. Oxford: Oxford University Press, 2008.

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23

Robinson, Cynthia. Medieval Andalusian Courtly Culture in the Mediterranean. Taylor & Francis Group, 2010.

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24

Robinson, Cynthia. Medieval Andalusian Courtly Culture in the Mediterranean: Hadîth Bayâd Wa Riyâd. Taylor & Francis Group, 2006.

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25

Robinson, Cynthia. Medieval Andalusian Courtly Culture in the Mediterranean: Hadîth Bayâd Wa Riyâd. Taylor & Francis Group, 2006.

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26

Robinson, Cynthia. Medieval Andalusian Courtly Culture in the Mediterranean: Hadîth Bayâd Wa Riyâd. Taylor & Francis Group, 2006.

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27

Robinson, Cynthia. Medieval Andalusian Courtly Culture in the Mediterranean: Hadith Bayad Wa Riyad. Taylor & Francis Group, 2006.

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28

Robinson, Cynthia. Medieval Andalusian Courtly Culture in the Mediterranean: Hadîth Bayâd Wa Riyâd. Taylor & Francis Group, 2006.

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29

Robinson, Cynthia. Medieval Andalusian Courtly Culture in the Mediterranean: Hadîth Bayâd Wa Riyâd. Taylor & Francis Group, 2006.

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30

Netherton, Robin, and Gale R. Owen-Crocker, eds. Medieval Clothing and Textiles. The Boydell Press, 2009. http://dx.doi.org/10.5040/9781800108363.

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The fifth volume of this annual series features several articles examining the interaction of medieval romance with textiles and clothing. French Gothic ivory carvings illustrating courtly romances reveal details of fashionable dress; the distinct languages of narrative poetry and Parisian tax records offer contrasting views of medieval embroiderers; and scenes from the Tristan legend provide clues to the original form of the earliest surviving decorativequilt. Other papers look at ecclesiastical attempts to restrict extravagance in secular women's dress, the use of clothing references to signal impending conflict in Icelandic sagas, the development and possible construction of the Tudor-era court headdress called the French hood, and the way Cesare Vecellio drew on both existing artwork and the Venetian image to present historical dress in his sixteenth-century treatise on costume. Also included are reviews of recent books on clothing and textiles. Robin Netherton is a professional editor and a researcher/lecturer on the interpretation of medieval European dress; Gale R. Owen-Crocker is Professor of Anglo-Saxon Culture atthe University of Manchester. Contributors: Kate D'Ettore, Sarah-Grace Heller, Thomas M. Izbicki, Paula Mae Carns, Sarah Randles, Melanie Schuessler, Tawny Sherrill
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31

Netherton, Robin, and Gale R. Owen-Crocker, eds. Medieval Clothing and Textiles. The Boydell Press, 2007. http://dx.doi.org/10.5040/9781800108349.

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The third volume of this pioneering series explores the manufacture and trade of textiles and their practical, fashionable, and symbolic uses. Papers include in-depth studies and cross-genre scholarship representing such fields as social history, economics, art history, archaeology and literature, as well as the reconstruction of textile-making techniques. They range over England, Flanders, France, Germany, and Spain from the seventh to the sixteenth centuries, and address such topics as soft furnishings, ecclesiastical vestments, the economics of the wool trade, the making and use of narrow wares, symbolic reference to courtly dress in a religious text, and aristocratic children's clothing. Also included are reviews of recent books on dress and textile topics. Robin Netherton is a professional editor and a researcher/lecturer on Western European dress, specializing in the depiction and interpretation of clothing by artists and historians. Gale R. Owen-Crocker is Professor of Anglo-Saxon Culture at The University of Manchester and author of Dress in Anglo-Saxon England; she is the Director of an ARHC-funded project on cloth and clothing terminology in medieval Britain. Contributors: Elizabeth Coatsworth, Sarah Larratt Keefer, Susan Leibacher Ward, John H. Munro, John Oldlan, Lesley K. Twomey, Elizabeth Benns, Lois Swales, Heather Blatt, Melanie Schuessler
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32

England, Samuel. Medieval Empires and the Culture of Competition. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9781474425223.001.0001.

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Medieval Empires and the Culture of Competition shows how the interactive, confrontational practice of courtly arts helped shape imperial thought in the Middle Ages. Its analysis covers Classical Arabic poetry and official prose, Spanish court documents, Galician Portuguese lyric, and Italian narrative works. The historical span is 950-1350 CE. Scholars of premodern cultures have struggled to reconcile the political violence of the late Middle Ages with the cosmopolitanism of that era’s Islamic and Christian empires. This book argues that medieval thinkers’ most pressing cultural challenge was neither to demonize the foreign, “heathen” other, nor to reverse that trend with an ethos of tolerance. Instead it was to make the court appear as robust as possible in the face of major demographic change and regional war. The ritual of artistic contest allowed elites to come to terms with religious and ethnic groups’ rival claims to legitimacy, and to subsume those claims into an overarching courtly ideal.
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33

Golden, Rachel May. Mapping Medieval Identities in Occitanian Crusade Song. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190948610.001.0001.

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Home to the troubadours and a creative monastic center, twelfth-century Occitania (the south of France) fostered a vibrant musical culture that encompassed both secular and sacred, vernacular and Latin, spanning a wealth of locally cultivated genres. Such musical-poetic impulses reflected and responded to regional practices of courtly love, chivalric ideals, votive worship, monastic theologies, pilgrimage, and Holy War. This book demonstrates the rich cross-fertilizations between early Christian Crusades and two roughly contemporaneous musical-poetic repertories of Occitania: the sacred, Latin Aquitanian versus and the vernacular troubadour lyric. These two repertories are known largely in medieval and musicological studies for reasons apart from the Crusades—for monastic piety and Marian devotion in the case of the versus, and for courtly love and authorial voices in the case of the troubadour repertory. Yet, when considered against unfolding Crusade events, these poetic-musical repertories illuminate shifting Occitanian identities and worldviews as refracted by contemporaneous devotional practices, religious beliefs, and geographies, both physical and metaphoric. The author’s contextual investigations and musical-textual interpretations reveal how Crusade songs distinctively arose out of their southern French environments, at a historical moment when Holy War and new genres of musical composition coincided. Engaging both the outer world and the poet’s subjectivity, Crusade songs shaped regional identities, enacting individual concerns, the communal homeland, religious and military aspirations, and specific historical and geopolitical positions.
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34

Lev, Yaacov. The Administration of Justice in Medieval Egypt. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474459235.001.0001.

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This book discusses how justice was administrated and applied in medieval Egypt. The model that evolved during the early middle ages involved four judicial institutions: the cadi, the court of complaints (mazalim), the police (shurta), responsible for criminal justice, and the Islamised market law (hisba), administrated by the market supervisor (the muhtasib). Literary and non-literary sources are used to highlight how these institutions worked in real-time situations such as the famine of 1024-1025, which posed tremendous challenges to both the market supervisor and the ruling establishment. The inner workings of the court of complaint during the Fatimid period (10th-12th century) are also extensively discussed. The discussion is extended to include the way the courts of non-Muslim communities were perceived and functioned during the Fatimid period. The discussion also provides insights into the scope of non-Muslim self-rule/judicial autonomy in medieval Islam.
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35

Pike, Luke Owen. Year Books of the Reign of King Edward the Third. University of Cambridge ESOL Examinations, 2012.

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36

Pike, Luke Owen. Year Books of the Reign of King Edward the Third. University of Cambridge ESOL Examinations, 2012.

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37

Pike, Luke Owen. Year Books of the Reign of King Edward the Third. University of Cambridge ESOL Examinations, 2012.

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38

Pike, Luke Owen. Year Books of the Reign of King Edward the Third, Year XVIII. University of Cambridge ESOL Examinations, 2012.

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39

Pike, Luke Owen. Year Books of the Reign of King Edward the Third, Year XVI. University of Cambridge ESOL Examinations, 2012.

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40

Pike, Luke Owen. Year Books of the Reign of King Edward the Third, Year XV. University of Cambridge ESOL Examinations, 2012.

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41

Pike, Luke Owen. Year Books of the Reign of King Edward the Third, Year XVII. University of Cambridge ESOL Examinations, 2012.

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42

Pike, Luke Owen. Year Books of the Reign of King Edward the Third, Years XIII and XIV. University of Cambridge ESOL Examinations, 2012.

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43

Fleck, Cathleen A. Clement Bible at the Medieval Courts of Naples and Avignon: A Story of Papal Power, Royal Prestige, and Patronage. Taylor & Francis Group, 2016.

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44

Pike, Luke Owen. Year Books of the Reign of King Edward the Third. Cambridge University Press, 2012.

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45

Pike, Luke Owen. Year Books of the Reign of King Edward the Third. Cambridge University Press, 2012.

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46

Pike, Luke Owen. Year Books of the Reign of King Edward the Third. Cambridge University Press, 2012.

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47

Pike, Luke Owen. Year Books of the Reign of King Edward the Third. Cambridge University Press, 2012.

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48

Horwood, Alfred J., and Luke Owen Pike. Year Books of the Reign of King Edward the Third. Cambridge University Press, 2012.

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49

Pike, Luke Owen. Year Books of the Reign of King Edward the Third. Cambridge University Press, 2012.

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50

Pike, Luke Owen. Year Books of the Reign of King Edward the Third. Cambridge University Press, 2012.

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