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Books on the topic 'Mediation spaces'

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Author: Grafiati

Published: 22 June 2024

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1

John, Forester. Challenges of mediation and deliberation in the design professions: Practice stories from Israel, Norway and the U.S.A. Beer Sheva: Negev Center for Regional Development, Ben-Gurion University of the Negev, 1997.

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Hunsu, Folashade. Zangbeto: Navigation between the spaces of oral art, communal security and conflict mediation in Badagry, Nigeria. Uppsala: Nordiska Afrikainstitutet, 2011.

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3

John, Wall, ed. Mediations in cultural spaces: Structure, sign, body. Newcastle: Cambridge Scholars, 2008.

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4

Peter, Sutherland. Mediating Identities in Space and Place. Berkeley, CA: University of California at Berkeley, 2006.

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5

Dovey, Kim. Framing places: Mediating power in built form. 2nd ed. New York: Routledge, 2007.

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6

Dovey, Kim. Framing places: Mediating power in built form. London: Routledge, 1999.

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7

Schillig, Gabi. Mediating Space: Soft geometries, textile structures, body architecture. Stuttgart: Merz & Solitude, 2009.

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8

Caragata, Lea. Civil society as shadowland: Mediations among structure, agency and space. Ottawa: National Library of Canada = Bibliothèque nationale du Canada, 1997.

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9

Staničić, Aleksandar, Nicola Amico, Katarina Anđelković, Aikaterini Antonopoulou, Marc Schoonderbeek, and Heidi Sohn. Mediating the spatiality of conflicts: International Conference proceedings. Edited by Technische Universiteit Delft. Delft: Borders & Territories, 2020.

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10

Witte, Arnd. Blending spaces: Mediating and assessing intercultural competence in the L2 classroom. Boston: De Gruyter Mouton, 2014.

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11

Mediations Biennale (7th 2020 Poland). Przestrzeń środka: 7 Mediations Biennale Polska - Horyzont Zdarzeń 2020 = Space of the Center : 7 Mediations Biennale - Events Horizon 2020. Wrocław: Wydawnictwo LIBRON - Filip Lohner, 2020.

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12

Hothi, Nicola Rashpal. Bringing space back in: Mediating 'globalisation' at the local level. Birmingham: University of Birmingham, 2002.

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13

Luxembourg Workshop on Space and Satellite Communication Law (2nd 2013 Luxembourg). Dispute settlement in the area of space communication. [Oxford]: Hart Publishing, 2015.

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14

Strüver, Anke, and Sybille Bauriedl, eds. Platformization of Urban Life. Bielefeld, Germany: transcript Verlag, 2022. http://dx.doi.org/10.14361/9783839459645.

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The increasing platformization of urban life needs critical perspectives to examine changing everyday practices and power shifts brought about by the expansion of digital platforms mediating care-services, housing, and mobility. This book addresses new modes of producing urban spaces and societies. It brings both platform researchers and activists from various fields related to critical urban studies and labour activism into dialogue. The contributors engage with the socio-spatial and normative implications of platform-mediated urban everyday life and urban futures, going beyond a rigid techno-dystopian stance in order to include an understanding of platforms as sites of social creativity and exchange.

15

Göttler, Christine, and Mia M. Mochizuki. Landscape and Earth in Early Modernity. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789463729437.

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Early modern views of nature and the earth upended the depiction of land. Landscape emerged as a site of artistic exploration at a time when environments and ecologies were reshaped and transformed. This volume historicizes the contingency of an ever-changing elemental world, reframing and reimagining landscape as a mediating space in the interplay between the natural and the artificial, the real and the imaginary, the internal and the external. The lens of the “unruly” reveals the latent landscapes that undergirded their conception, the elemental resources that resurfaced from the bowels of the earth, the staged topographies that unsettled the boundaries between nature and technology, and the fragile ecologies that undermined the status quo of human environs. Landscape and Earth in Early Modernity: Picturing Unruly Nature argues for an art history attentive to the vicissitudes of circumstance and attributes the regrounding of representation during a transitional age to the unquiet landscape.

16

Haroutyunian, Sona, and Dario Miccoli. Orienti migranti: tra letteratura e traduzione. Venice: Fondazione Università Ca’ Foscari, 2020. http://dx.doi.org/10.30687/978-88-6969-499-8.

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The book series, edited by Nicoletta Pesaro and sponsored by the Department of Asian and North African Studies, aims to give voice to a time-honoured branch of theoretical and practical research across the disciplines and research domains within the Department. The series aims to establish a platform for scholarly discussion and a space for international dialogue on the translation of Asian and North African languages. In doing so, the project aims to observe and verify the translingual and transcultural dynamics triggered by translation from and into said ‘languages-cultures’, as well as to identify and explore the deep cultural mechanisms and structures involved in interethnic behaviours and relationships. Translation is also a major research tool in the humanities. As a matter of fact, a hermeneutic potential in terms of cultural mediation is inherent in translation activities and in the reflection on translation: it is precisely this potential that allows scholars, in both their research and dissemination work, to bring to the surface the interethnic and intercultural dynamics regulating the relationships between civilisations, both diachronically and synchronically. The project is a continuation and a development of the research carried out in recent years by the former Department of East Asian Studies – now Department of Asian and North African Studies – of Ca’ Foscari University of Venice through a series of initiatives organised by the research group on the translation of Asian languages “Laboratorio sulla Traduzione delle Lingue orientali” (Laboratori sulle lingue orientali). Such activities involved periodical meetings on translation, whose objective was to introduce and discuss specific issues in translation from and into Asian languages, as well as several international events (workshops, conferences, and symposia).

17

Lin, Su-Chi. Spaces of Mediation: Christian Art and Visual Culture in Taiwan. Evangelische Verlagsanstalt GmbH, 2020.

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18

Brenner, Neil. New Urban Spaces. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190627188.001.0001.

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The urban condition is today being radically transformed. Urban restructuring is accelerating, new urban spaces are being consolidated, and new forms of urbanization are crystallizing. How can these transformations be deciphered? In this book, critical urban theorist Neil Brenner argues that confronting this challenge requires not only intensive research on urban restructuring but new theories of urbanization. To this end, Brenner proposes an approach that breaks with inherited conceptions of the urban as a bounded settlement unit—the city or the metropolis—and explores the multiscalar constitution, political mediation, and ongoing rescaling of the capitalist urban fabric, from the local and the regional to the national and the planetary. New Urban Spaces offers a paradigmatic account of how rescaling processes are transforming inherited formations of urban life, the role of multiscalar state spatial strategies in animating them, and their variegated consequences for emergent patterns and pathways of urbanization. The book also advances an understanding of critical urban theory as radically revisable: key urban concepts, methods, and cartographies must be continually reinvented in relation to the relentlessly mutating worlds of urbanization they aspire to illuminate.

19

Carlson, Amy. Reading Mediated Life Narratives. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350324695.

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Calling attention to the unseen mediation and re-mediation of life narratives in online and physical spaces, this ground-breaking exploration uncovers the ever-changing strategies that authors, artists, publishers, curators, archivists and social media corporations adopt to shape, control or resist the auto/biographical in these texts. Concentrating on contemporary life texts found in the material book, museums, on social media and archives that present perceptions of individuality and autonomy, Reading Mediated Life Narratives exposes the traces of personal, cultural, technological, and political mediation that must be considered when developing reading strategies for such life narratives. Amy Carlson asks such questions as what agents act upon these narratives; what do the text, the creator, and the audience gain, and what do they lose; how do constantly evolving technologies shape or stymie the auto/biographical “I”; and finally, how do the mediations affect larger issues of social and collective memory? An examination of the range of sites at which vulnerability and intervention can occur, Carlson does not condemn but stages an intercession, showing us how it is increasingly necessary to register mediated agents and processes modifying the witnessing or recuperation of original texts that could condition our reception. With careful thought on how we remember, how we create and control our pictures, voices, words, and records, Reading Mediated Life Narratives reveals how we construct and negotiate our social identities and memories, but also what systems control us.

20

Cope, William, ed. Sixteenth International Conference on e-Learning & Innovative Pedagogies. Conference Proceedings. Common Ground Research Networks, 2023. http://dx.doi.org/10.18848/978-1-963049-17-6/cgp.

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Proceedings of the Sixteenth International Conference on e-Learning & Innovative Pedagogies, hosted by the University of Malta, Malta, 13-14 April 2023. The conference featured research addressing the following special focus: “Smart Education 4.0 Empowering Learners and Educators”and annual themes: •Theme 1: Considering Digital Pedagogies •Theme 2: New Digital Institutions and Spaces •Theme 3: Technologies of Mediation •Theme 4: Designing Social Transformations.

21

Cope, William, and Mary Kalantzis, eds. Seventeenth International Conference on e-Learning & Innovative Pedagogies Conference Proceedings. Common Ground Research Networks, 2024. http://dx.doi.org/10.18848/978-1-963049-44-2/cgp.

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Proceedings of the Seventeenth International Conference on e-Learning and Innovative Pedagogies, hosted by the Universitat Politècnica de València, Spain, 7-8 March 2024. The conference featured research addressing the following special focus: “People, Education, and Technology for a Sustainable Future” and annual themes: • Theme 1: Considering Digital Pedagogies • Theme 2: New Digital Institutions and Spaces • Theme 3: Technologies of Mediation • Theme 4: Designing Social Transformations.

22

Asekoff, L. S., Brett Bell, Brian B. Lanchfield, Matthew Burgess, and Robert Booras. Dream Closet: Mediations on Childhood Space. Secretary Press, 2016.

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23

pessler, monika, bart lootsma, eckhard schneider, and kristin feireiss & hans-jurgen commerell. Olafur Eliasson: A Laboratory of Mediating Space. kiesler stifting, wien, 2006.

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24

Redrobe, Karen, and Jeff Scheible. Deep Mediations: Thinking Space in Cinema and Digital Cultures. University of Minnesota Press, 2021.

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25

Redrobe, Karen, and Jeff Scheible. Deep Mediations: Thinking Space in Cinema and Digital Cultures. University of Minnesota Press, 2021.

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26

Redrobe, Karen, and Jeff Scheible. Deep Mediations: Thinking Space in Cinema and Digital Cultures. University of Minnesota Press, 2021.

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27

Redrobe, Karen, and Jeff Scheible. Deep Mediations: Thinking Space in Cinema and Digital Cultures. University of Minnesota Press, 2021.

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28

Dovey, Kim. Framing Places: Mediating Power in Built Form. Taylor & Francis Group, 2014.

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29

Dovey, Kim. Framing Places: Mediating Power in Built Form. Taylor & Francis Group, 1999.

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30

Dovey, Kim. Framing Places: Mediating Power in Built Form. Taylor & Francis Group, 2014.

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31

Dovey, Kim. Framing Places: Mediating Power in Built Form. Taylor & Francis Group, 2002.

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32

Dovey, Kim. Framing Places: Mediating Power in Built Form. Taylor & Francis Group, 2014.

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33

Dovey, Kim. Framing Places: Mediating Power in Built Form. Taylor & Francis Group, 2014.

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34

Davis, Coralynn V. Introduction. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038426.003.0001.

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This introductory chapter provides an overview of Maithil women and storytelling. Through the imperatives of purdah, Maithil womanhood entails a significant degree of constriction of movement and speech both in and outside domestic spaces. They do, however, tell and listen to stories in the context of women- and children-only settings and have collectively promulgated a rich body of tales, which, while inevitably modified at least slightly with each telling, nonetheless display strong continuities in their themes, structures, and complexity of cosmological thinking and moral lessons. The behavioral norms of purdah have never been totalizing, yet they have been subject to new challenges as well as reassertion in the era of globalization, with its attendant and uneven expansion of mobility, mediation, education, and consumption. It is in these shifting conditions that Maithil women continue to weave their tales and navigate the terrain of their increasingly unstable lives.

35

Gamberini, Andrea. Guelphs and Ghibellines. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198824312.003.0020.

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To find a political culture that was actually shared by rural lords and country dwellers, as well as by country and city, and aristocrats and prince, it would probably be necessary to look at that of the Guelph and Ghibelline metafactions, capable as they were of activating ties of solidarity and a strong sense of obedience. More than the ideological component—although the contents of this evolved constantly throughout the fourteenth and fifteenth centuries and beyond—what generated membership of the parties was above all their role of mediation between environments at a distance from one another, such as the centre of the domain and its peripheries. The emergence of a new bureaucratically oriented state did not exhaust the spaces for political interaction and the Guelph and Ghibelline parties ended up monopolizing the exchange of particular resources: exemptions, pardons, ecclesiastical benefices for subjects, information and political support for the duke.

36

Dovey, Kim. Framing Places: Mediating Power in Built Form (Architext). 2nd ed. Routledge, 2008.

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37

Rigoni, Isabelle, and EugÃ©nie Saitta, eds. Mediating Cultural Diversity in a Globalised Public Space. Palgrave Macmillan, 2012. http://dx.doi.org/10.1057/9781137283405.

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38

Saitta, Eug, and Isabelle Rigoni. Mediating Cultural Diversity in a Globalised Public Space. Palgrave Macmillan, 2012.

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39

Rigoni, I., and E. Saitta. Mediating Cultural Diversity in a Globalised Public Space. Palgrave Macmillan, 2012.

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40

Mediating Cultural Diversity In A Globalized Public Space. Palgrave MacMillan, 2012.

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41

Rigoni, I., and E. Saitta. Mediating Cultural Diversity in a Globalised Public Space. Palgrave Macmillan, 2012.

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42

Capriotti, Giuseppe, Pierre-Antoine Fabre, and Sabina Pavone, eds. Eloquent Images. Leuven University Press, 2022. http://dx.doi.org/10.11116/9789461664488.

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Drawing on original research covering different periods and spaces, this book sets out to appreciate the specific place of images in the history of evangelisation in the long modern period. How can we reconceptualise the functions of the visual mediation of the gospel message, both in terms of the production and reception of this message and in terms of its effective mediators, artists, religious, and cultural ambassadors? The contributions in this book offer multiple geographical and historical insights regarding the circulation of the image on the global scale of the Christianised world or the world in the process of being Christianised, from China to Iberia. Combining the contribution of historians and art historians, the authors highlight the points of intercultural encounter and tension around preaching, catechesis, devotional practices and the propagandistic use of images. Through its aesthetic and social study of the image, and by examining the inner and outer borders of Europe and the mission lands, Eloquent Images contributes significantly to the history of evangelisation, one of the major dynamics of the first European globalisation.

43

Chattopadhyay, Budhaditya. The Auditory Setting. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474474382.001.0001.

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The Auditory Setting introduces and investigates how narrative and a sense of place are constructed in film and media arts through the reproduction and mediation of site-specific environmental sounds, or ‘ambience’. Although this sonic backdrop acts as the acoustically mediated space where a story or event can take place, there has been little academic study of sound’s undervalued role in cinematic setting and its production. The aim of this book is to question classical assumptions about sound in film and media arts (e.g., image-based relationships) and shift the focus towards the site and its sonic environment, whose presence is often carefully constructed in a film or media artwork’s diegetic world as a vital narrative strategy. The emphasis on site in the book enables an informed investigation of an essentially anthropogenic process of the sonic environment’s mediation and (re)production. Sonic environments are inhabited, experienced, exploited and transformed every day, their corporeality augmented by human agency in mediated forms. The human agency of sonic environments is crucial to unwrap in order to understand cultural expectations from the audiovisual media; greater awareness is required of narration, depiction, communication and artistic production approaches and affordances harnessed through media technologies. Drawing on theories of narrative, diegesis, mimesis and presence, and following a varied number of relevant audio-visual works, this book is a ground-breaking exploration of human agency in mediating environmental sounds and the nature of the sonic experience in the Anthropocene.

44

Timeto, Federica. Diffractive Technospaces: A Feminist Approach to the Mediations of Space and Representation. Taylor & Francis Group, 2016.

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45

Timeto, Federica. Diffractive Technospaces: A Feminist Approach to the Mediations of Space and Representation. Taylor & Francis Group, 2016.

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46

Timeto, Federica. Diffractive Technospaces: A Feminist Approach to the Mediations of Space and Representation. Taylor & Francis Group, 2016.

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47

Timeto, Federica. Diffractive Technospaces: A Feminist Approach to the Mediations of Space and Representation. Taylor & Francis Group, 2016.

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48

Timeto, Federica. Diffractive Technospaces: A Feminist Approach to the Mediations of Space and Representation. Taylor & Francis Group, 2016.

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49

Chadwick, Andrew. Systemic Hybridity in the Mediation of the American Presidential Campaign. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190696726.003.0008.

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Chapter 7 continues the revisionist approach of chapter 6, but paints the 2008 U.S. presidential campaign on a broader canvas. Through a detailed analysis of key episodes in the mediation of the campaign, the chapter shows how the real-space spectacles of candidate appearances continue to generate the important television, radio, and newspaper coverage that remains so crucial for projecting the power of a candidate and conveying enthusiasm, movement, authenticity, and common purpose to both activists and nonactivists alike. The chapter discusses how these television-fuelled spectacles now also integrate with newer media logics of data-gathering, online fundraising, tracking, monitoring, and managed volunteerism. A major theme running through this chapter is the growing systemic integration of the internet and television in presidential campaigns. It also shows how the hybrid media system can shape electoral outcomes by providing new power resources for campaigns that can create and master the system's modalities.

50

Hernández, Robb. Archiving an Epidemic. NYU Press, 2019. http://dx.doi.org/10.18574/nyu/9781479845309.001.0001.

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Archiving an Epidemic is the first book to examine the devastating effect of the AIDS crisis on a generation of Chicanx artists who influenced transgressive genders and sexualities operating in the Chicana and Chicano art movement in Southern California. From mariconógraphy to renegade street graffiti, from the Barrio Baroque to Frozen Art, these visual provocateurs introduced a radical queer languageemboldened by opportunities in LA’s art and retail culturein the 1980s. AIDS not only ravaged their lives, but also devastated their archives. A queer archival methodology is demanded to ascertain how AIDS and its losses and traumas have rearticulated recordkeeping practices beyond systemic forms of preservation. The resulting “archival bodies/archival spaces” of queer Chicanx avant-gardists Mundo Meza (1955–1985), Teddy Sandoval (1949–1995), and Joey Terrill (1955–present) refutes dismissive arguments that these provocateurs have had little consequence for the definition of the aesthetics of Chicano art and performance. With appearances by Laura Aguilar, Cyclona, Simon Doonan, David Hockney, Christopher Isherwood, Robert Mapplethorpe, and even Eddie Murphy, this book stands in defense of the alternative archivesthat emerged from this plague. Thinking outside traditional terms of institutional mediation, Archiving an Epidemic speculates not what Chicana/o art is but what it could have been.