Relevant bibliographies by topics / Mediation in architecture

Academic literature on the topic 'Mediation in architecture'

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Published: 10 December 2022
Last updated: 28 January 2023

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Journal articles on the topic "Mediation in architecture"

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Altenschmidt, C., J. Biskup, U. Flegel, and Y. Karabulut. "Secure mediation: requirements, design, and architecture." Journal of Computer Security 11, no. 3 (July 1, 2003): 365–98. http://dx.doi.org/10.3233/jcs-2003-11306.

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Krawetz, Stephen A. "Mediation of Spermatogenesis by Chromatin Architecture." Biology of Reproduction 78, Suppl_1 (May 1, 2008): 282. http://dx.doi.org/10.1093/biolreprod/78.s1.282.

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Boutinot, Amélie, Iragaël Joly, Vincent Mangematin, and Shaz Ansari. "Exploring the Links between Reputation and Fame: Evidence from French Contemporary Architecture." Organization Studies 38, no. 10 (October 21, 2016): 1397–420. http://dx.doi.org/10.1177/0170840616670433.

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Why are some organizations famous? We argue that fame results from a conjunction of several audience-specific reputations. Expert reputation (i.e. reputation among members of a knowledgeable group, such as a cultural elite or critics) acts as a mediator for achieving fame for organizations held in high esteem by their peers and clients. Based on a unique database of 103 architectural companies in France, our analysis uses structural equation modelling (SEM) combined with mediation effects to reveal that expert reputation can lead to fame by mediating peer and client reputations. We contribute to the literature by explaining why only some organizations already reputed among peers and clients are famous in society at large.
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Balmori, Diana. "Architecture, Landscape, and the Intermediate Structure: Eighteenth-Century Experiments in Mediation." Journal of the Society of Architectural Historians 50, no. 1 (March 1, 1991): 38–56. http://dx.doi.org/10.2307/990545.

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In eighteenth-century England, formal neoclassical buildings began to be coupled with landscape settings that expressed a contrasting aesthetic based on chance, intuition, informal ordering, and local accommodation. At the same time, the relationship between art and nature was being reevaluated. The divergence of styles for architecture and landscape posed a critical challenge for eighteenth-century architects and designers. Chief among the strategies used by eighteenth-century practitioners to meet this challenge was the "intermediate structure"-an architectural entity such as hermitage, grotto, or artificial ruin set into the landscape in order to articulate the relationship between art and nature, and between divergent architectural and landscape languages. Alexander Pope and William Kent developed influential versions of the intermediate structure-Pope in his grotto at Twickenham, and Kent in his garden buildings at several country houses. The role of these structures was undermined, however, in the later eighteenth century, when the links between architecture and landscape were further suppressed by Brownian landscaping and by the development of the Picturesque, which sought to conceal human interventions in the landscape. The connection between architecture and landscape as parts of one aesthetic composition was broken, and it has remained so until today.
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Avermaete, Tom. "Architecture 'talks back': On the (im)possibilities of designing a critical architectural project." SAJ - Serbian Architectural Journal 3, no. 3 (2011): 214–25. http://dx.doi.org/10.5937/saj1103214a.

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Claims on critical positions in architecture are common ground in contemporary practice and reflection. This article probes into the critical capacity of the architectural project by returning to the notion of 'typological criticism' that Manfredo Tafuri introduced, as well as to the concept of the 'semi-autonomy' of architecture as theoretized by Louis Althusser. The article argues that the criticality of the architectural project resides in its mediation between autonomous and heteronomous aspects and proceeds through the entity of the architectural type.
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Stead, Naomi, and Morgan Richards. "Valuing Architecture: Taste, Aesthetics and the Cultural Mediation of Architecture through Television." Critical Studies in Television: The International Journal of Television Studies 9, no. 3 (September 1, 2014): 100–112. http://dx.doi.org/10.7227/cst.9.3.10.

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In this paper we examine how architecture has been mediated and framed by two television documentary series: Civilisation: A Personal View by Kenneth Clark (1969) and Grand Designs (1999–present). Both are examples of authored documentary', and both also attempt the education of public taste: in Civilisation through the structured admiration of great civic buildings framed as monumental art, and in Grand Designs through desirable domestic buildings framed as instruments for the art of living. In the paper we examine how the series can be both linked and distinguished through practices of valuation.
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Robertson, Justus, and R. Young. "The General Mediation Engine." Proceedings of the AAAI Conference on Artificial Intelligence and Interactive Digital Entertainment 10, no. 3 (June 29, 2021): 65–66. http://dx.doi.org/10.1609/aiide.v10i3.12739.

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The General Mediation Engine is an architecture for producing game experiences with world mechanics drawn from a planning domain and problem. The system models possible player actions, state updates, and system responses in a graph representation derived from planner input. Paired with an interface that displays state and action information to the player, GME structures gameplay as an on-line expansion of its graph representation.
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Hogben, Paul. "Architecture and Arts and the Mediation of American Architecture in Post-war Australia." Fabrications 22, no. 1 (June 2012): 30–57. http://dx.doi.org/10.1080/10331867.2012.685634.

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Vujasinovic, M., N. Ivezic, B. Kulvatunyou, E. Barkmeyer, M. Missikoff, F. Taglino, Z. Marjanovic, and I. Miletic. "A semantic-mediation architecture for interoperable supply-chain applications." International Journal of Computer Integrated Manufacturing 22, no. 6 (June 2009): 549–61. http://dx.doi.org/10.1080/09511920802616781.

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Kozik, Jack, Musa R. Unmehopa, and Kumar V. Vemuri. "A Parlay and SPIRITS-based architecture for service mediation." Bell Labs Technical Journal 7, no. 4 (April 23, 2003): 105–22. http://dx.doi.org/10.1002/bltj.10037.

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Dissertations / Theses on the topic "Mediation in architecture"

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SILVA, MARCOS CESAR DA. "A SOFTWARE ARCHITECTURE FOR FLEXIBLE WEB SERVICE MEDIATION." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2008. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=12314@1.

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A adoção da Arquitetura Orientada a Serviços (SOA) tem possibilitado a formação de redes de negócios nas quais cada parceiro obtém automaticamente as informações de que precisa para atingir o máximo de eficiência. Quando em uma rede de negócios há mais de um parceiro provendo um mesmo serviço, surge o desafio de determinar qual deles é o mais indicado para atender a uma solicitação. Esta dissertação apresenta uma arquitetura de software e a implementação de um protótipo que permite a definição de critérios complexos para a mediação de serviços baseada tanto em dados técnicos (disponibilidade e tempo de resposta) como funcionais (preço, reputação, localização geográfica, etc.). Nosso objetivo é explorar os aspectos práticos desta mediação, as tecnologias utilizadas e a flexibilidade da solução.
The Service Oriented Architecture (SOA) adoption has been enabling the raise of business networks in which each partner gets automatically the information needed to achieve maximum efficiency. When there is more than one partner providing the same service on a business network, comes the challenge of determining which one is best suited to receive a given request. This dissertation presents a software architecture and a prototype implementation that allows the definition of complex criteria to service mediation, based on both technical (availability, response time) and functional data (price, reputation, geographical location, etc.). Our goal is to explore the practical aspects of this mediation, the technologies used and the solution flexibility.
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Patterson, Caleb L. "Pastoral Machines: Architecture and the Mediation of Nature." University of Cincinnati / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1277141931.

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SUNDERHAUS, NATHAN ALLEN. "URBAN MEDIATION: NEW MEDIA ART AND THE CITY." University of Cincinnati / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1148071505.

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Margalith, Dana. "Louis I. Kahn - Architectural history as mediation." Thesis, McGill University, 2014. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=121259.

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Louis I. Kahn - Architectural History as Mediation investigates the work of one of the most active architects of the 20th century who has been acknowledged by scholars as a modern thinker and architect, but is also known for his interest in history, and the clear references to historical precedents in his work. In studying Kahn's architectural training, writings, readings, travel experience, personal contacts, the context in which he practiced, and through investigating his personal drawings and two of his design projects, Kahn's layered approach to architectural history is unveiled.In describing the architectural context of Kahn's education and work, this thesis deals with important aspects of architectural thought and making, which Kahn was exposed to, and sheds light on the motivation behind Kahn's unique philosophical quest. When investigating Kahn's drawings done during his travelling experiences, the manner in which he embodied historical sites becomes apparent. Studying archival material it tracks Kahn's studies of architectural references, and analyzing his architectural drawings and designs for the Dominican Motherhouse of St. Catherine de Ricci, Media, Pennsylvania (1965-1969, un-built) and the Hurva Synagogue in the Old City of Jerusalem (1967-1974, un-built) it exemplifies the poetic references made by his projects to historical precedents - all while concentrating on hermeneutic and phenomenological concepts relating to perception, memory and understanding of the past.Thus, through Kahn, this dissertation addresses the contextual debate regarding the use of historical references in modern architecture from the 18th century up until the postmodern era, and deals with the importance of continuity of references in the age of fragmentation. Louis I. Kahn - Architectural History as Mediation reveals the possible intricate potential lying in the consideration of tradition and history in modern architecture, and sheds light on suitable endeavors in architectural thought and making which at once integrate historical references and promote originality and progress - both fundamental for innovative poetic architectural expressions.
Dans Louis I. Kahn – L'histoire de l'architecture comme médiation, on explore le travail de l'un des architectes le plus actifs du 20e siècle. Il a été reconnu par les intellectuels pour son rôle d'architecte et de penseur moderne, ainsi que pour ses recherches en histoire et ses références aux œuvres historiques importantes. En étudiant Kahn et son éducation, sa formation en architecture, ses écrits, lectures, voyages, contacts personnels, le contexte dans lequel il travaillait, en plus d'examiner ses dessins personnels et deux de ses projets de design, on comprend son approche de l'architecture sous plusieurs angles. En décrivant le contexte dans lequel Kahn a été éduqué et dans lequel il a pratiqué son métier, la thèse traite d'importants aspects de la pensée et pratique architecturale auxquels Kahn a été exposé, dévoilant ainsi les motivations derrière sa quête philosophique unique. En examinant les dessins de Kahn, la manière dont il incarne les sites historiques qu'il a vus durant ses voyages devient apparent. À travers l'étude du matériel d'archives, la trace des références architecturales que Kahn a étudiées devient visible. Ainsi, dans ses dessins et la conception architecturale pour le Dominican Motherhouse de St. Catherine de Ricci, Media, Pennsylvanie (1965-1969, jamais construit) et le Hurva Synagogue dans la vieille ville de Jérusalem (1967-1974, jamais construit), les références poétiques aux œuvres historiques que sont ses projets sont clairement illustrées, tout en soulignant des concepts herméneutiques et phénoménologiques en relation avec la perception, la mémoire et la compréhension du passé. Par conséquent, à travers Kahn, cette thèse examinera le débat contextuel concernant l'usage de références historiques dans l'architecture moderne du 18ième siècle jusqu'au postmodernisme, et abordera l'importance de la continuité des références dans l'âge de fragmentation. Louis I. Kahn – L'histoire de l'architecture comme moyen de médiation dévoilera le complexe potentiel dans l'étude de la tradition et l'histoire de l'architecture moderne. Elle éclairera les efforts acceptables dans la pensée et la pratique de l'architecture qui intègrent des références historiques et promeuvent l'authenticité et le progrès – deux éléments fondamentaux de l'expression architecturale poétique et innovatrice.
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Sauer, Jordan R. "Architectural Mediation: Man and the Lick Run Elements." University of Cincinnati / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1617109515909797.

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Boone, Véronique. "Le Corbusier et le cinéma : la communication d'une oeuvre." Thesis, Lille 3, 2017. http://www.theses.fr/2017LIL30011.

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La présente étude s’intéresse à la production cinématographique et télévisée de et sur Le Corbusier lors de son vivant. Longtemps ignorée comme instrument de communication de l’architecture et de l’urbanisme, l’œuvre filmique (comme complément de la photographie et de l’édition) reste peu connue et reconnue. La thèse se construit en deux parties : une partie de catalogage de l’œuvre filmique, formant le corpus de l’étude, et une partie réflexive, qui s’interroge sur divers aspects de création et de diffusion de cette production. Un premier défi de la thèse consiste à étudier la masse d’archives relatives aux différents projets de films afin de combler le vide propre à cet aspect de la production de Le Corbusier, pour l’inclure à part entière dans sa production artistique. Le catalogue est le résultat d’une recherche transdisciplinaire qui demande une investigation dans deux, voire trois domaines de recherche : l’architecture, le cinéma et la télévision, en tenant compte des spécificités de chaque discipline. Chaque projet ou réalisation de documentaire est décrit depuis sa phase d’intention à sa réception jusqu'à sa valorisation, incluant les données techniques et les références contemporaines aux films. Ce corpus permet de mesurer l’importance de la quantité de documents cinématographiques et télévisés que Le Corbusier a pu entreprendre durant sa vie ou pour lesquels il a été sollicité. Aucun autre architecte ne semble avoir été si fréquemment sollicité, ni s’être impliqué de manière si récurrente dans de tels projets. Un deuxième travail, réflexif, traverse les modalités de la communication et de la représentation de l’architecture et de l’urbanisme de Le Corbusier par le biais du cinéma et de la télévision. De l’investigation dans les théories transdisciplinaires - de réception, de diffusion, socio-économiques, sémiotiques et rhétoriques - et leur application sur l’œuvre cinématographique et télévisée de Le Corbusier, résultent trois hypothèses : transmission, transposition et transcription.L’étude questionne dans un premier temps les mécanismes de la transmission. Par celle-ci est entendu tout mécanisme de médiation de Le Corbusier par le biais des documentaires – et par extension les interviews télévisées. En croisant les résultats du corpus avec les théories de réception, de diffusion et de marketing, des intuitions se confirment quant à l’efficacité ou l’inefficacité de certains documentaires comme outils de communication, voire de promotion. Dans un deuxième temps sont approfondis les savoirs sur le processus de création de Le Corbusier, autant sur le plan de la représentation de l’architecture, que sur le plan de la construction du discours dans les documentaires cinématographiques. Le principe de la transposition part du constat que les documents cinématographiques entretiennent des liens de proximité avec leurs contemporains photographiques. La recherche utilise les théories sémiotiques pour analyser la manière avec laquelle Le Corbusier compose avec l’imaginaire et les techniques de la photographie pour concevoir ses projets de films. La transcription concerne essentiellement l’argumentation cinématographique de Le Corbusier. Ici, l’analyse part du constat que les écrits de Le Corbusier sur le cinéma, et la pensée qui en émane, ne collent pas avec la réalité cinématographique et les nécessités d’un cinéma de communication. Sa rhétorique au cinéma est analysée en reprenant les techniques décrites par les principaux théoriciens de la rhétorique et comparée aux exemples venant des conférences et publications
The present study focuses on the cinematographic and television production of and on Le Corbusier, realized during his lifetime. Long ignored – as opposed to photography and publishing – as an instrument of communication for architecture and urban planning, this filmic work remains little known and recognized. The thesis consists of two parts: a catalogue volume of the filmic work, forming the corpus of the study, and a reflective volume, which questions various aspects of creation and diffusion of this production.The first challenge of the thesis was to study the mass of archives relating to the various film projects in order to fill the gap of this aspect of Le Corbusier's production and to fully include it in his artistic production. The catalogue is the result of a transdisciplinary research, which required an investigation into three research domains: architecture, cinema and television, taking into account the specificities of each discipline. Each project or production of a documentary is described from the initial intention to its public reception until its valorisation today, including technical data and contemporary references to films. This volume makes it possible to measure the importance of the quantity of cinematographic and televised documents that Le Corbusier undertook during his life or for which he was solicited. No other architect has been so frequently involved in documentary projects.The second – reflective – part of the research analyses the modalities of communication and representation of Le Corbusier’s architecture and urbanism through cinema and television. By crossing transdisciplinary theories – reception, diffusion, socio-economic, semiotic and rhetorical – with Le Corbusier's cinematographic and televised work, three hypotheses result: transmission, transposition and transcription.The study begins by questioning the mechanisms of transmission. By this is understood any mechanism of mediation of Le Corbusier through the documentaries - and by extension the television interviews. Crossing the results of the corpus with the theories of reception, diffusion and marketing, builds insights into the effectiveness or inefficiency of certain documentaries as tools for communication and even promotion.In a second stage, the knowledge about Le Corbusier's creation process, both in terms of architectural representation and in terms of the construction of discourse in cinematographic documentaries, is deepened. The principle of transposition begins with the observation that cinematographic documents maintain close links with their photographic contemporaries. The research uses established semiotic theories to analyse how Le Corbusier composes with the imaginary and techniques of photography to design his film projects.The third principle, transcription, focuses on Le Corbusier's cinematographic argument. Here the analysis starts from the observation that Le Corbusier's writings on cinema and the thoughts he emanated do not stick with the cinematographic reality and the necessities of a cinema of communication. His rhetoric in the cinema is analysed by taking the techniques described by the main theorists of rhetoric and compared to the examples from conferences and publications
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Barker, Brian. "Ecological Mediation: Dialectics of Inside and Outside." University of Cincinnati / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1275667998.

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LÓSCIO, Bernadette Farias. "Managing the Evolution of XML-based Mediation Queries." Universidade Federal de Pernambuco, 2003. https://repositorio.ufpe.br/handle/123456789/1838.

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Made available in DSpace on 2014-06-12T15:52:44Z (GMT). No. of bitstreams: 2 arquivo4668_1.pdf: 1143987 bytes, checksum: 36c6fc38310aacde3356e242c41d08a1 (MD5) license.txt: 1748 bytes, checksum: 8a4605be74aa9ea9d79846c1fba20a33 (MD5) Previous issue date: 2003
Diversos sistemas de integração de dados têm sido propostos na literatura com o objetivo de prover acesso integrado a diferentes fontes de dados, que podem ser autônomas e heterogêneas. O problema de integração de dados consiste em oferecer uma visão uniforme das fontes de dados (chamada esquema de mediação ou esquema global) e definir um conjunto de consultas (chamadas consultas de mediação) as quais determinam como obter cada elemento do esquema de mediação em função dos dados armazenados nas fontes locais. Sistemas de integração de dados podem ser classificados de acordo com a abordagem adotada para definição dos mapeamentos entre as fontes de dados e o esquema de mediação. Duas abordagens principais são apresentadas na literatura: Visão Global e Visão Local. Na abordagem Visão Global cada elemento do esquema de mediação é representado como uma visão sobre as fontes de dados. Na abordagem Visão Local cada elemento em uma dada fonte de dados é definido como uma visão sobre o esquema de mediação. Uma das contribuições deste trabalho é a proposta de um sistema de integração de dados que adota a abordagem Visão Global. Um importante diferencial deste sistema é que além de prover acesso integrado a dados distribuídos e heterogêneos, o sistema também oferece soluções para os problemas relacionados à geração e à manutenção das consultas de mediação. Além disso, o sistema proposto usa XML como modelo de dados comum para troca e representação de dados. Para representar os esquemas das fontes de dados locais é adotada a linguagem XML Schema, proposta pelo W3C como linguagem padrão para definição de esquemas para classes de documentos XML. Para prover uma representação de mais alto nível para as informações descritas nos esquemas XML é proposto um modelo conceitual, chamado X-Entity. Além do modelo conceitual, também é apresentado o processo de conversão de um esquema XML (definido na linguagem XML Schema) para um esquema definido no modelo X-Entity. O principal problema com o uso da abordagem Visão Global diz respeito à manutenção das consultas de mediação em conseqüência das atualizações nos esquemas das fontes de dados locais. Em ambientes dinâmicos, as consultas de mediação devem ser flexíveis a fim de permitir modificações nos esquemas locais, adição e remoção de fontes de dados e alterações nos requisitos de usuários. Para gerenciar a evolução do nível de mediação (esquema e consultas de mediação) foram desenvolvidos: i) um conjunto de operações que descrevem os diferentes tipos de evolução nas fontes locais e nos requisitos dos usuários, ii) um conjunto de primitivas de propagação que descrevem as modificações a serem realizadas no esquema e nas consultas de mediação e iii) um conjunto de regras de propagação. Este trabalho também propõe um processo de propagação que define como difundir os diferentes tipos de atualizações. Este trabalho propõe uma abordagem incremental para o desenvolvimento do nível de mediação baseado na evolução dos esquemas das fontes locais e evolução dos requisitos dos usuários. Mais precisamente, a adição de uma nova fonte de dados ao sistema não implica que as consultas de mediação sejam completamente refeitas. Ao invés disso, é possível adicionar a nova fonte de dados às consultas existentes. Quando uma fonte de dados é removida, as consultas de mediação afetadas por esta remoção devem ser reescritas ou removidas. Da mesma forma, mudanças nos requisitos dos usuários também podem ser refletidas no nível de mediação. Esta solução permite a evolução incremental do nível de mediação aumentando tanto a flexibilidade quanto a escalabilidade do sistema de integração proposto
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Tanzarella, Beatrice. "Architecture & the commute : a railway station in Mamelodi." Diss., University of Pretoria, 2012. http://hdl.handle.net/2263/31459.

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This dissertation investigates architecture's potential role in improving the experience of the daily commute into and out of the city. It is proposed that an architectural intervention that takes into account the 'embodied' experience of the commuter as key informant could assist in such an improvement. Various structural and infrastructural upgrades are being planned for the east-west Metrorail link between Pretoria Station and Mamelodi by the Tshwane Municipal Government and the Passenger Rail Agency of South Africa (PRASA). This link is selected to act as setting for the enquiry, with Mamelodi Gardens Metrorail Station as site for architectural intervention. A conflict is identified between requirements of the public transport system to function optimally and efficiently and the experiential and everyday needs of the commuter who encounters it. The dissertation aims to relieve this apparent opposition through a design process of mediation. Due partially to its functionally driven nature, public transport planning often leads to an environment of extremes which places the commuting experience under tension. Architecture's potential role in alleviating these extremes through impact or through the mediation of other environmental impacts is explored. Phenomenological philosophy, as a study based in the ontological enquiry of conscious experience, is the theoretical stimulus to the experiential component of the study. This theoretical base is partnered with investigative and interpretive study in order to ascertain the various ways in which architecture could potentially impact on the embodied experience of the commuter.
Dissertation MArch(Prof)--University of Pretoria, 2012.
Architecture
MArch(Prof)
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Bello, Bradford August. "How Architecture can influence private contemplation and public negotiation." Thesis, Virginia Tech, 2006. http://hdl.handle.net/10919/31617.

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How can Architecture influence private contemplation and public negotiation? This thesis attempts to investigate the effect of our built environment on how individuals work together. To explore this question, a conflict resolution center becomes the vehicle to study the physical, social, and intellectual impact on thinking and decision-making.
Master of Architecture
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Books on the topic "Mediation in architecture"

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The sacred in-between: The mediating roles of architecture. Milton Park, Abingdon, Oxon: Routledge, 2010.

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Barrie, Thomas. The sacred in-between: The mediating roles of architecture. New York: Routledge, 2010.

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Moulton, Allen. Knowledge representation architecture for context interchannge mediation: Fixed income securities investment examples. [Cambridge, Mass.]: MIT Sloan School of Management, 2001.

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Dovey, Kim. Framing places: Mediating power in built form. 2nd ed. New York: Routledge, 2007.

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Dovey, Kim. Framing places: Mediating power in built form. London: Routledge, 1999.

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John, Forester. Challenges of mediation and deliberation in the design professions: Practice stories from Israel, Norway and the U.S.A. Beer Sheva: Negev Center for Regional Development, Ben-Gurion University of the Negev, 1997.

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Marcetti, Corrado, Giancarlo Paba, Anna Lisa Pecoriello, and Nicola Solimano, eds. Housing Frontline. Florence: Firenze University Press, 2012. http://dx.doi.org/10.36253/978-88-6655-082-2.

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Over recent years, there has been a sharp increase in the various possible forms of poverty and housing vulnerability: from the total lack of shelter of the homeless to the risk of losing their home that now threatens numerous families in medium-low income brackets. At the same time, the traditional linear and standardised housing policies appear no longer adequate to address these phenomena. This book contains the results of a study entrusted by the Tuscan Regional Authority to a working group from the University of Florence and the Fondazione Giovanni Michelucci. The research explores the field of practices for self-production of housing in Italy and the world, through a critical selection of significant experiences, revealing the architectural and social creativity exploited in a large variety of collective actions. The book also contains a reconstruction of housing problems in Tuscany and an overview of alternative approaches to housing policy. The last section is devoted to the research-action on the occupation of the Luzzi, the abandoned sanatorium on the border between Florence and Sesto Fiorentino, a case that illustrates the most significant contradictions and dilemmas gravitating around the housing issue for the new poor: the problem of homeless immigrants; the difficulty of the authorities in managing problems of extreme housing poverty; the role of the associations and organisations of social mediation, and the inherent complexity of achieving a participatory approach to social and town planning research.
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Barrie, Thomas. Sacred in-Between: The Mediating Roles of Architecture. Taylor & Francis Group, 2013.

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Barrie, Thomas. Sacred in-Between: The Mediating Roles of Architecture. Taylor & Francis Group, 2013.

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Barrie, Thomas. Sacred in-Between: The Mediating Roles of Architecture. Taylor & Francis Group, 2013.

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Book chapters on the topic "Mediation in architecture"

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Kobayashi, Atsushi, and Keisuke Ishibashi. "VoIP Measurement Architecture Using Data Mediation." In IP Operations and Management, 15–26. Berlin, Heidelberg: Springer Berlin Heidelberg, 2009. http://dx.doi.org/10.1007/978-3-642-04968-2_2.

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Mehta, Bhaskar, Claudia Niederée, Avare Stewart, Claudio Muscogiuri, and Erich J. Neuhold. "An Architecture for Recommendation Based Service Mediation." In Semantics of a Networked World. Semantics for Grid Databases, 250–62. Berlin, Heidelberg: Springer Berlin Heidelberg, 2004. http://dx.doi.org/10.1007/978-3-540-30145-5_15.

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Palmieri, Alice. "Earthen Construction. Graphic Mediation in Spontaneous Architecture." In Graphical Heritage, 678–88. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-47983-1_60.

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Corcho, O., A. Gomez-Perez, A. Leger, C. Rey, and F. Toumani. "An Ontology-based Mediation Architecture for E-commerce Applications." In Intelligent Information Processing and Web Mining, 477–86. Berlin, Heidelberg: Springer Berlin Heidelberg, 2003. http://dx.doi.org/10.1007/978-3-540-36562-4_51.

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Imami, K. M. F. N., and A. D. Hadisumarto. "Transformational leadership, CSR, and job performance: A mediation analysis in Indonesian architecture firms." In Sustainable Future: Trends, Strategies and Development, 13–17. London: Routledge, 2022. http://dx.doi.org/10.1201/9781003335832-4.

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Durand, Jacques, Murthy Ganti, and Rick Salinas. "Object View Broker: A mediation service and architecture to provide object-oriented views of heterogeneous databases." In Lecture Notes in Computer Science, 412–28. Berlin, Heidelberg: Springer Berlin Heidelberg, 1994. http://dx.doi.org/10.1007/3-540-58183-9_63.

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Crossley, Mark. "A Recalibration of Theatre’s Hypermediality." In Beyond Media Borders, Volume 1, 95–112. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-49679-1_2.

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Abstract It is often proposed that the unique capacity of theatre is that it allows all media hosted within it to manifest themselves in their own particular forms. This chapter pursues Lars Elleström’s notion that theatre is indeed highly multimodal and integrates many basic and qualified media, prompting a recalibration of current definitions of a hypermedium incorporating all arts and media. The author contends that, alongside the significance of material mobility, there are specific temporal, spatial and sensorial modes that are fundamental in defining the mechanics and the potential of the hypermedium. This interplay of modalities creates new forms of hybrid signification through particular dialogues of immediacy and hypermediacy, participant authorship, angles of mediation and angles of exclusivity, transporting theatre into new and sometimes challenging relationships with other assertive qualified media types, notably what the author refers to as the architecture of commerce.
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Spalazzese, Romina, and Paola Inverardi. "Mediating Connector Patterns for Components Interoperability." In Software Architecture, 335–43. Berlin, Heidelberg: Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-642-15114-9_26.

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Langhorst, Joern. "Mediating Consensus and Enacting Dissensus." In Architecture, Media, Populism… and Violence, 91–113. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003272076-7.

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Fries-Briggs, Gabriel. "Mediating Volumetric Thresholds." In Robotic Fabrication in Architecture, Art and Design 2014, 211–21. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-04663-1_14.

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Conference papers on the topic "Mediation in architecture"

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Jemtrud, Michael. "Between Mediation and Making CIMSp: A Technoetic Modus Operandi." In eCAADe 2004: Architecture in the Network Society. eCAADe, 2004. http://dx.doi.org/10.52842/conf.ecaade.2004.435.

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Jayathilaka, Hiranya, Pradeep Fernando, Paul Fremantle, Kasun Indrasiri, Dushan Abeyruwan, Supun Kamburugamuve, Sadeep Jayasumana, Sanjiva Weerawarana, and Srinath Perera. "Improved Server Architecture for Highly Efficient Message Mediation." In International Conference. New York, New York, USA: ACM Press, 2013. http://dx.doi.org/10.1145/2539150.2539167.

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Aggoune, Aicha, Abdelkrim Bouramoul, and Mohamed-Khiereddine Kholladi. "Big data integration: A semantic mediation architecture using summary." In 2016 2nd International Conference on Advanced Technologies for Signal and Image Processing (ATSIP). IEEE, 2016. http://dx.doi.org/10.1109/atsip.2016.7523044.

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Shi, Xue-lin, Ying Zhao, and Xiangjun Dong. "Agent Based Mediation Architecture for Federated Digital Library Services." In The 2nd IEEE Asia-Pacific Service Computing Conference (APSCC 2007). IEEE, 2007. http://dx.doi.org/10.1109/apscc.2007.4414484.

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Shi, Xue-lin, Ying Zhao, and Xiangjun Dong. "Agent Based Mediation Architecture for Federated Digital Library Services." In The 2nd IEEE Asia-Pacific Service Computing Conference (APSCC 2007). IEEE, 2007. http://dx.doi.org/10.1109/apscc.2007.9.

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Mrissa, Michael, Mohamed Sellami, Pierre De Vettor, Djamal Benslimane, and Bruno Defude. "A Decentralized Mediation-as-a-Service Architecture for Service Composition." In 2013 IEEE 22nd International Workshop On Enabling Technologies: Infrastructure For Collaborative Enterprises (WETICE). IEEE, 2013. http://dx.doi.org/10.1109/wetice.2013.13.

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Khalfallah, Malik, Mahmoud Barhamgi, Nicolas Figay, and Parisa Ghodous. "An Architecture for a Centralized Mediation in Dynamic Manufacturing Networks." In 2014 IEEE International Conference on Web Services (ICWS). IEEE, 2014. http://dx.doi.org/10.1109/icws.2014.114.

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Farmer, Ray, Adam Raybone, Rehan Uddin, Michael Odetayo, and Kuo-Ming Chao. "Mediation Architecture for Integration of Heterogeneous Discipline Focused Workflow Languages." In 2007 IEEE International Conference on e-Business Engineering. IEEE, 2007. http://dx.doi.org/10.1109/icebe.2007.92.

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Li, Xitong, Yushun Fan, Jian Wang, Li Wang, and Feng Jiang. "A Pattern-Based Approach to Development of Service Mediators for Protocol Mediation." In Seventh Working IEEE/IFIP Conference on Software Architecture (WICSA 2008). IEEE, 2008. http://dx.doi.org/10.1109/wicsa.2008.13.

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"Mediation Analysis: The Relationship between Safety Climate and Safety Performance among Hong Kong Construction Management Personnel with Technology Acceptance as a Mediator." In 6th Annual International Conference on Architecture and Civil Engineering (ACE 2018). Global Science and Technology Forum, 2018. http://dx.doi.org/10.5176/2301-394x_ace18.28.

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Reports on the topic "Mediation in architecture"

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Wiederhold, Gio, Tore Risch, Peter Rathmann, Linda DeMichiel, and Surajit Chaudhuri. A Mediator Architecture for Abstract Data Access. Fort Belvoir, VA: Defense Technical Information Center, February 1990. http://dx.doi.org/10.21236/ada227362.

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