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Books on the topic 'Media Studies and Art History'

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Author: Grafiati

Published: 10 December 2022

Last updated: 28 January 2023

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1

When the machine made art: The troubled history of computer art. New York: Bloomsbury Academic, 2014.

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2

Fifty key texts in art history. New York: Routledge, 2012.

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3

Film, art, new media: Museum without walls? Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2012.

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4

Steve Tomasula: The art and science of new media fiction. New York: Bloomsbury Academic, an imprint of Bloomsbury Publishing, Inc., 2015.

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5

editor, Burton Johanna, ed. New Games: Postmodernism After Contemporary Art. New York: Routledge, 2012.

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6

Alice, Rubbini, and Weiermair Peter, eds. Libera mente: La figurazione del sentimento. Milano: Charta, 1998.

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7

The Dynasty years: Hollywood television and critical media studies. London: Routledge, 1995.

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8

Media authorship. New York: Routledge, 2012.

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9

Meanings of abstract art: Between nature and theory. New York: Routledge, 2012.

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10

Schiller, Dan. Theorizing communication: A history. New York: Oxford University Press, 1996.

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11

B, Orlik Peter, ed. Exploring electronic media: Chronicles and challenges. Malden, MA: Blackwell Pub., 2007.

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12

On media memory: Collective memory in a new media age. Houndmills, Basingstoke, Hampshire, UK: Palgrave Macmillan, 2011.

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13

BilderMACHT: Studien zur Visual History des 20. und 21. Jahrhunderts. Göttingen: Wallstein, 2013.

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14

Creative rebellion for the twenty-first century: The importance of public and interactive art to political life in America. New York: Palgrave Macmillan, 2012.

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15

Richard, Cándida Smith, ed. Text and image: Art and the performance of memory. New Brunswick, NJ: Transaction Publisher, 2005.

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16

W, Petrie Dennis, ed. The art of watching films. 5th ed. Mountain View, Calif: Mayfield Pub., 2000.

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17

The art of watching films. 3rd ed. Mountain View, Calif: Mayfield Pub. Co., 1991.

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18

Boggs, Joseph M. The art of watching films. 7th ed. Boston, Mass: McGraw-Hill, 2008.

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19

The art of watching films. 4th ed. Mountain View, Calif: Mayfield Pub. Co., 1996.

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20

The art of watching films. 2nd ed. Palo Alto, Calif: Mayfield Pub. Co., 1985.

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21

Boggs, Joseph M. The art of watching films. 2nd ed. Palo Alto, Calif: Mayfield Pub. Co., 1985.

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22

Lynn, Spigel, and Olsson Jan 1952-, eds. Television after TV: Essays on a medium in transition. Durham: Duke University Press, 2004.

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23

Deuze, Mark, and Mirjam Prenger, eds. Making Media. NL Amsterdam: Amsterdam University Press, 2019. http://dx.doi.org/10.5117/9789462988118.

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Making Media uncovers what it means and what it takes to make media, focusing on the lived experience of media professionals within the global media, including rich case studies of the main media industries and professions: television, journalism, social media entertainment, advertising and public relations, digital games, and music. This carefully edited volume features 35 authoritative essays by 53 researchers from 14 countries across 6 continents, all of whom are at the cutting edge of media production studies. The book is particularly designed for use in coursework on media production, media work, media management, and media industries. Specific topics highlighted: the history of media industries and production studies; production studies as a field and a research method; changing business models, economics, and management; global concentration and convergence of media industries and professions; the rise and role of startups and entrepreneurship; freelancing in the digital age; the role of creativity and innovation; the emotional quality of media work; diversity and inequality in the media industries. Open Uva Course: the University of Amsterdam has a open course around the book. The course offers a review of the key readings and debates in media production studies. Course slides 2020 Take a look at the Making Media Facebook page here. Take a look at the Table of Contents and Introduction here.

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24

Niebisch, Arndt. Media parasites in the early avant-garde: On the abuse of technology and communication. New York: Palgrave Macmillan, 2012.

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25

The (moving) pictures generation: The cinematic impulse in downtown New York art and film. New York, NY: Palgrave Macmillan, 2012.

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26

James, Wood. History of international broadcasting. London: Institution of Electrical Engineers, 2000.

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27

History of international broadcasting. London: P. Peregrinus Ltd. in association with the Science Museum, 1992.

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28

Gallo, Ricardo. La radio: Ese mundo tan sonoro. Bs. As. [i.e. Buenos Aires]: Corregidor, 1991.

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29

Fuentes, Juan Francisco. Historia del periodismo español: Prensa, política y opinión pública en la España contemporánea. Madrid: Síntesis, 1998.

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30

K, Avery Robert, ed. Public service broadcasting in a multichannel environment: The history and survival of an ideal. New York: Longman, 1993.

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31

Marxsen, Maraike M., Claudia Benthien, and Jordis Lau. Literariness of Media Art. Taylor & Francis Group, 2018.

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32

Marxsen, Maraike M., Claudia Benthien, and Jordis Lau. Literariness of Media Art. Taylor & Francis Group, 2018.

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33

Marxsen, Maraike M., Claudia Benthien, and Jordis Lau. Literariness of Media Art. Taylor & Francis Group, 2018.

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34

(Editor), Peter Brunette, and David Wills (Editor), eds. Deconstruction and the Visual Arts: Art, Media, Architecture (Cambridge Studies in New Art History and Criticism). Cambridge University Press, 1993.

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35

Deconstruction and the Visual Arts: Art, Media, Architecture (Cambridge Studies in New Art History and Criticism). Cambridge University Press, 1993.

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36

Pooke, Grant, and Diana Newall. Fifty Key Texts in Art History. Taylor & Francis Group, 2013.

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37

Pooke, Grant, and Diana Newall. Fifty Key Texts in Art History. Taylor & Francis Group, 2013.

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38

Pooke, Grant, and Diana Newall. Fifty Key Texts in Art History. Taylor & Francis Group, 2013.

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39

Pooke, Grant, and Diana Newall. Fifty Key Texts in Art History. Taylor & Francis Group, 2013.

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40

Pooke, Grant, and Diana Newall. Fifty Key Texts in Art History. Taylor & Francis Group, 2013.

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41

(Editor), Werner Wolf, and Walter Bernhart (Editor), eds. Description; in Literature and Other Media (Studies in Intermediality). Rodopi, 2007.

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42

Why Art Photography? Routledge, 2013.

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43

Ken, Jacobson, and Hamber Anthony, eds. Études d'après nature: 19th century photographs in relation to art : artists' studies, works of art, portraits of artists, mixed media. Petches Bridge, England: Ken & Jenny Jacobson, 1996.

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44

Mori, Mariko, and Peter Weiermair. Liberations Contemporary Multimedia Art. Charta, 1998.

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45

Lee, Pamela M. New Games: Postmodernism after Contemporary Art. Taylor & Francis Group, 2013.

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46

Lee, Pamela M. New Games: Postmodernism after Contemporary Art. Taylor & Francis Group, 2013.

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47

Anderson, Steven, W. Lawrence Patrick, Louis A. Day, and Peter Orlik. Exploring Electronic Media. Blackwell Publishing Limited, 2007.

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48

W, Anderson C. News Media. Oxford University Press, Incorporated, 2016.

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49

Dabashi, Hamid. Staging a Revolution: The Art of Persuasion in the Islamic Republic of Iran (Middle Eastern Studies). New York University Press, 1999.

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50

Crowther, Paul, and Isabel Wünsche. Meanings of Abstract Art: Between Nature and Theory. Taylor & Francis Group, 2012.

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