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1

Ecosistemi narrativi: Dal fumetto alle serie tv. Roma: Carocci editore, 2018.

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2

Italy) Media Mutations (Conference) (3rd 2011 Bologna. Media Mutations: Gli ecosistemi narrativi nello scenario mediale contemporaneo : spazi, modelli, usi sociali. Modena: Mucchi, 2013.

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3

Negri, Erica. La rivoluzione transmediale: Dal testo audiovisivo alla progettazione crossmediale di mondi narrativi. Torino: Lindau, 2015.

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4

Elleström, Lars. Transmedial Narration: Narratives and Stories in Different Media. Cham: Springer Nature, 2019.

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5

1952-, Fulton Helen, ed. Narrative and media. Cambridge: Cambridge University Press, 2005.

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6

Storyworlds across media: Toward a media-conscious narratology. Lincoln: University of Nebraska Press, 2014.

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7

Aldama, Frederick Luis, ed. Latinos and Narrative Media. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137361783.

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8

Rodari, Biblioteca Gianni, ed. La narrativa nella scuola media. Campi Bisenzio, FI: La Biblioteca, 1991.

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9

Design, American Center for, and Living Surfaces Conference (1998 : Park City, Utah), eds. New media, new narratives? [Chicago]: American Center for Design, 2000.

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10

Narratives in popular culture, media, and everyday life. Thousand Oaks: Sage Publications, 1997.

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11

Nieves, Baranda, and Infantes Víctor, eds. Narrativa popular de la Edad Media. Madrid, España: Akal Ediciones, 1995.

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12

1951-, Rieser Martin, Zapp Andrea, British Film Institute, and Zentrum für Kunst und Medientechnologie Karlsruhe, eds. New screen media: Cinema/art/narrative. London: British Film Institute, 2002.

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13

Narrating "precariousness": Modes, media, ethics. Heidelberg: Winter, 2014.

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14

Lacey, Nick. Narrative and genre: Key concepts in media studies. New York: St. Martin's Press, 2000.

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15

Narrative and genre: Key concepts in media studies. Basingstoke: Macmillan, 2000.

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16

R, Hoffmann Christian, and Bublitz Wolfram, eds. Narrative revisited: Telling a story in the age of new media. Amsterdam: John Benjamins Pub. Company, 2010.

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17

Stories and social media: Identities and interaction. New York: Routledge, 2012.

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18

Elayne, Zorn, ed. Digital ethnography: Anthropology, narrative, and new media. Austin: University of Texas Press, 2013.

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19

1946-, Ryan Marie-Laure, ed. Narrative across media: The languages of storytelling. Lincoln: University of Nebraska Press, 2004.

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20

Beyond classical narration: Transmedial and unnatural challenges. Berlin: De Gruyter, 2014.

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21

On anger: Race, cognition, narrative. Austin: University of Texas Press, 2013.

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22

Ryan, Marie-Laure. Transmedia Storytelling as Narrative Practice. Edited by Thomas Leitch. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199331000.013.30.

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Chapter 30 defines transmedia storytelling as a hybrid of adaptation and transfictionality. Like the former, it involves several media; like the latter, it builds a storyworld through multiple narratives. Two types of transmedia storytelling are distinguished: top-down, the deliberate spreading of narrative content across multiple media; and bottom-up, the use of many media to develop a narrative originally conceived as mono-medial. If transmedia is to be a truly new mode of narration, it should proceed top-down, but actual examples are rare. The essay considers what kinds of phenomena can be regarded as transmedia storytelling; what are the relations between transmedia and interactivity; whether transmedia promote collective world creation; and whether the dispersion of content across multiple media is favorable or detrimental to the two basic elements of narrative: plot and storyworld.
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23

Elleström, Lars. Transmedial Narration: Narratives and Stories in Different Media. Springer International Publishing AG, 2018.

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24

Murphet, Julian, Anne Dunn, Helen Fulton, and Rosemary Huisman. Narrative and Media. Cambridge University Press, 2012.

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25

Huisman, Rosemary, Julian Murphet, and Anne Dunn. Narrative and Media. Edited by Helen Fulton. Cambridge University Press, 2005. http://dx.doi.org/10.1017/cbo9780511811760.

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26

Fulton, Helen. Narrative and Media. Cambridge University Press, 2006.

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27

Narrative and Media. Cambridge University Press, 2005.

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28

Transmedial Narratology and Contemporary Media Culture. University of Nebraska Press, 2016.

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29

Transmedial Narratology and Contemporary Media Culture. University of Nebraska Press, 2018.

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30

Kelleter, Frank. Media of Serial Narrative. Ohio State University Press, 2017.

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31

Media of Serial Narrative. Ohio State University Press, 2017.

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32

Bailey, Michael. Narrating Media History. Routledge, 2012. http://dx.doi.org/10.4324/9780203892954.

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33

Narrating media history. Milton Park, Abingdon, Oxon: Routledge, 2008.

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34

Bailey, Michael. Narrating Media History. Taylor & Francis Group, 2012.

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35

Narrating Media History. Routledge, 2012.

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36

Bailey, Michael. Narrating Media History. Taylor & Francis Group, 2012.

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37

Bailey, Michael. Narrating Media History. Taylor & Francis Group, 2012.

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38

Bailey, Michael. Narrating Media History. Taylor & Francis Group, 2012.

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39

Bailey, Michael. Narrating Media History. Taylor & Francis Group, 2012.

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40

Bailey, Michael. Narrating Media History. Taylor & Francis Group, 2012.

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41

Refiguring Minds in Narrative Media. University of Nebraska Press, 2015.

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42

Media Effects: A Narrative Perspective. Polity Press, 2020.

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43

Shanahan, James. Media Effects: A Narrative Perspective. Polity Press, 2020.

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44

Shanahan, James. Media Effects: A Narrative Perspective. Polity Press, 2020.

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45

Disorienting Media And Narrative Mazes. Transcript-Verlag, 2013.

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46

Appleton, Naomi, ed. Narrative Visions and Visual Narratives in Indian Buddhism. Equinox Publishing Ltd., 2022. http://dx.doi.org/10.1558/isbn.9781800501300.

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This volume explores the interaction between text and image in Indian Buddhist contexts, including not only the complex relationship between verbal stories and visual representations at Indian sites, but also the ways in which visual imagery is used within textual narratives. The chapters are authored by a mixture of textual scholars and art historians, bringing together different disciplinary perspectives in order to seek a richer understanding of how text and art relate, and of the role of narrative imagery in different media and contexts. The book opens with an introduction that explores what narratives and visual narratives are, and why we might want to study narrative images alongside imagery-rich literary narratives. The volume is then divided into three parts. The chapters in “Part I: Visual Narratives” (Zaghet, Reddy, Zin) explore visual depictions of stories in their own right; those in “Part II: Narrative Networks” (Mace, Appleton & Clark, Strong) seek to understand the relationship between specific visual and verbal narratives; and those in “Part III: Narrative Visions” (Gummer, Fiordalis, Walters) primarily investigate how visual imagery and visualisation work in textual narratives. The volume seeks to bridge the divide that traditionally exists between textual scholars and art historians, and to challenge the contributors to think beyond the usual boundaries of our work.
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47

Stories and Social Media. Routledge, 2013.

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48

Eckel, Julia, Bernd Leiendecker, Daniela Olek, and Christine Piepiorka, eds. (Dis)Orienting Media and Narrative Mazes. transcript Verlag, 2012. http://dx.doi.org/10.1515/transcript.9783839423387.

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49

Eckel, Julia, Bernd Leiendecker, Daniela Olek, and Christine Piepiorka, eds. (Dis)Orienting Media and Narrative Mazes. transcript-Verlag, 2012. http://dx.doi.org/10.14361/transcript.9783839423387.

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50

Simine, Silke Arnold-de, and Joanne Leal. Picturing the Family: Media, Narrative, Memory. Taylor & Francis Group, 2020.

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