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Journal articles on the topic 'Media history'

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Published: 4 June 2021
Last updated: 19 February 2023

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1

Gibbs, Patricia L., and James Hamilton. "Alternative Media in Media History." Media History 7, no. 2 (December 2001): 117–18. http://dx.doi.org/10.1080/13688800120092192.

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2

Nicholas, Siân. "MEDIA HISTORY OR MEDIA HISTORIES?" Media History 18, no. 3-4 (August 2012): 379–94. http://dx.doi.org/10.1080/13688804.2012.727289.

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3

Jensen, Klaus Bruhn. "Plenary Session III. Media History. From Media History to Communication History." Nordicom Review 23, no. 1-2 (September 1, 2002): 95–99. http://dx.doi.org/10.1515/nor-2017-0323.

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4

Salokangas, Raimo. "Plenary Session III. Media History. Media History Becomes Communication History – or Cultural History?" Nordicom Review 23, no. 1-2 (September 1, 2002): 101–5. http://dx.doi.org/10.1515/nor-2017-0324.

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5

Cavanagh, Allison. "Contesting Media History." Westminster Papers in Communication and Culture 4, no. 4 (November 1, 2007): 5. http://dx.doi.org/10.16997/wpcc.107.

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6

MacDonald, J. Fred, Mary Ann Watson, William Boddy, Mitchell E. Shapiro, Erik Barnouw, Hank Whittemore, Robert Henson, and Max D. Paglin. "Electronic Media History." Communication Booknotes 22, no. 1 (January 1991): 16–18. http://dx.doi.org/10.1080/10948009109487968.

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7

SUZUKI, Kazuyoshi. "History of Media." Journal of the Society of Mechanical Engineers 93, no. 857 (1990): 252–55. http://dx.doi.org/10.1299/jsmemag.93.857_252.

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8

Dahl, Hans Fredrik. "Plenary Session III. Media History. The Challenges of Media History." Nordicom Review 23, no. 1-2 (September 1, 2002): 81–84. http://dx.doi.org/10.1515/nor-2017-0321.

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9

McGovern, Charles F., Susan J. Douglas, and James L. Baughman. "Media, Culture, and History." Reviews in American History 16, no. 4 (December 1988): 617. http://dx.doi.org/10.2307/2702363.

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10

Palmegaino, Eugenia M. "Re-Constructing Media History." American Journalism 22, no. 1 (January 2005): 133–36. http://dx.doi.org/10.1080/08821127.2005.10677634.

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11

Stamm, Michael. "Media History Digital Library." American Journalism 31, no. 1 (January 2, 2014): 147–49. http://dx.doi.org/10.1080/08821127.2014.875361.

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12

Smith, Jeffery A. "Writing Media History Articles." Journalism & Mass Communication Quarterly 92, no. 1 (January 20, 2015): 12–34. http://dx.doi.org/10.1177/1077699014564958.

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13

Farnsworth, Elma G., Karen S. Buzzard, Diane Foxhill Carothers, Eugene Marlow, Eugue Secunda, Alan Havig, Melvin Patrick Ely, et al. "History of Electronic Media." Communication Booknotes 22, no. 4 (July 1991): 75–77. http://dx.doi.org/10.1080/10948009109487994.

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14

Perski, Lara. "Cinematicity in Media History." Historical Journal of Film, Radio and Television 36, no. 1 (January 2, 2016): 116–18. http://dx.doi.org/10.1080/01439685.2015.1130948.

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15

Griffen-Foley, Bridget, and David McKnight. "Introduction: Australian Media History." Media International Australia 99, no. 1 (May 2001): 5–7. http://dx.doi.org/10.1177/1329878x0109900103.

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16

Nitins, Tanya. "Review: Convergence Media History." Media International Australia 137, no. 1 (November 2010): 175–76. http://dx.doi.org/10.1177/1329878x1013700138.

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17

Blatti, J. "Media and Public History." Oral History Review 18, no. 1 (March 1, 1990): 117. http://dx.doi.org/10.1093/ohr/18.1.117.

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18

Blatti, J. "Media and Public History." Oral History Review 20, no. 1 (March 1, 1992): 87. http://dx.doi.org/10.1093/ohr/20.1.87.

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19

Hampton, Mark. "Media Studies and the Mainstreaming of Media History." Media History 11, no. 3 (December 2005): 239–46. http://dx.doi.org/10.1080/13688800500353805.

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20

Bastiansen, Henrik G. "MEDIA HISTORY AND THE STUDY OF MEDIA SYSTEMS1." Media History 14, no. 1 (March 14, 2008): 95–112. http://dx.doi.org/10.1080/13688800701880432.

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21

Ihor Yakubovskyy. "THE INFORMATIONAL POTENTIAL OF THE LOCAL MEDIA AS A SOURCE OF FACTS ABOUT HOLODOMOR OF 1932-1933: EXAMPLE OF MALYN NEWSPAPER “BY THE BOLSHEVIK RATES”." Intermarum history policy culture, no. 8 (December 30, 2020): 61–75. http://dx.doi.org/10.35433/history.11204.

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The article aims to examine the specific reflection of the problem of Holodomor of 1932-1933 by the local media through the prism of the Malyn newspaper of “By the Bolshevik Rates”. The research methodology includes a combination of a number of historical methods: comparative, source studies, contextual analyses, structural and functional analyses. The scientific novelty. The article is a pioneer research of the above-mentioned newspaper as a source of data of the Holodomor period as well as of the informational potential of the local media as a source of facts for the Holodomor studies. It is a first attempt to analyze the specific features of the formation of the local media’s content with regard to Holodomor. Conclusions. The Malyn newspaper “By Bolshevik Rates” indicates the broad opportunities of the local media related to the following major research problems of Holodomor: the authorities’ strategies (especially of the regional level); the role of the media in the ideological, political and economic campaign on the territory of Holodomor; the processing of the forced grain extraction and confiscation of the nutrition in the villages; inhabitants’ notions about the situation and their perspective; active (including the criminal practices) and passive resistance of the different groups of the population for the activity of local officials as main providers of the power plan; prosopography of Holodomor’s implementers and victims. The information potential of media makes it possible to expand scholarly knowledge on the character and course of Holodomor and on the social, psychological, and economic processes that determined its key trends. As a result, it presents the possibilities to examine how the model of Holodomor functioned. In addition, it will stimulate the improvement of the research practices in the field.
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22

Tansey, Tilli. "Film sources in media history." Journal of Audiovisual Media in Medicine 16, no. 4 (January 1993): 148. http://dx.doi.org/10.3109/17453059309064860.

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23

Sajithra K, Sajithra K. "Social Media – History and Components." IOSR Journal of Business and Management 7, no. 1 (2013): 69–74. http://dx.doi.org/10.9790/487x-0716974.

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24

Balbi, Gabriele. "Doing Media History in 2050." Westminster Papers in Communication and Culture 8, no. 2 (October 1, 2011): 133. http://dx.doi.org/10.16997/wpcc.188.

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25

Evelyn, Sarah. "Introduction to Media Literacy History." Journal of Media Literacy Education 6, no. 2 (November 9, 2014): 1–2. http://dx.doi.org/10.23860/jmle-2016-06-02-1.

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26

Sanders, Richard. "Contemporary history in the media." Contemporary Record 6, no. 1 (June 1992): 220–24. http://dx.doi.org/10.1080/13619469208581207.

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27

Sanders, Richard. "Contemporary history in the media." Contemporary Record 6, no. 3 (December 1992): 576–81. http://dx.doi.org/10.1080/13619469208581231.

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28

Good, Katie Day. "The Media History Digital Library." Journal of American History 107, no. 1 (June 1, 2020): 299–301. http://dx.doi.org/10.1093/jahist/jaaa175.

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29

Richard Whitaker, W. "Mainstreams of American Media History." American Journalism 17, no. 3 (July 2000): 126–28. http://dx.doi.org/10.1080/08821127.2000.10739260.

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30

Meyers, Cynthia B. "Media History and Advertising Archives." American Journalism 37, no. 2 (April 2, 2020): 244–55. http://dx.doi.org/10.1080/08821127.2020.1750888.

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31

Banks, Miranda J. "Oral History and Media Industries." Cultural Studies 28, no. 4 (March 11, 2014): 545–60. http://dx.doi.org/10.1080/09502386.2014.888921.

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32

Dahl, Hans Fredrik. "The Pursuit of Media History." Media, Culture & Society 16, no. 4 (October 1994): 551–63. http://dx.doi.org/10.1177/016344379401600402.

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33

O’Donnell, Penny. "Introduction: Internationalising Australian Media History." Historical Journal of Film, Radio and Television 30, no. 3 (September 2010): 265–68. http://dx.doi.org/10.1080/01439685.2010.505019.

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34

Kuehl, Jerome. "Documentary Media: History, Theory, Practice." Historical Journal of Film, Radio and Television 40, no. 1 (December 12, 2019): 233–34. http://dx.doi.org/10.1080/01439685.2018.1543234.

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35

Berridge, Virginia. "History, medicine and the media." Studies in History and Philosophy of Science Part C: Studies in History and Philosophy of Biological and Biomedical Sciences 41, no. 3 (September 2010): 304–6. http://dx.doi.org/10.1016/j.shpsc.2010.07.012.

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36

Healy, Chris. "History, culture and media magic." Australian Historical Studies 33, no. 118 (January 2002): 121–26. http://dx.doi.org/10.1080/10314610208596185.

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37

Wijfjes, Huub. "Digital Humanities and Media History." TMG Journal for Media History 20, no. 1 (June 26, 2017): 4. http://dx.doi.org/10.18146/2213-7653.2017.277.

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Digital humanities is an important challenge for more traditional humanities disciplines to take on, but advanced digital methods for analysis are not often used to answer concrete research questions in these disciplines. This article makes use of extensive digital collections of historical newspapers to discuss the promising, yet challenging relationship between digital humanities and historical research. The search for long-term patterns in digital historical research appropriately positions itself within previous approaches to historical research, but the digitization of sources presents many practical and theoretical questions and obstacles. For this reason, any digital source used in historical research should be critically reviewed beforehand. Digital newspaper research raises new issues and presents new possibilities to better answer traditional questions.
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38

Yarber, Y. "Media Reviews: Singing Oral History." Oral History Review 26, no. 2 (September 1, 1999): 152–54. http://dx.doi.org/10.1093/ohr/26.2.152.

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39

Pobst, James H. "Book Review: American Media History." Journal of Communication Inquiry 29, no. 3 (July 2005): 273–76. http://dx.doi.org/10.1177/0196859905275481.

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40

Ernst, Wolfgang. "From Media History to Zeitkritik." Theory, Culture & Society 30, no. 6 (August 21, 2013): 132–46. http://dx.doi.org/10.1177/0263276413496286.

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41

O'Regan, Tom, and Huw Walmsley-Evans. "Media Histories." Media International Australia 157, no. 1 (November 2015): 91–92. http://dx.doi.org/10.1177/1329878x1515700111.

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If the first section of this Australian Media History issue of MIA focused on the first 50 years of The Australian newspaper, this second section, Media Histories, provides a general selection of articles covering different aspects of Australian media history. Designed to represent the several contemporary trends in Australian media history scholarship, this state-of-the-discipline collection covers a range of media and time periods. It shows how capacious and heterogeneous media history can be, and how indispensible – whether for the examination of media institutions and their regulation, media's intersections with politics and memories, media coverage of racial and ethnic differences across sport, food and national policy, or media's taking up of science with weather forecasting.
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42

O'Malley, Tom. "Media History and Media Studies: Aspects of the development of the study of media history in the UK 1945-2000." Media History 8, no. 2 (December 2002): 155–73. http://dx.doi.org/10.1080/1368880022000030522.

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43

Lauer, Josh. "Surveillance history and the history of new media: An evidential paradigm." New Media & Society 14, no. 4 (November 16, 2011): 566–82. http://dx.doi.org/10.1177/1461444811420986.

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New media are often addressed within the growing field of surveillance studies, but technologies predating the late twentieth century are rarely considered. This essay challenges conventional histories of modern surveillance by highlighting the cultural impact of three ‘old’ new media: photography, the phonograph, and the telephone. Drawing upon the work of historian Carlo Ginzburg (1990) , I argue that new media produce new evidence and that late nineteenth-century media contributed to an emergent ‘evidential paradigm’. From this perspective, the intensification of contemporary surveillance can be seen as an elaboration of late nineteenth-century new media and the proliferation of evidence-producing communication technologies.
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44

Klikauer, Thomas, and Nadine Campbell. "A Social History of the Media." European Journal of Communication 36, no. 2 (April 2021): 206–8. http://dx.doi.org/10.1177/0267323121999878.

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45

Fuechtner, Veronika, and Paul Lerner. "Babylon Berlin: Media, Spectacle, and History." Central European History 53, no. 4 (December 2020): 835–54. http://dx.doi.org/10.1017/s0008938920000771.

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Babylon Berlin (henceforth BB) premiered in Germany on the pay channel Sky TV in October 2017 and in the United States on the streaming service Netflix in January 2018. It is based on Volker Kutscher's series of crime novels set in late Weimar Republic and early Nazi-era Berlin. At its center are the lives and investigations of the laconic and tormented police detective Gereon Rath and his charismatic and irrepressible assistant Charlotte (Lotte) Ritter. In anticipation of the series premiere on public television, marathon screenings took place in 150 cinemas across Germany, where audience members dressed up in 1920s fashion and enjoyed a Currywurst break. Its viewership in the Federal Republic was topped only by the global fantasy behemoth Game of Thrones. The series is clearly modeled on American series such as Mad Men (2007–2015) and The Wire (2002–2008) as it unfolds a complex web of characters and subplots with loving attention to the history and fashions of the time. Indeed, this collaboration of seasoned directors Tom Tykwer, Achim von Borries, and Henk Handloegten is the most expensive German TV series to date. The fact that BB premiered on pay TV while having been largely produced with public funds drew some ire. German reviewers questioned both the circumstances of its production and its creative ambition. While Der Spiegel called it “a masterpiece,” one much debated blog review went so far as to call it “pure crap,” which neither reflected historical truth nor carried artistic merit. Many critics faulted the series for trading in postcard clichés and creating a 1920s “Berlin Disneyland.” The weekly Die Zeit complained that there was a little too much cute dialect, such as “icke” and “kiek ma,” which made the critic sometimes feel like wiping the dirt makeup off the proletarian faces. (And indeed, one of the numerous intertexts of this series are Heinrich Zille's unflinching depictions of proletarian misery.)
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46

Park, David W. "Introduction to Media History and Democracy." Media and Communication 6, no. 1 (February 9, 2018): 1–4. http://dx.doi.org/10.17645/mac.v6i1.1356.

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This thematic issue of <em>Media and Communication</em> features articles that address the workings of democracy as understood through the lens of media history. The intersection of democracy and media history brings together two impossibly expansive terms, so expansive that the articles herein cannot provide any meaningful closure to the questions that even a cursory consideration of media history and democracy would provoke. Instead of closure, what these authors develop is a demonstration of the value of media history to our understandings of democracy. Historical methods of inquiry are necessary components for any meaningful understanding of media or democracy, and the authors gathered here work from a multi-hued palette of historiographical approaches. One finds in this issue a careful attention to how issues related to media history and democracy can be investigated through consideration of intellectual history, the history of political debates, journalism history, and the history of media organizations and institutions. These articles make a strong case for the continued relevance of media history to understanding the democracy and the media.
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47

Kesting, Marietta. "Performing history/ies with obsolete media." Alphaville: Journal of Film and Screen Media, no. 12 (February 10, 2017): 24–38. http://dx.doi.org/10.33178/alpha.12.02.

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The article addresses the tension between old (analogue) media and new (digital) media usage and their specific materialities by discussing the question of the preserving and re-telling of (subjective and national) history and histories. It analyses Pied Piper’s Voyage (2014), a photo-film of emerging South African artist Lebohang Kganye in the context of the South African photographic and filmic archive. In order to address the question of agentiality and transmission of memory through media this article interrogates the strategies of this piece, using a “hand-made” or analogue aesthetic in a high-definition video, and focuses on how the usage of obsolete media formats resonates both with the artists’ own subjective history and with the (chrono-)politics of representation and in/visibility in South Africa’s transnational history—including the often absent photo and film archive of black South Africans’ lives under apartheid and thus the negotiation of cultural memory in the present. It asks how media technology performs historicity: how can outdated formats invoke or announce pastness? Which different temporalities can they project? What desires and “atmospheres” may they create by staging or presenting “auratic” qualities?
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48

Goodall, Heather. "Aboriginal history, narration and new media." History and Computing 9, no. 1-3 (October 1997): 134–43. http://dx.doi.org/10.3366/hac.1997.9.1-3.134.

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‘Angledool Stories’ is an ongoing collaboration in public history between an academic and a community historian in a rural Australian indigenous community. The goal has been to investigate whether interactive multi-media offered a means to make oral history recordings, family photos and research materials more accessible to the communities within which such research had been originally undertaken. The research and drafting process has already demonstrated that decisions about the design of the CD-ROM cannot be limited to technical or aesthetic considerations. This paper analyses three aspects of that design process: interface design; oral narrative selection and editing; and image selection and contextualisation. Each of these has required a sensitivity to the continuing tensions arising from colonialism and racial conflict over land and civil rights in Australia. The design decisions have had to be taken at the intersection of the technical, the political and the analytical. An essential and creative ingredient in the design process has proven to be close and continuing consultation with the rural Aboriginal community, which has allowed the political aspects of design questions to become apparent andhas generated options for constructive approaches to their solution.
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49

Broersma, Marcel. "Narrating Media History - Michael Bailey (ed.)." TMG Journal for Media History 12, no. 1 (June 1, 2009): 167. http://dx.doi.org/10.18146/tmg.701.

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50

Ebbrecht, Tobias. "HISTORY, PUBLIC MEMORY AND MEDIA EVENT." Media History 13, no. 2-3 (August 2007): 221–34. http://dx.doi.org/10.1080/13688800701608627.

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