Academic literature on the topic 'Media discourses and narratives'

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Journal articles on the topic "Media discourses and narratives":

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Aldreabi, Haitham, Mohammad N. Aldalain, and Nader N. Albkower. "Narratives and Discourse: Translation in the Development and Contestation of Media Frames." Dirasat: Human and Social Sciences 50, no. 5 (September 30, 2023): 338–44. http://dx.doi.org/10.35516/hum.v50i5.5855.

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Objectives: This study investigates the overlooked possibility of importing and exporting narratives’ impact through translation and circulation in international news agencies. An exported narrative gains currency and alternative interpretations through guided associations or disassociations with discourses circulating the host socio-political context. Methods: The study adopts the descriptive-analytical approach and borrows tenets offered by critical discourse analysis. Rather than focusing on the impact of exported narrative on the host socio-political discourses, it explores the possible implications of the host socio-political narrative for the introduced interpretation. Accordingly, the study compared and analysed the narratives of Translation students’ at Mutah University to address the study’s primary aim of exporting AlMamlaka discourse through translation. Results: This view of narrativity approaches exporting narratives as an attempt to re-narrate an event and alter its dynamics. This study explores possible applications in AlMamlaka English because international news agencies often re-narrate ontological or public narratives as disciplinary or meta-narratives to allow a broader audience to subscribe to the represented interpretation of reality. After being empowered as a metanarrative, the exported discourse will eventually return to the source language socio-political context from where it had emerged. Conclusions: The study recommends launching AlMamlaka English and asserts its role in acquainting international audiences with Jordanian viewpoints on local and global events.
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Smith, Philip. "The Semiotic Foundations of Media Narratives: Saddam and Nasser in the American Mass Media." Narrativization of the News 4, no. 1-2 (January 1, 1994): 89–118. http://dx.doi.org/10.1075/jnlh.4.1-2.06the.

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Abstract The article examines the impact of cultural structures on journalistic story telling. It argues that the mass media can be understood in neofunctionalist terms as a subsystem of civil society. Mass media discourses are therefore responsive to the cultural forms shaping civil discourse. At the core of American media discourse is a set of binary codes that specify civic virtues and vices. These codes provide the foundation from which more complex narrative forms are constructed in the American mass media. The proposed model of codes and narratives is briefly applied in a comparative analysis of American mass media interpretations of Gamal Abdel Nasser and the 1956 Suez crisis, and Saddam Hussein and the 1990-1991 Gulf War. (Sociology)
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Ida Bagus Suryanatha, Fitriana Selvia, and Katriana Puspita Ayu. "Millennial Jihad in the Digital Age: Critical Discourse Analysis of Self-Radicalization and Self-Recruitment among the Millenial Generation." Digital Muslim Review 1, no. 2 (December 29, 2023): 131–41. http://dx.doi.org/10.32678/dmr.v1i2.15.

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This investigation delves into the profound impact of technology and social media by examining jihad narratives within the millennial demographic. The millennial generation, employing an innovative strategy of self-directed learning, has moulded propositions, paradigms, dual meanings, and religious narratives, resulting in the emergence of two pivotal terms: self-radicalization and self-recruits. Utilising Teun A Van Dijk’s critical discourse analysis, we scrutinise a news item, unraveling discourses and multiple meanings. Our findings intricately expound upon the contextualisation of millennials, technology, the Internet, social media, YouTube, radicalism, jihad, and religious narratives—a trilogy that introduces a groundbreaking terminology: Critical discourse analysis of self-religious narratives, with a specific focus on self-radicalization and self-recruitment. This study propels our comprehension of how millennials navigate and influence religious discourses in the era of digital communication.
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Orgad, Shani. "The Sociological Imagination and Media Studies in Neoliberal Times." Television & New Media 21, no. 6 (July 26, 2020): 635–41. http://dx.doi.org/10.1177/1527476420919687.

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To date, media and communication studies have mostly examined narratives either as stories that circulate in public discourse or as people’s personal narratives. In the context of deepening inequalities, the cementing of neoliberal rationality and the intensifying centrality of media and communication technologies in public and everyday life, connecting the two realms is a vital task. Drawing on The Sociological Imagination, I argue for and demonstrate the value of connecting what C. Wright Mills famously called “personal troubles” and “public issues of social structure” in the study of current media and narrative. Analysis of how contemporary cultural narratives furnish and condition our most intimate personal troubles highlights that our lives are shaped by social forces not of our own making. Yet, the intersection between media and cultural discourses and individuals’ sense-making of their experiences can open up possibilities for change and even resistance.
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Zhao, Wanying, Siyi Guo, Kristina Lerman, and Yong-Yeol Ahn. "Discovering Collective Narratives Shifts in Online Discussions." Proceedings of the International AAAI Conference on Web and Social Media 18 (May 28, 2024): 1804–17. http://dx.doi.org/10.1609/icwsm.v18i1.31427.

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Narratives are foundation of human cognition and decision making. Because narratives play a crucial role in societal discourses and spread of misinformation and because of the pervasive use of social media, the narrative dynamics on social media can have profound societal impact. Yet, systematic and computational understanding of online narratives faces critical challenge of the scale and dynamics; how can we reliably and automatically extract narratives from massive amount of texts? How do narratives emerge, spread, and die? Here, we propose a systematic narrative discovery framework that fill this gap by combining change point detection, semantic role labeling (SRL), and automatic aggregation of narrative fragments into narrative networks. We evaluate our model with synthetic and empirical data — two Twitter corpora about COVID-19 and 2017 French Election. Results demonstrate that our approach can recover major narrative shifts that correspond to the major events.
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Mauro, Max. "Media discourse, sport and the nation: narratives and counter-narratives in the digital age." Media, Culture & Society 42, no. 6 (February 27, 2020): 932–51. http://dx.doi.org/10.1177/0163443720902910.

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Throughout the 20th century, the growth of international sport events as media spectacles has provided one of the most powerful tools for the projection of national identities. Traditional media, such as newspapers and private and public broadcasters, have been instrumental in this process. Media discourses around sporting events have historically tended to legitimise exclusionary versions of the idea of the nation, reproducing hegemonic gender divisions and marginalising ethnic minorities and immigrants. At the same time, sport is also a contested vehicle for nation-building, providing to some degree opportunities for the expression of different versions of the idea of the nation. The deep changes in the media industry, and particularly the emergence and success among young people of interactive and transnational media, open the way for counter-narratives and alternative media discourses. For example, sport celebrities can use social media to expose and criticise the racialisation of immigrants in sport and beyond. But can the millions who follow them on Instagram or Twitter be counted as a ‘public’?
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Muhammad, Nur Afni. "Populisme dan Dinamika Otoritas Keagamaan dalam Islam di Media Sosial." Jurnal Peurawi: Media Kajian Komunikasi Islam 4, no. 2 (October 29, 2021): 113. http://dx.doi.org/10.22373/jp.v4i2.10487.

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The research is used to answer three main problems, namely what are the discourses behind Felix Siauww's appearance on social media such as YouTube and Instagram, how is the narrative of Islamic Populism discourse built by Felix Siauww on Instagram, and how YouTube media builds and strengthens Felix Siauww's religious authority. The researcher used the visual ethnographic method offered by Cristine. Data collection is done by combining empirical and theoretical data that is devoted to social media which is devoted to Felix Siauww's Instagram account and YouTube Channel. The results of Felix Siauww's research maximize the sophistication of social media, namely by paying attention to aspects of ethical values, character, and aesthetics. There are three reasons to mention Felix Siauww as a representation of Islamic populism among Netizens; First, Islamic populism is synonymous with anti-establishment terminology. second, Islamic populism is synonymous with anti-authoritarian narratives, third, populism contains narratives of religious purification and calls for a return to true teachings.
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Lupu, Ioana, and Raluca Sandu. "Intertextuality in corporate narratives: a discursive analysis of a contested privatization." Accounting, Auditing & Accountability Journal 30, no. 3 (March 20, 2017): 534–64. http://dx.doi.org/10.1108/aaaj-05-2014-1705.

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Purpose Despite the growing amount of research on the social and organizational role of legitimacy, very little is known about the subtle discursive processes through which organizational changes are legitimated in contemporary society. The purpose of this paper is to explore the subtle processes of interdiscursivity and intertextuality through which an organization constructs a sense of legitimacy. Design/methodology/approach Drawing on the case of a newly privatized oil company in a transitional, post-communist economy, the authors’ research uses critical discourse analysis to analyze the annual reports, corporate press releases, and relevant media from the four years following privatization. Findings The authors argue for a relational understanding of legitimacy construction that emphasizes how legitimacy relies on the multiple processes of intertextuality linking corporate narratives and media texts. Corporate narratives are not produced solely by the discourses that occur at the individual and organizational levels; they are also produced by the much broader discourses that occur at the societal level. Originality/value This study’s main contribution is that it reveals the intertextual and interdiscursive construction of corporate narratives, which is a key element in understanding how discourses around privatization are interlinked and draw upon other macro-level discourses to construct legitimacy.
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NOFURU, NAKINTI BESUMBU, NICOLINE AGBOR TABE, and ESTHER P. CHIE EPSE ASONGANYI. "Empowering Discourses Countering Negativism towards Female Rape Survivors on Social Media in Cameroon." International Journal of Research and Scientific Innovation XI, no. V (2024): 239–51. http://dx.doi.org/10.51244/ijrsi.2024.1105017.

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It is commonplace to see negative comments, usually fueled by rape myths and rape culture directed at female rape survivors who break the silence on rape on social media. Such discourses are common on social media platforms. However, a group of social media users are changing the popular narratives by engaging in powerful positive discourses to counter widespread negativism that is usually directed at female rape survivors. This article examines the powerful positive rape discourses that social media users engage in after a rape survivor breaks her silence on rape, in an attempt to counteract negative discourses. This study examines 50 empowering discourses drawn from Facebook and Instagram and we found out that the current positive narratives do not only challenge rape myths and rape culture; they go a long way to empower survivors and implicate perpetrators.
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Linchenko, Andrei A., and Bella V. Gartwig. "Rediscovering Identity: Autobiographical Memory and Media Discourses of Russian-Germans in Germany and Russia." Changing Societies & Personalities 7, no. 2 (July 3, 2023): 34. http://dx.doi.org/10.15826/csp.2023.7.2.230.

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This paper compares the processes of rediscovering identity in autobiographical memory and media discourses of Russian-Germans living in Germany and in Russia. According to R. Brubaker, the Russian-Germans are viewed as a transnational group with a specific “hybrid identity”, whose identification varies depending on the cultural project, which they are involved in. In Germany and Russia, the boundaries of this identification are the politics of memory of the host society and the dominant narratives regarding this group as repatriates (Germany) and as a diaspora with its own culture (Russia). Our analysis, which was based on the methodology of the critical discourse analysis by S. Jäger, revealed that such a dominant narrative in Germany is the “narrative of return”. In Russia, however, there are two discursive threads: the image of Russian-Germans as a repressed group and the narrative about the outstanding role of Russian-Germans in the history of Russia. The curves of autobiographical and family narratives of the three generations of Russian-Germans in Russia and Germany were analyzed and compared according to the biographical method of F. Schütze. People aged 30–50 were the most open to the influence of collective “standardized” narratives both in Germany and in Russia. Despite the fact of living in Russia, those respondents who were preparing to repatriate to Germany actively reproduced the “return narrative” and used international mnemonic frameworks to structure their autobiographical and family story. Our study showed that the influence of the discursive media environment on the autobiographical and family memory of Russian-Germans living in Germany and Russia depends on the respondent’s individual life experience (the curve of their biography), age, and some peculiarities of their family history.

Dissertations / Theses on the topic "Media discourses and narratives":

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Kerr, Jessica Preston. "Discourse and the logic of education reform: crisis narratives in Kansas." Kansas State University, 2016. http://hdl.handle.net/2097/32700.

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Master of Science
Curriculum and Instruction
Thomas Vontz
Discourse analysis (DA) explores the relationships between discursive practices and wider social and cultural structures, relations, and processes. In this paper I explore, through a qualitative DA of education reporting in the Topeka Capital Journal (January 2014- January 2016), state press releases, and gubernatorial state speeches, how notions of fiscal crisis, both material and narratively cultivated, function to underscore the logic of neoliberalism. While considering potential context specific properties of local reporting and the cultural, geographical, and historical context of the region, I connect my findings with the larger, scholarly body of work pertaining to these issues. Connecting media language and policy discourse across local and global dimensions adds to a growing theoretical and qualitative understanding of the facets of education restructuring and reform within the framework of the global movement and adds material resources in the form of analysis as tools for educational practitioners and grassroots organizations working to craft alternatives to the neoliberal doctrine.
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Ouma, Radoli Lydia [Verfasser], Anna [Gutachter] Amelina, and Christer [Gutachter] Petersen. "Narratives of migration and development as discourses in transnational digital migrant media : the case of Kenyan migration to Europe / Lydia Ouma Radoli ; Gutachter: Anna Amelina, Christer Petersen." Cottbus : BTU Cottbus - Senftenberg, 2019. http://d-nb.info/1181792541/34.

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Weatherston, Kristine T. "Nonfiction, Documentary and Family Narrative: An Intersection of Representational Discourses and Creative Practices." VCU Scholars Compass, 2014. http://scholarscompass.vcu.edu/etd/3602.

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Nonfiction, Documentary, and Family Narrative:
 An Intersection of Representational Discourses and Creative Practices explores the role of personal memory, family history, and inter-generational storytelling as the basis for making a nonfiction film. The film, American Boy, tells the story of my mother’s immigration to the United States after the failed Hungarian Revolution of 1956, opening a discussion of four generations of my family life in the context of historical events, exile, self re-invention, and identity formation. As a media producer and nonfiction author, I narrate my understanding of these events to my infant son, as a way of communicating my grandfather’s role in the revolution, my mother’s childhood, and my own mediation of my family’s trauma. Through the use of archival footage including newsreels and commercials, as well as my own archive of family photos and documents, I re-construct the existing materials to build my own associations concerning time, memory, and place. The film, as my creative practice, leads to a theoretical analysis of representational discourses which inform the work. This deconstruction of nonfiction and meta-analysis includes my study of several practitioners in the craft of non-fiction: Kati Marton, Robert Root, Primo Levi, Eva Hoffman, Patricia Hampl, Dinty W. Moore, Peter Balakian and others.
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Tew-Street, Fraser Lewis Edward. "Narratives of history and the discursive construction of national identity in the Russian Republic of Karelia." Thesis, University of Edinburgh, 2015. http://hdl.handle.net/1842/11703.

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Although an element of our quotidian existence the manner in which national identity is produced is one of the most contested problems in the contemporary social sciences. One method of examining the production of national identity is to study the mechanism through which such identities are constructed in discourse. This study considers the use of historical narratives in the construction of differing formulations of national identity in the Russian Republic of Karelia. Using the tools of critical discourse analysis this study surveys the production of varying historical narratives in the Republic of Karelia and the fashion in which such narratives contribute to producing or deconstructing competing conceptions of national identity. This thesis uses an analysis of both mass media discourse and interview data to provide a thorough illustration of the production of narratives of Karelian history on public and private levels and their use in engendering or refuting opposing notions of Karelian identity. It shall examine how various historical events and tendencies are incorporated into contrasting narratives of the historical development of the Karelian people and their Russian, Finnish and Vepsian counterparts and how such narratives are used to justify or invalidate current political and social realities. The relationship between such narratives of history and other aspects of identity production is investigated alongside the difficulties of ethnic Karelians in producing and promoting such narratives to sustain an image of Karelian national identity. It shall also demonstrate the manner in which Karelian identity can be positioned through the use of such historical narratives as closer to or more distant from Russian or Finnish national identity. The narration of a history of Karelia as an area and the manner in which this can be deployed to incorporate or distance the region from conceptions of Russian or Finno-Ugric identity is also made evident.
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Godin, Noah. "Protesters, Activists or Land Defenders? Narratives Around Indigenous Resistance in the Canadian Media : Discourse Analysis of Selected CBC Articles on Contemporary Indigenous Resistance." Thesis, Malmö universitet, Malmö högskola, Institutionen för globala politiska studier (GPS), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-43129.

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Indigenous autonomy, self-government and self-determination have historically been an area of conflict within the settler colonial state of Canada. This thesis aims to analyze critically the Canadian state’s alleged progressive nature in regard to nation-to-nation relations as well as the discourses that portray Canadian society as fostering Indigenous rights. Grounded in previous research and contextual background, this study uses the Discourse Historical Approach (DHA) to investigate how Canadian media produces and reproduces discourse around the issues connected with Indigenous resistance since the ‘Oka Crisis’ of 1990, based on the selected material published by The Canadian Broadcasting Corporation. The findings illustrate that while liberal-influenced narratives have improved, significant identification of decolonization within Canada’s media was not found and the structures of settler colonialism remain largely unchanged.
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Fusté, Forné Francesc. "Food Journalism: Building the discourse on the popularization of gastronomy in the twenty-first century." Doctoral thesis, Universitat Ramon Llull, 2017. http://hdl.handle.net/10803/404567.

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El periodisme gastronòmic és una tipologia de periodisme especialitzat que consisteix en la narració de la gastronomia. Aquesta tesi té com a objectiu estudiar la importància de la gastronomia en la premsa diària durant el període 2005-2015 a Catalunya i Espanya, amb una perspectiva comparativa per al cas dels Estats Units. El treball empíric realitzat inclou l’anàlisis de cinc diaris (El Mundo, El País, El Periódico, La Vanguardia i The New York Times) i està basat en l’estudi de 6,189 articles periodístics. S’ha portat a terme una metodologia tant quantitativa com qualitativa amb l’objectiu de determinar quines són les principals característiques dels continguts gastronòmics i veure com el discurs al voltant de la gastronomia ha evolucionat en la premsa escrita del segle XXI.
El periodismo gastronómico es una tipología de periodismo especializado que consiste en la narración de la gastronomía. Esta tesis tiene como objetivo estudiar la importancia de la gastronomía en la prensa diaria durante el período 2005-2015 en Cataluña y España, con una perspectiva comparativa para el caso de los Estados Unidos. El trabajo empírico realizado incluye el análisis de cinco periódicos (El Mundo, El País, El Periódico, La Vanguardia y The New York Times) y está basado en el estudio de 6,189 artículos periodísticos. Se ha llevado a cabo una metodología tanto cuantitativa como cualitativa con el objetivo de determinar cuales son las principales características de los contenidos gastronómicos y ver como el discurso entorno la gastronomía ha evolucionado en la prensa escrita del siglo XXI.
Food journalism is a special interest journalism that consists on the drawing of narratives with regards to gastronomy. This thesis aims at studying the importance of gastronomy in daily print media during the period 2005-2015 in Catalonia and Spain, with a comparative perspective for the case of the United States. Empirical work includes the analysis of five newspapers (El Mundo, El País, El Periódico, La Vanguardia and The New York Times) and is based on the study of 6,189 newspapers’ articles. Both a quantitative and qualitative analysis is carried out in order to determine the features regarding the gastronomy contents and how gastronomy news have discoursively evolved in the twenty-first century printed media.
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Morris, Gabrielle N. "Cultivating Liberation: The Effects of Collective Shaping on Context and Power Dynamics within Social Justice Narratives." Thesis, University of North Texas, 2020. https://digital.library.unt.edu/ark:/67531/metadc1707279/.

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Social issues are becoming increasingly apparent. More people are experiencing the impact of social issues directly and through their media consumption. It is important to understand and reflect on our collective impact on the media and how the media affects the collective. The purpose of the present study was to evaluate the effects of a collaborative workshop (collective shaping) and a verbal community that examined media depictions of social justice and injustice related to context and power dynamics. The effects of the workshop were evaluated using an A-B design with multiple probe measures across three participants. During the pre-, probe, and post-training assessments, participants watched videos and responded to a written prompt. Results of the study suggest that written responses were not adequately trained during the workshop. However, anecdotally, participant's verbal responding shifted drastically during the training workshop. The results are discussed within the context of the training apparatus, effects the workshop had on the participants and researchers, and progression forward.
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Wilson, Erika. "Navigating competing discourses, narratives of womanhood in Bamako, Mali." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape2/PQDD_0011/MQ61516.pdf.

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Yidana, Richard J. J. "Controlling narratives, controlling histories political discourses of anticolonial nationalism /." Diss., Online access via UMI:, 2006.

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Morpaw, May. "Antonio Skármeta's Narratives of Ethnicity: Rewriting Chile's Discourses of Identity." Thesis, Université d'Ottawa / University of Ottawa, 2016. http://hdl.handle.net/10393/35559.

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This dissertation examines the representation of ethnic origins in Antonio Skármeta’s fiction. My hypothesis is that exile in Europe and return to Chile led the author to rethink his Dalmatian-Croatian roots and his sense of self in response to prevailing discourses of national identity. I assess Chile’s immigration history as well as the development of the idea of a homogeneous national identity. Blending concepts of ethnic narrative with theories of memory, identity, and literature, I trace Skármeta’s literary shift towards reclaiming his roots and initiating a critical dialogue with established notions of Chilean identity. I further argue that he grounds himself in literary tradition to inscribe immigrant stories into two major foundational genres, the historical novel and the family romance. I also show that, instead of accepting the truth-telling claims of historical fiction, Skármeta employs historiographic metafiction and intertextuality to emphasize the literary nature of fictional discourse and the role of literary figures in inventing the nation. Finally, I contend that these narratives constitute literary lieux de mémoire (Pierre Nora), which incorporate a subjective memory into the evolving discourses on Chilean identity, thereby recognizing pluralism and fostering mutual understanding.

Books on the topic "Media discourses and narratives":

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Nünning, Ansgar, Birgit Neumann, and Vera Nünning. Cultural ways of worldmaking: Media and narratives. New York: De Gruyter, 2010.

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Berger, Arthur Asa. Narratives in popular culture, media, and everyday life. Thousand Oaks: Sage Publications, 1997.

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Davidson, Drew. Stories in between: Narratives and mediums @ play. [Pittsburgh, Pa.]: ETC Press, 2008.

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Popoola, Muyiwa. A discourse on personality-induced conflicts Nigeria's politics: The media and their narratives. Ibadan: John Archers, 2015.

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Polak, Sara, and Daniel Trottier, eds. Violence and Trolling on Social Media. NL Amsterdam: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789462989481.

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‘Trolls for Trump’, virtual rape, fake news — social media discourse, including forms of virtual and real violence, has become a formidable, yet elusive, political force. What characterizes online vitriol? How do we understand the narratives generated, and also address their real-world — even life-and-death— impact? How can hatred, bullying, and dehumanization on social media platforms be addressed and countered in a post-truth world? Violence and Trolling on Social Media: History, Affect, and Effects of Online Vitriol unpacks discourses, metaphors, dynamics, and framing on social media, in order to begin to answer these questions. Written for and by cultural and media studies scholars, journalists, political philosophers, digital communication professionals, activists and advocates, this book connects theoretical approaches from cultural and media studies with practical challenges and experiences ‘from the field’, providing insight into a rough media landscape.
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Page, Ruth E. New narratives: Stories and storytelling in the digital age. Lincoln: University of Nebraska Press, 2011.

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M, Harter Lynn, Japp Phyllis M, and Beck Christina S, eds. Narratives, health, and healing: Communication theory, research, and practice. Mahwah, NJ: Lawrence Erlbaum Assoc., 2005.

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1952-, Fulton Helen, ed. Narrative and media. Cambridge: Cambridge University Press, 2005.

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Lacey, Nick. Narrative and genre: Key concepts in media studies. New York: St. Martin's Press, 2000.

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Lacey, Nick. Narrative and genre: Key concepts in media studies. Basingstoke: Macmillan, 2000.

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Book chapters on the topic "Media discourses and narratives":

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Wagner, Hedwig. "Narratives of History and Europe." In Media Discourse of Commemoration, 103–36. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-90079-3_4.

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Hansen, Anders, and David Machin. "Analysing narratives and discourse schema." In Media and Communication Research Methods, 152–73. London: Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-27225-6_7.

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Orphanides, Rafaela. "Discourses and narratives of gender-based violence in Greek women's magazines." In The Routledge Companion to Gender, Media and Violence, 281–89. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003200871-31.

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Hills, Matt. "Storyselling and Storykilling: Affirmational/Transformational Discourses of Television Narrative." In Storytelling in the Media Convergence Age, 151–73. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137388155_9.

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Tshabangu, Thulani, and Abiodun Salawu. "Constructive Journalism and COVID-19 Safe Nation Narratives in The Herald Newspaper: Implications for Journalism Ethics in Zimbabwe." In Health Crises and Media Discourses in Sub-Saharan Africa, 95–108. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-95100-9_6.

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AbstractThe coverage of crises such as the global health pandemic, COVID-19, is to a large extent guided by national interest, journalistic culture, and editorial policies of media outlets. This chapter argues that the state-controlled newspaper, The Herald, in Zimbabwe deployed constructive journalism as an approach to report COVID-19. Constructive journalism is about injecting positive angles into news reports whilst abiding by the core news values of accuracy, impartiality, and balance. The findings reveal that constructive journalism elements of solutions orientation, future orientation, and explanation and contextualisation were frequently deployed by The Herald to advance a safe nation narrative whose objective was to prevent public hysteria in the face of a deadly COVID-19 outbreak in the country. The chapter concludes that the deployment of constructive journalism in less developed countries like Zimbabwe to inspire hope through positive psychology in the face of global crises does not always yield the intended outcomes.
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Thielemann, Nadine. "The social media campaign for Russia’s Sputnik V vaccine." In Remedies against the Pandemic, 230–55. Amsterdam: John Benjamins Publishing Company, 2023. http://dx.doi.org/10.1075/dapsac.102.08thi.

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Focusing on the Twitter account @sputnikvaccine, the chapter analyses the social media campaign launched for the release of Sputnik V, the Russian anti-Covid vaccine, as an instance of international persuasive communication. It seeks to reveal how the campaign acts as an agent of public diplomacy and projects Russia’s soft power, while also disseminating the country’s strategic narratives (i.e., accounts of its identity, position in the international arena and general geopolitical worldview). The chapter further aims to identify the persuasive mechanisms used to achieve these goals, making particular reference to two concepts: propaganda, understood as a manipulative mechanism, and narrative (now in its customary sense) as a persuasive tool. The chapter describes how a discourse analysis based on open coding of content posted by @sputnikvaccine was used to reconstruct a rescue plot narrative in which Russia / Sputnik V saves humankind from the pandemic. This narrative structure also enables the manipulative construction of an antagonist, consisting of western organizations and corporations, which politicizes the vaccine issue and so obstructs Russia in its mission. In this way, the rescue frame enables several elements of Russian strategic narratives (e.g., Russia as a global player, a polycentric world order) to be referenced.
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Farkas, Johan, and Yiping Xia. "Unpacking disinformation as social media discourse." In Discourse Approaches to Politics, Society and Culture, 107–26. Amsterdam: John Benjamins Publishing Company, 2023. http://dx.doi.org/10.1075/dapsac.100.06far.

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In this chapter, we examine the role of Discourse Studies in social media disinformation research. While currently underrepresented, Discourse Studies can provide key insights into why disinformation gains traction through credibility building, tapping into existing political narratives and stereotypes. Discourse Studies, we argue, can also bring much-needed attention to the constitutive role of antagonism in disinformation and to the connection between political practices, power relations and platform designs; aspects that are often overlooked. Drawing on three empirical cases – revolving around the Russian Internet Research Agency, fake Muslim Facebook pages and far-right conspiracy theories disguised as tabloid news – the chapter aims to provide a clearer view of the application of Discourse Studies (in its various forms) to disinformation.
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Mohamed, Abdulfatah. "Tracing securitization of narratives and images in the global media discourse." In Global Media Ethics and the Digital Revolution, 235–49. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003203551-14.

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Niedt, Greg. "A Tale of Three Villages: Contested Discourses of Place-Making in Central Philadelphia." In The Life and Afterlife of Gay Neighborhoods, 159–80. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-66073-4_7.

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AbstractAs the acceptance of queer identities has proceeded in fits and starts over the last few decades, the question has been raised, is it still necessary to have dedicated queer spaces? City dwellers often reason that with supposed improvements in safety and social mixing, the “gay ghettos” that form a transitional stage in neighborhood revitalization should now become common areas. Yet the capitalist logic that drives this thinking often trades the physical threat of exclusion or violence for an existential one, jeopardizing a distinctive culture that remains valuable in the self-realization process of local queer citizens. This is visible not only in changing demographics, but also in the production of discourse across multiple levels; language and semiotics help to constitute neighborhoods, but also to conceptualize them. This chapter examines how public signs and artifacts reify and sustain three competing narratives of a single central Philadelphia neighborhood in flux: the traditionally queer “Gayborhood” that developed shortly after World War II, the officially designated “Washington Square West,” and the realtor-coined, recently gentrifying “Midtown Village.” I argue that the naming and describing of these spaces, and how their associated discourses are reflected by their contents, continues to play a role in the ongoing struggle for queer acceptance. Combining observational data of multimodal public texts (storefronts, flyers, street signs, etc.) and critical discourse analysis within the linguistic/semiotic landscapes paradigm, I present a critique of the presumed inevitability of queer erasure here. This is supplemented with a comparison of grassroots, bottom-up, and official, top-down documents in various media (maps, brochures, websites, social media, etc.) that perpetuate the different discourses. Ultimately, a change in urban scenery and how a neighborhood is envisioned only masks the fact that spaces of queer expression, marked by their eroding distinctiveness rather than their deviance, are still needed.
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Napakol, Angella. "Framing the AIDS Discourse: A Critic of Journalistic Source Norms in Uganda’s HIV and AIDS Print News." In Health Crises and Media Discourses in Sub-Saharan Africa, 237–52. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-95100-9_14.

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AbstractThrough reportage, media have played a key role in HIV/AIDS prevention and awareness in Uganda. Uganda’s success in reducing the percentage of HIV infection together with key supportive factors such as political will have been discussed internationally. Media have been credited with relaying information about HIV/AIDS to different groups of people in the public and acting as change agents. This study looks at media as key players in the HIV and AIDS prevention journey in Uganda and therefore seeks to investigate how two major newspaper outlets; New Vision and Daily Monitor framed the issue of HIV/AIDS—looking particularly at the who, between authority and none authority sources contributed most to the HIV/AIDS narrative as news stories’ sources. A quantitative content analysis was carried out of New Vision and Daily Monitor newspapers’ articles spanning 20 years of coverage. Results indicate that despite the important role played, media depended more on authority sources of information compared to none authority sources. This paper argues that lay people such as PLWHA or their caregivers have lived experiences which if shared, could affect the adoption of recommended HIV/AIDS preventive measures.

Conference papers on the topic "Media discourses and narratives":

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Ovodova, Svetlana. "Representation of Cultural Traumas in Contemporary Public Discourse: “New Frankness” of Meta-Modernism." In The Public/Private in Modern Civilization, the 22nd Russian Scientific-Practical Conference (with international participation) (Yekaterinburg, April 16-17, 2020). Liberal Arts University – University for Humanities, Yekaterinburg, 2020. http://dx.doi.org/10.35853/ufh-public/private-2020-04.

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The prerequisites for this study are criticism of postmodernism by theorists and philosophers of culture, and the actualisation of metamodernism as one of the most popular theories of postmodernism. The relevance of the study is determined by the appearance of a ‘new sensitivity’ having arisen from geopolitical events of the 2000s. Metamodernism theory authors declare the new structure of sensation to be different from the dominants of postmodernism and modernism. The article describes the transformation of the representation of cultural traumas in public discourse with the consideration of ideas of metamodernism and a new frankness. The article covers the methodological capabilities for using postmodernism and metamodernism discourses for analysing the principles of representation of cultural trauma within public discourse. Distinguishing features of new frankness are highlighted. Immortal Regiment action is analysed as an example of actualisation of personal experience and family history in public discourse. The concept of ‘new frankness’ increases the role and significance of the witness. The examples of works of contemporary mass culture and media resources are used to trace the actualisation of the witness’s narrative of cultural trauma. Warmth, depth, and affect, characteristic of metamodernism, actualise the demand for plausibility and personal experience of an event. An indirect effect of these hypotheses consists in that narratives on cultural trauma are multivariate as manifested in criticism of the conventional image of a historic event. Re-evaluating historical events from different points of view triggers mechanisms of latent trauma, potentially making almost any historical event a cultural trauma. The study resulted in the revelation of accentuation of sensitivity in narratives of cultural traumas, as opposed to manners prevailing in modernism and postmodernism discourses, i.e. practices of stigmatisation, suppression, and the commodification of cultural traumas.
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Cojocaru, Alina. "THE IMPACT OF MIGRATION ON URBAN REGENERATION: DISCOURSES SURROUNDING THE REPRESENTATIONS OF CARIBBEAN IMMIGRANTS IN POST-WORLD WAR II BRITISH PRESS." In 9th SWS International Scientific Conferences on SOCIAL SCIENCES - ISCSS 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscss.2022/s14.123.

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This article proposes an interdisciplinary approach to the discourses surrounding the arrival and settlement of Caribbean immigrants in London. The theoretical approach draws on the interplay between theories on migrant memory (Derrida), discourse (Foucault) and spatial literary studies (Bhabha, Moslund) to examine the role of migration in the creation of the modern multicultural, cosmopolitan city against the racism encoded in the public discourse and the migration crisis reinforced by the British press. The research objective is to investigate the confluence of media representations, life narratives and fictional depictions of Caribbean immigrants in post-war London, as well as the ensuing changes and exchanges within the urban landscape caused by the flow of immigrants, in particular by the arrival of the first generation of Commonwealth immigrants on board the Empire Windrush, which marked the inception of a multicultural London and a superimposition of the cultural and spatial arrangement of the colonizer and the colonized. In addition to the ensuing hybrid spaces of modernity, it is argued that the discursive space generates cognitive maps and geographies of memory that offer an insight into the post-World War II spatial intersections and cultural disruptions, from the �hypermnesia� (Derrida) of the immigrants to their crossing of �landguage� (Moslund) borders. The narrative design rendered through a spatial lens advances an innovative portrayal of the modern city both as a geographical location and as a set of relations anchored in a socio-political reality.
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Hadzantonis, Michael. "Karangiozis in the Shadows: A Linguistic Anthropology of Greece's Shadow Puppetry." In GLOCAL Conference on Mediterranean and European Linguistic Anthropology Linguistic Anthropology 2022. The GLOCAL Unit, SOAS University of London, 2023. http://dx.doi.org/10.47298/comela22.1-4.

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The Karangiozi theatre play has existed for centuries in its various forms and across territories. Initially emanating from the Ottoman regions, it entered Greece several centuries prior, and was popularized during Ottoman occupation of Greece. Structured on a system of multilayered symbolisms, the visuals, performances and narratives in Karangiozi present the lead character, Karangiozi, a poor and benevolent man who is frequently oppressed and beaten for his misdoings. The character must contend with the arrogance and comical approaches of other characters, and must support his family, all while accepting his low socioeconomic status. While the theatre has long addressed Greece’s political satire, nationalist discourse, and class and socioeconomic differentials, the performance has, over the past century, significantly shifted with respect to its poetics, narratives, and symbolisms. These shifts correlate with movements from capitalism to late capitalism, and to the information age, as technology and information flow, and the acceleration of time scales require a new engagement with media, technology and information, where old media, such as puppet theatre performance and its narratives, as well as poetic forms of vernacular, now appear redundant. In this paper, I address the changes in the Karangiozi puppet theatre performance. To this, I have collated a corpus of old and new Karangiozi narratives and performance scripts, which I compare. Factors I address include the altered poetics and script designs, and the notable shift in symbolisms, over the past century. Here, I draw on a framework of symbolic and narrative analysis, while also discussing the ways in which narratives and performance are newly appropriated in the shifting form of the theatre play.
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NECHIFOR, Oana. "(At) Home and (On) the Road: Contemporary Photography Techniques of Documenting the Migration Phenomenon." In The International Conference of Doctoral Schools “George Enescu” National University of Arts Iaşi, Romania. Artes Publishing House UNAGE Iasi, 2023. http://dx.doi.org/10.35218/icds-2023-0025.

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The current presentation includes several queries regarding the interaction of migration and globalization – one of the most significant phenomena of social transformation in recent decades, as well as the meanings that this interaction presents for artistic research and practice. The major social and cultural transformations that have taken place in recent decades following more intense migratory movements have sparked an interest among artists for creating visual discourses, which, by using languages specific to different genres and environments, contribute to the dissemination of knowledge about migrants and migratory experiences different from the discourses generally offered and exploited by the media and public opinion. In cultural studies, the mobility turn also influences how contemporary art reflects on the direct and indirect implications of migration. The selection of works we analysed (which mainly use the medium of documentary photography) challenges the way we understand the notions of space and time, by exploring ideas regarding the concepts of (at)home and road, which are, moreover, two of the notions that undergo most changes during migratory experiences. The artistic projects selected reconsider defining the concept of (at)home as the place where the individual builds his sense of belonging, referring only to the physical house and not just to a single house set in an immovable place, but considering multiple connotations of the idea of home. Migrants' personal narratives reveal the ways in which individuals move between multiple homes, developing attachments and reinventing their identities along the way. Considering both the international context of migration and the particular case of Romanian economic migration as a recent phenomenon with important socio-cultural implications, I sought to investigate through my own artistic practice how documentary photography can become an environment for reflection on the topic, by combining autobiographical elements and a subjective discourse added to the objective dimension.
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Markazi, Daniela M., and Rachel M. Magee. "Animal Narratives and Emotional Resonance in #ClimateChange Discourse on Social Media: A Qualitative Content Analysis." In CSCW '23: Computer Supported Cooperative Work and Social Computing. New York, NY, USA: ACM, 2023. http://dx.doi.org/10.1145/3584931.3606978.

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Silveira Carneiro, Bia, Giuliano Resce, Giosuè Ruscica, and Giulia Tucci. "Mapping Policymaker Narratives of the Climate Security Nexus on Social Media: A Case Study from Kenya." In CARMA 2023 - 5th International Conference on Advanced Research Methods and Analytics. Valencia: Universitat Politècnica de València, 2023. http://dx.doi.org/10.4995/carma2023.2023.16457.

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Despite increasing awareness of the nexus between climate change and human security, especially in fragile contexts, this complex relationship has yet to be reflected in the policy arena. To investigate this potential policy gap, we apply an online issue mapping approach to assess representations of climate security within the public discourse of policymakers on social media, using Kenya as a case study. Considering Twitter as a proxy for public debate, text mining and network analysis techniques were employed to a corpus of almost 50 thousand tweets from selected national-level state actors, aiming to identify the evolution of thematic trends and actor dynamics. Results show a disassociation between climate, socioeconomic insecurities, and conflict in the public communications of national policymakers. These findings can have useful implications for the policy cycle, indicating where policy attention around climate security-related topics has been and what are the entry points for enhancing sensitivity on the issue.
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Mardner, Orlando. "INFORMATION, PRESS, AND MEDIA INFLUENCE ON SECURITY STUDIES IN THE PAST FORTY-FIVE YEARS." In SECURITY HORIZONS. Faculty of Security- Skopje, 2022. http://dx.doi.org/10.20544/icp.3.6.22.p09.

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Disputed discourse in the field of private security in media shapes the public opinion about research on security (Choi, 2021). The need for services provided by private security organizations is increasing, which is a fact that is widely acknowledged due to private security organisations' near-omnipresence. The growing security concerns, which include organised crime, terrorism, cyber security, and post-Covid-19 pandemic security barriers, have had an impact on the development of reliance on and use of private security services. However, despite the rise in growth, continuous expansion, and ever-increasing demand for private security services, narratives in the media do not portray the professionalism of the security industry, which is often regarded as a business (Cusomano & Kinsey, 2022). The study applied a narrative analysis research design, comprising investigations of recent media publications, state journals, and commentaries on the functions played by private security in the United Kingdom. Structured research of texts, articles, commentaries, and publications regarding private security in major press and media platforms, such as the Sun, Daily Mail, the Sunday Times, Daily Mirror, and Metro mostly report on the negative aspects of private security industry. The information propagated portrays the private security sector as lacking proper regulations. The management is perceived to be controlled by 'bad guys', who are used as a last resort for income generation and do not require high academic qualifications. They are mostly understood as bouncers or have guarding roles and are ranked lower on the profession scale due to the involvement of brawn rather than brain. The media's perception has far-reaching implications for public opinion and trust in the private security industry, which reduces enlistment in the field of security studies. The negative sentiments toward the sector also outnumber the significant progress made in standardizing security course outlines, ethics or codes of conduct among security personnel, and ensuring property protection and human safety. Keywords: investigation, information technology, private security, crime, detective, national security, surveillance, media, social media
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Cubukcu Cerasi, Ceren, and Yavuz Selim Balcioglu. "Challenges in Restoring the Voices in the Storm: Analyzing Public Discourse on Sustainability During Economic Turbulence Using Data Mining and NLP." In 8th FEB International Scientific Conference. University of Maribor Press, 2024. http://dx.doi.org/10.18690/um.epf.5.2024.22.

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In the face of increasing economic turbulence, understanding public discourse on sustainability has never been more crucial. This study dissects and comprehends the nuances of how the public perceives and discusses sustainability on social media during varying economic conditions. Leveraging the capabilities of Data Mining and Natural Language Processing (NLP), this research delves into the rich tapestry of Instagram posts to unearth sentiment trends, thematic patterns, and engagement levels related to sustainability. By systematically harvesting Instagram data, we aim to map out the fluctuations in public sentiment towards sustainability in relation to economic shifts. The research employs advanced NLP techniques, such as sentiment analysis, topic modelling, and semantic analysis, to process and interpret the vast array of user-generated content. The expected outcomes of this study include a detailed sentiment timeline correlating economic events with shifts in public opinion on sustainability, an understanding of key themes and topics that dominate discussions during different economic phases, and insights into the effectiveness of various sustainability narratives in engaging the public. This research not only contributes to academic discourse but also offers valuable insights for policymakers, environmental organizations, and social media strategists aiming to foster a more sustainable future in challenging economic times.
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Walker Moir-McClean, Tracey. "The Imaginative Space of Narrative." In 2019 ACSA Teachers Conference. ACSA Press, 2019. http://dx.doi.org/10.35483/acsa.teach.2019.7.

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Narrative imagination creates a space of learning where contemporary and historic knowledge of designed place merge. This paperdiscusses how an instructor’s curation and narration of archival material can provoke design-students to imagine narratives and actively visualize processes humans use to construct, inhabit and adjust comfort in place. The concept of narrative imagination presented in this paper is informed by traditional narrative as Marie-Laure Ryan defines it her 2005 article, Narrative and the Split Condition of Digital Textuality: (The traditionalist school) “conceives narrative as an invariant core of meaning, a core that distinguishes narrative from other types of discourse, and gives it a trans-cultural, trans-historical, and trans-medial identity.”1 The work of Gerard Genette, Levi-Strauss, Roland Barthes, Jacques Derrida, Monica Fludernik, John Fiske, James Phelan, Henry Jenkins and others is also influential.2
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Kushneruk, Svetlana. "ECOLOGICAL DISCOURSE REALIZED IN THE NARRATIVE AND MEDIA TYPES OF DISCOURSE." In 6th SWS International Scientific Conference on Arts and Humanities ISCAH 2019. STEF92 Technology, 2019. http://dx.doi.org/10.5593/sws.iscah.2019.1/s14.081.

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Reports on the topic "Media discourses and narratives":

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Yatsymirska, Mariya. MODERN MEDIA TEXT: POLITICAL NARRATIVES, MEANINGS AND SENSES, EMOTIONAL MARKERS. Ivan Franko National University of Lviv, February 2022. http://dx.doi.org/10.30970/vjo.2022.51.11411.

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The article examines modern media texts in the field of political journalism; the role of information narratives and emotional markers in media doctrine is clarified; verbal expression of rational meanings in the articles of famous Ukrainian analysts is shown. Popular theories of emotions in the process of cognition are considered, their relationship with the author’s personality, reader psychology and gonzo journalism is shown. Since the media text, in contrast to the text, is a product of social communication, the main narrative is information with the intention of influencing public opinion. Media text implies the presence of the author as a creator of meanings. In addition, media texts have universal features: word, sound, visuality (stills, photos, videos). They are traditionally divided into radio, TV, newspaper and Internet texts. The concepts of multimedia and hypertext are related to online texts. Web combinations, especially in political journalism, have intensified the interactive branching of nonlinear texts that cannot be published in traditional media. The Internet as a medium has created the conditions for the exchange of ideas in the most emotional way. Hence Gonzo’s interest in journalism, which expresses impressions of certain events in words and epithets, regardless of their stylistic affiliation. There are many such examples on social media in connection with the events surrounding the Wagnerians, the Poroshenko case, Russia’s new aggression against Ukraine, and others. Thus, the study of new features of media text in the context of modern political narratives and emotional markers is important in media research. The article focuses review of etymology, origin and features of using lexemes “cмисл (meaning)” and “сенс (sense)” in linguistic practice of Ukrainians results in the development of meanings and functional stylistic coloring in the usage of these units. Lexemes “cмисл (meaning)” and “сенс (sense)” are used as synonyms, but there are specific fields of meanings where they cannot be interchanged: lexeme “сенс (sense)” should be used when it comes to reasonable grounds for something, lexeme “cмисл (meaning)” should be used when it comes to notion, concept, understanding. Modern political texts are most prominent in genres such as interviews with politicians, political commentaries, analytical articles by media experts and journalists, political reviews, political portraits, political talk shows, and conversations about recent events, accompanied by effective emotional narratives. Etymologically, the concept of “narrative” is associated with the Latin adjective “gnarus” – expert. Speakers, philosophers, and literary critics considered narrative an “example of the human mind.” In modern media texts it is not only “story”, “explanation”, “message techniques”, “chronological reproduction of events”, but first of all the semantic load and what subjective meanings the author voices; it is a process of logical presentation of arguments (narration). The highly professional narrator uses narration as a “method of organizing discourse” around facts and impressions, impresses with his political erudition, extraordinary intelligence and creativity. Some of the above theses are reflected in the following illustrations from the Ukrainian media: “Culture outside politics” – a pro-Russian narrative…” (MP Gabibullayeva); “The next will be Russia – in the post-Soviet space is the Arab Spring…” (journalist Vitaly Portnikov); “In Russia, only the collapse of Ukraine will be perceived as success” (Pavel Klimkin); “Our army is fighting, hiding from the leadership” (Yuri Butusov).
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Havlík, Vlastimil, and Alena Kluknavská. Our people first (again)! The impact of the Russia-Ukraine War on the populist Radical Right in the Czech Republic. European Center for Populism Studies (ECPS), March 2023. http://dx.doi.org/10.55271/rp0015.

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The report examines the impact of the war on the Czech populist Radical Right Freedom and Democracy Party (SDP) and its reaction to the war. Among the countries of the European Union (EU), the Czech Republic has become one of the most outspoken supporters of Ukraine, creating specific discursive opportunities for populist Radical Right actors. The paper investigates the supply and demand side of populist Radical Right politics, focusing on how the party positioned itself to attract support facing the challenge of reading and accommodating new public sentiments. We use qualitative analysis of the social media posts of the party leader Tomio Okamura to show that after the initial hesitant rejection of the Russian invasion, the party (re-)turned to pro-Russian narratives, incorporating the war into its populist nativist discourse and driving the ideas of welfare chauvinism and economic protectionism. Using data from the representative public opinion surveys, we show that the party supporters criticize economic support for Ukraine and the refugees and have the most positive attitudes towards Russia compared to the rest of the electorate. We discuss the potential long-term consequences on the position of the Czech populist Radical Right stressing the economic difficulties and war-related grievances.
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McVey, Molly. The Public Persona of Nelson R. Mandela: A Study of U.S. Print Media Narratives. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.6576.

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Terzyan, Aram. The Politics of Repression in Central Asia: The Cases of Kazakhstan, Kyrgyzstan, and Uzbekistan. Eurasia Institutes, December 2020. http://dx.doi.org/10.47669/caps-2-2020.

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This paper explores the landscape of repressive politics in the three Central Asian states of Uzbekistan, Kazakhstan, and Kyrgyzstan with an emphasis on the phase of “transformative violence” and the patterns of inconsistent repression. It argues that repressions alone cannot guarantee the longevity of authoritarian regimes. It is for this reason that the Central Asian authoritarian leaders consistently come up with discursive justifications of repression, not least through portraying it as a necessary tool for progress or security. While the new Central Asian leaders’ discourses are characterized by liberal narratives, the illiberal practices keep prevailing across these countries.
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D.B., Khatri, Paudel N.S., and Bhushal R.P. Only money talks: how REDD+ discourses in the Nepalese media overlook the politics of policy making and governance. Center for International Forestry Research (CIFOR), 2014. http://dx.doi.org/10.17528/cifor/004646.

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Adegoke, Damilola, Natasha Chilambo, Adeoti Dipeolu, Ibrahim Machina, Ade Obafemi-Olopade, and Dolapo Yusuf. Public discourses and Engagement on Governance of Covid-19 in Ekiti State, Nigeria. African Leadership Center, King's College London, December 2021. http://dx.doi.org/10.47697/lab.202101.

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Numerous studies have emerged so far on Covid-19 (SARS-CoV-2) across different disciplines. There is virtually no facet of human experience and relationships that have not been studied. In Nigeria, these studies include knowledge and attitude, risk perception, public perception of Covid-19 management, e-learning, palliatives, precautionary behaviours etc.,, Studies have also been carried out on public framing of Covid-19 discourses in Nigeria; these have explored both offline and online messaging and issues from the perspectives of citizens towards government’s policy responses such as palliative distributions, social distancing and lockdown. The investigators of these thematic concerns deployed different methodological tools in their studies. These tools include policy evaluations, content analysis, sentiment analysis, discourse analysis, survey questionnaires, focus group discussions, in depth-interviews as well as machine learning., These studies nearly always focus on the national government policy response, with little or no focus on the constituent states. In many of the studies, the researchers work with newspaper articles for analysis of public opinions while others use social media generated contents such as tweets) as sources for analysis of sentiments and opinions. Although there are others who rely on the use of survey questionnaires and other tools outlined above; the limitations of these approaches necessitated the research plan adopted by this study. Most of the social media users in Nigeria are domiciled in cities and their demography comprises the middle class (socio-economic) who are more likely to be literate with access to internet technologies. Hence, the opinions of a majority of the population who are most likely rural dwellers with limited access to internet technologies are very often excluded. This is not in any way to disparage social media content analysis findings; because the opinions expressed by opinion leaders usually represent the larger subset of opinions prevalent in the society. Analysing public perception using questionnaires is also fraught with its challenges, as well as reliance on newspaper articles. A lot of the newspapers and news media organisations in Nigeria are politically hinged; some of them have active politicians and their associates as their proprietors. Getting unbiased opinions from these sources might be difficult. The news articles are also most likely to reflect and amplify official positions through press releases and interviews which usually privilege elite actors. These gaps motivated this collaboration between Ekiti State Government and the African Leadership Centre at King’s College London to embark on research that will primarily assess public perceptions of government leadership response to Covid-19 in Ekiti State. The timeframe of the study covers the first phase of the pandemic in Ekiti State (March/April to August 2020).
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Viytovych, Tetyana. FROM DATA TO NARRATIVES: THE ART OF STORYTELLING IN ECONOMIC JOURNALISM. Ivan Franko National University of Lviv, March 2024. http://dx.doi.org/10.30970/vjo.2024.54-55.12160.

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The study analyzes the effectiveness of data storytelling for the comprehensibility of economic publications. It considers it as a method of presenting information that facilitates better perception and understanding of economic processes. Data storytelling has proven to be one of the key methods in presenting economic data, transforming complex numerical sets into meaningful narratives. The application of this method allows readers to more easily assimilate information more efficiently, enhancing financial literacy. Keywords: media, data storytelling, narratives, economic journalism, infographics.
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Soroka, Anastasia. Повномасштабна фаза російсько-української війни: висвітлення в іспанських медіа (2022). Ivan Franko National University of Lviv, March 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11734.

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The article analyzes the peculiarities of coverage of the full-scale Russian invasion of Ukraine in the online-versions of leading Spanish print media. While studying the materials published in the “Opinión” section on the websites of such Spanish newspapers as La Razón, 20 minutos, El Periódico, El País, El Diario, El Correo, El Mundo, ABC and La Vanguardia from February to October 2022, the main attention was paid to narratives, which are related to the war in Ukraine and which are shaping public opinion about it in Spanish society. The methods used in the article include content analysys, comparative analysis and generalization. The publications were selected by searching the keywords “Ucrania”, and phrases “La Guerra en Ucrania”, “La Guerra en Europa” in the column “Opinión”. By using the methods of comparative analysys and generalization we outlined the main narratives and general trends of coverage of the full-scale war in Ukraine in Spanish newspapers. Conclusions of the research: almostly in all newspapers there is the presence of double standards when neutral, pro-Ukrainian and pro-Russian narratives intersect with each other. We found out that combination of these narratives sometimes can be traced not only in a certain edition, but also in a single journalistic text. The research is relevant because the war in Ukraine is still going on. War, which is not only on the battlefield, but also in the information front still continuing. So, it’s important to know which media are spreading pro-russian narratives and which media conversely are supporting Ukraine. The study could help Ukrainian government to understand the features of these narratives and to form the main principles of international information policy in order to resist the pro-russian ideas in the world press. Keywords: Spanish media, La Razón; 20 minutos; El Periódico; El País; El Diario; El Correo; El Mundo; ABC; La Vanguardia; full-scale invasion, war in Ukraine, Ukrainian question, image of Ukraine.
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Nalla, Vineetha, and Nihal Ranjit. Afterwards: Graphic Narratives of Disaster Risk and Recovery from India. Indian Institute for Human Settlements, 2022. http://dx.doi.org/10.24943/9788195648559.

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Abstract:
Afterwards is an anthology of visual narratives of disaster impacts and the process of recovery that follows. These stories were drawn from the testimonies of disaster-affected individuals, households, and communities documented between 2018-19 from the Indian states of Odisha, Tamil Nadu, and Kerala. They communicate challenges related to housing resettlement, loss of livelihoods, gender-based exclusion among others. At the heart of this anthology lies the idea of ‘representation’: how are those affected portrayed by the media, state actors, official documents; how are their needs represented and how do these portrayals impact the lives of those at risk and shape their recovery? Graphically illustrating these themes provides a platform to relay personal experiences of disaster risk and recovery.
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Zhytaryuk, Maryan, and Iryna Ivanova. ANTI-RUSSIAN NARRATIVES OF YURIY SHVETS (ON THE MATERIALS OF HIS AUTHOR’S YOUTUBE CHANNEL). Ivan Franko National University of Lviv, March 2024. http://dx.doi.org/10.30970/vjo.2024.54-55.12154.

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The article considers the problem of the representation of anti-military narratives in the Internet space, namely in the YouTube channel. The focus is on the anti-military blog of Yuri Shvets (USA). The world, and especially the European media space, has undergone significant changes in the last few years, which are primarily related to innovative technologies and the war raging in Eastern Europe. Such transformations attract research attention, determine the relevance of the presented work. Attention is focused on the anti-military and anti-russian content of the American blogger of Ukrainian origin Yuriy Shvets on the materials of his author’s YouTube channel. The methodological basis of the study. Quantitative and qualitative comparison of the thematic sections of the research object – Yuriy Shvets’ YouTube blogging for the purpose of implementing the research subject – journalistic, (geo)political, conceptual analysis and generalization of the blogger’s anti-imperial and anti-military narratives. The issue of Ukraine’s victory and russia’s defeat is the most pressing issue for Ukraine’s true allies and partners. The purpose of this article is to show the pro-Ukrainian position of the American blogger Y. Shvets in his long verbal struggle with the putin regime based on anti-russian blogging during russia’s full-scale war in Ukraine. The analysis of Yuriy Shvets’ YouTube channel shows the technological possibilities of the latest media platforms, the transformation and convergence of traditional mass media. Social networks, messengers and YouTube will continue to grow in audience and influence. Keywords: Ukraine, russian federation, russia’s aggression against Ukraine, anti-russian narratives, Yuryy Shvets’ YouTube channel, blogging, review of American media, US aid, geopolitics.

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