Relevant bibliographies by topics / Matzerath

Academic literature on the topic 'Matzerath'

Author: Grafiati
Published: 10 December 2022
Last updated: 29 January 2023

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Journal articles on the topic "Matzerath"

1

Pedro, Elisandra de Souza. "Os dois Oskar Matzerath." Pandaemonium Germanicum, no. 15 (2010): 115–38. http://dx.doi.org/10.1590/s1982-88372010000100008.

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2

Schlossmacher, N. "H. MATZERATH, Urbanisierung in Preußen." Annalen des Historischen Vereins für den Niederrhein 190, jg (December 1987): 215–17. http://dx.doi.org/10.7788/annalen-1987-jg45.

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3

Lück, Dieter. "JOSEF MATZERATH (Hrsg.): Bonn. 54 Kapitel Stadtgeschichte." Annalen des Historischen Vereins für den Niederrhein 195, jg (December 1992): 284. http://dx.doi.org/10.7788/annalen-1992-jg46.

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4

Corsten, Severin. "JOSEF DRESSEN: Matzerath. Ein Dorf und seine Menschen." Annalen des Historischen Vereins für den Niederrhein 200, jg (December 1997): 287–89. http://dx.doi.org/10.7788/annalen-1997-jg57.

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5

Hahn, Hans-Werner. "Horst Matzerath (Hrsg.), Stadt und Verkehr im Industriezeitalter." Zeitschrift der Savigny-Stiftung für Rechtsgeschichte: Germanistische Abteilung 115, no. 1 (August 1, 1998): 850–52. http://dx.doi.org/10.7767/zrgga.1998.115.1.850.

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6

Kunrath, Milena Hoffmann. "Uma análise de O tambor de Günter Grass: recursos ficcionais para debater sua própria história." Pandaemonium Germanicum 21, no. 35 (July 3, 2018): 1. http://dx.doi.org/10.11606/1982-883721351.

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Busca-se neste artigo analisar os recursos ficcionais utilizados pelo escritor Günter Grass em sua obra literária mais famosa, O tambor, na qual o autor recria, através do protagonista, Oskar Matzerath, sua própria história. Para tanto, o artigo coteja a obra de ficção O tambor com a autobiografia do autor alemão, juntamente com os percalços de sua trajetória pessoal.
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7

Oparina, Kseniya Sergeevna. "The metaphor of stopped time in the novel “The Tin Drum” by Günter Grass." Филология: научные исследования, no. 12 (December 2020): 34–40. http://dx.doi.org/10.7256/2454-0749.2020.12.34500.

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The goal of this article consist in interpretation of the major metaphor in Günter Grass’ novel “The Tin Drum”,  and coverage of its interrelation with symbolism of the image of the protagonist Oskar Matzerath. The subject of this research is the metaphor of stopped time. The time stops for Oscar with regards to physical and emotional development. Special attention is given to the fact that the protagonist of the novel, who comes into the world with adult intelligence, deliberately stops his development at the age of three. Using the indicated metaphor, the author of the novel forms the key traits of the image of the protagonists: perpetual child, demiurge, trickster. The novelty of this research and special contribution of the author consists in revelation of direct correlations between the aforementioned traits of the main character of the fundamental problems of human existence. A child who refuses to grow up, symbolizes infantilism and denial of the generally accepted socio-ethical norms. At the same time, G. Grass describes dissolution of the surrounding world and blames specific nation in the crimes against humanity, endowing Oskar Matzerath with the traits of trickster and demiurge. The acquired results can be used in textbooks on the history of foreign literature and culturology; as well as in writing term and graduation theses by students majoring in the humanities.
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8

Mölich, Georg. "Barbara Bedcer-Jakli/Werner Jung/Martin Rüther (Hg.): Nationalsozialismus und Regionalgeschichte. Festschrift für Horst Matzerath." Geschichte in Köln 50, no. 1 (December 2003): 282–84. http://dx.doi.org/10.7788/gik.2003.50.1.282.

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9

Dülffer, Jost. "Horst Matzerath: Köln in der Zeit des Nationalsozialismus 1933-1945 (Geschichte der Stadt Köln, Bd. 12)." Geschichte in Köln 57, no. 1 (December 2010): 268–71. http://dx.doi.org/10.7788/gik.2010.57.1.268.

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10

Zimmermann, Michael. "Die jüdischen Opfer des Nationalsozialismus aus Köln. Gedenkbuch. Red.: NS-Dokumentationszentrum der Stadt Köln / HORST MATZERATH." Annalen des Historischen Vereins für den Niederrhein 198, jg (December 1995): 347. http://dx.doi.org/10.7788/annalen-1995-jg95.

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Dissertations / Theses on the topic "Matzerath"

1

Matzerath, Hedda Birte [Verfasser], and Stephanie [Akademischer Betreuer] Mehl. "Wirksamkeit einer emotionsfokussierten kognitiven Verhaltenstherapie bei Patienten mit Störungen aus dem schizophrenen Formenkreis – wird die Behandlung durch die Hinzunahme von Kotherapeuten effektiver? / Hedda Birte Matzerath ; Betreuer: Stephanie Mehl." Marburg : Philipps-Universität Marburg, 2021. http://d-nb.info/1235139387/34.

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2

Baumgarten, Joseph Ephraim. "Combating the Banality of Evil: Portrayals of the Literary Female Villain in Günter Grass's Danziger Trilogie and Novella, Im Krebsgang." BYU ScholarsArchive, 2005. https://scholarsarchive.byu.edu/etd/653.

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In Günter Grass's Danzig Trilogy and novella, Im Krebsgang, an antagonistic female type makes a repeated appearance. She appears in the guise of Susi Kater and Luzie Rennwand in Die Blechtrommel, and as Tulla Pokriefke in the other works, Katz und Maus, Hundejahre, and Im Krebsgang. This antagonistic female type is not like other women in these works. A review of Le Deuxième Sexe by feminist Simone de Beauvoir reveals several crucial components contributing to woman's position in society. Most essentially, a woman's natural attributes and (dis)abilities and the conventions of society have enforced her historical submission to man. This thesis analyzes how the antagonistic female type, or villain, compares and contrasts with other female figures in these works by Grass, according to a paradigm derived from Beauvoir's description of woman. From this analysis, a better understanding of the female villain's nature emerges. Indeed, such a comparison demonstrates that certain female figures in the works of Grass transcend their historically oppressed or subdued status by refusing to submit to those natural handicaps and societal restrictions identified by Beauvoir, and thus become a threat to man's status or security as an antagonistic female type, or villain. However, the villain figure is not always inherently evil, but possesses the capacity to change. The villain and victim can reconcile their differences and may even form a friendly relationship. This evolving villain-victim duality becomes most clear in Grass's work, Im Krebsgang, and suggests the possibility of assuaging contemporary conflicts as educators sympathize with the experiences of both extremist groups and victimized parties and help them come to terms with their differences.
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3

Matzerath, Ingo [Verfasser]. "Neue Wege zur Synthese von Weinsäure: Untersuchungen zur übergangsmetallkatalysierten Oxidation von 5-Ketogluconsäure / vorgelegt von Ingo Matzerath." 2004. http://d-nb.info/973256265/34.

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Books on the topic "Matzerath"

1

Barbara, Becker-Jákli, Jung Werner 1954-, Ruther Martin, Matzerath Horst, and NS-Dokumentationszentrum (Historisches Archiv der Stadt Köln), eds. Nationalsozialismus und Regionalgeschichte: Festschrift für Horst Matzerath. Köln: Emons, 2002.

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2

Neuhaus, Dorothee, and Volker Neuhaus. Katalogisierung und Kommentierung der Jugendlektueren Von Guenter Grass in Den 1930er und Fruehen 1940er Jahren Oder : Wie Oskar Matzerath Zu Seinem Vornamen Kam: Die Buechersammlung der Helene Grass Im Literaturarchiv Sulzbach-Rosenberg E. V. und Literaturhaus Oberpfalz. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2022.

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You might also be interested in the extended bibliographies on the topic 'Matzerath' for particular source types:
Journal articles
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