Books on the topic 'Mathematics and motion pictures'

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1

Paola, Nannicini Maria, ed. Il cinema e la matematica: Sulle tracce di una promettente amicizia. Trento: Erickson, 2010.

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2

Hiroshi, Baba. Masu media no naka no sūgaku: Shōsetsu, dorama, eiga, manga, anime o kaisekisuru. Hyōgo-ken Nishinomiya-shi: Kansei Gakuin Daigaku Shuppankai, 2017.

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3

Daamen, Ulrich Gregor. Die Performance deutscher Kinofilme und zeitgenössischer Darsteller des deutschen Films. München: Rainer Hampp Verlag, 2008.

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4

Brewe, David E. Study of journal bearing dynamics using three-dimensional motion picture graphics. [Cleveland, Ohio: National Aeronautics and Space Administration, Lewis Research Center, 1986.

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5

Suhr, Stefan. Fiktum versus Faktum?: Nicht-mathematische Dialoge mit der Mathematik. Berlin: Erich Schmidt Verlag, 2012.

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6

Donald, Stephanie. Tourism and the branded city: Film and identity on the Pacific Rim. Aldershot, Hants, England: Ashgate Pub. Co., 2007.

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7

Amit, Tami. Motion pictures. Blou: Monografik, 2008.

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8

Canada. Industry, Science and Technology Canada. Motion pictures. Ottawa, Ont: Industry, Science and Technology Canada, 1991.

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9

Canada. Industry, Science and Technology Canada. Motion pictures. Ottawa, Ont: Industry, Science and Technology Canada, 1988.

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10

Lea, Bandy Mary, Biesenbach Klaus, and Kunst-Werke Berlin, eds. Andy Warhol: Motion pictures. Berlin: KW Institute for Contemporary Art, 2004.

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11

Iris, Newsom, and Library of Congress, eds. Performing arts: Motion pictures. Washington: Library of Congress, 1998.

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12

Hollander, Anne. Moving pictures. London: Harvard University Press, 1991.

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13

Hollander, Anne. Moving pictures. New York: Knopf, 1989.

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14

Olson, Nancy B. Cataloging motion pictures and videorecordings. Lake Crystal, Minn: Soldier Creek Press, 1991.

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15

Carroll, Noël. The philosophy of motion pictures. Malden, MA: Blackwell Pub. Ltd, 2008.

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16

Olson, Nancy B. Cataloging motion pictures and videorecordings. Lake Crystal, Minn: Soldier Creek Press, 1991.

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17

Reed, David. David Reed paintings: Motion pictures. LaJolla, CA: Museum of Contemporary Art, San Diego, 1998.

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18

Olson, Nancy B. Cataloging motion pictures and videorecordings. Lake Crystal, Minn: Soldier Creek Press, 1991.

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19

Loader, Jayne. Between pictures. New York: Grove Press, 1987.

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20

Congress, Library of, ed. Motion picture agreement. [Washington, D.C.?]: Library of Congress, 1985.

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21

Harris, Mark. Pictures at a Revolution. New York: Penguin Group USA, Inc., 2008.

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22

1966-, Feng Peter X., and Marchetti Gina, eds. Chinese connections: Critical perspectives on film, identity and diaspora. Philadelphia PA: Temple University Press, 2008.

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23

McIlroy, Brian. Irish cinema: An illustrated history. Dublin: Anna Livia Press, 1988.

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24

Dawar, Ramesh. Best from Bollywood. London: ibs Books, 2008.

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25

McIlroy, Brian. World cinema. Trowbridge: Flicks Books, 1989.

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26

hÉireann, Bord Scannán na. [List of Irish films]. Galway: Bord Scannán na hÉireann, 1998.

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27

African film: Re-imagining a continent. Bloomington: Indiana University Press, 2003.

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28

1951-, McCormick Richard W., and Guenther-Pal Alison, eds. German essays on film. New York: Continum, 2004.

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29

Dvoeglazov, A. E. Kinopokhod: Krasnodar. Krasnodar: Tradit︠s︡ii︠a︡, 2016.

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30

Postler, Vicky. De Gaumont Italia à arte: La politique culturelle française en Europe. Paris: Connaissances et savoirs, 2005.

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31

Berry, Chris. Chinese cinema: Critical concepts in media and cultural studies. New York, NY: Routledge, 2012.

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32

Math Goes To The Movies. Johns Hopkins University Press, 2012.

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33

Conditionals with Incredibles 2. Lerner Publications TM, 2018.

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34

Loya, Allyssa. Conditionals with Incredibles 2. Lerner Publishing Group, 2018.

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35

Conditionals with Incredibles 2. Lerner Publishing Group, 2018.

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36

Brownian Motion And Its Applications To Mathematical Analysis Cole Dt De Probabilits De Saintflour Xliii 2013. Springer, 2014.

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37

Horing, Norman J. Morgenstern. Q. M. Pictures; Heisenberg Equation; Linear Response; Superoperators and Non-Markovian Equations. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198791942.003.0003.

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Three fundamental and equivalent mathematical frameworks (“pictures”) in which quantum theory can be lodged are exhibited and their relations and relative advantages/disadvantages are discussed: (1) The Schrödinger picture considers the dynamical development of the overall system state vector as a function of time relative to a fixed complete set of time-independent basis eigenstates; (2) The Heisenberg picture (convenient for the use of Green’s functions) embeds the dynamical development of the system in a time-dependent counter-rotation of the complete set of basis eigenstates relative to the fixed, time-independent overall system state, so that the relation of the latter fixed system state to the counter-rotating basis eigenstates is identically the same in the Heisenberg picture as it is in the Schrödinger picture; (3) the Interaction Picture addresses the situation in which a Hamiltonian, H=H0+H1, involves a part H0 whose equations are relatively easy to solve and a more complicated part, H1, treated perturbatively. The Heisenberg equation of motion for operators is discussed, and is applied to annihilation and creation operators. The S-matrix, density matrix and von Neumann equation, along with superoperators and non-Markovian kinetic equations are also addressed (e.g. the intracollisional field effect).
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38

Donald, Stephanie Hemelryk, and John G. Gammack. Tourism and the Branded City: Film and Identity on the Pacific Rim. Taylor & Francis Group, 2016.

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39

Donald, Stephanie Hemelryk, and John G. Gammack. Tourism and the Branded City: Film and Identity on the Pacific Rim. Taylor & Francis Group, 2016.

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40

Lee de Forest: King of Radio, Television, and Film. New York City, New York, USA: Springer, 2012.

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41

Tourism and the Branded City: Film and Identity on the Pacific Rim (New Directions in Tourism Analysis). Ashgate Publishing, 2007.

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42

Donovan, Mike. Motion Pictures. Independently Published, 2019.

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43

Blackwood, Gemma, and Andrew McGregor, eds. Motion Pictures. Peter Lang CH, 2016. http://dx.doi.org/10.3726/978-3-0351-0951-1.

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44

Motion Pictures. Lang AG International Academic Publishers, Peter, 2016.

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45

Motion pictures. New York: Franklin Watts, 2004.

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46

Godfrey, Donald G. Jenkins’ Motion Pictures. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038280.003.0005.

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This chapter examines C. Francis Jenkins' photographic inventions that he used to demonstrate motion pictures in a variety of applications. Despite losing in the early battle with Thomas J. Armat, Jenkins declared himself the inventor of the motion-picture projector. With the Phantoscope, he ventured into home and educational use. He would travel west, filming a Hopi Snake Dance, teach photographic expression, and invent fireproof protections for the projector. This chapter first provides an overview of Jenkins' first Phantoscopes and the patents he obtained for them before turning to his demonstrations of the use of motion pictures at home and in science. It then recounts Jenkins' use of his motion-picture camera to film the Hopi tribe in northeastern Arizona performing the Snake Dance. It also discusses the Jenkins Phantoscope Company's manufacturing of Phantoscopes for educational household use, along with Jenkins' other inventions such as the Marveloscope and a high-speed camera. Finally, the chapter considers Jenkins' promotion of the use of photography in education by teaching photographic expression.
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47

CHARLES, MUSSER. EDISON MOTION PICTURES. Smithsonian, 1998.

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48

Klein, André. Immaculate Motion Pictures. Lulu Press, Inc., 2009.

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49

Dench, Ernest. Advertising by Motion Pictures. Creative Media Partners, LLC, 2018.

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50

Slade, Theo. Unabomber in Motion Pictures. Independently Published, 2022.

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