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1

Postcolonial studies : a materialist critique. London: Routledge, 2004.

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2

Landry, Donna. Materialist feminisms. Cambridge, Mass: Blackwell, 1993.

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3

Watkins, Daniel P. A materialist critique of English romantic drama. Gainesville: University Press of Florida, 1993.

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4

Roy, Nash. Intelligence and realism: A materialist critique of IQ. New York: St. Martin's, 1990.

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5

Terms of work for composition: A materialist critique. Albany: State University of New York Press, 2000.

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6

Modernism and hegemony: A materialist critique of aesthetic agencies. Minneapolis: University of Minnesota Press, 1990.

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7

Samārah, ʻĀdil. Political Islam: Fundamentalism or national struggle? : a materialist critique. Jerusalem: Al-Mashriq for Development & Cultural Studies, 1995.

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8

Popular cultural forms: A materialist critique of gender representation in the Lang'o orature. Kampala, Uganda: Centre for Basic Research, 1993.

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9

Bisset, Adam David. An historical-materialist critique of idealist revolutions via comparison of Marx's writings on aesthetic production and feminist approaches to art history and practice. Manchester: Department of Sociology, University of Manchester, 1998.

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10

A contemporary critique of historical materialism. 2nd ed. Basingstoke [England]: Macmillan, 1995.

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11

A contemporary critique of historical materialism. 2nd ed. Stanford, Calif: Stanford University Press, 1995.

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12

Anthony, Giddens, ed. A contemporary critique of historical materialism. Berkeley, Calif: University of California Press, 1987.

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13

Giddens, Anthony. A Contemporary Critique of Historical Materialism. London: Macmillan Education UK, 1995. http://dx.doi.org/10.1007/978-1-349-24187-3.

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14

Aronson, Ronald. Sartre's second critique. Chicago: University of Chicago Press, 1987.

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15

Sartre's second Critique. Chicago: University of Chicago Press, 1987.

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16

Perception, mind, and personal identity: A critique of materialism. Lanham: University Press of America, 1994.

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17

Brett, Clark, and York Richard, eds. Critique of intelligent design: Materialism versus creationism from antiquity to the present. New York: Monthly Review Press, 2008.

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18

Paul, Sartre Jean. Critique of dialectical reason. London: Verso/New Left Books, 2004.

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19

Paul, Sartre Jean. Critique of dialectical reason. London: Verso, 1991.

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20

Paul, Sartre Jean. Critique of dialectical reason. London: Verso, 1990.

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21

Paul, Sartre Jean. Critique de la Raison dialectique. Paris: Gallimard, 1985.

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22

Critique of everyday life. London: Verso, 1991.

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23

Critique of everyday life. London: Verso., 1992.

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24

Lefeuvre, Michel. Une critique de la raison matérialiste: L'origine du vivant. Paris: L'Harmattan, 2003.

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25

Markus, Gyr̈gy. Language and production: A critique of the paradigms. Boston: D. Reidel, 1986.

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26

György, Márkus. Language and production: A critique of the paradigms. Dordrecht: Reidel, 1986.

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27

Language and production: A critique of the paradigms. Dordrecht: D. Reidel Pub. Co., 1986.

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28

Metamaterials: Critique and alternatives. Hoboken, N.J: Wiley, 2008.

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29

Romanticism and the materiality of nature. Toronto: University of Toronto Press, 2002.

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30

Romanticism and the materiality of nature. Toronto: University of Toronto Press, 2004.

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31

Paul, Sartre Jean. Critique de la raison dialectique ; précédé de, Questions de méthode. [Paris]: Gallimard, 1985.

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32

Lattke, Michael. Hymnus: Materialien zu einer Geschichte der antiken Hymnologie. Freiburg, Schweiz: Universitätsverlag, 1991.

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33

Hymnus: Materialien zu einer Geschichte der antiken Hymnologie. Freiburg, Schweiz: Universitätsverlag, 1991.

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34

Paul, Sartre Jean. Critique de la Raison dialectique: Pre ce de de Questions de methode. Paris: Gallimard, 1985.

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35

Marx, Karl. The German ideology: Including Theses on Feuerbach and introduction to The critique of political economy. Amherst, N.Y: Prometheus Books, 1998.

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36

Marx, Karl. The German ideology: Including Theses on Feuerbach and introduction to The critique of political economy. Amherst, N.Y: Prometheus Books, 1998.

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37

Critique and social transformation: Lessons from Antonio Gramsci, Mikhail Bakhtin, and Raymond Williams. Lewiston: Edwin Mellen Press, 2009.

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38

Palonen, Kari. Politik als Vereitelung: Die Politikkonzeption in J.P. Sartres "Critique de la raison dialectique". Münster: Westfälisches Dampfboot, 1992.

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39

Lattke, Michael. Hymnus: Materialien zu einer Geschichte der antiken Hymnologie (Novum testamentum et orbis antiquus 19). Göttingen: Vandenhoeck & Ruprecht, 1991.

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40

Chuan yue zi ben de li shi shi kong: Ji yu wei wu shi guan de xian dai xing pi pan = Traversing the historical time-space of the capital : the critique of modernity base on historical materialism. Beijing Shi: She hui ke xue wen xian chu ban she, 2008.

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41

Gender A Materialist Feminist Critique. Manchester University Press, 2013.

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42

Nash, Roy. Intelligence and Realism: A Materialist Critique of IQ. Palgrave Macmillan, 1990.

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43

Kramer, Sina. Materialist History and Method. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190625986.003.0005.

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Chapter 5 argues that due to its retroactive character, any critique of constitutive exclusion must be retrospective: both materialist and historical. First, this critical method must be material as a means of releasing the possibilities sedimented in a political agency we often presume to be fixed, natural, and unified. It must also be material in order to orient our listening toward concrete conditions without reducing them to brute facticity and without romanticizing or fetishizing those constitutively excluded. Second, this critical method must also be retrospective or historical, because the retroactive temporality of constitutive exclusion leaves the current terrain of politics and intelligible political agency sedimented with multiple exclusions. By unearthing how things may have been otherwise, we release those sparks of resistance that they can still be otherwise.
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44

Hermann, Christoph. The Critique of Commodification. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197576755.001.0001.

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This book explores the intellectual history, nature, and consequences of commodification. While many use the term “commodification,” few realize that it was only introduced in the 1970s by Marxist scholars in Britain and the United States. However, while Marxists initially used commodification to challenge capitalism, subsequent scholars used it mainly to criticize certain markets and certain forms of exchange. The result is what this book identifies as moral and pragmatic critiques of commodification. In contrast, this book follows the materialist critique and, subsequently, argues that commodification entails the subjugation of use value, or usefulness, to market value, or the ability to generate profit. To capture this process, the book distinguishes between formal, real, and fictitious commodification. While capitalism depends on commodity production, the extent of commodification can differ, depending on market regulation and public provision. The book examines a range of neoliberal policies that promoted (re)commodification, including privatization, liberalization, and deregulation. The primacy of profits over needs has major consequences on how social needs are satisfied. The book identifies twelve consequences that have troubling effects for social reproduction and the environment, including the exclusion of those who cannot pay, the focus on highly profitable wants at the expense of less profitable but socially more relevant needs, collectivization of costs, and speculation. Given the negative effects, the book also discusses limits of commodification and argues that the ecological limit is the most dramatic one. In order to avoid catastrophic decommodification, the book proposes an alternative that is based on the maximization of use value rather than market value.
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45

Levine, Joseph. The Q Factor. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198800088.003.0009.

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In this paper I criticize the Chalmers–Jackson position on the commitments of Materialism from a new direction. Unlike my earlier critique, and that of Block and Stalnaker, I here accept for the sake of argument the overall neo-Fregean semantic project that Chalmers and Jackson employ to draw out the alleged a priori commitments of Materialism. Focusing on their response to Block and Stalnaker in The Philosophical Review, I argue that even granting them their semantic framework they beg the question against the (type B) Materialist. The crucial issue concerns whether, in demonstrating that macro-facts about water can be derived from the basic facts, it is legitimate to include phenomenal facts among the basic ones.
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46

Giddens, Anthony. Contemporary Critique of Historical Materialism. Polity Press, 1987.

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47

Blake, Charlie, and Patrice Haynes. Immanent Materialisms: Speculation and Critique. Taylor & Francis Group, 2018.

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48

A contemporary critique of historical materialism. Cambridge [Cambridgeshire]: Polity Press in association with B. Blackwell, Oxford, 1985.

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49

Newell, Bridget Marie. A feminist critique of eliminative materialism. 1986.

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50

Fraunhofer, Hedwig. Biopolitics, Materiality and Meaning in Modern European Drama. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474467438.001.0001.

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Mapping the -- not always chronological -- trajectory from representationalist-naturalist theatre (Strindberg, Sartre) to the theatre of the historical avant-garde (Brecht, Artaud), this book puts milestones of modernist theatre in conversation with new materialist, posthumanist philosophy and affect theory. Arguing that existing modernization theories have been unnecessarily one-sided, Biopolitics, Materiality and Meaning in Modern European Drama offers a rewriting of modernity that cuts across binary methodologies – nature and culture, mind and matter, epistemology and ontology, critique and affirmative writing, dramatic and postdramatic theatre. Going beyond the exclusive focus on questions of identity, representation and meaning on the one hand or materiality on the other hand, the book captures the complex material-discursive forces that have shaped modernity and modern theatre. In powerfully prescient readings of modern anxiety, contagion and performance, the volume specifically reworks the biopolitical, immunitarian exclusions that mark Western epistemology leading up to and beyond modernity’s totalitarian crisis point. The book reveals the performativity of theatre in its double sense -- as theatrical production and as the intra-activity of an open and dynamic system of relations between multiple human and more-than-human actants, energies, and affects. In modern theatre, public and private, human and more-than-human, materiality and meaning co-productively collapse in a common life.
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