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Journal articles on the topic 'Material culture'

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Published: 4 June 2021
Last updated: 29 July 2024

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1

Mintz, Sidney. "Material Culture, Cultural Material." Diogenes 47, no. 188 (December 1999): 16–21. http://dx.doi.org/10.1177/039219219904718802.

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2

Lemire, Beverly. "Material Culture." Textile History 50, no. 1 (January 2, 2019): 87–92. http://dx.doi.org/10.1080/00404969.2019.1599240.

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3

J.S.S. "Material Culture." Americas 53, no. 1 (July 1996): 157–58. http://dx.doi.org/10.1017/s0003161500025268.

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4

Grindle, Nick. "Material Culture?" Oxford Art Journal 28, no. 3 (October 1, 2005): 481–82. http://dx.doi.org/10.1093/oxartj/kci039.

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5

Mustawhisin, Alfain Nur, Rully Putri Nirmala P, and Wiwin Hartanto. "Sejarah Kebudayaan: Hasil Budaya Material dan Non-Material Akibat Adanya Pengaruh Islam di Nusantara." SINDANG: Jurnal Pendidikan Sejarah dan Kajian Sejarah 1, no. 2 (July 31, 2019): 54–66. http://dx.doi.org/10.31540/sdg.v1i2.251.

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Indonesia is a country with diverse cultures that live side by side in it. There are various factors that influence the diversity of cultures that Indonesia has, one of which is the influence of foreign parties, it has been known that Indonesia was once influenced by Hindu and Buddhist culture in a long period of time and has instilled cultural values ​​in Indonesia, after influence Hindu and Buddhist culture declined, came new cultures and influences brought by Islam. The arrival of Islam in the form of the influence of religion and culture does not necessarily erase the Indonesian original culture or culture resulting from the acculturation of Hinduism and Buddhism and Indonesia. The arrival of Islam that uses peaceful means tends to be more easily accepted by Indonesian people, by means of Islam that comes peacefully and does not impose its influence and culture, then slowly the development of Islam in Indonesia can develop rapidly, and another way that Islam uses is to alienate culture existing ones with teachings that are considered to be in accordance with Islamic law, so that unconsciously people are led to use Islamic methods through existing cultures, which is why later Indonesian cultures will emerge that are influenced by the existence of Islam in Indonesia, both in material and non-material forms.
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6

Barley, Nigel, Mary Jo Arnoldi, Christraud M. Geary, and Kris L. Hardin. "African Material Culture." Journal of the Royal Anthropological Institute 4, no. 1 (March 1998): 134. http://dx.doi.org/10.2307/3034434.

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7

Guillen, Nalleli. "Complicit Material Culture." Winterthur Portfolio 55, no. 1 (March 1, 2021): 49–65. http://dx.doi.org/10.1086/717048.

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8

Kriger, Colleen, Mary Jo Arnoldi, Christraud M. Geary, and Kris L. Hardin. "African Material Culture." Technology and Culture 39, no. 1 (January 1998): 142. http://dx.doi.org/10.2307/3107018.

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9

Violette, Adria La, Mary Jo Arnoldi, Christraud M. Geary, Kris L. Hardin, Charles S. Bird, and Ivan Karp. "African Material Culture." African Economic History, no. 29 (2001): 215. http://dx.doi.org/10.2307/3601719.

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10

Adams, Monni, Mary Jo Arnoldi, Christraud M. Geary, and Kris L. Hardin. "African Material Culture." African Arts 31, no. 1 (1998): 91. http://dx.doi.org/10.2307/3337632.

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11

Miyazaki, Hkokazu. "Material Culture:Material Culture." American Anthropologist 103, no. 2 (June 2001): 591–92. http://dx.doi.org/10.1525/aa.2001.103.2.591.

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12

Grier, K. C. "Culture Made Material." American Literary History 8, no. 3 (March 1, 1996): 552–65. http://dx.doi.org/10.1093/alh/8.3.552.

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13

Blackwell, Alan, and Simon Biggs. "Making Material Culture." Leonardo 39, no. 5 (October 2006): 471–74. http://dx.doi.org/10.1162/leon.2006.39.5.471.

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The authors present their collaborative investigation into the creative applications of liquid crystal elastomers. They explore the process of making these new materials as well as the question of how artists and scientists can work together to develop new materials and to use them in artistic or architectural applications.
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14

Schiffer, Michael B. "Material Culture (review)." Technology and Culture 41, no. 4 (2000): 791–93. http://dx.doi.org/10.1353/tech.2000.0178.

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15

Schroepfer, Thomas, and Liat Margolis. "Integrating Material Culture." Journal of Architectural Education 60, no. 2 (November 2006): 43–48. http://dx.doi.org/10.1111/j.1531-314x.2006.00078.x.

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16

Small, Meredith F. "Chimpanzee material culture." Human Evolution 10, no. 4 (August 1995): 326–28. http://dx.doi.org/10.1007/bf02438969.

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17

Menges, Achim. "Computational Material Culture." Architectural Design 86, no. 2 (March 2016): 76–83. http://dx.doi.org/10.1002/ad.2027.

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18

Martinez, Katharine, and Kenneth L. Ames. "The Material Culture of Gender, the Gender of Material Culture." Woman's Art Journal 21, no. 1 (2000): 62. http://dx.doi.org/10.2307/1358887.

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19

Armitage, Shelley, Katharine Martinez, Kenneth L. Ames, Rose O'Neill, and Miriam Formanek-Brunell. "The Material Culture of Gender, the Gender of Material Culture." Journal of American History 86, no. 2 (September 1999): 810. http://dx.doi.org/10.2307/2567136.

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20

van Schaik, C. P. "Orangutan Cultures and the Evolution of Material Culture." Science 299, no. 5603 (January 3, 2003): 102–5. http://dx.doi.org/10.1126/science.1078004.

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21

Culp, D. J., and L. R. Latchney. "Mucinlike glycoproteins from cat tracheal gland cells in primary culture." American Journal of Physiology-Lung Cellular and Molecular Physiology 265, no. 3 (September 1, 1993): L260—L269. http://dx.doi.org/10.1152/ajplung.1993.265.3.l260.

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In a recent study (D. J. Culp, D. K. P. Lee, D. P. Penney, and M. G. Marin. Am. J. Physiol. 263: L264-275, 1992), we reported that primary cultures of cat tracheal gland cells expressed histological, ultrastructural, and immunological characteristics of mucous cells when cultured on floating gels of rat tail collagen (released-gel cultures) compared with cells cultured on glutaraldehyde-fixed collagen gels (fixed-gel cultures). We therefore collected culture medium from gland cells grown under both culture conditions for determination and comparison of glycoconjugates with characteristics of mucin glycoproteins. Cells were cultured in the presence of [3H]glucosamine, and material of high molecular weight and density (HMD material) was isolated. HMD material from both culture conditions were each resistant to heparitinase and heparinase, whereas 72 and 25% of the radiolabel in released-gel and fixed-gel HMD material, respectively, was resistant to chondroitinase ABC. Material resistant to chondroitinase ABC was analyzed further. Both samples contained a single broad glycoprotein band [relative molecular weight (M(r)) > 250,000] after sodium dodecyl sulfate-polyacrylamide gel electrophoresis (SDS-PAGE) and had amino acid profiles similar to airway mucin. The sample from fixed-gel cultures had nearly equal amounts of carbohydrate and protein, was highly enriched in N-acetylglucosamine, contained mannose, displayed little blood group A immunoreactivity, and had few O-linked oligosaccharides. Conversely, the sample from released-gel cultures contained 80% carbohydrate, was composed of monosaccharides characteristic of airway mucins, displayed blood group A immunoreactivity, and contained oligosaccharides O-linked via N-acetylgalactosamine.(ABSTRACT TRUNCATED AT 250 WORDS)
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22

Iordan, M. V. "Material and Ideal Culture." Russian Studies in Philosophy 41, no. 4 (April 2003): 69–71. http://dx.doi.org/10.2753/rsp1061-1967410469.

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23

Shelton, Anthony. "Material and Sensual Culture." Senses and Society 4, no. 1 (March 2009): 107–10. http://dx.doi.org/10.2752/174589309x388591.

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24

Sørensen, Marie Louise Stig. "Material Culture and Typology." Current Swedish Archaeology 5, no. 1 (June 10, 2021): 179–92. http://dx.doi.org/10.37718/csa.1997.12.

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The active and discursive nature of material culture is the subject of this paper. It will, however, be approached from the point of view of typology and in particular the debate about the 'Swedish Typology’ (Gräslund 1974). Typology is probably the archaeological method or theory through which the discipline has most explicitly stated its view on the nature of the archaeological object. Inspired by the idea of naturalised epistemology as the basis for understanding how knowledge is constructed within the sciences (as discussed by Thomas 1996: 194), it is here argued that what we do, as archaeologists, is of importance rather than the theorising about our actions. Through a discussion of typology as expressed in archaeological practice, this paper will propose that the relationship between the object and typology is much simpler and more complex than our habitual use of the concept tends to suggest. It is proposed that the creation of typologies reveals the quite decisive influence which the object has upon the archaeological constructions. Typologies, moreover, are intimately connected to prehistoric production strategies. It is the relationship between these two dimensions of typologies, that we must understand in order to fully realise their potentials and understand their roles in archaeological practice.
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25

Apel, Jan, and Kim Darmark. "Evolution and Material Culture." Current Swedish Archaeology 17, no. 1 (June 10, 2021): 10–28. http://dx.doi.org/10.37718/csa.2009.01.

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26

Kerlogue, Fiona. "MEMORY AND MATERIAL CULTURE." Indonesia and the Malay World 39, no. 113 (March 2011): 89–101. http://dx.doi.org/10.1080/13639811.2011.547731.

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27

Garrison, J. Ritchie. "History Through Material Culture." Journal of Interdisciplinary History 49, no. 2 (August 2018): 318–19. http://dx.doi.org/10.1162/jinh_r_01273.

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28

Martin, Ann Smart. "Material Culture. Henry Glassie." Studies in the Decorative Arts 8, no. 2 (April 2001): 139–43. http://dx.doi.org/10.1086/studdecoarts.8.2.40662786.

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29

Jindal, Ruth. "Writing Material Culture History." Textile History 47, no. 1 (January 2, 2016): 133–35. http://dx.doi.org/10.1080/00404969.2016.1148386.

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30

Severa, Joan, and Merrill Horswill. "Costume as Material Culture." Dress 15, no. 1 (January 1989): 51–64. http://dx.doi.org/10.1179/036121189803657325.

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31

Martínez, Sergio F., and Alejandro Villanueva. "Musicality as material culture." Adaptive Behavior 26, no. 5 (September 25, 2018): 257–67. http://dx.doi.org/10.1177/1059712318793123.

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From an enactive perspective, one should be able to explain how perception and actions, constituted in patterns of interactions with the world, evolve into the capacities for social coordination and social understanding distinctive of human beings. Traditional accounts of our social understanding skills, focusing on the role of intentionality as the “aboutness” associated with the use of symbolic language, make this sort of explanation difficult to articulate. A satisfactory explanation should start with the recognition that intentionality is not a monolithic phenomenon and that more basic kinds of intentionality embodied in material culture have played a crucial role in allowing for the complexity of human social cognition. We argue for the importance of kinds of bottom-up intentionality, which arise from the world as it is experienced, dynamically structuring and directing our cognitive capacities toward possibilities of (joint) action. Musicality (our capacity for being musical) is a particularly rich kind of cultural expression, in which intentionality embodied in material culture can be studied and its significance for the structure of our deeply social cognition can be explored.
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32

Richardson, Catherine. "Shakespeare and Material Culture." Literature Compass 7, no. 6 (June 4, 2010): 424–38. http://dx.doi.org/10.1111/j.1741-4113.2010.00700.x.

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33

Green, Ronald S. "Zen and Material Culture." Material Religion 16, no. 3 (February 28, 2020): 379–81. http://dx.doi.org/10.1080/17432200.2020.1720422.

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34

Pauly, Nancy. "Does Material Culture Matter?" Studies in Art Education 54, no. 3 (April 2013): 284–87. http://dx.doi.org/10.1080/00393541.2013.11518902.

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35

Nolan, Katherine, and Victoria Mitchell. "Staging Material, Performing Culture." TEXTILE 8, no. 2 (July 2010): 202–25. http://dx.doi.org/10.2752/175183510x12791896965583.

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36

van der Heijden, Frieda. "Notation as material culture." Early Music 46, no. 2 (May 2018): 362–63. http://dx.doi.org/10.1093/em/cay043.

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37

CARTER, THOMAS. "Studies in Material Culture." Utah Historical Quarterly 56, no. 4 (October 1, 1988): 307–9. http://dx.doi.org/10.2307/45061766.

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38

Kinmonth, Claudia. "Survival: Irish Material Culture and Material Economy." Folk Life 38, no. 1 (January 1999): 32–41. http://dx.doi.org/10.1179/flk.1999.38.1.32.

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39

Kinmonth, Claudia. "Survival: Irish Material Culture and Material Economy." Folk Life - Journal of Ethnological Studies 38, no. 1 (January 1, 1999): 32–41. http://dx.doi.org/10.1179/043087799798237935.

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40

Pocius, Gerald L. "Metaphor and Material Culture:Metaphor and Material Culture." American Anthropologist 103, no. 2 (June 2001): 553–54. http://dx.doi.org/10.1525/aa.2001.103.2.553.

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41

Orrmalm, Alex. "Culture by babies: Imagining everyday material culture through babies’ engagements with socks." Childhood 27, no. 1 (October 19, 2019): 93–105. http://dx.doi.org/10.1177/0907568219881676.

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This article takes its point of departure in babies’ engagements with socks and seeks to explore (1) how material culture matters in babies’ everyday lives and (2) how we can understand material culture through attending to babies’ own practices, that is, babies’ culture. The ongoingness, sensoriality and movement of material culture are highlighted, and the article concludes that re-thinking material culture through babies’ engagements with socks means shifting the focus away from objects’ established meaning and towards the materials of those objects.
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42

McCarthy, Anna. "Geekospheres: Visual Culture and Material Culture at Work." Journal of Visual Culture 3, no. 2 (August 2004): 213–21. http://dx.doi.org/10.1177/1470412904044800.

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43

Rotenberg, Robert. "Material Agency in the Urban Material Culture Initiative." Museum Anthropology 37, no. 1 (March 25, 2014): 36–45. http://dx.doi.org/10.1111/muan.12048.

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44

Gessner, Ingrid, Miriam Nandi, and Juliane Schwarz-Bierschenk. "MatteRealities: Historical Trajectories and Conceptual Futures for Material Culture Studies." Open Cultural Studies 3, no. 1 (January 1, 2019): 308–16. http://dx.doi.org/10.1515/culture-2019-0027.

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Abstract “No ideas but in things!” William Carlos Williams’s leitmotif for the modernist epic Paterson seems to anticipate the current renewal of academic attention to the materialities of culture: When the Smithsonian Institution accounts for The History of America in 101 Objects (Kurin) or when Neil MacGregor, designated director of the Humboldt Forum in Berlin, aims at telling The History of the World in 100 Objects (2011), they use specimens of material culture as register and archive of human activity. Individual exhibitions explore the role of objects in movements for social and political change (Disobedient Objects, Victoria and Albert Museum, London). Large-scale national museum projects like the new Humboldt Forum in Berlin or the National Museum of African American History and Culture in Washington, D.C., draw attention to the long existence of collections in Western institutions of learning and reveal the inherently political character of material culture—be that by underscoring the importance of institutional recognition of particular identities or by debates about provenance and restitution of human remains and status objects. The plethora of objects assembled in systematic as well as idiosyncratic collections within and outside the university is just beginning to be systematically explored for their roles in learning and education, funded by national research organizations such as the German BMBF.1 In theatrical performances, things function as discussion prompts in biographical work (Aufstand der Dinge, Schauspielhaus Chemnitz) or unfold their potential to induce a bodily experience (The Force of Things: An Opera for Objects, GK Arts Center, Brooklyn, NY). Things are present: as heritage, as commodities, as sensation; they circulate in processes of cognition and mediation, they transcend temporal and spatial distantiations. Things figure in narration and performance, in our everyday life practices, in political activism. They build knowledge of ourselves and others, influence the ways in which we interact with our fellow human beings, and in which we express or control our feelings. They combine the apparently concrete and the fleetingly abstract. Overall, things make us do things.
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45

Ross, Kirstie. "Museums, Mobility, and Material Culture." Transfers 3, no. 2 (June 1, 2013): 122–29. http://dx.doi.org/10.3167/trans.2013.030209.

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46

Winterbottom, Anna Elizabeth. "Material Culture and Healing Practice." Asian Medicine 15, no. 2 (February 17, 2021): 251–90. http://dx.doi.org/10.1163/15734218-12341472.

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Abstract The practice of medicine and healing is always accompanied by a range of paraphernalia, from pillboxes to instruments to clothing. Yet such things have rarely attracted the attention of historians of medicine. Here, I draw on perspectives from art history and religious studies to ask how these objects relate, in practical and symbolic terms, to practices of healing. In other words, what is the connection between medical culture and material culture? I focus on craft objects relating to medicine and healing in Lanka during the Kandyan period (ca. 1595–1815) in museum collections in Canada and Sri Lanka. I ask what the objects can tell us, first, about early modern Lankan medicine and healing and, second, about late nineteenth- and twentieth-century efforts to reconstruct tradition. Finally, I explore what studying these objects might add to current debates about early modern globalization in the context of both material culture and medicine.
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47

Mergen, Bernard, and Thomas J. Schlereth. "Material Culture: A Research Guide." Technology and Culture 28, no. 3 (July 1987): 698. http://dx.doi.org/10.2307/3105011.

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48

van der Leeuw, S. E. "Archaeology, Material Culture and Innovation." SubStance 19, no. 2/3 (1990): 92. http://dx.doi.org/10.2307/3684671.

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49

Vlach, John Michael, and Thomas J. Schlereth. "Material Culture: A Research Guide." Journal of American Folklore 99, no. 394 (October 1986): 484. http://dx.doi.org/10.2307/540061.

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50

Pinnock, Andrew, and Clifford Davidson. "Material Culture & Medieval Drama." Galpin Society Journal 53 (April 2000): 334. http://dx.doi.org/10.2307/842337.

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