Books on the topic 'Material culture'

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1

Kontou, Tatiana, Victoria Mills, and Kate Nichols. Victorian Material Culture. London: Routledge, 2022. http://dx.doi.org/10.4324/9781315400266.

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Kontou, Tatiana, Victoria Mills, and Richard Menke. Victorian Material Culture. London: Routledge, 2022. http://dx.doi.org/10.4324/9781315400303.

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Kontou, Tatiana, Victoria Mills, and Adelene Buckland. Victorian Material Culture. London: Routledge, 2022. http://dx.doi.org/10.4324/9781315400143.

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4

Buck, Peter Henry. Samoan material culture. Millwood, N.Y: Kraus Reprint, 1988.

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5

Pearce, Susan. Researching Material Culture. Leicester: School of Archaeological Studies (University of Leicester), 2000.

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6

Jo, Arnoldi Mary, Geary Christraud M, and Hardin Kris L, eds. African material culture. Bloomington: Indiana University Press, 1996.

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7

M, Pearce Susan, and University of Leicester. School of Archaeological Studies, eds. Researching material culture. Leicester: School of the Archaeological Studies, University of Leicester, 2000.

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8

Victor, Buchli, ed. The material culture reader. Oxford: Berg, 2002.

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9

1950-, Martinez Katharine, Ames Kenneth L, Henry Francis du Pont Winterthur Museum., and Winterthur Conference, eds. The material culture of gender, the gender of material culture. Winterthur, Del: Henry Francis du Pont Winterthur Museum, 1997.

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10

Barrie, Reynolds, Stott Margaret A, and University Press of America, eds. Material anthropology: Contemporary approaches to material culture. Lanham, MD: University Press of America, 1987.

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11

Jones, Andrew 1967. Memory and material culture. Great Britain: Cambridge U Pr, 2007.

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12

Buchli, Victor. Material Culture. Taylor & Francis Group, 2004.

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13

Kieschnick, John. Material Culture. Edited by John Corrigan. Oxford University Press, 2009. http://dx.doi.org/10.1093/oxfordhb/9780195170214.003.0013.

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Attention to material culture reveals generally shared responses across cultures to size, light, and representations of the human form. Even without specific cultural knowledge, monumental sculpture tends to provoke a sense of awe and small dark spaces a sense of foreboding and mystery. For this reason, whether for small-scale studies of individual practices or events or for comparative religion on a grander scale, attention to material culture has great explanatory potential. Before returning to the value of an appreciation of objects for understanding emotion and religion, this article presents a brief introduction to the term “material culture” and problems specific to the study of the material culture of religion. It then looks at intense emotions in extraordinary contexts, including the ecstasy of a shaman in trance, the anger of a crowd driven to violence, the weeping of saints, and the wonder of devotees in the presence of the miraculous. The article also considers objects that play a role in more pedestrian, though not necessarily less important, feelings.
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14

Material Culture. Taylor & Francis Group, 2004.

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15

Material Culture. Jovis Verlag GmbH, 2017.

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16

Buchli, Victor. Material Culture. Taylor & Francis Group, 2004.

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17

Buchli, Victor. Material Culture. Taylor & Francis Group, 2004.

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18

Glassie, Henry. Material Culture :. Indiana University Press, 1999.

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19

Buchli, Victor. Material Culture. Taylor & Francis Group, 2004.

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20

Buchli, Victor. Material Culture Reader. Taylor & Francis Group, 2020.

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21

Buchli, Victor. Material Culture Reader. Taylor & Francis Group, 2020.

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22

Buchli, Victor. Material Culture Reader. Taylor & Francis Group, 2020.

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23

Buchli, Victor. Material Culture Reader. Taylor & Francis Group, 2020.

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24

Nichols, Kate, and Victoria Mills. Victorian Material Culture. Taylor & Francis Group, 2022.

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25

Buckland, Adelene. Victorian Material Culture. Taylor & Francis Group, 2022.

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26

Nichols, Kate, and Victoria Mills. Victorian Material Culture. Taylor & Francis Group, 2022.

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27

Kontou, Tatiana, and Victoria Mills. Victorian Material Culture. Taylor & Francis Group, 2020.

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28

Smith, Christopher J. Minstrelsy’s Material Culture. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037764.003.0004.

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This chapter examines the material culture of blackface minstrelsy, and particularly of instrumental dance music in the “creole synthesis,” using evidence drawn from William Sidney Mount's four paintings: Just in Tune (1849), Right and Left (1850), Just in Tune () and The Banjo Player and The Bone Player (1856). Three of the four images in the portraits are most likely of dance musicians (both fiddlers and the bones player), while the fourth (the banjo player) could be imagined to accompany singing but equally likely completes the dance-band instrumentation—fiddle, banjo, and bones representing three-fourths of the iconic ensemble of minstrelsy. All of these works provide confirmation of Mount's expertise in and admiration for the details of African American vernacular music. This chapter analyzes the relationship between Mount's “private” pencil sketching and his “public” oil painting, as well as the complex layers of racial, economic, and political symbolism in his work. It also explores the musical detail of each of the four paintings and their significance to our understanding of the roots of minstrelsy.
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29

Spencer, John R., Robert A. Mullins, and Aaron J. Brody, eds. Material Culture Matters. Penn State University Press, 2014. http://dx.doi.org/10.1515/9781575068787.

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30

Murphy, Anne. Sikh Material Culture. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199699308.013.010.

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31

Wynne-Jones, Stephanie. A Material Culture. Oxford University Press, 2016. http://dx.doi.org/10.1093/oso/9780198759317.001.0001.

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A Material Culture focuses on objects in Swahili society through the elaboration of an approach that sees both people and things as caught up in webs of mutual interaction. It therefore provides both a new theoretical intervention in some of the key themes in material culture studies, including the agency of objects and the ways they were linked to social identities, through the development of the notion of a biography of practice. These theoretical discussions are explored through the archaeology of the Swahili, on the Indian Ocean coast of eastern Africa. This coast was home to a series of "stonetowns" (containing coral architecture) from the ninth century AD onwards, of which Kilwa Kisiwani is the most famous, considered here in regional context. These stonetowns were deeply involved in maritime trade, carried out among a diverse, Islamic population. This book suggests that the Swahili are a highly-significant case study for exploration of the relationship between objects and people in the past, as the society was constituted and defined through a particular material setting. Further, it is suggested that this relationship was subtly different than in other areas, and particularly from western models that dominate prevailing analysis. The case is made for an alternative form of materiality, perhaps common to the wider Indian Ocean world, with an emphasis on redistribution and circulation rather than on the accumulation of wealth. The reader will therefore gain familiarity with a little-known and fascinating culture, as well as appreciating the ways that non-western examples can add to our theoretical models.
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32

Buckland, Adelene. Victorian Material Culture. Taylor & Francis Group, 2022.

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33

Victorian Material Culture. Taylor & Francis Group, 2022.

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34

Victorian Material Culture. Taylor & Francis Group, 2022.

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35

Victorian Material Culture. Taylor & Francis Group, 2022.

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36

Victorian Material Culture. Taylor & Francis Group, 2022.

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37

Understanding Material Culture. Sage Publications Ltd, 2007.

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38

Victorian Material Culture. Taylor & Francis Group, 2022.

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39

Arnoldi, Mary Jo, Christraud M. Geary, and Kris L. Hardin. African Material Culture. Indiana University Press, 1996.

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40

Wynne, Deborah, and Louisa Yates. Victorian Material Culture. Taylor & Francis Group, 2022.

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41

Barrett, S. A., and E. W. Gifford. Miwok Material Culture. Kessinger Publishing, LLC, 2006.

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42

Jardine, Boris, and Josh Nall. Victorian Material Culture. Taylor & Francis Group, 2022.

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43

Victorian Material Culture. Taylor & Francis Group, 2022.

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44

Hulsbosch, Marianne. Asian Material Culture. Amsterdam University Press, 2010.

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45

Victorian Material Culture. Taylor & Francis Group, 2022.

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46

Kontou, Tatiana, and Kara Tennant. Victorian Material Culture. Taylor & Francis Group, 2022.

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47

Psarras, Sophia-Karin. Han Material Culture. Cambridge University Press, 2015.

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48

Korean material culture. [London]: British Association for Korean Studies, 1994.

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49

C, Tilley. Intro Material Culture. Taylor & Francis Group, 1997.

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50

Menke, Richard. Victorian Material Culture. Taylor & Francis Group, 2022.

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