Journal articles on the topic 'Masses (Lasso, Orlando di)'
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Crook, David. "A Sixteenth-Century Catalog of Prohibited Music." Journal of the American Musicological Society 62, no. 1 (2009): 1–78. http://dx.doi.org/10.1525/jams.2009.62.1.1.
Full textCoeurdevey, Annie, and Peter Bergquist. "Orlando di Lasso Studies." Revue de musicologie 86, no. 2 (2000): 347. http://dx.doi.org/10.2307/947409.
Full textKorndle, Franz, Ted Rippey, and Pamela Pamela. "Orlando di Lasso Studies . Peter Bergquist ." Journal of the American Musicological Society 53, no. 3 (October 2000): 624–29. http://dx.doi.org/10.1525/jams.2000.53.3.03a00070.
Full textCrook, David, and James Erb. "Orlando di Lasso: A Guide to Research." Notes 49, no. 1 (September 1992): 86. http://dx.doi.org/10.2307/897196.
Full textSchuler, Manfred. "Orlando di Lasso und die Konstanzer Domkantorei." Die Musikforschung 33, no. 2 (September 22, 2021): 184–89. http://dx.doi.org/10.52412/mf.1980.h2.1680.
Full textKörndle, Franz, Ted Rippey, and Pamela Potter. "Review: Orlando di Lasso Studies by Peter Bergquist." Journal of the American Musicological Society 53, no. 3 (2000): 624–29. http://dx.doi.org/10.2307/831941.
Full textBoetticher, Wolfgang. "Jacobus Gallus und Orlando di Lasso. Einige Betrachtungen zum Problem des Stilvergleichs in Motettenrepertoire." Musicological Annual 22, no. 1 (December 1, 1986): 5–13. http://dx.doi.org/10.4312/mz.22.1.5-13.
Full textFreedman, Richard. "Orlando di Lasso: Seine Werke in zeitgenossischen Drucken, 1555-1687 (review)." Notes 59, no. 2 (2002): 330–31. http://dx.doi.org/10.1353/not.2002.0169.
Full textLodes, Birgit. "Orlando di Lasso, Erbprinz Wilhelm von Bayern und die Commedia all`'improvviso." troja. Jahrbuch für Renaissancemusik 15 (November 3, 2020): 235–74. http://dx.doi.org/10.25371/troja.v20162734.
Full textFisher, Alexander J. "‘Per mia particolare devotione’: Orlando di Lasso'sLagrime di San Pietroand Catholic Spirituality in Counter-Reformation Munich." Journal of the Royal Musical Association 132, no. 2 (2007): 167–220. http://dx.doi.org/10.1093/jrma/fkm006.
Full textErb, James, Horst Leuchtmann, and Hartmut Schaefer. "Orlando di Lasso: Prachthandschriften und Quellenuberlieferung; aus den Bestanden der Bayerischen Staatsbibliothek Munchen." Notes 52, no. 2 (December 1995): 454. http://dx.doi.org/10.2307/899043.
Full textTammen, Björn R. "Zur Wiener Prachthandschrift der Hochzeitsmotette "Gratia sola Dei" (1568) von Orlando di Lasso." Die Musikforschung 68, no. 1 (September 22, 2021): 1–21. http://dx.doi.org/10.52412/mf.2015.h1.447.
Full textLiessem, Franz. "Phileno Agostino Cornazzani, oberster Instrumentalist der herzoglichen Hofkapelle zu München unter Orlando di Lasso." Die Musikforschung 24, no. 4 (September 21, 2021): 368–85. http://dx.doi.org/10.52412/mf.1971.h4.2100.
Full textBergquist, Peter. "A Tribute from Johannes Eccard to Orlando di Lasso at Concordia Seminary, St. Louis." Notes 60, no. 3 (2004): 603–12. http://dx.doi.org/10.1353/not.2004.0003.
Full textHeinzel, Alexander, and Bernhold Schmid. "Neu aufgefundene Satze von Orlando di Lasso: zwei "Adoramus te Christe" und ein "Salve regina"." Archiv für Musikwissenschaft 55, no. 2 (1998): 132. http://dx.doi.org/10.2307/931119.
Full textBergquist, Peter. "The Chansons of Orlando di Lasso: Music, Piety, and Print in Sixteenth-Century France (review)." Notes 58, no. 3 (2002): 583–85. http://dx.doi.org/10.1353/not.2002.0007.
Full textOlmos. "LA INFLUENCIA DE ORLANDO DI LASSO EN LA OBRA CORAL RELIGIOSA A CAPELLA DE FRANCIS POULENC." Revista de Musicología 27, no. 1 (2004): 273. http://dx.doi.org/10.2307/20797851.
Full textAmbiel, Áurea Helena de Jesus. "Lamentationes Jeremiae Prophetae de Orlando Di Lasso: algumas figuras retórico-musicais na Lamentatio Prima Primi Diei (Feria Quinta In Coena Domini)." Per Musi, no. 18 (December 2008): 77–89. http://dx.doi.org/10.1590/s1517-75992008000200010.
Full textKratz, Leonore. ""Orlandus Coryphaeus in Arte Harmonicâ"." Die Musikforschung 67, no. 2 (September 22, 2021): 109–33. http://dx.doi.org/10.52412/mf.2014.h2.71.
Full textCoeurdevey, Annie, and Richard Freedman. "The Chansons of Orlando di Lasso and Their Protestant Listeners. Music, Piety, and Print in Sixteenth-Century France." Revue de musicologie 87, no. 2 (2001): 489. http://dx.doi.org/10.2307/947115.
Full textLewis, Susan G., and Richard Freedman. "The Chansons of Orlando di Lasso and Their Protestant Listeners: Music, Piety, and Print in Sixteenth-Century France." Sixteenth Century Journal 34, no. 3 (October 1, 2003): 921. http://dx.doi.org/10.2307/20061623.
Full textBergquist, Peter. "The Anonymous Propers in Munich Mss. 32 and 76: Are They Previously Unknown Works by Orlando di Lasso?" Acta Musicologica 65, no. 1 (January 1993): 4. http://dx.doi.org/10.2307/932643.
Full textTurci-Escobar, John. "An Intervallic Approach to Sixteenth-Century Chromaticism." Journal of Music Theory 65, no. 2 (October 1, 2021): 239–85. http://dx.doi.org/10.1215/00222909-9143197.
Full textŠtefancová, Dagmar. "Unknown Organ Tablature from the Early Seventeenth Century." Musicalia 9, no. 1-2 (2017): 125–48. http://dx.doi.org/10.1515/muscz-2017-0012.
Full textCalderón Urreiztieta, Carlos. "Experiencia estética y formulación científica: el caso del Harmonices Mundi de Johannes Kepler." Anuario Musical, no. 68 (December 30, 2013): 81. http://dx.doi.org/10.3989/anuariomusical.2013.68.149.
Full textCorrêa, João Francisco de Souza. "Quarteto de Cordas nº 3 de Alfred Schnittke." Per Musi, no. 40 (June 15, 2021): 1–22. http://dx.doi.org/10.35699/2317-6377.2020.20068.
Full textPetersen, Nils Holger. "W. A. Mozart’s Litaniae lauretanae Compositions and the Loreto Pilgrimage." Eventum: A Journal of Medieval Arts & Rituals 1 (September 20, 2023): 82–105. http://dx.doi.org/10.54103/2023/20267.
Full textHis, Isabelle, Bernhold Schmid, I. Bossuyt, E. Schreurs, and A. Wouters. "Orlando di Lasso in der Musikgeschichte. Bericht über das Symposion der Bayerischen Akademie der Wissenschaften. München, 4-6 Juli 1994." Revue de musicologie 83, no. 2 (1997): 304. http://dx.doi.org/10.2307/946926.
Full textOwens, Jessie Ann, and Bernhold Schmid. "Orlando di Lasso in der Musikgeschichte: Bericht uber das Symposion der Bayerischen Akademie der Wissenschaften, Munchen, 4.-6. Juli 1994." Notes 55, no. 3 (March 1999): 649. http://dx.doi.org/10.2307/900421.
Full textSchmid, Bernhold. "Das „Gaudeamus omnes“-Zitat in Lassos Motette Nunc gaudere licet und sein Kontext – Aspekte der geistlichen Parodie bei Orlando di Lasso." Journal of the Alamire Foundation 5, no. 2 (September 2013): 237–59. http://dx.doi.org/10.1484/j.jaf.1.103495.
Full textCyrus, Cynthia J. "Review: The Chansons of Orlando di Lasso and Their Protestant Listeners: Music, Piety, and Print in Sixteenth-Century France By Richard Freedman." Journal of the American Musicological Society 57, no. 3 (2004): 651–56. http://dx.doi.org/10.1525/jams.2004.57.3.651.
Full textJadczak, Patryk. "The artistic setting of the French celebration of Henry III’s proclamation as the Polish King in the summer of 1573." Notes Muzyczny 2, no. 20 (December 31, 2023): 39–64. http://dx.doi.org/10.5604/01.3001.0053.9947.
Full textWagner Oettinger, Rebecca. "RICHARD FREEDMAN, The Chansons of Orlando di Lasso and their Protestant Listeners: Music, Piety, and Print in Sixteenth-Century France. Eastman Studies in Music. Rochester, NY, University of Rochester Press. 2000. xxiv + 259 pp." Early Music History 21 (September 4, 2002): 259–90. http://dx.doi.org/10.1017/s0261127902212073.
Full textGerver, Larisa L. "The Fixed Poetic Form vs the Musical Form: The Experience of Analyzing Madrigal Settings of Sestina Texts." Problemy muzykal'noi nauki / Music Scholarship, no. 3 (2023): 23–34. http://dx.doi.org/10.56620/2782-3598.2023.3.023-034.
Full textLeszczyńska, Agnieszka. "Emanuel Wurstisen, his Tablature and Links to Poland. Lute Music with Medicine in the Background." Muzyka 65, no. 2 (July 15, 2020): 3–24. http://dx.doi.org/10.36744/m.445.
Full textPowers, Katherine. "Freedman Richard, The Chansons of Orlando di Lasso and Their Protestant Listeners: Music, Piety, and Print in Sixteenth-Century France (Eastman Studies in Music, 15.) Rochester: University of Rochester Press, 2001. xxiv + 259 pp. $75. ISBN: 1-58046-075-5." Renaissance Quarterly 55, no. 3 (2002): 1089–90. http://dx.doi.org/10.2307/1261589.
Full text"Orlando di Lasso: a guide to research." Choice Reviews Online 28, no. 09 (May 1, 1991): 28–4849. http://dx.doi.org/10.5860/choice.28-4849.
Full text"The chansons of Orlando di Lasso and their Protestant listeners: music, piety, and print in sixteenth-century France." Choice Reviews Online 39, no. 02 (October 1, 2001): 39–0841. http://dx.doi.org/10.5860/choice.39-0841.
Full textBarros, Cassiano de Almeida. "função da análise na Musica Poetica de J. Burmeister." Revista Música Hodie 20 (November 14, 2021). http://dx.doi.org/10.5216/mh.v20.63270.
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