Books on the topic 'Masses (Lasso, Orlando di)'

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1

Bergquist, Peter. Orlando di Lasso Studies. Cambridge: Cambridge University Press, 1999.

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2

Peter, Bergquist, ed. Orlando Di Lasso Studies. New York: Cambridge University Press, 1999.

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3

Peter, Bergquist, ed. Orlando di Lasso, The complete motets. Middleton, Wis: A-R Editions, 2007.

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4

Orlich, Rufina. Die Parodiemessen von Orlando di Lasso. München: W. Fink, 1985.

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5

James, Erb. Orlando di Lasso: A guide to research. New York: Garland Pub., 1990.

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6

Zager, Daniel Arthur. The polyphonic Latin hymns of Orlando di Lasso. Ann Arbor: University Microfilms International, 1985.

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7

Leuchtmann, Horst. Orlando di Lasso: Seine Werke in zeitgenössischen Drucken, 1555-1687. Kassel: Bärenreiter, 2001.

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8

Ghezzi, Emilio. Le " Cantiones duarum vocum" di Orlando di Lasso: Una ricerca per la didattica. Milano: Guerini studio, 1991.

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9

Horst, Leuchtmann, Schaefer Hartmut, and Bayerische Staatsbibliothek, eds. Orlando di Lasso: Prachthandschriften und Quellenüberlieferung : aus den Beständen der Bayerischen Staatsbibliothek München. Tutzing: Schneider, 1994.

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10

Boetticher, Wolfgang. Orlando di Lasso und seine Zeit 1532-1594: Repertoire-Untersuchungen zur Musik der Spätrenaissance. Wilhelmshaven: F. Noetzel, 1998.

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11

Bossuyt, Ignace. Die Kunst der Polyphonie: Die flämische Musik von Guillaume Dufay bis Orlando di Lasso. [Zürich, Mainz]: Atlantis Musikbuch-Verlag, 1997.

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12

Freedman, Richard. The chansons of Orlando di Lasso and their Protestant listeners: Music, piety, and print in sixteenth-century France. Rochester, NY: University of Rochester Press, 2000.

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13

Freedman, Richard. The chansons of Orlando di Lasso and their Protestant listeners: Music, piety, and print in sixteenth-century France. Rochester, NY: University of Rochester Press, 2001.

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14

Bernhold, Schmid, ed. Orlando di Lasso in der Musikgeschichte: Bericht über das Symposion der Bayerischen Akademie der Wissenschaften, München, 4.-6. Juli 1994. München: Verlag der Bayerischen Akademie der Wissenschaften, 1996.

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15

1947-, Edelmann Bernd, and Gesellschaft für Bayerische Musikgeschichte, eds. Orlando di Lasso 1594-1994: Renaissance in München : Veranstaltungen der Gesellschaft für Bayerische Musikgeschichte zu Lassos 400. Todestag unter der Schirmherrschaft des Bayerischen Ministerpräsidenten Edmund Stoiber : Programmbuch mit Texten, Übersetzungen und Abbildungen. Tutzig: H. Schneider, 1994.

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16

Orlando Di Lasso. Creative Media Partners, LLC, 2023.

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17

Bergquist, Peter, ed. Orlando di Lasso Studies. Cambridge University Press, 1999. http://dx.doi.org/10.1017/cbo9780511551383.

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18

Bergquist, Peter. Orlando di Lasso Studies. Cambridge University Press, 2006.

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19

Bergquist, Peter. Orlando Di Lasso Studies. Cambridge University Press, 2011.

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20

Le " Cantiones duarum vocum" di Orlando di Lasso. Parma, Italy: L'oca del Cairo, 2002.

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21

Orlando di Lasso and Others. Orlando di Lasso and Others: Canzoni Villanesche and Villanelle. A-R Editions, Inc., 1991.

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22

Bauerle, Hermann. Die Sieben Busspsalmen Septem Psalmi Poenitentiales Des Orlando Di Lasso. Franklin Classics Trade Press, 2018.

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23

Bäuerle, Hermann. Die Sieben Busspsalmen Septem Psalmi Poenitentiales des Orlando Di Lasso. Creative Media Partners, LLC, 2018.

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24

Bauerle, Hermann. Die Sieben Busspsalmen Septem Psalmi Poenitentiales Des Orlando Di Lasso. Franklin Classics Trade Press, 2018.

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25

Bäuerle, Hermann. Die Sieben Busspsalmen Septem Psalmi Poenitentiales des Orlando Di Lasso. Creative Media Partners, LLC, 2018.

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26

Lasso, Orlando Di. Orlando Di Lasso: Complete Motets 5 (Recent Researches in the Music of the Renaissance). A-R Editions, 1997.

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27

Orlando Di Lasso: The Complete Motets 12 (Recent Researches in the Music of the Renaissance). A-R Editions, 2001.

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28

(Editor), Peter Bergquist, ed. Orlando di Lasso: The Complete Motets 8 (Recent Researches in the Music of the Renaissance). A-R Editions, 1999.

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29

Orlando Di Lasso: The Complete Motets 18 (Recent Researches in the Music of the Renaissance). A-R Editions, 2001.

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30

(Editor), Peter Bergquist, ed. Orlando Di Lasso: The Complete Motets 7 (Recent Researches in the Music of the Renaissance). A-R Editions, 1998.

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31

Freedman, Richard. Chansons of Orlando Di Lasso and Their Protestant Listeners: Music, Piety, and Print in Sixteenth-Century France. University of Rochester Press, 2001.

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32

Crook, David. The Complete Motets 20: Oralndo and Ferdinand Di Lasso: Cantiones Quinque Vocum (Munich, 1597); Orlando and Rudolph Di Lasso, Cantiones Sacrae Sex Vocibus ... Researches in the Music of the Renaissance). A-R Editions, 2006.

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33

Bergquist, Peter, and Orlando di Lasso. Orlando di Lasso: The Complete Motets 3: Motets for Four to Eight Voices from Thesaurus Musicus (Nuremberg, 1564). A-R Editions, 2002.

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34

Freedman, Richard. The Chansons of Orlando Di Lasso and Their Protestant Listeners: Music, Piety, and Print in Sixteenth-Century France. University of Rochester Press, 2000.

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35

Lasso, Orlando Di. Orlando Di Lasso: Sacrae Cantiones (Nuremberg, 1562): The Complete Motets 2 (Recent Researches in the Music of the Renaissance). A-R Editions, 2002.

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36

Lasso, Orlando Di. Orlando di Lasso - The Complete Motets 11: Liber mottetarum trium vocum (Munich, 1575); Novae aliquot, ad duas voces cantiones (Munich, 1577). A-R Editions, 1999.

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37

Bergquist, Peter, and Orlando di Lasso. Orlando Di Lasso: The Complete Motets 16 Cantiones Sacrae Sex Vocum (Graz, 1594) (Recent Researches in the Music of the Renaissance). A-R Editions, 2002.

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38

Musica divina: Ausstellung zum 400. Todesjahr von Giovanni Pierluigi da Palestrina und Orlando di Lasso und zum 200. Geburtsjahr von Carl Proske. Regensburg: Schnell & Steiner, 1994.

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39

Berquist, Peter. Orlando di Lasso The Complete Motets Supplement: Motets Based on the Song of Songs (Recent Researches in the Music of the Renaissance). A-R Editions, 2006.

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40

Orlando di Lasso in der Musikgeschichte: Bericht uber das Symposion der Bayerischen Akademie der Wissenschaften, Munchen, 4.-6. Juli 1994 (Abhandlungen ... Philosophisch-historische Klasse). In Kommission bei der C.H. Beck'schen Verlagsbuchh, 1996.

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41

Dehn, Siegfried Wilhelm. S. W. Dehn's Lehre Vom Contrapunkt, Dem Canon und der Fuge: Nebst Analysen Von Duetten, Terzetten, Fugen etc. Von Orlando Di Lasso, Marcello, Palestrina U. a. Creative Media Partners, LLC, 2018.

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42

Dehn, Siegfried Wilhelm. S. W. Dehn's Lehre Vom Contrapunkt, Dem Canon und der Fuge: Nebst Analysen Von Duetten, Terzetten, Fugen etc. Von Orlando Di Lasso, Marcello, Palestrina U. a. Creative Media Partners, LLC, 2022.

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43

Dehn, Siegfried Wilhelm. S. W. Dehn's Lehre Vom Contrapunkt, Dem Canon und der Fuge: Nebst Analysen Von Duetten, Terzetten, Fugen etc. Von Orlando Di Lasso, Marcello, Palestrina U. a. Creative Media Partners, LLC, 2018.

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44

S. W. Dehn's Lehre Vom Contrapunkt, Dem Canon und der Fuge: Nebst Analysen Von Duetten, Terzetten, Fugen etc. Von Orlando Di Lasso, Marcello, Palestrina U. a. Creative Media Partners, LLC, 2022.

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45

Lasso, Orlando Di. Orlando Di Lasso: The Complete Motets 10: The Four-Language Print for Four & Eight Voices (Munich, 1573) (Recent Researches in Music of the Renaissance Series, Vol. Rrr102). A-R Editions, 1995.

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46

Sandberger, Adolf. Orlando Di Lasso und Die Geistigen Strömungen Seiner Zeit: Festrede Gehalten in der öffentlichen Sitzung der B. Akademie der Wissenschaften Zur Feier des 165. Stiftungstages Am 13. Juni 1924. de Gruyter GmbH, Walter, 2019.

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47

Parsons, Laurel, and Brenda Ravenscroft. Maddalena Casulana, “Per lei pos’ in oblio” from Cinta di fior (1570). Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190237028.003.0003.

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The chapter examines the madrigals of Maddalena Casulana, a sixteenth-century Venetian composer, teacher, and singer who was the first female composer in western music history to have her music published. When she was only twenty, four of her madrigals appeared in a volume with those of Orlando di Lasso and Cipriano de Rore, but later published collections were devoted exclusively to her compositions. Her madrigals exhibit not only what she must have learned singing poetry to the lute, but mastery of sophisticated compositional craft as well. This skill is particularly evident in her handling of chordal music, a basic feature of the mid-sixteenth-century madrigal arioso. This chapter explores her compositional techniques in general and looks closely at the form of “Per lei pos’ in oblio.”
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