Academic literature on the topic 'Masses (Lasso, Orlando di)'
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Journal articles on the topic "Masses (Lasso, Orlando di)"
Crook, David. "A Sixteenth-Century Catalog of Prohibited Music." Journal of the American Musicological Society 62, no. 1 (2009): 1–78. http://dx.doi.org/10.1525/jams.2009.62.1.1.
Full textCoeurdevey, Annie, and Peter Bergquist. "Orlando di Lasso Studies." Revue de musicologie 86, no. 2 (2000): 347. http://dx.doi.org/10.2307/947409.
Full textKorndle, Franz, Ted Rippey, and Pamela Pamela. "Orlando di Lasso Studies . Peter Bergquist ." Journal of the American Musicological Society 53, no. 3 (October 2000): 624–29. http://dx.doi.org/10.1525/jams.2000.53.3.03a00070.
Full textCrook, David, and James Erb. "Orlando di Lasso: A Guide to Research." Notes 49, no. 1 (September 1992): 86. http://dx.doi.org/10.2307/897196.
Full textSchuler, Manfred. "Orlando di Lasso und die Konstanzer Domkantorei." Die Musikforschung 33, no. 2 (September 22, 2021): 184–89. http://dx.doi.org/10.52412/mf.1980.h2.1680.
Full textKörndle, Franz, Ted Rippey, and Pamela Potter. "Review: Orlando di Lasso Studies by Peter Bergquist." Journal of the American Musicological Society 53, no. 3 (2000): 624–29. http://dx.doi.org/10.2307/831941.
Full textBoetticher, Wolfgang. "Jacobus Gallus und Orlando di Lasso. Einige Betrachtungen zum Problem des Stilvergleichs in Motettenrepertoire." Musicological Annual 22, no. 1 (December 1, 1986): 5–13. http://dx.doi.org/10.4312/mz.22.1.5-13.
Full textFreedman, Richard. "Orlando di Lasso: Seine Werke in zeitgenossischen Drucken, 1555-1687 (review)." Notes 59, no. 2 (2002): 330–31. http://dx.doi.org/10.1353/not.2002.0169.
Full textLodes, Birgit. "Orlando di Lasso, Erbprinz Wilhelm von Bayern und die Commedia all`'improvviso." troja. Jahrbuch für Renaissancemusik 15 (November 3, 2020): 235–74. http://dx.doi.org/10.25371/troja.v20162734.
Full textFisher, Alexander J. "‘Per mia particolare devotione’: Orlando di Lasso'sLagrime di San Pietroand Catholic Spirituality in Counter-Reformation Munich." Journal of the Royal Musical Association 132, no. 2 (2007): 167–220. http://dx.doi.org/10.1093/jrma/fkm006.
Full textDissertations / Theses on the topic "Masses (Lasso, Orlando di)"
Fisher, Gary. "The Munich Kapelle of Orlando di Lasso, 1563-1594 : a model for Renaissance choral performance practice /." Full-text version available from OU Domain via ProQuest Digital Dissertations, 1987.
Find full textJohnson, Nicholas Dean. "The influence of the Jesuits on the Passion music of Orlando di Lasso." College Park, Md. : University of Maryland, 2006. http://hdl.handle.net/1903/3703.
Full textThesis research directed by: School of Music. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.
Temme, Diane. "Orlando di Lasso's psalm settings : an examination of genre in late sixteenth-century psalm motets and German Leider." Thesis, Bangor University, 2019. https://research.bangor.ac.uk/portal/en/theses/orlando-di-lassos-psalm-settings(734d892f-f377-4279-bda2-2b6315cbb6a1).html.
Full textAmbiel, Aurea Helena de Jesus. "Lamentationes Jeremiae Prophetae de Orlando di Lasso = a aplicação da quinta categoria analitica de Joachim Burmeister." [s.n.], 2010. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284035.
Full textTese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes
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Resumo: Em Musica Poética (1606) , Joachim Burmeister oferece a primeira proposta de análise formal em música . A sua metodologia analítica tem um direcionamento retórico- musical e compreende a divisão em cinco categorias: "(1) investigação do modo; (2) investigação do gênero melódico; (3) investigação do tipo de polifonia; (4) consideração da qualidade; (5) secionamento da peça em afetos ou períodos" (BURMEISTER, ([1606] 1993, p.201). O presente trabalho propõe a análise da obra Lamentationes Jeremiae Prophetae de Orlando Di Lasso, segundo a sua quinta categoria. A sua aplicação nesta obra de Lasso pode revelar o valor da análise. A intenção inicial do autor, antes de mais nada, era pedagógica: ele tencionava ensinar os jovens músicos a compor, utilizando como meio: o estudo, a observação e a imitação dos recursos engenhosos empregados na obra pelos grandes mestres (emulação). A aplicação desta quinta categoria coloca o analista numa posição que diz respeito também ao intérprete: é preciso encontrar nas diversas partes do discurso musical os afetos sugeridos pelo compositor. Através da análise é possível recriar a atmosfera afetiva da obra, oferecendo uma importante ferramenta para a interpretação, com profundidade e acuidade estilística
Abstract: In Musica Poetica (1606) Joachim Burmeister offers the first proposal of a formal analysis in music. His analytical methodology has a rhetoric-musical orientation and includes a five-category division: "(1) investigation of the mode; (2) investigation of the melodic genus; (3) investigation of the type of polyphony; (4) consideration of the quality; (5) sectioning of the piece into affections or periods" (BURMEISTER, [1606] 1993, p. 201). This dissertation aims to analyse Lamentationes Jeremiae Prophetae by Orlando Di Lasso in accordance with Burmeister's fifth category. The application of his fifth category on Lasso's work can reveal the value of this analytical method. Initially the authors's intention was pedagogic. He wanted to teach young musicians how to write music using the study, observation and imitation of inventive resources employed by great masters (emulation). Nowadays the application of this fifth category puts the music analyst on a par with the music performer. It is necessary to find out first the affect suggested by the composer among the several parts of the musical discourse. Through the utilization of this fifth category it is possible to recreate the affective atmosphere of the work. At the same time it can provide the performer an important tool to help in the interpretation of the work with depth and a keener sense of historical stylistic acuity
Doutorado
Doutor em Música
Lessoil-Daelman, Marcelle. "Rôle des répétitions textuelles dans les Psaumes de la Pénitence de LASSUS." Thesis, McGill University, 1993. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=68116.
Full textPopolin, Daniela Francine Lino. "Lagrime di San Pietro de Orlando di Lasso : um estudo de preparação e execução através de uma nova edição crítica e revisada." [s.n.], 2013. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284519.
Full text"O segundo volume apresenta uma nova edição, crítica e revisada, de Lagrime di San Pietro"
Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes
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Resumo: Lagrime di San Pietro é uma das obras mais relevantes dentro da vasta produção de Orlando di Lasso, composta por um conjunto de vinte Madrigais Espirituais e um Moteto. Esta tese teve como principal objetivo um estudo sobre a preparação e a execução desta obra sob a ótica do regente, embasado por um conjunto de pesquisas adjacentes que proporcionassem um suporte teórico, como análise musical, textual e a relação entre ambos, contextualização histórica da obra e do compositor, além do levantamento das dificuldades encontradas durante o processo de execução da obra, partindo da aplicação prática da proposta apresentada. Devido à dificuldade de se encontrar uma edição ideal, foi necessário confeccionar uma nova partitura da obra que pudesse ser utilizada tanto como base para esse estudo como para a sua execução. Assim, o segundo volume apresenta uma nova edição, crítica e revisada, de Lagrime di San Pietro
Abstract: Lagrime di San Pietro is among the most significant works in the huge production of Orlando di Lasso, consisting of a set of twenty Spiritual Madrigals and a Motet. This thesis aimed to a study on the preparation and performance of the work from the conductor's perspective, based on a set of adjacent researches that provide a theoretical foundation and practical implementation of the proposals, such as musical and textual analysis and the relationship between both, a historical background of the work and the composer, and a survey of the difficulties found during the performance of the work, based on the implementation of the proposal. Given the difficulty of finding a right edition, it was necessary to prepare a new score of the work which could be used both as the basis for this study and for its performance. Thus, the second volume presents a new reviewed and critical edition of Lagrime di San Pietro
Doutorado
Praticas Interpretativas
Doutora em Música
Hanson, Jan. "Orlando di Lasso's Missa Ad Imitationem Moduli Doulce Memoire: An Examination of the Mass and its Model." Thesis, North Texas State University, 1986. https://digital.library.unt.edu/ark:/67531/metadc332407/.
Full textBallman, Christine. "Les oeuvres de Lassus mises en tablature pour le luth: catalogue - transcriptions - analyse." Doctoral thesis, Universite Libre de Bruxelles, 2001. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/211492.
Full textRoth, Marjorie A. "The voice of prophecy Orlando di Lasso's Sibyls and Italian humanism /." 2005. http://catalog.hathitrust.org/api/volumes/oclc/85772021.html.
Full textZager, Daniel. "The polyphonic Latin hymns of Orlando di Lasso a liturgical and repertorial study /." 1985. http://catalog.hathitrust.org/api/volumes/oclc/23638923.html.
Full textBooks on the topic "Masses (Lasso, Orlando di)"
Bergquist, Peter. Orlando di Lasso Studies. Cambridge: Cambridge University Press, 1999.
Find full textPeter, Bergquist, ed. Orlando Di Lasso Studies. New York: Cambridge University Press, 1999.
Find full textPeter, Bergquist, ed. Orlando di Lasso, The complete motets. Middleton, Wis: A-R Editions, 2007.
Find full textOrlich, Rufina. Die Parodiemessen von Orlando di Lasso. München: W. Fink, 1985.
Find full textJames, Erb. Orlando di Lasso: A guide to research. New York: Garland Pub., 1990.
Find full textZager, Daniel Arthur. The polyphonic Latin hymns of Orlando di Lasso. Ann Arbor: University Microfilms International, 1985.
Find full textLeuchtmann, Horst. Orlando di Lasso: Seine Werke in zeitgenössischen Drucken, 1555-1687. Kassel: Bärenreiter, 2001.
Find full textGhezzi, Emilio. Le " Cantiones duarum vocum" di Orlando di Lasso: Una ricerca per la didattica. Milano: Guerini studio, 1991.
Find full textHorst, Leuchtmann, Schaefer Hartmut, and Bayerische Staatsbibliothek, eds. Orlando di Lasso: Prachthandschriften und Quellenüberlieferung : aus den Beständen der Bayerischen Staatsbibliothek München. Tutzing: Schneider, 1994.
Find full textBoetticher, Wolfgang. Orlando di Lasso und seine Zeit 1532-1594: Repertoire-Untersuchungen zur Musik der Spätrenaissance. Wilhelmshaven: F. Noetzel, 1998.
Find full textBook chapters on the topic "Masses (Lasso, Orlando di)"
Danuser, Hermann. "Lasso, Orlando di." In Metzler Komponisten Lexikon, 415–21. Stuttgart: J.B. Metzler, 1992. http://dx.doi.org/10.1007/978-3-476-03421-2_167.
Full textDanuser, Hermann. "Lasso [Lassus], Orlando di [de]." In Komponisten Lexikon, 323–28. Stuttgart: J.B. Metzler, 2003. http://dx.doi.org/10.1007/978-3-476-05274-2_164.
Full textDanuser, Hermann. "Lasso [Lassus], Orlando di [de]." In Komponisten, 128–34. Stuttgart: J.B. Metzler, 2004. http://dx.doi.org/10.1007/978-3-476-02947-8_25.
Full textGutknecht, Dieter. "Orlando di Lasso in Wien und Graz." In Die Wiener Hofmusikkapelle III, 97–108. Wien: Böhlau Verlag, 2011. http://dx.doi.org/10.7767/boehlau.9783205791423.97.
Full textCardamone, Donna G. "Orlando Di Lasso and Pro-French Factions in Rome." In The canzone villanesca alla napolitana, V:23—V:47. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003417576-5.
Full textCardamone, Donna G. "Orlando di Lasso et al.: A New Reading of the Roman Villanella Book (1555)." In The canzone villanesca alla napolitana, IX:1—IX:28. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003417576-9.
Full textGöllner, Marie Louise. "Orlando di Lasso and Andrea Gabrieli: two motets and their masses in a Munich choir book from 1564–65." In Orlando di Lasso Studies, 20–40. Cambridge University Press, 1999. http://dx.doi.org/10.1017/cbo9780511551383.003.
Full text"Preface." In Orlando di Lasso Studies, vii—x. Cambridge University Press, 1999. http://dx.doi.org/10.1017/cbo9780511551383.001.
Full textErb, James. "Aspects of form in Orlando di Lasso's Magnificat settings." In Orlando di Lasso Studies, 1–19. Cambridge University Press, 1999. http://dx.doi.org/10.1017/cbo9780511551383.002.
Full textZager, Daniel. "Post-Tridentine liturgical change and functional music: Lasso's cycle of polyphonic Latin hymns." In Orlando di Lasso Studies, 41–63. Cambridge University Press, 1999. http://dx.doi.org/10.1017/cbo9780511551383.004.
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