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Dissertations / Theses on the topic 'Mass media – Censorship – Australa'

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Author: Grafiati

Published: 10 December 2022

Last updated: 29 January 2023

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1

Tickle, Sharon. "Assessing the "real story" behind political events in Indonesia : email discussion list Indonesia-L's coverage of the 27 July 1996 Jakarta riots." Thesis, Queensland University of Technology, 1997. https://eprints.qut.edu.au/35887/1/35887_Tickle_1997.pdf.

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The government-backed invasion of the Indonesian Democratic Party's Jakarta headquarters on the morning of27 July 1996, and the resulting violent riots in which at least five people died marked a pivotal point in Indonesian politics generally, and the pro-democracy movement specifically. This was a newsworthy event which was covered extensively by the broadcast and print media globally, however the time taken to relay the story and the credibility of the reports was highly variable for domestic as well as foreign media. Coverage by a national and regional Indonesian newspaper, as well as a national and regional Australian newspaper was compared with the email discussion list Indonesia-L's coverage for the news values of timeliness and accuracy. The October 1996 reports into the incident by the Indonesian National Commission for Human Rights and Human Rights Watch/ Asia were used as reference materials to evaluate the accuracy of the media reporting. The degree of government involvement in the attack on the PDI HQ was not reported by the Indonesian daily newspapers which also under-reported the number of victims while focussing on the law and order aspect of the story. Reportage by both the national and regional Australian papers focussed on the violence of the riots which posed a threat to President Soeharto 's rule, the role of the armed forces in maintaining law and order, and also underestimated the number of victims. Indonesia-L disseminated the fastest and most accurate reports of the event with eyewitness accounts providing considerable detail. Only two of the 18 postings were found to be sensationalistic and inaccurate. Implications for the future use of computer-mediated communication, such as email discussion lists, as an alternative source of news which circumvents government control, as well as the time and commercial constraints of print media are discussed.

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2

Roy, Enakshi. "Social Media, Censorship and Securitization in the United States and India." Ohio University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1501849533632077.

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3

Behrouzian, Golnoosh. "From Reactance to Political Belief Accuracy: Evaluating Citizens’ Response to Media Censorship and Bias." The Ohio State University, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu1523974517249645.

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4

Al-Shaqsi, Obaid Said. "The influence of satellite and terrestrial television viewing on young adults in Oman : uses, gratifications and cultivation." Thesis, Cardiff University, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.326875.

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5

Rodina, Elena 1982. "How Publication Type, Experience, and Ownership Affect Self-Censorship among Moscow Newspaper Journalists." Thesis, University of Oregon, 2010. http://hdl.handle.net/1794/10692.

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viii, 89 p. A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number.
This thesis examines how social and economic factors shape the behavior of Russian journalists. Although the state does not practice legal censorship today, Western experts compare Russian media with the Soviet period, and Russia is commonly ranked in the bottom 10% of all countries in terms of press freedom. While scholars identify free press as a necessary condition for a democratic society, Russian media are influenced by flak directed at editors and reporters, which results in self-censorship. The central question is: What is the relationship between the ownership structure ofthe media, a reporter's experience, and the occurrence of self-censorship? A random sample of40 journalists was drawn from ten prominent national newspapers. Interviews focused on instances when reporters had been asked to remove facts critical of the government. The data show that self-censorship is significant in Russian journalism; it comes both from the editors and from the journalists themselves.
Committee in Charge: Dr. Caleb Southworth, Chair; Dr. Julie Hessler; Dr. Carol Silverman

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6

Stoycheff, Elizabeth L. "Free media consolidation in Eastern Europe: Citizen attitudes about political, legal, and economic media freedom." The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1373925072.

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7

Wang, Sijie. "Criticism, Censorship, Influence on Newswork: A Content Analysis of How Film Reviews Published in Photoplay Magazine Changed after Motion Picture Producers and Distributors of America's 1934 Censorship." Ohio University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1399459519.

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8

Starý, Vladislav. "Regulace transferu informací ve vybraných politických systémech porovnáním hlavních charakteristik regulačních orgánů." Master's thesis, Vysoká škola ekonomická v Praze, 2017. http://www.nusl.cz/ntk/nusl-359922.

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The thesis solves the modern state of media power across selected political systems. The main idea is how the control of media content and the authorities of regulators are established inside the legal conception. Also, the question is, whether such a system of regulation is currently sufficient and whether the situation has come into a state where the media ceased to function as a control element of democracy and took on a determinant and powerful role. The first part of the thesis is a theoretical one, in which the basic concepts and also the most important sources on which the research is based on are presented. The second part is a practical one and it presents the systems themselves including their main characteristics. The mechanism of control in each country is described in more detail, and the hypothesis is presented together with the procedure leading to its evaluation. The hypothesis is confirmed in the last part of the thesis and the results are compared using information from the analysis. The paper presents a discussion of the detected state of media power at the end and also offers possible ways and solutions.

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9

Rowse, Julie L. "Trouble Right Here in Digital City: Censorship of Online Student Speech." Bowling Green, Ohio : Bowling Green State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1206215877.

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10

Reineke, Jason Bernard. "Support for censorship, family communication, family values, and political ideology." Columbus, Ohio : Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1216823927.

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11

Dibbs, Martin G. R. "Shaping popular culture : radio broadcasting, mass entertainment and the work of the BBC Variety Department, 1933-1967." Thesis, University of St Andrews, 2012. http://hdl.handle.net/10023/3165.

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This thesis examines the extent to which the BBC was able to shape the output of popular culture on radio in Britain, according to its own system of beliefs, between the years 1933 and 1967. This research will show that from the outset, the BBC was an institution with a mission to inform, educate and entertain the nation. While it was not opposed to entertainment, its focus was didactic and supported a mission to improve its audience both culturally and intellectually. This policy was not always welcomed by the audience but, with the exception of the war years, persisted into mid 1950s. The Variety Department was formed in 1933 to produce all forms of light entertainment and this research will examine how its policies shaped the production of popular culture over the period concerned. This study looks not only at the workings of the Variety Department but also the topics of Americanisation and vulgarity, the two areas in which the BBC had particular sensitivities. It analyses the BBC's strategies to counteract the American effect on popular music and spoken-word programmes and how it provided its own particularly British form of entertainment in order to produce programmes it considered suitable for British audiences. It also investigates programme censorship imposed by the BBC to mitigate vulgarity in programmes, so as to produce those it considered suitable for its audiences. This thesis will contend that for over 40 years the BBC Variety Department produced popular entertainment programmes on radio which became an integral part of people's daily lives until, within a few years radio was superseded by television as the nation's principal provider of domestic entertainment. There has been no discrete study of the BBC Variety Department and it is intended that this research will add to the existing scholarship in BBC history and contribute to the analysis of radio's place in domestic popular culture in the period examined.

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12

Zhou, Yining. "Disappointment as an effect of curiosity and political apathy: modernation of self-efficacy and mediation of media selection." HKBU Institutional Repository, 2015. https://repository.hkbu.edu.hk/etd_oa/172.

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The study adopts Uses and Gratifications (U&G) theory as the framework to test antecedents and consequences in using fanqiang (bypassing Internet censorship) as an alternative medium along with accessible Internet, TV, newspaper and radio as mainstream media in a Chinese context. By online between-group experimentation (N = 132 in the experimental group, N = 127 in the control group), the study shows that curiosity about forbidden political content and political apathy predict fanqiang and most accessible media use tendencies. Moderation effects exist between curiosity and self-efficacy in predicting fanqiang tendencies. Disappointment as an emotional effect is directly related to curiosity and political apathy, where the mediation effects of media use tendencies are not salient. Explicit Internet censorship increases curiosity about forbidden political content and decreases the dimension of lack of interest in political apathy. However, it does not change accessible media use tendencies and disappointment levels. Still, participants show fewer of fanqiang tendencies than with accessible media, except radio. The results highlight the cognitive roots of motivations and emotional constructs as a part of gratification in U&G research, that self-efficacy as a necessary requirement for curiosity to drive media use, and that information attributes can change motivations. We urge future scholars to build broader explications of political apathy when applied to different societies, to try diverse methods like experimentation in U&G research, and to adopt a sociopsychological approach when studying the influences and effectiveness of Internet censorship.

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13

Wagstaff, Cunningham Audrey E. "Beyond The Perceptual Bias: The Third-Person Effect And Censorship Behavior In Scholastic Journalism." Kent State University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=kent1350997318.

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14

Turner, Holly D. "Examining the Concepts, Situation and Inner Contradictions of the Chinese Media Through the News Reporting of Sudden Incidents in 2008." The Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=osu1237941394.

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15

Gillis, William. "The Scanlan's Monthly Story (1970-1971): How One Magazine Infuriated a Bank, an Airline, Unions, Printing Companies, Customs Officials, Canadian Police, Vice President Agnew, and President Nixon in Ten Months." Ohio University / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1593786429523054.

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16

Boonzaier, Christiaan Nicolaas. "Flashing boobies and naughty no-no’s: a media-historiographical overview of the pornographic magazine in South Africa, 1939 to 1989." Thesis, Stellenbosch : Stellenbosch University, 2014. http://hdl.handle.net/10019.1/86342.

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Thesis (MPhil)-- Stellenbosch University, 2014.
ENGLISH ABSTRACT: Pornography in South Africa has only been legal for a mere 16 years, but is preceded by a 126-year history of inutile South African government attempts to suppress and curb it at its borders. To date, pornography as a research field has been largely overlooked by South African researchers, who have either mostly opted to choose fields that are socially more acceptable, or assumed that pornography was not present in the country before the 1980s and 1990s. This research, however, prefers to differ. The study investigates a minute part of a broader scope of pornography history in South Africa, by studying what international and domestic pornographic magazines were first seized and thereafter banned in the country between 1939 and 1989. By theoretically implementing an authoritative theoretical framework, the Annales’s functional structural approach, and applying the historical methodology to unearth unobtrusive historical data, the study compiles a narrative of events that ties a 50-year history of the pornographic magazine in South Africa together. The study eventually identifies 1 033 individual volumes, editions and issues of various pornographic magazine genres, including, among others, pulp and pin-up, naturist and nudist, soft-core, hard-core, male and female homosexual, bisexual, bondage, Asian, female impersonation and biker magazines, of which some, of course, are local South African pornographic magazines.
AFRIKAANSE OPSOMMING: Pornografie is nog net 16 jaar wettig in Suid-Afrika en word voorafgegaan deur ’n geskiedenis van 126 jaar se sensuur wat deur die regering afgekondig is om pornografie buite die land se grense te hou. Tot op hede is pornografie as ’n navorsingsveld deur Suid-Afrikaanse navorsers oorgesien omdat hulle óf studies aanpak wat sosiaal meer aanvaarbaar is, óf aanneem dat daar voor die 1980’s en 1990’s geen pornografie in die land was nie. In dié verband wil hierdie studie met dié aannames verskil. Die navorsing ondersoek ’n klein deeltjie van ’n groter geskiedenis van pornografie in Suid-Afrika deur te kyk na watter buitelandse en binnelandse pornografiese tydskrifte tussen 1939 en 1989 in die land gevind en kort daarna verban is. Teoreties is die outoritêre en die Annales se funksionalisties-strukturalistiese raamwerk ingespan, en die historiese metodologie is gebruik om historiese data na te vors om ’n narratief saam te stel wat 50 jaar se pornografiese tydskrifte in Suid-Afrika saamsnoer. Die studie identifiseer uiteindelik 1 033 uitgawes van verskeie porno-grafiese tydskrifte, wat, onder meer, pulp- en prikkelpop-, nudistiese, sagte, harde, manlike en vroulike homoseksuele, biseksuele, knegskap-, Asiër-, fopdosser- en motorfietstydskrifte insluit; sommige van dié genres is, natuurlik, ook plaaslik in Suid-Afrika gepubliseer.

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17

Horton, James Colby. "The External Conflict of Modern War Correspondents: Technology's Inevitable Impact on the Extinction of Nostalgic Combat Reporting." Thesis, University of North Texas, 2002. https://digital.library.unt.edu/ark:/67531/metadc3247/.

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Through historical and content analyses of war coverage, this study qualitatively addresses emotional quality, use of sources, and implied use of technology to better understand the tension between Vietnam and Afghanistan war correspondents and their military counterparts. Early American democracy aspired to give total freedom to its people. But the American military, in its quest to uphold the ideas of democracy, has often challenged the freedom of press clause set forth by the United States Constitution. Since the Vietnam era, the relationship between the military and the media has been plagued by questions of censorship, assertions of falsehood, and threats to national security. But it is the technological advancements in both reporting and combat techniques that have caused a disappearance of the nostalgic war coverage that American correspondents once prospered from. The possibility of returning to journalists' vision of unrestricted press access is all but lost due to such advancements.

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18

Foo, Tee-Tuan. "Managing the Content of Malaysian Television Drama: Producers, Gatekeepers and the Barisan Nasional Government." Ohio University / OhioLINK, 2004. http://www.ohiolink.edu/etd/view.cgi?ohiou1102522280.

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19

Kirsten, Marnell. "Alternative to what? : the rise of Loslyf magazine." Thesis, Stellenbosch : Stellenbosch University, 2014. http://hdl.handle.net/10019.1/86663.

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Thesis (MA)--Stellenbosch University, 2014.
ENGLISH ABSTRACT: In this study I analyse the first year of publication of Loslyf, the first and, at the time of its launch in June 1995, only Afrikaans pornographic magazine. The analysis comprises a historical account of its inception as relayed mainly by Ryk Hattingh, the first editor of Loslyf and primary creative force behind the publication. Such an investigation offers valuable insights into an aspect of South African media history as yet undocumented. As a powerful contributor to an Afrikaans imaginary, emerging at a time of political renewal, Loslyf provides a glimpse into the desires, tensions and tastes of and for an imagined community potentially still shaped by a censorial past. The magazine is worth studying, in part, as an example of an attempt at reinvesting the prescriptive and seemingly generic genre of pornography with cultural specificity and political content, with a view to making it more interesting and relevant. The study argues that whilst Loslyf succeeded in fracturing the “simulacrum” (Baudrillard 1990: 35) of pornographic representation, it also demonstrated that this kind of „alternativity‟ is difficult to sustain. An analysis of the written and visual content of the first 12 issues of the magazine, under Hattingh‟s editorship, investigates the basis of Loslyf‟s status as „alternative‟ publication. I conclude that the first year of Loslyf contributed towards the broader project of democratic expression in an expanding South African visual economy, as a simultaneously well considered and underrated (at the time of its publication at least) cultural product.
AFRIKAANSE OPSOMMING: In hierdie studie analiseer ek die eerste jaar van publikasie van Loslyf as 'n baanbrekende en, in die tyd van sy ontstaan in Junie 1995, die enigste Afrikaanse pornografiese tydskrif. Hierdie analise behels ŉ historiese oorsig van die ontstaan van Loslyf soos hoofsaaklik verhaal deur Ryk Hattingh, die eerste redakteur van Loslyf en primêre kreatiewe mag agter die publikasie. So ŉ ondersoek bied waardevolle insig tot ŉ ongedokumenteerde aspek van Suid-Afrikaanse mediageskiedenis. As ŉ kultuurproduk wat ŉ kragtige bydrae gelewer het tot die Afrikaanse samelewing in ŉ tyd van politieke hernuwing, bied Loslyf ŉ weerkaatsing van die begeertes, spanninge en smake vir en van hierdie gemeenskap – begeertes en smake wat grootendeels gevorm is deur ŉ geskiedenis van sensuur. Dit is waardevol om die tydskrif te bestudeer as voorbeeld van 'n poging om die voorskriftelike en skynbaar generiese pornografiese genre met kulturele bepaaldheid en politiese inhoud te herbelê, ten einde hierdie genre meer interessant en relevant te maak. Hierdie studie beweer dat, terwyl Loslyf daarin slaag om die “simulakrum” (Baudrillard 1990: 35) van pornografiese voorstelling te breek, die publikasie ook demonstreer dat hierdie tipe „alternatiwiteit‟ moeilik volhoubaar is. ŉ Analise van die geskrewe en visuele inhoud van die eerste 12 uitgawes van die tydskrif, onder redakteurskap van Hattingh, ondersoek die basis van Loslyf se status as „alternatiewe‟ publikasie. Ek beslis dat Loslyf se eerste jaar bygedra het tot die breër inisiatief van demokratiese uitdrukking in ŉ ontwikkelende Suid- Afrikaanse visuele ekonomie, as gelyktydig goed deurdagte én ondergeskatte (veral ten tyde van sy ontstaan) publikasie.

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20

Dumm, Elena. "Show No Weakness: An Ideological Analysis of China Daily News Coverage of the 2019 Hong Kong Protests." Wittenberg University Honors Theses / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=wuhonors1617884910805174.

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21

Lovelace, Alexander G. "Total Coverage: How the Media Shaped Command Decisions During World War II." Ohio University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou158818861294131.

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22

Bardo, Nicholas William. "Harmony or Hegemony? Chinese Citizen Perceptions of the Tiananmen Square Demonstrations of 1989, Taiwan Independence, and Tibetan Soveireignty." Bowling Green State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1395156398.

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23

Bernsmeier, Jordan. "From Haunting the Code to Queer Ambiguity: Historical Shifts in Adapting Lesbian Narratives from Paper to Film." Ohio University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1386011853.

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24

Alp, Erin Elif. "Screen Cleaning: Moral Knowledge and the Politics of Cinema Censorship." Thesis, 2016. https://doi.org/10.7916/D89K49RS.

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This dissertation asks how the structure of moral authority and media viewership in America has changed over the course of the 20th century. In order to address this question, I examine the ways in which American films are, and have been, labeled inappropriate or appropriate for public viewership. I ask how censorship, regulation and rating systems work to create and manage moral ambiguity, and what types of ramifications moral ambiguity is thought to have on viewers. I also address the types of problems associated with American cinema over time, and propose several analytical dimensions to capture and unpack the processes of censoring cinema. This framework is built on the notions of filth and moral ambiguity, moral repercussion, a process of responsibilization, and the telos for cinema, all of which influences how an organization interacts with movies and morality. In lapses of symmetry between on- and off-screen worlds, moral ambiguity arises in ways that responsibilize either content controllers or audiences themselves. I show the links between these articulations and how the moral repercussions of exposure to cinema are defined. I also argue that where in the past moral ambiguity was commonly perceived as a dangerous aspect of cinema, especially by censors and Hollywood film production regulators, contemporary movie raters present a film’s moral ambiguity as a resource to the viewer. Moral ambiguity, if probed the right way, can lead to greater awareness of one’s moral boundaries, enabling viewers to effectively censor their viewership practices themselves. Greater responsibility of the viewer is also linked with more transparency and less rigid definitions of filth, moral repercussion, and the overall purpose of media consumption. Censoring cinema was a way in which state censors attempted to shape a “good” civil society, but the notion of how such a society might be achieved through media shifted over the 20th century. By examining the work of Hollywood’s Production Code Authority, New York State censors, pioneering sociologists and educators of the 1930s, the Film Estimate Board of National Organization’s monthly film classification decisions, and contemporary movie ratings at Common Sense Media, I develop several sub-arguments that support the larger argument that moral ambiguity has become a resource as opposed to a danger. In doing so, I expose the connections between the efforts of earlier censors and industry regulators to contemporary constructions of moral authenticity in movie reviews, and highlight in particular the responsibilization of parental audiences. To date, parents are charged not only with monitoring what their children watch, but also with instilling critical viewing skills among their children. This contrasts with previous content control techniques, wherein parents were responsibilized to make decisions for their children but were not expected to foster any specific values or skills in them, and earlier techniques, wherein parents were not responsibilized at all. I end by noting that the contemporary approach to pollution management relies on two conflicting discourses, which have influenced strategies to managing media morality throughout the 20th century. The first focuses on media research and its alleged effects on social behavior, the second on free and intelligent choices by children consumers themselves – but as this dissertation also exemplifies, both registers have echoes in earlier sites and examples of cinematic censorship and efforts to clean the screen.

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25

Javůrek, Karel. "Reprezentace vybraných socialistických a komunistických zemí v českém tisku v roce 2010." Master's thesis, 2012. http://www.nusl.cz/ntk/nusl-304755.

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Theme of this diploma work are news related to selected socialist and communist countries in the Czech press. Characteristic works are the specifics of media countries with the socialist (or communist) government in the Czech press. Theoretical work is beyond theory Frankfurt and Birmingham schools. The basis of the analysis work will stereotypes concerning the socialist and communist countries, the Czech news media contents. The findings will then be the basis for in-depth interviews with the news media workers and the staff representative bodies of the countries. The goal is to reveal the motives and the construction of stereotypes at the production of media content.

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Benson, Tracey. "Cross Connections: Online Activism, Real World Outcomes." Phd thesis, 2010. http://hdl.handle.net/1885/147416.

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This research paper examines the role of the Internet as it relates to the development of social movements and political protest in the ‘physical’ world. It also analyses the role of independent media and reporting methodologies used by activists and net-artists. The emergence of online activism and an emphasis on collaboration, information sharing and open source tools also had a significant impact on new media arts discussions and aesthetics. The refugee activist movement in Australia is a key case study in this thesis, as it is an excellent example of how activists have used the Internet and WWW to garner support within the community and to engage people to come to protests. In addition, activists at the protests have reported these events on the WWW and this subject has also had a resounding impact within the context of contemporary and media arts. The implications of identity online is a major factor in constructing the arguments in this thesis, as the relationship between ‘real’ and ‘virtual’ space is explored in detail as it relates to personal identity and online community.

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