Dissertations / Theses on the topic 'Mass media and culture Australia'
To see the other types of publications on this topic, follow the link: Mass media and culture Australia.
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the top 50 dissertations / theses for your research on the topic 'Mass media and culture Australia.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Browse dissertations / theses on a wide variety of disciplines and organise your bibliography correctly.
1
Hopkins, Susan. "Pop heroines and female icons : youthful femininity and popular culture." Thesis, Queensland University of Technology, 1999.
Find full textAbstract:
The thesis suggests much feminist theorising on girls' and young women's relationship to popular culture is limited by a 'moral-political' approach which searches for moral and
political problems and solutions in the consumption of popular images of femininity. The thesis offers a critique of such 'moral-political' interpretations of the relationship between youthful femininity and popular culture. Following thinkers such as Friedrich Nietzsche and
Jean Baudrillard, the thesis opposes the political preoccupation with 'reality' and 'truth'. The study follows Nietzsche's and Baudrillard's notion of the 'Eternal-Feminine' which accepts the necessity of illusion, deception and appearances. Through a close textual
analysis of magazines, films, television and music video, this study offers an aesthetic appreciation of popular culture representations of femininity. The thesis comprises six essays, the first of which explains my Nietzschean inspired aesthetic approach in more detail. The second essay looks at images and discourses of supermodels and model femininity in women's magazines. The third looks at image-based forms of 'girl power' from Madonna to
the Spice Girls. The fourth essay examines the 'Cool Chics' of the pay TV channel TVJ,from Wonder Woman to Xena: Warrior Princess. The fifth essay, 'Gangster Girls: From
Goodfellas to Pulp Fiction' considers the 1990s model of the femme fatale, the bad girl who thrives on moral chaos. The final essay 'Celebrity Skin: From Courtney Love to Kylie
Minogue' suggests some of the most powerful feminine role models of our time have built their careers not on notions of authenticity and truth but rather on the successful management of illusion and fantasy. The essay argues that our social world has outgrown the traditional
moral-political approach which aims to lead girls and young women from 'deceptive''immoral' appearances to moral, 'authentic' 'reality'. The pleasures of popular culture, Isuggest, cannot always be linked to deep meanings but may be drawn from superficial appearances and beautiful surfaces.
2
Cook, Jacqueline Ann. "Dangerous radio/activity : self and social space in contemporary Australian talk radio /." View thesis View thesis, 2001. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030422.110807/index.html.
Full textAbstract:
Thesis (Ph.D.) -- University of Western Sydney, 2001.Thesis presented in fulfilment of the requirements of the Doctorate of Philosophy (Applied Communications), University of Western Sydney, 2001. Bibliography : leaves 452-498.
3
Klaussner, Miriam. "An examination of communication across cultures in news media and at informal/personal levels : with concentration on relations among two South East Asian countries and Australia and those two countries and Germany." Thesis, Queensland University of Technology, 2002.
Find full textAbstract:
In the age of globalisation dominated by mass communication, the flow of information contributes to a big extent to the worldviews of its "global citizens".
From this point of view the mass media can be seen as one of the most salient sources of cross-cultural communication. This study investigates mass
communication across cultures, focusing on South East Asia (Malaysia and Singapore), Australia and Germany. The centre of attention is the Western media coverage of South East Asia and vice versa. In this context a content analysis of
newspapers of the three regions has been conducted. In addition, working practices and conditions of Western foreign correspondents in South East Asia have been
examined. Apart from the investigation of inter-cultural media coverage, another focus of attention will be the examination of two levels of communication: The business
level, concentrating on issues like e.g. the Asian business etiquette; and the private level, looking into the transition to a different culture from the perspective of Australian and German expatriates. Apart from investigating mass communication across cultures and to provide a written analysis of the findings, a series of radio documentaries in English and in German has been produced. They cover the following issues: Foreign correspondents in South East Asia, the expatriate-lifestyle of Australians and Germans in South East Asia, business etiquette in Asia, student exchange Germany-Asia, image and prejudices East-West and Tourism.
4
Taleb, Hala Abdul Haleem Abu. "Gender, media, culture and the Middle East." Pullman, Wash. : Washington State University, 2009. http://www.dissertations.wsu.edu/Dissertations/Spring2009/h_abutaleb_042309.pdf.
Full text
5
Papadaki, Eirini. "The mediation of art through the mass media." Thesis, University of Kent, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.246640.
Full text
6
Morris, Pamela Kay Shoemaker Pamela J. "Explicating culture and its influence on magazine advertisements." Related electronic resource: Current Research at SU : database of SU dissertations, recent titles available full text, 2004. http://wwwlib.umi.com/cr/syr/main.
Full text
7
Rutherford, Marc A. "Mass media framing of hip-hop artists and culture." Morgantown, W. Va. : [West Virginia University Libraries], 2001. http://etd.wvu.edu/templates/showETD.cfm?recnum=1974.
Full text
8
Stern, Savannah. "Suicide and Suicide Prevention in Media and Mass Culture." Scholarship @ Claremont, 2019. https://scholarship.claremont.edu/cmc_theses/2030.
Full textAbstract:
With suicide on the rise nationwide, it is important now more than ever to prioritize suicide as a public health issue. This means raising awareness and conducting research aimed at developing new suicide prevention tools and strategies, as well as reevaluating and challenging already existent ones. Media messaging can be a great suicide prevention tool. Suicide depictions and reporting in different forms of media—including newspapers, online publications, film, television, and more—have the power to influence behavior. When reporting in a safe and appropriate manner, the media can influence behavior in a positive way and encourage help-seeking. However, reports that sensationalize and glamorize suicide have the potential to spark suicide contagion. Thus, when reporting on suicide it is crucial to be aware of best practices and recommendations developed by experts. In recent years, media campaigns aimed at suicide prevention have gained traction. While there has been some evidence suggesting the success of such campaigns, more research is needed in this area. Further research is also needed to assess the effects of fictional depictions of suicide in film and television.
9
Yang, Ji. "Chuan bo, wen hua, she hui Yingguo da zhong chuan bo li lun tou shi /." Shanghai : Fu dan da xue chu ban she, 2006.
Find full text
10
Palmer, Daniel Stephen Vaughan. "Participatory media : visual culture in real time /." Connect to thesis, 2004. http://eprints.unimelb.edu.au/archive/00000125.
Full text
11
Cartledge, Jillian Maree. "Representations of minority groups in Australian media a case study of the Beach Riots, Sydney, Dec. 2005 /." Thesis, Click to view the E-thesis via HKUTO, 2007. http://sunzi.lib.hku.hk/hkuto/record/B38702149.
Full text
12
Macnamara, Jim R., University of Western Sydney, of Arts Education and Social Sciences College, and School of Education and Early Childhood Studies. "Representations of men and male identities in Australian mass media." THESIS_CAESS_EEC_Macnamara_J.xml, 2004. http://handle.uws.edu.au:8081/1959.7/735.
Full textAbstract:
Gender has been identified as a key element of human identity. Feminism has focussed particular attention on gender issues over the past five decades. Gender discourse has been dominated by discussion of women and women’s issues - “feminists have somehow set the agenda for men’s studies” as well as women studies. Mass media have been identified as key sites of discourse in feminist studies. Numerous studies have examined representations of women in mass media and argued that these have significant effects on women, on men, and on societies. A number of researchers have found that the treatment of men in mass media is not unproblematic and say that that feminist-led discourses have presented pictures of men as rapists, batterers, pornographers, child abusers, militarists, exploiters, and images of women as targets and victims. But studies of representations of men have been far fewer than those focussing on women. Furthermore, some media content analyses have been limited or unreliable because of small samples or lack of methodological rigorDoctor of Philosophy (PhD)
13
Ingvoldstad, Bjorn Paul. "Post-socialism, globalization, and popular culture 21st century Lithuanian media and media audiences /." [Bloomington, Ind.] : Indiana University, 2006. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3219906.
Full textAbstract:
Thesis (Ph.D.)--Indiana University, Dept. of Communication and Culture, 2006.Source: Dissertation Abstracts International, Volume: 67-06, Section: A, page: 1962. Adviser: Barbara Klinger. "Title from dissertation home page (viewed June 21, 2007)."
14
Lewis, Kieran. "Profits, pluralism and the press : a study of print media ownership in Australia." Thesis, Queensland University of Technology, 1996. https://eprints.qut.edu.au/36284/1/36284_Lewis_1996.pdf.
Full textAbstract:
This thesis undertakes a study of the research question: 'What is the
nature of Australia's print media ownership and what is its impact on the
diversity of print media, the diversity of views presented by the print media, and
the incidence of bias within the print media in Australia?' This research question
was developed after a study of submissions to Australia's 1991-1992 House of
Representatives Select Committee on the Print Media, more commonly known as
the Print Media Inquiry, revealed a dichotomy between submissions presented by
proponents of a pluralist press and submissions presented by proponents of a
market-based press.
An examination of literature on pluralist and market-based press theories,
and a comparison of these theories with the attributes of the Australian print
media, shows that Australia's press is exclusively market-based and that the
country's major newspaper owners have formed a powerful press oligopoly.
Further, these owners act as members of an oligopoly tend to act. That is, they
rationalise their operations where possible, draw substantial benefits from
economies of scale, and are protected from the entry of competition into their
markets. The formation of this print media oligopoly has led to some 88.4 percent
of the country's national and capital city daily newspaper circulation being
concentrated in the hands of two newspaper proprietors, Rupert Murdoch, who
controls News Limited, and Conrad Black, who controls the Fairfax group
(Communications Update, 1995, p.22). This concentration, the highest in the
western world (Henningham, 1993, p.59), is claimed to adversely affect the print
media industry, particularly in terms of a lack of print media diversity and a lack
of diversity of views presented by the print media to the public.
In 1991 moves by the Tourang Consortium (comprised, among others, of
media magnates Kerry Packer and Conrad Black) to purchase the Fairfax group
of companies caused a political outcry and were responsible, for the most part,
for the Federal Labor Government's establishment of the Print Media Inquiry. The Inquiry was a wide-ranging review of the state of the nation's print media
industry. It received 164 written submissions and 72 oral submissions from
newspaper owners, industry personnel, union representatives, media researchers,
academics, and the wider community. An examination of these submissions
shows that most can be categorised as supporting either a pluralist or a marketbased
view of how Australia's print media should operate. The principal concerns
expressed to the Inquiry by proponents of a pluralist press were that Australia's
print media ownership had resulted in a lack of diverse print media, mainly
through the erection of barriers to the entry of competition, a lack of diversity in
the views presented by the print media, and bias in the presentation of those
views. Proponents of a market-based press argued, conversely, that Australia's
print media were so diverse that no one person could effectively access all of
them, that barriers to entry to the industry were confused with a guarantee of
entry, and that a diversity of views was assured, as newspaper owners were
required to appeal to as broad a readership base as possible to remain profitable.
The House of Representatives Select Committee conducting the Print Media
Inquiry ultimately concluded (although not unanimously) that Australia's
concentrated print media ownership had not resulted in 'biased reporting, news
suppression, or a lack of diversity' in the Australian print media industry
(Simper, 1992, p.17), a conclusion that led to the Inquiry being labelled a farce,
a political sop, and a whitewash.
The results of three case studies undertaken for this thesis, however,
supported both the findings of the House of Representatives Select Committee on
the Print Media and claims by proponents of Australia's market-based press that
barriers to entry were not erected by existing print media owners, that a diversity
of views was presented by the print media, and that newspaper owners provided a
reasonable balance in the editorial of their newspapers.
The first case study, an examination of the establishment and subsequent
failure of the Brisbane Weekend Times newspaper in 1993, found support for
claims made by News Limited to the Print Media Inquiry that, in arguing that Australian press owners had erected barriers to the entry of competition, critics
of the market-based press had confused ease of entry to the industry with a
guarantee of entry. In examining start-up and delivery costs, the costs of news
sources, readers' habits and advertiser support, the ability for the fledgling
newspaper to absorb losses, and the influence of News Limited in the
newspaper's proposed market, the case study found that the primary reason for
the failure of the Brisbane Weekend Times was that its owner had insufficient
capital to sustain its publication, rather than any specific barriers which the
Australian press oligopoly had itself erected to preclude competition.
The second case study, an examination of 254 news stories appearing in
Fairfax's Melbourne Age and Sydney Morning Herald and News Limited's
Melbourne Herald Sun and Sydney Daily Telegraph Mirror during a composite
week from 6 September 1995 to 17 October 1995, found support for claims that
Australia's newspaper owners encouraged a diversity of views to ensure they
appealed to general rather than niche audiences. The study linked diversity with
the incidence of identical, near-identical, and non-identical political news stories
that appeared in the above newspapers during the period defined. It found that, of
the total news stories studied for both newspaper groups, 7.08 percent were
identical, 34.64 percent were near-identical, and 58.28 percent were nonidentical,
and concluded that a diversity of views (on matters political at least)
did exist in the newspapers examined.
The third case study, an examination of the incidence of political bias
towards or against the Australian Federal Government in the above newspapers
over the same composite week, found support for claims that Australia's
newspaper owners provided a reasonable balance in the editorial of their
newspapers. Averaging the results returned by three coders used for this
examination, the study found that, for the total number of news stories analysed,
41.67 percent were coded as having a neutral bias, 40.47 percent were coded as
having bias against the Federal Government, and 17.86 percent were coded as
having a bias towards the Federal Government. However, the case study concluded that bias itself was difficult to ascertain, as a single definition of bias
upon which to code the stories could not be obtained.
In its conclusions the thesis contends that:
Australia's newspaper ownership structure fulfils the criteria of an
oligopoly and the owners of Australia's press act as members of an
oligopoly tend to act, that is, they rationalise their operations where
possible, draw substantial benefits from economies of scale, and are
protected by the difficulty competitors have in entering the market; and
the formation of this press oligopoly has effectively precluded the
development of a truly pluralist press in Australia; however
the results of three case studies undertaken for the thesis suggest that
Australia's print media oligopoly does not lead, intrinsically, to the
erection of barriers to entry, a reduction in the diversity of views
presented by the print media, or an increase in the incidence of bias
presented in those views.
In a discussion of these conclusions, however, it is recognised that there are
limitations to the overall study of this research question. These include the
worldview brought to the writing of the thesis, where the discussion of
Australia's print media is itself based in the socio-political structure within which
the Australian press operates; the population sample for the second and third case
studies, which has been restricted to news stories that deal exclusively with
matters of federal politics; and the term print media, which has been limited to
newspapers only, and does not include other printed media such as newsletters,
magazines, or niche publications.
15
Tacchi, Jo Ann. "Radio sound as material culture in the home." Thesis, University College London (University of London), 1997. http://discovery.ucl.ac.uk/1317663/.
Full textAbstract:
This thesis is an anthropological exploration of the contemporary role and use of radio sound in the home in Bristol, a city in the south west of England. Based on qualitative research, and taking an ethnographic approach, this study contributes to a growing field within social anthropology: the study of mass media. After establishing the ways in which the radio industry in the UK researches and constructs radio audiences, this thesis examines how academic research on audiences has operated in Britain. It is demonstrated how this thesis relates to, and is different from both of these perspectives. Radio sound is approached as a part of the material culture of the home. It is seen to contribute to domestic soundscapes. The medium of sound is investigated, and it is shown that radio sound has particular qualities that make it well suited to domestic, everyday life. It is revealed as aiding in the creative constitution of affective dimensions of the self in society. Domestic relationships, and the role of radio sound and affect are explored. Notions of intimacy and the role of fantasy in domestic relationships are investigated. Radio sound's role in mood creation for individuals in the home is then examined, and the notion of affective rhythms established. Radio sound's connecting powers are then given some attention; how radio sound helps to make links across time and space. Memories and nostalgia are shown to operate in creative and integrated ways in domestic contexts through the medium of sound. Finally, it is concluded that cultural knowledge and experience take place in large part in the sensory and affective dimensions of everyday life.
16
Holowczenko, Amy L. "Framing the culture wars : a content analysis of news media coverage of the Mapplethorpe and Brooklyn Museum art controversies /." Online version of thesis, 2007. http://hdl.handle.net/1850/4890.
Full text
17
Levesque, Lauren Patricia. "Media Culture, Artifact and Gender Identity: An Analysis of Bratz Dolls." Thesis, University of Ottawa (Canada), 2010. http://hdl.handle.net/10393/28628.
Full textAbstract:
It could be argued that girl's play is witnessing a drastic transformation. This alteration is fostering much debate surrounding young girls and their notion of self identity. Neil Postman (1982) argues that childhood no longer exists as it has disappeared through the mass media. Likewise, Sharon Lamb (2001, 2006) argues that young girls are continually being sold the ideal attitude and a hyper-sexualized self identity through the media messages and products they consume. Such a problematic transformation raises several concerns with regards to girlhood studies. My research asks how MGA Entertainment's Bratz dolls place identity formation into question. By exploring the aforementioned notions, my research explores girl's play and identity and looks at how it contributes to the shaping of how a girl's choice in play impacts girlhood. I argue that such a claim would be best explored and answered through interviewing young girls and their mothers.
18
Nelson, Wade Gordon James. "Reading cycles : the culture of BMX freestyle." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=102820.
Full textAbstract:
This dissertation draws from and contributes to many traditions within the (interdisciplinary) discipline of communication studies. Serving the two primary objectives of the examination of the figure of the BMX freestyle cycling Pro and the analysis of the role of the magazines within this particular culture or field in the construction and maintenance of this figure, this project brings together studies of cultural intermediaries, magazine history, advertising history and theory, subcultures, audiences, commodification, cultural industries, celebrity, stars and professional athletes. The culture of BMX freestyle cycling is an interesting and heretofore unexamined phenomenon, and a focused examination allows the exploration and investigation of larger questions within the discipline. As such, this dissertation provides an informed interpretation of the culture of BMX freestyle, allows the examination of a number of other issues concerning the mediation of cultural practices, and suggests a theory of the special-interest magazine, thus contributing substantively to various literatures.Special-interest magazines are a part of a larger system and industries within which the ultimate goal is the sale of commodities. At the same time, they function as a site of credibility within a larger field, both conferring star status on particular individuals and approving particular commodities that are being offered to the readers. Special-interest magazines construct and sell audiences to advertisers, create star systems, propose candidates for stardom, help build image careers, contribute substantially to a "star currency" within the particular field, negotiate (i.e.; mediate) tensions between the advertisers, the stars, and the readers, help organize the time of a culture and work to infuse it with a sense of vitality through the punctual and ritualistic appearance of novel content, assist the consumer with their desires for commodities and stars by standing as catalogues of commodities (serving to educate newcomers in the protocol of the culture), provide new financial opportunities (such as the commodity form of the photo contingency), and in their complicity with the needs of those that provide their primary source of revenue, give more value to the advertising dollar in the construction of editorial content that could be seen as advertising.
19
Libby, Caitlin A. "Consuming modernity : media's role in normalizing women's labor in India and Thailand /." Norton, Mass. : Wheaton College, 2010. http://hdl.handle.net/10090/15513.
Full text
20
Wang, Wei. "Newspaper commentaries on terrorism in China and Australia a contrastive genre study /." Connect to full text, 2006. http://hdl.handle.net/2123/1701.
Full textAbstract:
Doctor of Philosophy(PhD)This thesis is a contrastive genre study which explores newspaper commentaries on terrorism in Chinese and Australian newspapers. The study examines the textual patterning of the Australian and Chinese commentaries, interpersonal and intertextual features of the texts as well as considers possible contextual factors which might contribute to the formation of the newspaper commentaries in the two different languages and cultures. For the framework of its analysis, the study draws on systemic functional linguistics, English for Specific Purposes and new rhetoric genre studies, critical discourse analysis, and discussions of the role of the mass media in the two different cultures. The study reveals that Chinese writers often use explanatory rather than argumentative expositions in their newspaper commentaries. They seem to distance themselves from outside sources and seldom indicate endorsement of these sources. Australian writers, on the other hand, predominantly use argumentative expositions to argue their points of view. They integrate and manipulate outside sources in various ways to establish and provide support for the views they express. It is argued that these textual and intertextual practices are closely related to contextual factors, especially the roles of the media and opinion discourse in contemporary China and Australia. The study, by providing both a textual and contextual view of the genre under investigation in the two languages and cultures, aims to establish a framework for contrastive rhetoric research which moves beyond the text into the context of production and interpretation of the texts as a way of exploring reasons for the linguistic and rhetorical choices made in the two sets of texts.
21
Mutua, Alfred Nganga. "Media for development and democracy : a new paradigm for development incorporating culture and communication /." View thesis View thesis, 2002. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030402.125958/index.html.
Full textAbstract:
Thesis (Ph.D.) -- University of Western Sydney, [2002]."A thesis presented to the University of Western Sydney, Sydney, Australia in partial fulfilment of the requirements for the degree of Doctor of Philosophy " Supported by videocassette Africa 2000: Voices of the future (30 mins.) and Aids: An African perspective (30 mins.). Bibliography: leaves 245-277.
22
Strangelove, Michael William. "Redefining the limits to thought within media culture: Collective memory, cyberspace and the subversion of mass media." Thesis, University of Ottawa (Canada), 1999. http://hdl.handle.net/10393/8727.
Full textAbstract:
This dissertation examines how cyberspace will impact upon mass media's socialization process within media culture. Mass media is defined as an elite-owned system which produces a limited number of symbols that socialize the audience according to the requirements of the economic system. The audience of mass media is described as located within media culture which is the location of media's symbol-flow. Cyberspace is defined as structurally-differentiated from mass media. Its distributed design has made it impossible for monopolistic ownership or state control to regulate completely the flow of symbols (communication and content production). Thus I conclude that cyberspace represents the democratization of symbol-flow (or the radicalization of free expression) within media culture. Case studies of media texts and events demonstrate the structurally-differentiated symbol-flow of mass media and cyberspace, the former being highly-constrained by the economic system, the latter exhibiting a highly-unconstrained flow of symbols (with symbols equivalent to shared meaning and values). With these two different types of media systems, constrained and unconstrained symbol-flow, I then apply a model of symbol-flow as a form of cultural reproduction. Mary Douglas' theory of collective memory describes culture as the arena of shared implicit assumptions about humans and nature. These assumptions are embedded in symbols which act as a form of social meta-communication. The social order is communicated through the symbols which are in use within social interaction. Collective memory allows us to analyse mass media as a highly-controlled form of social reproduction (thus the success and power of its socialization process is explained). Collective memory also allows us to identify how cyberspace will impact upon the socialization process of mass media. If the economic system is highly dependent upon mass media's constrained flow of symbols for its socialization effect (and it is), then unconstrained communication/symbol-flow within cyberspace represents the potential subversion of the dominant meanings and values which are reproduced through mass media. I argue that cyberspace potentially undermines the socialization process established through mass media. Collective memory provides a tool for examining the implications of a structurally-differentiated mode of communication (cyberspace) which has arisen within media culture in the late twentieth century.
23
Strangelove, Michael. "Redefining the limits to thought within media culture, collective memory, cyberspace and the subversion of mass media." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ36797.pdf.
Full text
24
Tosco, Amedeo, and n/a. "The Italo-Australian Press: Media and Mass Communication in the Emigration World 1900-1940." Griffith University. School of Humanities, 2003. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20070215.111854.
Full textAbstract:
L'idea di questa tesi nasce da una serie di circostanze, prima tra tutte la professione dell'autore che per quindici anni ha svolto in Italia l'attività di giornalista, lavorando prima al Messaggero di Roma, come cronista, e successivamente alla Rai - Radiotelevisione Italiana in qualità di redattore di 'giudiziaria' . Inoltre, l'autore di questa tesi, ha fatto una interessantissima esperienza professionale sia come critico cinematografico e sia come 'pastonista politico' presso la redazione romana del Giornale Nuovo - coordinata in quegli anni da Cesare Zappulli - quando era direttore il grande e indimenticabile Indro Montanelli, prima cioè che quell'arruffapopoli di Berlusconi affondasse completamente il giornale, trasformandolo nel bollettino parrocchiale di quel guazzabuglio politico che è 'Forza Italia' Questo non è il nostro primo cimento nel campo della storia del giornalismo in quanto segue una tesi di Master, conseguita al dipartimento di Storia dell'University of Queensland e che ha avuto come relatore il Dr. Don Dignan, dal titolo 'Press and Consensus in Fascist Italy'. In questa prima tesi è stata affrontata la fascistizzazione della stampa italiana tra il 1922 ed il 1940 e il modo in cui Mussolini, che capì esattamente l'importanza dei media e del controllo dell'informazione, creò quella corrente di consenso che permise al fascismo di governare indisturbato per tutto il 'ventennio'. In quella tesi di Master è stato anche affrontato e studiato il modo in cui i giornalisti (gli sceneggiatori del regime) ed i giornali, sia essi 'indipendenti' e di partito, manipolarono le notizie per darle in pasto ai propri lettori, con tutte quelle interpolazioni, ridondanze ed ombre che identificano il modo tuttora esistenze di concepire e fare un giornale. Nella nostra tesi di Ph.D. seguiremo una traccia similare, cercando di vedere e di analizzare se anche la stampa etnica ha usato, direttamente o indirettamente, forme di manipolazioni, di interferenze o di ridondanze nel creare e porgere le notizie al lettore italo-australiano. Inoltre è nostro intento accertare fino a che punto questa stampa ha creato un consenso verso particolari scelte politiche, sociali e di costume e se questo consenso è stato accettato dai lettori etnici, e in che misura. In altre parole il quesito che in linea di massima ci poniamo è identificare che influenza ha avuto la stampa etnica sulla comunità italiana. I problemi che questo tipo di ricerca implica sono stati numerosi, soprattutto dovuti al fatto che non esiste una letteratura specifica e non vi sono studi, nel campo del giornalismo italo-australiano, dei primi quaranta anni del novecento. Inoltre la maggior parte dei giornali pubblicati in quegli anni sono andati distrutti. Si è cercato inoltre di delineare una immagine dei problemi e delle aspirazioni della comunità italo-australiana attraverso l'analisi della stampa etnica, visto che la maggior parte degli autori hanno affrontato, fino ad oggi, questo tema usando documenti ufficiali o racconti e testimonianze di persone vissute nel periodo analizzato dalla nostra tesi. Abbiamo cercato, quindi, di dare una nuova luce e, quando è stato possibile, di dare la giusta dimensione agli avvenimenti accaduti dato che quanto veniva pubblicato sulle colonne dei giornali era scritto a 'caldo', senza influenze burocratiche e senza il filtro del tempo e delle memorie che spesso distorcono la realtà creando affabulazioni lontane dalla realtà.
25
Aly, Anne M. "Audience responses to the Australian media discourse on terrorism and the 'other' : the fear of terrorism between and among Australian Muslims and the broader community." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2008. https://ro.ecu.edu.au/theses/176.
Full textAbstract:
The terrorist attcks on the World Trade Centre and the Pentagon on 11 September 2001 heralded an era of unprecedented media and public attention on the global phenomenon of terrorism. Implicit in the Australian media's discourse on terrorism that evolved out of the events of 11 September is a construction of the Western world (and specifically Australia) as perpetually at threat of terrorism.
26
Fahmy, Ziad Adel. "Popularizing Egyptian Nationalism: Colloquial Culture and Media Capitalism, 1870-1919." Diss., The University of Arizona, 2007. http://hdl.handle.net/10150/195746.
Full textAbstract:
In Egypt, during the late nineteenth-early twentieth century, older, fragmented, and more localized forms of identity were rapidly replaced with new alternative concepts of community, which for the first time, had the capacity to collectively encompass the majority of Egyptians. The existing historiography however, places Egyptian nationalism exclusively within the realm of elite politics. Thus, this dissertation seeks to investigate the agency of ordinary Egyptians in constructing and negotiating national identity. The principal reason why the Egyptian urban masses are not well represented in the literature is the almost complete neglect of colloquial Egyptian sources. Indeed, I would contend that writing a history of modern Egypt without taking into account colloquial Egyptian sources is, by default, a top-down history and will at best provide only a partial understanding of Egyptian society.This study has several simultaneous objectives. The first is to highlight and feature the role and importance of previously neglected colloquial Egyptian sources--be they oral or textual--in examining modern Egyptian history. This, I argue, is crucial to any attempt at capturing the voice of "ordinary" Egyptians. The second objective is to document the influence of a developing colloquial Egyptian mass culture as a vehicle and forum through which, among other things, "hidden transcripts" of resistance and critiques of colonial and elite authority took place. And lastly, through the lens of colloquial mass culture, this study traces the development of collective Egyptian identity, and the strengthening of Egyptian national communality from the 1870s to the 1919 Revolution.
27
King, Andrew Stephen. "Marriageability and Indigenous representation in the white mainstream media in Australia." Thesis, Queensland University of Technology, 2007. https://eprints.qut.edu.au/16654/1/Andrew_King_Thesis.pdf.
Full textAbstract:
By means of a historical analysis of representations, this thesis argues that an increasing sexualisation of Indigenous personalities in popular culture contributes to the reconciliation of non-Indigenous and Indigenous Australia. It considers how sexualised images and narratives of Indigenous people, as they are produced across a range of film, television, advertising, sport and pornographic texts, are connected to a broader politics of liberty and justice in the present postmodern and postcolonial context. By addressing this objective the thesis will identify and evaluate the significance of 'banal' or everyday representations of Aboriginal sexuality, which may range from advertising images of kissing, television soap episodes of weddings, sultry film romances through to more evocatively oiled-up representations of the pinup- calendar variety. This project seeks to explore how such images offer possibilities for creating informal narratives of reconciliation, and engendering understandings of Aboriginality in the media beyond predominant academic concerns for exceptional or fatalistic versions.
28
King, Andrew Stephen. "Marriageability and Indigenous representation in the white mainstream media in Australia." Queensland University of Technology, 2007. http://eprints.qut.edu.au/16654/.
Full textAbstract:
By means of a historical analysis of representations, this thesis argues that an increasing sexualisation of Indigenous personalities in popular culture contributes to the reconciliation of non-Indigenous and Indigenous Australia. It considers how sexualised images and narratives of Indigenous people, as they are produced across a range of film, television, advertising, sport and pornographic texts, are connected to a broader politics of liberty and justice in the present postmodern and postcolonial context. By addressing this objective the thesis will identify and evaluate the significance of 'banal' or everyday representations of Aboriginal sexuality, which may range from advertising images of kissing, television soap episodes of weddings, sultry film romances through to more evocatively oiled-up representations of the pinup- calendar variety. This project seeks to explore how such images offer possibilities for creating informal narratives of reconciliation, and engendering understandings of Aboriginality in the media beyond predominant academic concerns for exceptional or fatalistic versions.
29
Park, Ernie J. "Pulp Jesus reconsidering communication in the hyper-sensate culture of technology /." Theological Research Exchange Network (TREN), 1998. http://www.tren.com.
Full text
30
Assefa, Emrakeb. "An investigation into the popularity of American action movies shown in informal video houses in Addis Ababa, Ethiopia." Thesis, Rhodes University, 2006. http://hdl.handle.net/10962/d1002871.
Full textAbstract:
The early 1990s saw a major change in the Ethiopian history in so far as Ethiopian media consumption practices was concerned. With the change of government in 1991, the ‘Iron Curtail’ prohibiting the dissemination of Western symbolic products within the country was lifted which in turn led to a surge in demand for Western predominantly American media texts. In order to supply this new demand, informal video houses showing primarily American action movies were opened in Addis Ababa. There was a significant shift in Ethiopians’ films consumption practices which were previously limited to watching films produced by socialist countries mainly the former Soviet Union. This study set out to probe reasons for the attraction of American action movies shown in video-viewing houses in Addis Ababa, Ethiopia amongst the urban unemployed male youth. Particularly, it examines how the meanings produced by and embedded in the cultural industries of the West are appropriated in the day-to-day lives of the youth. The importance of video houses as a shared male cultural space for Ethiopian unemployed youth and the watching of American action movies in this space are the main entry and focus of this study. Using qualitative methods such as observation, in-depth interviews and focus group discussions, the study explores what happens in this cultural space and how one makes sense of the impact of American media on local audiences. The findings of the study point to the embeddedness of viewing practice in everyday life and the importance of local contexts in understanding text-reader interaction. This is shown by the male youth’s tendency to use media messages as a mode of escape and a symbolic distancing from their lived impoverished reality. The study also seeks to highlight that the video houses as cultural space have contributed to the creation of marginal male youth identities in the Ethiopian patriarchal society. As such, these and other findings, the study argues, highlight the deficiencies of the media imperialism thesis with its definitive claims for cultural homogenisation as effect of globalisation of media. As such, this study should be read as emphasising the capability of local audience groups in Third World country like Ethiopia to construct their own meanings and thus their own local cultures and identities, even in the face of their virtually complete dependence on the image flows distributed by the transnational culture industries.
31
Keith, RuAnn. "Constructing professionalism reifying the historical inevitability of commercialization in mass media communication /." Atlanta, Ga. : Georgia State University, 2009. http://digitalarchive.gsu.edu/communication_diss/16/.
Full textAbstract:
Thesis (Ph. D.)--Georgia State University, 2009.Ted Friedman, committee chair; Alisa Perren, Kathryn Fuller-Seeley, David Cheshier, Deron Boyles, committee members. Title from title page (Digital Archive@GSU, viewed June 22, 2010) Includes bibliographical references (p. 294-305).
32
Lawton, Alison. "The money industry as an extension of the culture industry: an analysis of mass media's stake in financial consumerism /." Burnaby B.C. : Simon Fraser University, 2006. http://ir.lib.sfu.ca/handle/1892/2618.
Full text
33
Taylor, Anthea School of English UNSW. "Stones, ripples, waves: refiguring The first stone media event." Awarded by:University of New South Wales. School of English, 2005. http://handle.unsw.edu.au/1959.4/22506.
Full textAbstract:
This interdisciplinary study critically revisits the Australian print media???s engagement with Helen Garner???s controversial work of ???non-fiction???, The First Stone (1995). Print news media engagement with the book, marked by intense discursive contestation over feminism, has been constituted both by feminists and other critics as a significant cultural signpost. However, the highly visible print media event following the book???s publication raised a plethora of critical questions and dilemmas that remain unsatisfactorily addressed. Building upon John Fiske???s work on media events as sites of maximum visibility and discursive turbulence (Fiske: 1996), this study re-theorises the public dialogue following The First Stone???s publication in terms of four constitutive elements: narrative, celebrity, audience, and history and conflict. Through an analysis of these four diverse yet interconnected aspects of the media event, I create a critical space not only for its limitations to emerge but also the frequently overlooked possibilities it offers in terms of the wider feminism and print media culture relationship. As part of its central aim to refigure The First Stone media event, this thesis argues against prior characterisations of the debate as constitutive of either a monologic articulation of conservative, antifeminist voices or an unmitigated attack on its author by a homogenous feminism. In particular, I use this media event as indicative of the sophistication and complexity of media engagement with contemporary feminism, despite both continued derision and overly simplistic celebration of this relationship. Texts subject to analysis here include: The First Stone, various ???mainstream??? media representations and self-representations of three ???celebrity feminists??? (Helen Garner, Anne Summers and Jenna Mead), letters to the editor of newspapers and magazines, ???popular??? feminist books by Kathy Bail and Virginia Trioli, and a number of media texts in which those claiming a feminist subject position and those sympathetic to feminism act as either news sources or columnists/commentators. Although Garner???s narrative is throughout identified to be deeply problematic, I argue that the media event it precipitated provides valuable insights into both the opportunities and the constraints of the print media-feminism nexus in 1990s Australia.
34
Muller, Denis Joseph Andrew. "Media accountability in a liberal democracy : an examination of the harlot's prerogative /." Connect to thesis, 2005. http://repository.unimelb.edu.au/10187/1552.
Full textAbstract:
This thesis is both a normative and empirical study of media accountability in a liberal democracy. While its focus is predominantly on Australia, it contains some international comparisons. Media ethics and media performance in relation to quality of media content are identified as the two main dimensions of media accountability. They may be conceived of as the means and the ends of media work. The thesis represents the first combined survey of both external mechanisms of accountability in Australia – those existing outside the various media organisations – and the internal mechanisms existing within three of Australia’s largest media organisations. These organisations span print and broadcasting, public and private ownership. The thesis is based on substantial qualitative research involving interviews with a wide range of experts in media ethics, law, management, and accountability. It is also based on two quantitative surveys, one among practitioners of journalism and the other among the public they serve. This combination of research is certainly new in Australia, and no comparable study has been found in other Western countries. In addition to the main qualitative and quantitative surveys, three case studies are presented. One deals with media performance in relation to quality of media content (the case of alleged bias brought against the Australian Broadcasting Corporation by the then Senator Richard Alston); one deals with media ethics (the “cash-for-comment” cases involving various commercial radio broadcasters), and one deals with accountability processes (the “Who Is Right?” experiment at The Sydney Morning Herald).
35
Ching, Gillian A. "The influence of the media in framing policy debates : a case study of the Port Arthur Massacre and gun laws policy." Thesis, Queensland University of Technology, 1999.
Find full textAbstract:
The 1996 Port Arthur massacre in Tasmania in which 35 people were shot and killed and several others wounded was an alarming event in Australia's history. The Port Arthur massacre showed Australians that they were not immune from terrible acts of violence. The massacre dominated discussions, conversations and attention in the Australian community and also received international attention. It was an emotional and heart felt incident which caused a nation to pause at the devastation but also question the very fabric of Australian society and personal and public
safety and the availability and access to firearms in the community. The media identified the story and reported it substantially. They identified community concerns
at the event and the perceived inadequacies of the existing gun laws. The framing of the issue by the media and its ongoing interest and reportage of gun laws was a key factor in the action and policy response by the Government.
Being aware of the community concern, Government's responded quickly to the tragedy, announcing an historic agreement among state police Ministers and the Commonwealth
Government to introduce National Uniform Gun Laws. The massacre and the gun laws reform was a major issue of reporting by the media. The coverage was extensive and ongoing. While not in a position to enact decisions on policy-making, the media was an active participant
in lobbying for reform, keeping the issue alive and pressuring government through its reporting to act decisively towards reform.
36
Katz, Jackson Tambor. "The Presidency as pedagogy a cultural studies analysis of violence, media and the construction of presidential masculinities /." Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1930276351&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Full text
37
Bredin, Marian. "Aboriginal media in Canada : cultural politics and communication practices." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=28692.
Full textAbstract:
This dissertation considers the relation between culture and communication with respect to the development of aboriginal media in Canada. It introduces and elaborates a concept of cultural politics with which to interpret the history of contact between aboriginal and non-aboriginal people. This concept is further applied to an analysis of Canadian cultural and communications policy and the intervention of native broadcasters in policy procedures and discourses. The dissertation undertakes a critical review of existing research on aboriginal media. It assesses the usefulness of interpretive tools drawn from poststructuralist philosophy, ethnography and postcolonial theory in understanding the relation between cultural politics and communication practices. These tools are then implemented in the presentation of a case study of Wawatay Native Communications Society, a regional native broadcasting organization based in Northwestern Ontario.
38
Mutua, Alfred Nganga, University of Western Sydney, of Arts Education and Social Sciences College, and of Communication Design and Media School. "Media for development and democracy : a new paradigm for development incorporating culture and communication." THESIS_CAESS_CDM_Mutua_A.xml, 2002. http://handle.uws.edu.au:8081/1959.7/319.
Full textAbstract:
This thesis examines the use of media and journalistic practice for development. The study concentrates on Africa and argues that development strategies are dependent on a clear understanding of the contexts and constraints of a situation. It is argued that Africa's history and present political and socio-economic situations have contributed to the instability and poverty facing many of its nation states. It is also argued that continued dependency by African nations on richer Western nations is a problem originating from colonial imperialism and the failed dominant paradigm, recently reinvented as globalisation and global economic rationalisation. The work presents a view of communication for development which can only be achieved with an understanding of the relations between media, culture, dependency and the making of meaning.Solutions to Africa's problems may require Africans themselves undertaking development in a concept of their own 'voice' and self-representation. With this view, a model for how journalists, using media, should actively engage in development is suggested. Two case studies are presented : a study of communication dysfunction at Kakuma refugee camp in Kenya and a study of the concept of Edutainment by South Africa's Soul City's organisation. Further, selections of media programs are presented as part of the dissertation's proposed body of work.Doctor of Philosophy (PhD)
39
Benson, Christopher. "Concepts of culture : textual analysis of the New York Times Magazine /." free to MU campus, to others for purchase, 2004. http://wwwlib.umi.com/cr/mo/fullcit?p1421113.
Full text
40
Orr, G. Michael. "An articulation theory perspective of Neil Postman's media criticism /." free to MU campus, to others for purchase, 2002. http://wwwlib.umi.com/cr/mo/fullcit?p3060130.
Full textAbstract:
Thesis (Ph. D.)--University of Missouri-Columbia, 2002.Typescript. Paging starts with leaf 2. There is no leaf 1. Vita. Includes bibliographical references (leaves 165-185). Also available on the Internet.
41
Holloway, Donell Joy. "Multiply-mediated households : Space and power reflected in everyday media use." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2003. https://ro.ecu.edu.au/theses/1314.
Full textAbstract:
This study investigates how contemporary Australian families incorporate the consumption of multiple media technologies within their home environments. It uses an approach similar to David Morley's (1986) Family Television where he explored the consumption of television programs in the context of everyday family life. He viewed the household (or family) as the key to constructing understandings of the television audience; where there were gendered regimes of watching, and where program choice often reflected existing power relationships in the home. However since then (a time when most families had only one television set) the media environment of many homes has changed. The addition of multiple television sets, along with newer digital technologies such as computers and game consoles, has introduced a new dynamics of social space within the household. Therefore, the family living room, with its erstwhile shared television culture, has become a less critical site of domestic media consumption. With the migration of television sets and new digital technologies to other spaces in the home, claims over time and space have become even more intimately involved with the domestic use of media technologies. Consequently, this study critically analyses the relationship between media consumption and the geographical spaces and boundaries within the home. Drawing upon interviews with all family members, this thesis argues that the incorporation of multiple media technologies in many households has coincided with significant changes to the spatial geography of these homes, along with a rearticulation of gendered and generational power relationships. Extra media spaces in bedrooms, hallways, home offices and 'nooks’ have freed up the lounge room, possibly allowing for more harmony and accord within the family, but also reducing the amount of time the family spends together. At the same time the newer media spaces become additional sites for gendered and generational conflict and tension. This study uses an audience ethnography approach to explore and analyse media consumption at the micro level, that of the individual within the household/family. Twenty-three in-depth conversational interviews and observations of children and adults living in six technologically rich households in suburban and regional areas of Western Australia formed the basis of this thesis. Themes and issues that emerged from this qualitative research process include the gendered nature of screens in children's bedrooms, the extent to which a media-rich bedroom culture is evident in Australia, the existence of a masculine gadgeteer culture within some families in the study, the social construction of gaming as a gendered (boy) culture, gendered pathways on the Internet and the reintegration of adult acknowledge-based work into the family home. The thesis also addresses digital divide issues relating to inequities in access, technical and social support, motivation and the quality of new digital technologies available in the home.
42
Russell, Katherine. "The changing face of youth mass media culture and the life of the American teen /." CONNECT TO ELECTRONIC THESIS, 2007. http://dspace.wrlc.org/handle/1961/4121.
Full text
43
Stephens, David F. II. "Making Profit, Making Play: Corporate Social Media Branding in the Era of Late Capitalism." Bowling Green State University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1595005696822323.
Full text
44
Matheson, Kelly Ann. "Never wash away." Thesis, Montana State University, 2009. http://etd.lib.montana.edu/etd/2009/matheson/MathesonK0809.pdf.
Full textAbstract:
Thesis (MFA)--Montana State University--Bozeman, 2009.Typescript. Chairperson, Graduate Committee: Dennis Aig. Never Wash Away is DVD accompanying the thesis. Includes bibliographical references (leaves 50-53).
45
Johnson, Robin Scott. "The digital Illusio: gender, work and culture in digital game production." Diss., University of Iowa, 2010. https://ir.uiowa.edu/etd/524.
Full textAbstract:
This dissertation analyzes gender in the commercial production of digital games. The purpose is to develop a detailed understanding of gender as it plays out among individuals who develop creative content and in the ideological constitution of the workplace, and to examine the ways in which these individuals participate in and make sense of the production of digital cultural products. The broad line of questioning attempts to provide detail and depth to how gender is organized, symbolized, and identified during the production a commercial game.
The digital game industry and culture have constructed a strong fortress of androcentric ideas, practices, and experiences, and excluding women from digital media production by making entry into the social space unattractive preserves men's dominance of the field. To research the practices at play in the design of digital games, I conducted a case study using participant observation of the production of a digital game at a U.S. game development studio combined with primary document collection and in-depth interviews of workers who produce the game play, technical and artistic elements used in the creation of games in a team-based organization of labor.
My analysis of the game studio worksite and culture revealed entrenched rituals, practices, and discourses of masculinity that produce and are reproduced by digital game workers. The organization of work in terms of space, organizational function and teamwork form decentralized layers of a network that are tightly controlled by the commercial production cycle. Each layer creates boundaries of inclusion and exclusion along multiple lines, including gender. Additionally, I examined how family socialization, the sexual division of labor in computer work and education, and passion for games idealize masculinity in the habitus of game workers. The habitus also structures working practices that are infused with masculinity based on technical proficiency. These working practices reproduce the gender dynamic of the social and symbolic space of the field. The studio's culture also constitutes a masculine symbolic space through inter-related discourses of masculine aesthetics, hegemonic masculinity, and science and technology. Implications for making the field of digital games more diverse and open are discussed.
46
Burton, Jennifer Paula. "'Fair dinkum personal grooming' : male beauty culture and men's magazines in twentieth century Australia." Thesis, Queensland University of Technology, 2008. https://eprints.qut.edu.au/17018/1/Jennifer_Burton_Thesis.pdf.
Full textAbstract:
In this thesis, I analyse the representation of grooming in Australian men’s lifestyle magazines to explore the emergence of new masculine subjectivities constructed around narcissism and the adoption of previously feminine-coded products and practices which may indicate important shifts in the cultural meanings of Australian masculinity. However, in order to talk about ‘new’ subjectivities and ‘shifts’ in masculine behaviours and cultural ideals, then it is imperative to demonstrate ‘old’ practices and ideologies, and so while the thesis is concerned with discourses of grooming and models of masculinity presented in the new genre of men’s lifestyle titles which appeared on the Australian market in the late 1990s, it frames this discussion with detailed analyses of previously unexplored Australian men’s general interest magazines from the 1930s. According to Frank Mort consumption, traditionally associated with the feminine has now become a central part of imagining men (1996: 17-18) while the representation and sale of masculinity is an increasingly important part of the ‘cultural economy’ (Mikosza, 2003). In this thesis I am concerned with the role of men’s lifestyle magazines and magazine representations of masculinity in the ‘cultural economy’ of mediated male grooming cultures.
47
Burton, Jennifer Paula. "'Fair dinkum personal grooming' : male beauty culture and men's magazines in twentieth century Australia." Queensland University of Technology, 2008. http://eprints.qut.edu.au/17018/.
Full textAbstract:
In this thesis, I analyse the representation of grooming in Australian men’s lifestyle magazines to explore the emergence of new masculine subjectivities constructed around narcissism and the adoption of previously feminine-coded products and practices which may indicate important shifts in the cultural meanings of Australian masculinity. However, in order to talk about ‘new’ subjectivities and ‘shifts’ in masculine behaviours and cultural ideals, then it is imperative to demonstrate ‘old’ practices and ideologies, and so while the thesis is concerned with discourses of grooming and models of masculinity presented in the new genre of men’s lifestyle titles which appeared on the Australian market in the late 1990s, it frames this discussion with detailed analyses of previously unexplored Australian men’s general interest magazines from the 1930s. According to Frank Mort consumption, traditionally associated with the feminine has now become a central part of imagining men (1996: 17-18) while the representation and sale of masculinity is an increasingly important part of the ‘cultural economy’ (Mikosza, 2003). In this thesis I am concerned with the role of men’s lifestyle magazines and magazine representations of masculinity in the ‘cultural economy’ of mediated male grooming cultures.
48
Muir, Kathie. "'Tough enough?' : constructions of femininity in news reporting of Jennie George, ACTU president 1995-2000 /." Title page, table of contents and abstract only, 2004. http://web4.library.adelaide.edu.au/theses/09PH/09phm9531.pdf.
Full text
49
Tsoulis-Reay, Alexa. "Convergence, concern & the "real" girl : teenage girls' everyday media cultures /." Connect to thesis, 2009. http://repository.unimelb.edu.au/10187/4893.
Full text
50
Rosati, Clayton F. "The image factory MTV, geography, and the industrial production of culture (New York) /." Related electronic resource: Current Research at SU : database of SU dissertations, recent titles available full text, 2005. http://wwwlib.umi.com/cr/syr/main.
Full text