Relevant bibliographies by topics / Mass media and culture Australia

Academic literature on the topic 'Mass media and culture Australia'

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Published: 10 December 2022
Last updated: 29 January 2023

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Journal articles on the topic "Mass media and culture Australia"

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Wood, Natalie T., and Caroline Lego Muñoz. "‘No Rules, Just Right’ or is it? The Role of Themed Restaurants as Cultural Ambassadors." Tourism and Hospitality Research 7, no. 3-4 (September 2007): 242–55. http://dx.doi.org/10.1057/palgrave.thr.6050047.

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After mass media, ethnic-themed restaurants are possibly the second most influential socialising agents of foreign cultures. Whereas the media often depicts foreign cultures in a stereotypical manner, the opportunity exists in the hospitality field to offer consumers a more detailed and accurate insight into a culture. Yet, is this what consumers really want? This paper addresses an important question: How do spaces of consumption affect the perception and representation of ‘authentic’ culture? To explore this, a four-stage, cross-cultural (ie Australia and United States) qualitative study was undertaken to examine the role the Outback Steakhouse chain of restaurants plays in representing Australian culture in the United States. Findings revealed that US subjects were more accepting of the restaurant environment where it matched the images of Australia perpetuated by the media. By contrast, Australian subjects indicated that the image this restaurant provides is a largely stereotypical, outdated, inaccurate representation of their culture. Research implications and recommendations from a marketing, hospitality, and tourism perspective are provided.
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Snow, Muriel, and Grant Noble. "Urban Aboriginal Self Images and the Mass Media." Media Information Australia 42, no. 1 (November 1986): 41–48. http://dx.doi.org/10.1177/1329878x8604200112.

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While Tatz (1980) has argued that ‘the only true and constant ally of the black people of Australia is the media, particularly ABC radio and television and the major daily newspapers’(14), Aborigines themselves have been less laudatory. Macumba & Batty (1980), Gilbert (1973) and Perkins (1975) have all stated that the exclusion of Aboriginals in the media was a glaringly obvious fact of daily life, and perceived the media as a force for the destruction of Aboriginal culture. Bobbi Sykes' evaluation of the Australian media as ‘completely white-controlled, information about what blacks in this country are suffering is completely suppressed’ (Gilbert, 1973:112–113) parallels minority perceptions of the media discerned by the Kerner Commission (1968). Charged to determine the effect of the mass media on the riots in a number of American cities, the Kerner Commission (1968:362–389) gave prominence in its findings to the fact that most Negroes perceived the media as instruments of the white power structure, that the news was presented from a white perspective, and criticised the media for their failure to report adequately on the causes and consequences of the civil disorders and the underlying problems of race relations.
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Wolff, Leon. "Litigiousness in Australia: Lessons from Comparative Law." Deakin Law Review 18, no. 2 (December 1, 2014): 271. http://dx.doi.org/10.21153/dlr2013vol18no2art39.

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How litigious are Australians? Although quantitative studies have comprehensively debunked the fear of an Australian civil justice system in crisis, the literature has yet to address the qualitative public policy question of whether Australians are under- or over-using the legal system to resolve their disputes. On one view, expressed by the insurance industry, the mass media and prominent members of the judiciary, Australia is moving towards an American-style hyper-litigiousness. By contrast, Australian popular culture paints the typical Australian as culturally averse to formal rights assertion. This article explores the comparative law literature on litigiousness in two jurisdictions that have attracted significant scholarly attention — the United States and Japan. More specifically, it seeks to draw lessons from this literature for both understanding litigiousness in modern Australia and framing future research projects on the issue.
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Watson, Ian. "Combatting cultural nerve gas: maintaining traditional media and culture through local media production in Australia, Canada and Mexico." Journal of Alternative & Community Media 2, no. 1 (April 1, 2017): 1–13. http://dx.doi.org/10.1386/joacm_00028_1.

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In Australia in the 1980s, large numbers of remote Indigenous radio stations were established due to a perception that the introduction of mainstream satellite programming in remote areas would act as a form of cultural nerve gas (Remedio, 2012: 295) that would threaten the very isolation that had helped to preserve what remained of traditional language and culture (Guster, 2010: 9). There are parallels here with the development of remote media in Mexico and Canada, where local radio networks focusing on cultural content production were established in response to impending development and imposed sources of mass media. In each country, broadcasters in remote communities have, in recent years, been producing increasing amounts of hyper-local cultural and language-based content. This article examines the role played by Indigenous media in remote areas of Australia, Canada and Mexico in creating an alternative cultural voice for traditional communities and maintaining language and culture.
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McKnight, David. "‘Not Attributable to Official Sources’: Counter-Propaganda and the Mass Media." Media International Australia 128, no. 1 (August 2008): 5–17. http://dx.doi.org/10.1177/1329878x0812800103.

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During the Cold War in Australia, the political agenda was dominated by the threat of communism. One factor in building this agenda was the ‘counter-propaganda operations’ of the Australian Security Intelligence Organisation (ASIO) which regularly released unattributable information to selected mass media outlets. In the period when these activities were most prevalent (1960–72), ASIO officers had regular contact with editors and with selected journalists on major newspapers and television. This formed part of a broader ‘cultural Cold War’ in which anti-communism was an organising principle. This article outlines new information on these activities, suggests that these operations were more extensive than previously thought, and discusses this relationship in terms of the scholarly work on media sources, government-sponsored intervention in the media and classical theories of propaganda. It suggests that one way to understand the controversial media role in counter-propaganda operations lies in the relationship between police and crime reporters.
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Whatley, Edward. "Book Review: Pop Culture in Asia and Oceania." Reference & User Services Quarterly 56, no. 3 (April 3, 2017): 219. http://dx.doi.org/10.5860/rusq.56n3.219a.

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Pop Culture in Asia and Oceania provides readers with a broad but surprisingly detailed overview of popular culture in Asia (excluding the Middle East), Australia, and New Zealand. Though the geographic focus of coverage may be somewhat narrow, the forms of pop culture covered in the single volume are quite varied and reveal a rich cultural tapestry that may be unfamiliar to many Western readers. Pop culture is of course intended for mass consumption, and the mediums and entertainments covered in Pop Culture in Asia and Oceania reflect that intent. They include: popular music, books and contemporary literature, film, television, radio, Internet and social media, sports, video games, fashion, and couture.
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Nairn, Raymond, Ruth DeSouza, Angela Moewaka Barnes, Jenny Rankine, Belinda Borell, and Tim McCreanor. "Nursing in media-saturated societies: implications for cultural safety in nursing practice in Aotearoa New Zealand." Journal of Research in Nursing 19, no. 6 (September 2014): 477–87. http://dx.doi.org/10.1177/1744987114546724.

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This educational piece seeks to apprise nurses and other health professionals of mass media news practices that distort social and health policy development. It focuses on two media discourses evident in White settler societies, primarily Australia, Canada, New Zealand and the United States, drawing out implications of these media practices for those committed to social justice and health equity. The first discourse masks the dominant culture, ensuring it is not readily recognised as a culture, naturalising the dominant values, practices and institutions, and rendering their cultural foundations invisible. The second discourse represents indigenous peoples and minority ethnic groups as ‘raced’ – portrayed in ways that marginalise their culture and disparage them as peoples. Grounded in media research from different societies, the paper focuses on the implications for New Zealand nurses and their ability to practise in a culturally safe manner as an exemplary case. It is imperative that these findings are elaborated for New Zealand and that nurses and other health professionals extend the work in relation to practice in their own society.
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Zion, Lawrence. "The impact of the Beatles on pop music in Australia: 1963–66." Popular Music 6, no. 3 (October 1987): 291–311. http://dx.doi.org/10.1017/s0261143000002336.

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For young Australians in the early 1960s America was the icon of pop music and fashion. This was the result of the projection of America through the mass media and the numerous American rock'n'roll acts that were brought to Australia by Lee Gordon, an American entrepreneur who lived in Sydney (Zion 1984). This overall tendency led the American, A. L. McLeod, to observe when writing about Australian culture in 1963 thatin general, Australian popular music is slavishly imitative of United States models; it follows jazz, swing, calypso or whatever the current fashion is in New York or San Francisco at a few months distance. (McLeod 1963, p. 410)Yet by late 1963 the potency of America was in decline. For while the Californian surf music craze made a somewhat delayed impact, especially in Sydney, the popularity of the Beatles was gathering momentum. This can be traced crudely through the Top Forty lists of the day: in Sydney the song ‘From Me To You’ entered the charts on 12 July 1963 and eventually reached number six (Barnes et al. 1979, p. 50).
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Chubb, Philip, Stephanie Brookes, and Margaret Simons. "Watchdogs or Masters? The changing role of the Canberra Press Gallery." Media International Australia 167, no. 1 (May 2018): 7–12. http://dx.doi.org/10.1177/1329878x18767424.

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This Special Issue tackles increasing urgent questions about the role and performance of the Federal Parliamentary Press Gallery, a unique and valuable institution central to Australian political journalism. These questions about the Press Gallery’s contribution to political life include: how might we understand the changing authority and effectiveness of the Press Gallery? Has Australia entered an era when media failures are damaging the country’s ability to affect reform? Are we witnessing a twin assault on the quality of Australian democracy from politicians and the media? The articles gathered here offer a variety of tools and perspectives useful for thought and action in this moment in history – when political reporting is fundamentally disrupted, and with it the democratic forms that have grown up in lockstep with mass media. They chart changes and longer-term trends, and particularise broader shifts in political journalism and communication, providing both information and theoretically engaged analysis.
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Zhang, S., A. J. French, and R. T. Tecirlioglu. "255. In vitro maturation of bovine oocytes in serum-free media." Reproduction, Fertility and Development 17, no. 9 (2005): 102. http://dx.doi.org/10.1071/srb05abs255.

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Culture medium supplemented with sera is commonly used for the in vitro production (IVP) of livestock embryos. However, serum induced complications including batch variation, the potential risk of virus and mycoplasma contamination and the implication in the large offspring syndrome in domestic animals impels the development of a serum-free culture system. In this study, we investigated whether replacement of fetal bovine serum (FBS) with bovine serum albumin (BSA) in three maturation media, tissue culture medium-199 (TCM-199), a modified synthetic oviduct fluid (mSOF) routinely used in our laboratories and a commercially available SOF-VC (Vitro Cleave, Cook Australia). Harvested oocytes were matured, parthenogenetically activated and in vitro cultured (Day 7) to measure maturation efficiency, embryo development and quality with the aim of developing a simplified and defined culture medium for the in vitro production of bovine embryos. Abattoir derived cumulus oocyte complexes were matured in TCM-199, mSOF and SOF-VC media supplemented with LH and beta-estradiol in the presence of 15% FBS or 0.08% BSA at 39ºC in 5% CO2 in air. Polar body extrusion was assessed twenty-two hour post maturation and selected MII occytes were activated using calcium ionophore/6-dimethylaminopurine and cultured for seven days in SOF medium supplemented with 0.8% BSA. On day seven, blastocyst development was assessed and randomly selected blastocysts were stained to determine inner cell mass (ICM), trophectoderm (TE) and total cell numbers (TCN). Supplementation with either BSA or FCS did not significantly affect the maturation efficiency, blastocyst rates or differential cell numbers within each maturation media tested. However, maturation efficiency and blastocyst rates were significantly lower (P < 0.01) when oocytes were matured in either mSOF or SOF-VC regardless of FBS or BSA supplementation. From this study, we conclude that BSA effectively replaces FCS and TCM-199 is superior to SOF (mSOF or SOF-VC) in terms of oocyte maturation regardless of protein source. Once matured SOF and TCM-199 parthenogenetically blastocysts were equivalent in terms of embryo development and quality.
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Dissertations / Theses on the topic "Mass media and culture Australia"

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Hopkins, Susan. "Pop heroines and female icons : youthful femininity and popular culture." Thesis, Queensland University of Technology, 1999.

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The thesis suggests much feminist theorising on girls' and young women's relationship to popular culture is limited by a 'moral-political' approach which searches for moral and political problems and solutions in the consumption of popular images of femininity. The thesis offers a critique of such 'moral-political' interpretations of the relationship between youthful femininity and popular culture. Following thinkers such as Friedrich Nietzsche and Jean Baudrillard, the thesis opposes the political preoccupation with 'reality' and 'truth'. The study follows Nietzsche's and Baudrillard's notion of the 'Eternal-Feminine' which accepts the necessity of illusion, deception and appearances. Through a close textual analysis of magazines, films, television and music video, this study offers an aesthetic appreciation of popular culture representations of femininity. The thesis comprises six essays, the first of which explains my Nietzschean inspired aesthetic approach in more detail. The second essay looks at images and discourses of supermodels and model femininity in women's magazines. The third looks at image-based forms of 'girl power' from Madonna to the Spice Girls. The fourth essay examines the 'Cool Chics' of the pay TV channel TVJ,from Wonder Woman to Xena: Warrior Princess. The fifth essay, 'Gangster Girls: From Goodfellas to Pulp Fiction' considers the 1990s model of the femme fatale, the bad girl who thrives on moral chaos. The final essay 'Celebrity Skin: From Courtney Love to Kylie Minogue' suggests some of the most powerful feminine role models of our time have built their careers not on notions of authenticity and truth but rather on the successful management of illusion and fantasy. The essay argues that our social world has outgrown the traditional moral-political approach which aims to lead girls and young women from 'deceptive''immoral' appearances to moral, 'authentic' 'reality'. The pleasures of popular culture, Isuggest, cannot always be linked to deep meanings but may be drawn from superficial appearances and beautiful surfaces.
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Cook, Jacqueline Ann. "Dangerous radio/activity : self and social space in contemporary Australian talk radio /." View thesis View thesis, 2001. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030422.110807/index.html.

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Thesis (Ph.D.) -- University of Western Sydney, 2001.
Thesis presented in fulfilment of the requirements of the Doctorate of Philosophy (Applied Communications), University of Western Sydney, 2001. Bibliography : leaves 452-498.
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Klaussner, Miriam. "An examination of communication across cultures in news media and at informal/personal levels : with concentration on relations among two South East Asian countries and Australia and those two countries and Germany." Thesis, Queensland University of Technology, 2002.

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In the age of globalisation dominated by mass communication, the flow of information contributes to a big extent to the worldviews of its "global citizens". From this point of view the mass media can be seen as one of the most salient sources of cross-cultural communication. This study investigates mass communication across cultures, focusing on South East Asia (Malaysia and Singapore), Australia and Germany. The centre of attention is the Western media coverage of South East Asia and vice versa. In this context a content analysis of newspapers of the three regions has been conducted. In addition, working practices and conditions of Western foreign correspondents in South East Asia have been examined. Apart from the investigation of inter-cultural media coverage, another focus of attention will be the examination of two levels of communication: The business level, concentrating on issues like e.g. the Asian business etiquette; and the private level, looking into the transition to a different culture from the perspective of Australian and German expatriates. Apart from investigating mass communication across cultures and to provide a written analysis of the findings, a series of radio documentaries in English and in German has been produced. They cover the following issues: Foreign correspondents in South East Asia, the expatriate-lifestyle of Australians and Germans in South East Asia, business etiquette in Asia, student exchange Germany-Asia, image and prejudices East-West and Tourism.
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Taleb, Hala Abdul Haleem Abu. "Gender, media, culture and the Middle East." Pullman, Wash. : Washington State University, 2009. http://www.dissertations.wsu.edu/Dissertations/Spring2009/h_abutaleb_042309.pdf.

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Papadaki, Eirini. "The mediation of art through the mass media." Thesis, University of Kent, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.246640.

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Morris, Pamela Kay Shoemaker Pamela J. "Explicating culture and its influence on magazine advertisements." Related electronic resource: Current Research at SU : database of SU dissertations, recent titles available full text, 2004. http://wwwlib.umi.com/cr/syr/main.

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Rutherford, Marc A. "Mass media framing of hip-hop artists and culture." Morgantown, W. Va. : [West Virginia University Libraries], 2001. http://etd.wvu.edu/templates/showETD.cfm?recnum=1974.

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Stern, Savannah. "Suicide and Suicide Prevention in Media and Mass Culture." Scholarship @ Claremont, 2019. https://scholarship.claremont.edu/cmc_theses/2030.

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With suicide on the rise nationwide, it is important now more than ever to prioritize suicide as a public health issue. This means raising awareness and conducting research aimed at developing new suicide prevention tools and strategies, as well as reevaluating and challenging already existent ones. Media messaging can be a great suicide prevention tool. Suicide depictions and reporting in different forms of media—including newspapers, online publications, film, television, and more—have the power to influence behavior. When reporting in a safe and appropriate manner, the media can influence behavior in a positive way and encourage help-seeking. However, reports that sensationalize and glamorize suicide have the potential to spark suicide contagion. Thus, when reporting on suicide it is crucial to be aware of best practices and recommendations developed by experts. In recent years, media campaigns aimed at suicide prevention have gained traction. While there has been some evidence suggesting the success of such campaigns, more research is needed in this area. Further research is also needed to assess the effects of fictional depictions of suicide in film and television.
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Yang, Ji. "Chuan bo, wen hua, she hui Yingguo da zhong chuan bo li lun tou shi /." Shanghai : Fu dan da xue chu ban she, 2006.

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Palmer, Daniel Stephen Vaughan. "Participatory media : visual culture in real time /." Connect to thesis, 2004. http://eprints.unimelb.edu.au/archive/00000125.

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Books on the topic "Mass media and culture Australia"

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Graeme, Turner, ed. Nation, culture, text: Australian cultural and media studies. London: Routledge, 1993.

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Friday on our minds: Australian popular culture in Australia since 1945. Sydney: UNSW Press, 2009.

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High culture, popular culture: The long debate. St. Leonards, NSW: Allen & Unwin, 1995.

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The thallium enthusiasms: And other Australian outrages. Newtown, N.S.W: Local Consumption Publications, 1995.

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1943-, Lewis Glen, and Osborne G, eds. Communication traditions in Australia: Packaging the people. 2nd ed. Melbourne: Oxford University Press, 2001.

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Schirato, Tony. Communication and cultural literacy: An introduction. St. Leonards, NSW: Allen & Unwin, 1996.

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Schirato, Tony. Communication and culture: An introduction. London: Sage Publications, 2000.

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Frances, Bonner, and Marshall P. David, eds. Fame games: The production of celebrity in Australia. Cambridge: Cambridge University Press, 2000.

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Aly, Anne. A study of audience responses to the media discourse about the 'other ': The fear of terrorism between Australian Muslims and the broader community. Lewiston, N.Y: Edwin Mellen Press, 2010.

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A study of audience response to the media discourse about the 'other ': The fear of terrorism between Australian Muslims and the broader community. Lewiston: The Edwin Mellen Press, 2010.

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Book chapters on the topic "Mass media and culture Australia"

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Arendt, Hannah. "Society and Culture." In Mass Media in Modern Society, 85–94. New York: Routledge, 2022. http://dx.doi.org/10.4324/9780429334290-5.

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Coeckelbergh, Mark. "Mass Media and Digital Culture." In Imagination and Principles, 116–27. London: Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230589803_7.

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Hughes, H. Stuart. "Mass Culture and Social Criticism." In Mass Media in Modern Society, 184–89. New York: Routledge, 2022. http://dx.doi.org/10.4324/9780429334290-15.

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Shils, Edward. "Mass Society and Its Culture." In Mass Media in Modern Society, 43–69. New York: Routledge, 2022. http://dx.doi.org/10.4324/9780429334290-3.

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Horne, John. "Sport, Consumerisation and the Mass Media." In Sport in Consumer Culture, 40–67. London: Macmillan Education UK, 2006. http://dx.doi.org/10.1007/978-0-230-80235-3_3.

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Jacobs, Norman, and Garth S. Jowett. "Ideals and Dangers of Mass Culture." In Mass Media in Modern Society, 230–42. New York: Routledge, 2022. http://dx.doi.org/10.4324/9780429334290-21.

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Handlin, Oscar. "Comments on Mass and Popular Culture." In Mass Media in Modern Society, 105–12. New York: Routledge, 2022. http://dx.doi.org/10.4324/9780429334290-7.

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Jacobs, Norman, and Garth S. Jowett. "A General Theory of Mass Culture." In Mass Media in Modern Society, 197–207. New York: Routledge, 2022. http://dx.doi.org/10.4324/9780429334290-18.

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Jacobs, Norman, and Garth S. Jowett. "Mass Culture and the Creative Artist." In Mass Media in Modern Society, 218–29. New York: Routledge, 2022. http://dx.doi.org/10.4324/9780429334290-20.

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de Mooij, Marieke. "Mass Media, Journalism, Society, and Culture." In Human and Mediated Communication around the World, 309–53. Cham: Springer International Publishing, 2013. http://dx.doi.org/10.1007/978-3-319-01249-0_10.

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Conference papers on the topic "Mass media and culture Australia"

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Burns, Karen, and Harriet Edquist. "Women, Media, Design, and Material Culture in Australia, 1870-1920." In The 38th Annual Conference of the Society of Architectural Historians Australia and New Zealand. online: SAHANZ, 2022. http://dx.doi.org/10.55939/a4017pbe75.

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Over the last forty years feminist historians have commented on the under-representation or marginalisation of women thinkers and makers in design, craft, and material culture. (Kirkham and Attfield, 1989; Attfield, 2000; Howard, 2000: Buckley, 1986; Buckley, 2020:). In response particular strategies have been developed to write women back into history. These methods expand the sites, objects and voices engaged in thinking about making and the space of the everyday world. The problem, however, is even more acute in Australia where we lack secondary histories of many design disciplines. With the notable exception of Julie Willis and Bronwyn Hanna (2001) or Burns and Edquist (1988) we have very few overview histories. This paper will examine women’s contribution to design thinking and making in Australia as a form of cultural history. It will explore the methods and challenges in developing a chronological and thematic history of women’s design making practice and design thinking in Australia from 1870 – 1920 where the subjects are not only designers but also journalists, novelists, exhibiters, and correspondents. We are interested in using media (exhibitions and print culture) as a prism: to examine how and where women spoke to design and making, what topics they addressed, and the ideas they formed to articulate the nexus between women, making and place.
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Chummuangpak, Manoch. "EXPLORING REFUGEE AGENCY THROUGH DOCUMENTARY PRODUCTION OF RESETTLING KAREN IN AUSTRALIA." In World Conference on Media and Mass Communication. The International Institute of Knowledge Management (TIIKM), 2019. http://dx.doi.org/10.17501/24246778.2019.5111.

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Effiom Ephraim, Philip. "LOUVRE ABU DHABI: SOCIAL MEDIA IN MARKETING CULTURE." In World Conference on Media and Mass Communication. The International Institute of Knowledge Management (TIIKM), 2019. http://dx.doi.org/10.17501/24246778.2019.5105.

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Zashchitina, Galina. "Mass Culture and Mass Addressee Through Stylistic Mirror of Allusion in Modern Mass Media." In Proceedings of the 4th International Conference on Contemporary Education, Social Sciences and Humanities (ICCESSH 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/iccessh-19.2019.468.

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Kashchuk, M. H., and T. S. Lypchenko. "Sociocultural content within the modern culture of mass media." In PHILOLOGICAL SCIENCES, INTERCULTURAL COMMUNICATION AND TRANSLATION STUDIES: AN EXPERIENCE AND CHALLENGES. Baltija Publishing, 2021. http://dx.doi.org/10.30525/978-9934-26-073-5-2-57.

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Arpentieva, Mariam R. "Problems Of New Urban Media: Deformation Of Culture And Deformation Media." In III PMMIS 2019 (Post mass media in the modern informational society) "Journalistic text in a new technological environment: achievements and problems". Cognitive-Crcs, 2019. http://dx.doi.org/10.15405/epsbs.2019.08.02.76.

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Korotkevich, Daria O. "A Foreign Country As A Subject Of American Mass Media Discourse." In Dialogue of Cultures - Culture of Dialogue: from Conflicting to Understanding. European Publisher, 2020. http://dx.doi.org/10.15405/epsbs.2020.11.03.46.

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Titova, Olga, Valentina Kudinova, Irina Rodionova, Irina Golovina, and Irina Kudinova. "AUTHENTIC MASS MEDIA TEXTS AS THE BASIS OF FOREIGN LANGUAGE AND CULTURE TEACHING." In 12th annual International Conference of Education, Research and Innovation. IATED, 2019. http://dx.doi.org/10.21125/iceri.2019.1337.

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Kovalenko, Ekaterina V., and Diana Zaharina. "Adaptation of Contemporary Borrowings from English and Spanish in Mass Media Texts about Fashion in Russian." In Culture and Education: Social Transformations and Multicultural Communication. RUDN University Press, 2019. http://dx.doi.org/10.22363/09669-2019-556-562.

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Markasov, Maksim Yu, and Olga A. Markasova. "Personosphere of modern media: Mayakovsky through the eyes of “Post-Science” and mass culture." In Communication and Cultural Studies: History and Modernity. Novosibirsk State University, 2021. http://dx.doi.org/10.25205/978-5-4437-1258-1-295-300.

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Reports on the topic "Mass media and culture Australia"

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Gattenhof, Sandra, Donna Hancox, Sasha Mackay, Kathryn Kelly, Te Oti Rakena, and Gabriela Baron. Valuing the Arts in Australia and Aotearoa New Zealand. Queensland University of Technology, December 2022. http://dx.doi.org/10.5204/rep.eprints.227800.

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The arts do not exist in vacuum and cannot be valued in abstract ways; their value is how they make people feel, what they can empower people to do and how they interact with place to create legacy. This research presents insights across Australia and Aotearoa New Zealand about the value of arts and culture that may be factored into whole of government decision making to enable creative, vibrant, liveable and inclusive communities and nations. The COVID-19 pandemic has revealed a great deal about our societies, our collective wellbeing, and how urgent the choices we make now are for our futures. There has been a great deal of discussion – formally and informally – about the value of the arts in our lives at this time. Rightly, it has been pointed out that during this profound disruption entertainment has been a lifeline for many, and this argument serves to re-enforce what the public (and governments) already know about audience behaviours and the economic value of the arts and entertainment sectors. Wesley Enoch stated in The Saturday Paper, “[m]etrics for success are already skewing from qualitative to quantitative. In coming years, this will continue unabated, with impact measured by numbers of eyeballs engaged in transitory exposure or mass distraction rather than deep connection, community development and risk” (2020, 7). This disconnect between the impact of arts and culture on individuals and communities, and what is measured, will continue without leadership from the sector that involves more diverse voices and perspectives. In undertaking this research for Australia Council for the Arts and Manatū Taonga Ministry for Culture & Heritage, New Zealand, the agreed aims of this research are expressed as: 1. Significantly advance the understanding and approaches to design, development and implementation of assessment frameworks to gauge the value and impact of arts engagement with a focus on redefining evaluative practices to determine wellbeing, public value and social inclusion resulting from arts engagement in Australia and Aotearoa New Zealand. 2. Develop comprehensive, contemporary, rigorous new language frameworks to account for a multiplicity of understandings related to the value and impact of arts and culture across diverse communities. 3. Conduct sector analysis around understandings of markers of impact and value of arts engagement to identify success factors for broad government, policy, professional practitioner and community engagement. This research develops innovative conceptual understandings that can be used to assess the value and impact of arts and cultural engagement. The discussion shows how interaction with arts and culture creates, supports and extends factors such as public value, wellbeing, and social inclusion. The intersection of previously published research, and interviews with key informants including artists, peak arts organisations, gallery or museum staff, community cultural development organisations, funders and researchers, illuminates the differing perceptions about public value. The report proffers opportunities to develop a new discourse about what the arts contribute, how the contribution can be described, and what opportunities exist to assist the arts sector to communicate outcomes of arts engagement in Australia and Aotearoa New Zealand.
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Hrytsenko, Olena. Sociocultural and informational and communication transformations of a new type of society (problems of preserving national identity and national media space). Ivan Franko National University of Lviv, February 2022. http://dx.doi.org/10.30970/vjo.2022.51.11406.

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The problems of the correlation of cosmopolitan and national identities are too complex to be unambiguous assessment, let alone alternative values (related to the ecological paradigm and the spiritual traditions of other cultures). However, it is obvious that without preserving the national identity, the integrity and independence of the national state becomes problematic. On the other hand, without taking into account the consequences of information wars and aggressive cosmopolitan tendencies of global media culture, there is a threat of losing the national information space and displacing it to the periphery of socio-political and economic life in Ukraine and in the modern world. In the process of working on research issues, the author of the article came out on the principles of objectivity, systematic and determinism, which in combination of their observance made it possible to determine the influence of the post-industrial information society on the formation of a new type of mass consciousness. As a result of the influence of globalization processes, there was a filling of the domestic information space with a supernational mass culture of entertainment, which in most cases leads to the spread of a primitive world outlook based on the ideology of consumption society, without leaving places to preserve sociocultural traditions and national identity. Therefore, given the problems of preserving national identity, it is necessary should be mentioned the information security of the state, which occupies one of the most important places, among various aspects of information security, since the unresolved problem of protection of the national information space significantly complicates the processes of formation of national identity.
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Pavlyuk, Ihor. MEDIACULTURE AS A NECESSARY FACTOR OF THE CONSERVATION, DEVELOPMENT AND TRANSFORMATION OF ETHNIC AND NATIONAL IDENTITY. Ivan Franko National University of Lviv, February 2021. http://dx.doi.org/10.30970/vjo.2021.49.11071.

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The article deals with the mental-existential relationship between ethnoculture, national identity and media culture as a necessary factor for their preservation, transformation, on the example of national original algorithms, matrix models, taking into account global tendencies and Ukrainian archetypal-specific features in Ukraine. the media actively serve the domestic oligarchs in their information-virtual and real wars among themselves and the same expansive alien humanitarian acts by curtailing ethno-cultural programs-projects on national radio, on television, in the press, or offering the recipient instead of a pop pointer, without even communicating to the audience the information stipulated in the media laws − information support-protection-development of ethno-culture national product in the domestic and foreign/diaspora mass media, the support of ethnoculture by NGOs and the state institutions themselves. In the context of the study of the cultural national socio-humanitarian space, the article diagnoses and predicts the model of creating and preserving in it the dynamic equilibrium of the ethno-cultural space, in which the nation must remember the struggle for access to information and its primary sources both as an individual and the state as a whole, culture the transfer of information, which in the process of globalization is becoming a paramount commodity, an egregore, and in the post-traumatic, interrupted-compensatory cultural-information space close rehabilitation mechanisms for national identity to become a real factor in strengthening the state − and vice versa in the context of adequate laws («Law about press and other mass media», Law «About printed media (press) in Ukraine», Law «About Information», «Law about Languages», etc.) and their actual effect in creating motivational mechanisms for preserving/protecting the Ukrainian language, as one of the main identifiers of national identity, information support for its expansion as labels cultural and geostrategic areas.
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Halych, Valentyna. SERHII YEFREMOV’S COOPERATION WITH THE WESTERN UKRAINIAN PRESS: MEMORIAL RECEPTION. Ivan Franko National University of Lviv, February 2021. http://dx.doi.org/10.30970/vjo.2021.49.11055.

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The subject of the study is the cooperation of S. Efremov with Western Ukrainian periodicals as a page in the history of Ukrainian journalism which covers the relationship of journalists and scientists of Eastern and Western Ukraine at the turn of the XIX-XX centuries. Research methods (biographical, historical, comparative, axiological, statistical, discursive) develop the comprehensive disclosure of the article. As a result of scientific research, the origins of Ukrainocentrism in the personality of S. Efremov were clarified; his person as a public figure, journalist, publisher, literary critic is multifaceted; taking into account the specifics of the memoir genre and with the involvement of the historical context, the turning points in the destiny of the author of memoirs are interpreted, revealing cooperation with Western Ukrainian magazines and newspapers. The publications ‘Zoria’, ‘Narod’, ‘Pravda’, ‘Bukovyna’, ‘Dzvinok’, are secretly got into sub-Russian Ukraine, became for S. Efremov a spiritual basis in understanding the specifics of the national (Ukrainian) mass media, ideas of education in culture of Ukraine at the end of XIX century, its territorial integrity, and state independence. Memoirs of S. Efremov on cooperation with the iconic Galician journals ‘Notes of the Scientific Society after the name Shevchenko’ and ‘Literary-Scientific Bulletin’, testify to an important stage in the formation of the author’s worldview, the expansion of the genre boundaries of his journalism, active development as a literary critic. S. Yefremov collaborated most fruitfully and for a long time with the Literary-Scientific Bulletin, and he was impressed by the democratic position of this publication. The author’s comments reveal a long-running controversy over the publication of a review of the new edition of Kobzar and thematically related discussions around his other literary criticism, in which the talent of the demanding critic was forged. S. Efremov steadfastly defended the main principles of literary criticism: objectivity and freedom of author’s thought. The names of the allies of the Ukrainian idea L. Skochkovskyi, O. Lototskyi, O. Konyskyi, P. Zhytskyi, M. Hrushevskyi in S. Efremov’s memoirs unfold in multifaceted portrait descriptions and function as historical and cultural facts that document the pages of the author’s biography, record his activities in space and time. The results of the study give grounds to characterize S. Efremov as the first professional Ukrainian-speaking journalist.
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