Relevant bibliographies by topics / Mass media and art

Academic literature on the topic 'Mass media and art'

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Published: 4 June 2021
Last updated: 5 March 2023

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Journal articles on the topic "Mass media and art"

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Karan, Marija. "(Re)positioning art music in contemporary traditional and digital mass media/radio context." New Sound, no. 56-2 (2020): 49–63. http://dx.doi.org/10.5937/newso2056049k.

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This paper discusses, actualizes and problematizes the representation and treatment of art music in the context of contemporary mass media radio discourse, in its traditional and digital/internet formats. The thesis is that understanding the content of high culture and art music is key to the social and cultural progress of the audience, and that it implies the clear views of the creator of the work of art music, on the one hand, and the experience of the recipient - that is, the audience, on the other hand. In this context, traditional and digital mass media must continue to act as the main transmitters/mediators of musical creation. Through the prism of art music on the radio, the types and ways of the operation of contemporary (meta) mass media are detected, as well as the effect of the reception of elements of mass/media culture on the audience. The critical-analytical-interpretive method interprets the phenomenon of artistic music on the radio and contributes to the research of the impact on the audience with music as the key parameter of mass media discourse.
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Hirst, Martin. "Art Silverblatt: Genre Studies in Mass Media. A Handbook." Publizistik 53, no. 1 (March 2008): 135–36. http://dx.doi.org/10.1007/s11616-008-0030-9.

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Lopes, Fernando Augusto Silva. "Media, art and technology: a contemporary reflection." Comunicação e Sociedade 31 (June 29, 2017): 299–310. http://dx.doi.org/10.17231/comsoc.31(2017).2619.

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This article is based on a report about cultural industries and their reflexes on media saturation. From that point, a reflection on technology, media and contemporary arts is presented, especially on the role of the body in the manifestation of art. This work seeks to ratify the influence of technology, of mass media and of information over the construction of the contemporary cultural values. It also provides a reflection on current contemporary artistic practices as elements that seek to evidence and question the standardizing influence of mass media and of the market. The background for the development of this article is the evolution of technologies, which expand the commodification of culture and make possible the deep social and cultural changes experienced in contemporary Western society. Finally, it is outlined a brief analysis of cultural identities and diversities in the teleinformatics era.
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Shubina, E. L. "HEDGE APPROXIMATORS AS PROFESSIONAL TOOLS OF GERMAN MASS MEDIA DISCOURSE." Professional Discourse & Communication 1, no. 1 (May 29, 2019): 83–98. http://dx.doi.org/10.24833/2687-0126-2019-1-1-83-98.

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The purpose of this paper is the analysis of German mass media texts to investigate into hedge approximators. Synonymous analytical constructions eine Art … (a kind of); so etwas wie …; (so) etwas Ähnliches wie … are used to achieve certain pragmatic purposes the discourse of mass media. The most frequent word combination is eine Art... . The structural organization of such combinations is regulated by specific rules. The majorities of nominal groups of the eine Art N type without an attribute preceding the main component (eine Art Glück) do not allow to determine the case of the second noun in modern German. Nouns of all three genders, including noun of the weak type of declination, do not have inflexions. The case form of the main word in the phrase is revealed by expanding the cluster with an attribute. The basic types of such constructions are constructions with the genitive case (eine Art gemeinsamen Traums), construction with the preposition von and a noun in the dative case (eine Art von gemeinsamem Traum) and constructions with the case agreement between the two parts of the nominal group (in einer Art gemeinsamem Traum). The distribution of these types of constructions in the contemporary German language is determined in essence by grammatical factors, namely by the oblique form of the “auxiliary” noun and also by the number and by the semantic class of the second noun. All three synonymous clusters are used both with concrete and abstract nouns. These hedge markers make possible for authors of articles to limit the degree of confidence or doubt about the authenticity of the described fact, since sometimes there is no information about the nominated object, the risks of an erroneous statement being significantly minimized. Hedge markers show that the author is detached, careful, diplomatic and aims at avoiding conflictual situations.
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Ahmed, Mohamed. "The Social Perspective in the Study of Mass Media Audience." Journal of King Abdulaziz University-Arts and Humanities 1, no. 1 (1988): 63–92. http://dx.doi.org/10.4197/art.1-1.5.

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Barker, Deborah E. "Visual Markers: Art and Mass Media in Alice Walker's Meridian." African American Review 31, no. 3 (1997): 463. http://dx.doi.org/10.2307/3042573.

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Chang, Zhou, Norfadilah Kamaruddin, and Wan Samiati WMD. "Analysis of Mass Media Influences on British Contemporary Art: A Turner Prize perspective." Environment-Behaviour Proceedings Journal 7, SI7 (August 31, 2022): 135–39. http://dx.doi.org/10.21834/ebpj.v7isi7.3773.

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Turner Prize has grown from an unattended state to an authoritative art festival. Besides the innovation of its own evaluation criteria, it also benefits from the extensive involvement of the media in the Turner Prize. The upsurge of visits and public discussion caused by this changed the cultural influence of contemporary art on the public, promoted the prosperity of the art market, and gave birth to new art forms. This paper attempts to analyse the positive and negative influences of mass media on British contemporary art from the Turner Prize and mass media. Keywords: Contemporary Art; Mass media; Turner Prize; Art Market eISSN: 2398-4287 © 2020. The Authors. Published for AMER ABRA cE-Bs by e-International Publishing House, Ltd., UK. This is an open access article under the CC BYNC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). Peer–review under responsibility of AMER (Association of Malaysian Environment-Behaviour Researchers), ABRA (Association of Behavioural Researchers on Asians) and cE-Bs (Centre for Environment-Behaviour Studies), Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, Malaysia. DOI: https://doi.org/10.21834/ebpj.v7iSI7%20(Special%20Issue).3773
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Skilbeck, Ruth. "Art journalism and the impact of ‘globalisation’: New fugal modalities of storytelling in Austral-Asian writing." Pacific Journalism Review : Te Koakoa 14, no. 2 (September 1, 2008): 141–61. http://dx.doi.org/10.24135/pjr.v14i2.949.

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The writing of art journalism has played a key yet little acknowledged role in the ongoing expansion of the international contemporary art world, and the multi-billion dollar global art economy. This article discusses some contradictory impacts of globalisation on art journalism—from extremes of sensationalist record-breaking art market reporting in the global mass media to the emergence of innovative modalities of story-telling in Australian independent journalistic art writing. This article discusses some contradictory impacts of gobalisation on art journalism— from extremes of sensationalist record-breaking art market reporting in the global mass media to the emergence of innovative modalities of story-telling in Australian independent art writing.
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Leite, Rui Moreira. "Flávio de Carvalho: Media Artist Avant la Lettre." Leonardo 37, no. 2 (April 2004): 150–58. http://dx.doi.org/10.1162/0024094041139175.

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This paper examines the work of Brazilian artist Flávio de Carvalho (1899-1973) from the perspective of contemporary media art, highlighting his practical and theoretical legacy. Initially associated with the Anthropophagy art movement, Carvalho used mass media creatively and incorporated insights from psychology, sociology and anthropology into his art. He realized events that went beyond “performance art,” including a pioneering presentation on television in 1957. This article offers a brief overview of Carvalho's trajectory.
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Potash, Jordan S. "Fast Food Art, Talk Show Therapy: The Impact of Mass Media on Adolescent Art Therapy." Art Therapy 26, no. 2 (January 2009): 52–57. http://dx.doi.org/10.1080/07421656.2009.10129746.

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Dissertations / Theses on the topic "Mass media and art"

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Papadaki, Eirini. "The mediation of art through the mass media." Thesis, University of Kent, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.246640.

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D'Olimpio, Lauralin. "The moral possibilities of mass art." University of Western Australia. Philosophy Discipline Group, 2009. http://theses.library.uwa.edu.au/adt-WU2009.0172.

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This Thesis critically examines the moral possibilities of mass art. Mass art is often dismissed by critics as pseudo or ersatz art, described as 'kitsch' and lacking in aesthetic and moral value. I will critically examine several definitions of mass art which argue whether or not mass art can and should be classified as art qua art, and what its moral possibilities are given that definition. I focus my analysis on the theories proposed by Noel Carroll, Clement Greenberg, R. G. Collingwood, Dwight MacDonald, Walter Benjamin, T. W. Adorno and Max Horkheimer with a view to defending a positive account of mass art as art with moral capabilities while also arguing that the ethical concerns raised by Adorno and Horkheimer must be taken seriously. After examining the aesthetic and ethical issues that are raised by mass art and how these inter-relate, I explore the link between aesthetic and ethical education. Drawing upon Martha Nussbaum's theory of literary education, I outline a supplementary moral theory that I term
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Holowczenko, Amy L. "Framing the culture wars : a content analysis of news media coverage of the Mapplethorpe and Brooklyn Museum art controversies /." Online version of thesis, 2007. http://hdl.handle.net/1850/4890.

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Camargo, Maíra Sanchez Cezaretto [UNESP]. "Fred Forest: o poder da mídia espontânea como elemento de criação artística." Universidade Estadual Paulista (UNESP), 2012. http://hdl.handle.net/11449/86955.

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Universidade Estadual Paulista (UNESP)
Este estudo tem o objetivo de discutir o poder da mídia utilizado para criação artística, mais especificamente a mídia espontânea. A relação entre arte e comunicação é analisada com o apoio na obra denominada Wanted Julia Margareth Cameron, de Fred Forest. São avaliados os aspectos que levam o artista a idealizar e colocar em prática suas estratégias. As ferramentas utilizadas por Forest em suas obras e a articulação delas também são contempladas neste estudo. Além disso, o potencial publicitário nas criações de Fred Forest foi igualmente objeto de consideração
This study aims to discuss the power of the media used for artistic creation, specifically the spontaneous media. The relationship between art and communication is analyzed with the support of the work called Julia Margaret Cameron Wanted by Fred Forest, evaluating the issues that lead the artist to create their actions. The tools used by Forest in their work and the articulation of them are also addressed in this study. In addition to evaluating the advertising potential in the creations of Fred Forest
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Camargo, Maíra Sanchez Cezaretto. "Fred Forest : o poder da mídia espontânea como elemento de criação artística /." São Paulo : [s.n.], 2012. http://hdl.handle.net/11449/86955.

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Orientador: Milton Sogabe
Banca: Hermes Renato Hildebrand
Banca: Fábio Oliveira Nunes
Resumo: Este estudo tem o objetivo de discutir o poder da mídia utilizado para criação artística, mais especificamente a mídia espontânea. A relação entre arte e comunicação é analisada com o apoio na obra denominada Wanted Julia Margareth Cameron, de Fred Forest. São avaliados os aspectos que levam o artista a idealizar e colocar em prática suas estratégias. As ferramentas utilizadas por Forest em suas obras e a articulação delas também são contempladas neste estudo. Além disso, o potencial publicitário nas criações de Fred Forest foi igualmente objeto de consideração
Abstract: This study aims to discuss the power of the media used for artistic creation, specifically the spontaneous media. The relationship between art and communication is analyzed with the support of the work called Julia Margaret Cameron Wanted by Fred Forest, evaluating the issues that lead the artist to create their actions. The tools used by Forest in their work and the articulation of them are also addressed in this study. In addition to evaluating the advertising potential in the creations of Fred Forest
Mestre
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Hachmeister, John. "Pluralism and the hard sell historically unique influences on young artists today." Thesis, Kansas State University, 1985. http://hdl.handle.net/2097/9845.

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Keen, Seth. "Video chaos : multilinear narrative structuration in new media video practice /." Electronic version, 2005. http://adt.lib.uts.edu.au/public/adt-NTSM20050921.151215/index.html.

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Miller, Elizabeth. "Manipulating the Hype: contemporary art's response to media cliches." Thesis, The University of Sydney, 2013. http://hdl.handle.net/2123/10099.

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Manipulating the Hype addresses art’s reaction to the barrage of signs produced by the media. The paper researches contemporary art’s response to clichéd media stereotypes and elucidates artists’ multifaceted perspective on overtly obvious yet widely embraced paradigms marketed by the media. Contemporary art’s strategic reconfiguration of media stereotypes is a valuable introspection upon the superficiality and impracticability of advertising and entertainment industry constructs. By reconsidering the mediated image, art has the ability to inspire reevaluation of cultural values. The thesis additionally attempts to ascertain the reinterpretation of media stereotypes as a common thread linking principal art movements and historically significant artworks from around the world since 1960. How does contemporary art respond to the extensive cultural influence of the media? Is a reaction to mass media a thematic commonality linking contemporary artists in the age of globalization? Manipulating the Hype is a dual outcome investigation comprised of written thesis and studio practice. The written thesis combines experience from a lengthy professional practice with historical and theoretical research. The visual thesis consists of twelve photographic works taken at on the Big Island of Hawaii. The images juxtapose artificial icons of power from popular culture with the natural force of the active lava flow. The process of research discloses how the advertising and entertainment industries capitalize upon innate human desires through the manipulative proliferation of archetypal imagery. Furthermore, the thesis establishes the widespread retort to media clichés as a palpable commonality in studio practices worldwide. The findings in the research make evident that although contemporary art does not have sufficient influence to reform the media, it can heighten public awareness of media tactics.
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Santana, Isabella Oliveira. "Campos do terror contemporaneo (res)significados no topos da performance art." [s.n.], 2009. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284048.

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Orientador: Arthur Hunold Lara
Dissertação (mestrado) - Universidade de Camopinas, Instituto de Artes
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Resumo: Este trabalho de caráter teórico-prático na área da performance art, tem como escopo (res)significar estudos realizados acerca de notícias e imagens de terror veiculadas nos meios de comunicação de massa - principalmente na rede internet - no topos da performance art. Constatamos que as notícias e imagens de terror propagadas nos meios massivos, assim como também as vivências traumáticas, podem ocasionar disfunções psicológicas e fisiológicas nas pessoas. Além disso, a mensagens midiáticas imediatistas, editadas e banalizadas da televisão e, mais recentemente da internet, podem ocasionar um embotamento das nossas sensibilidades diminuindo conseqüentemente nosso poder de reflexão e percepção. O psicólogo norte-americano Timothy Leary (1920-1996), que fez estudos como substâncias psicoativas para observar as capacidades expansivas da consciência, nos fala sobre como as mensagens e imagens transmitidas na tela podem formar e controlar nossa mente através da visão e audição. É a partir daí e da vivência do nosso corpo com a prática da performance, que questionamos como esta pode funcionar como a lente de aumento que irá mostrar onde está a imagem e onde está o simulacro, alargando deste modo as capacidades perceptivas do homem. Notamos ainda, o poder de transmutação próprio do ato criativo, a mudança emocional que ele gera além do estado fisiológico do corpo diferente daquele do cotidiano. Deste modo, aliar o tema do terror ao da prática performática nos faz averiguar a funcionalidade da performance enquanto agente de transmutação, tanto no performer, como no espectador. Neste caso, foi fundamental pesquisarmos o tema do trauma e da cura, assim como retomarmos o conceito de catarse, que estão de certa maneira vinculados ao tema que nos propomos a (res)significar no topos da ação. A metodologia a ser aplicada e a precisão dos resultados são um tanto difíceis no campo das artes, principalmente no que tange ao processo de criação artística, pelo fato de lidarmos com questões muito subjetivas que estão no âmbito da emoção, da sensação. Por isso, ao invés de utilizarmo-nos de metodologias mais precisas como os questionários, optamos por fazer a nossa pesquisa baseando-se em estudos bibliográficos para que assim complementassem o conhecimento obtido através da própria vivência artística em processo. Dentre os teóricos que nos detemos a pesquisar destacamos o diretor teatral Richard Schechner, que se dedicou ao estudo da teoria da performance, abordando os aspectos antropológicos que esta linguagem abarca e trazendo significativas contribuições às pesquisas do campo da performance art. Além disso, tivemos como referência estudos na área dos meios de comunicação de massa, psicologia, antropologia e sociologia. Concomitante à pesquisa teórica, realizamos sete apresentações artísticas que fortaleceram as nossas hipóteses acerca das potencialidades da performance art enquanto agente de transmutação. Por fim, conjeturamos que o paradigma holográfico pode funcionar como a espoleta do stress do terror e que a visão periférica está para o pedaço holográfico da memória e pode tanto despertar o terror quanto curá-lo.
Abstract: This theoretical and practical research in the speciality of performance art, has the purpose to (re)signify studies about terror news and images transmitted by the mass media - mainly on the internet - on the topos of performance art. We verify that the news and images of terror diffused at the mass media, as well as traumatic experiences, may cause psychological and physiological disturb on people. Besides, the immediate, edited and banal news transmitted on television, and nowadays on the internet, may decrease our sensibility and our power of reflection and perception. The north-American psychologist Timothy Leary (1920-1996), who studied psychoactive substances with the purpose to observe the consciousness expansion capacities, talk about how messages and images on the screen may form and control our mind through vision and hearing. It is through it and the experience of our body in performance art practice that we question how performance may function as the lens that will show us the image and the simulacrum helping to amplify the human perception. We also realize, the transformation power of creative acting, the emotional changing that its beget besides the different physiological body state from that we use in our daily life. Thereby, combine terror subject with performance practice make us verify performance function as a transformation agent in the performer and in the spectator. On this case, it was fundamental that we research the trauma and the cure subject, as we needed to retake catharsis concept, which are linked with the subject that we propose to (re)mean at the topos of the action. The method applied and the precision of the results are so difficult in arts field, mainly when we treat about artistic creative process, by the fact that we lead with subjective questions in the ambit of emotion and sensation. That is why we chose to make our research founded in bibliographical studies that could complement the knowledge we obtained through our own artistic experience, instead of make use of more precise methods as questionnaires. One of the researchers that we choose to analyze is the theater director Richard Schechner, who dedicates studies to performance theory broaching anthropological aspects of this artistic language and bringing to us significant contributions to performance art researches. Moreover, we use as reference studies from mass media, psychology, anthropology and sociology fields. Concomitant theory research, we presented seven performances that strengthen our hypothesis about transformation power of performance art. Besides, we suppose that holographic paradigm may function as the agent of terror stress and that periphery vision is related to the holographic memory piece and must as excite terror as cure it.
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Hicks, Cinque. "City of atoms: en-racinating media art and public space in Atlanta." Thesis, Georgia Institute of Technology, 2010. http://hdl.handle.net/1853/39621.

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Designers of information communication technologies (ICTs) in public space often fall into the trap of designing only for the "flaneur," an unembedded mobile subject in the generic global city. They deracinate the experience of space and support the global flâneur as the paradigmatic deracinated subject. In this thesis I propose a specific vision of "en-racinating" media, that is media that takes the specificity of place seriously. A careful consideration of public art can help us in this endeavor by leveraging the artistic notion of "site specificity" in the most culturally grounded meaning of the term. I examining three public digital media/information-based public art works through the lens of urban informatics in order to see how the works do or do not en-racinate experience in a specific city: Atlanta
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Books on the topic "Mass media and art"

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Mary, Hall-Pelfrey, ed. Art and mass media. New York: Harper & Row, 1985.

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John Heartfield: Art and mass media. New York: Tanam Press, 1985.

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Carroll, Noël. A philosophy of mass art. Oxford: Clarendon Press, 1998.

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A, Moos Michel, ed. Media research: Technology, art, communication. Amsterdam: G&B Arts, 1997.

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Art in the age of mass media. London: Pluto Press, 1994.

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Albert, Walker John. Art in the age of mass media. Boulder: Westview Press, 1994.

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Art in the age of mass media. 3rd ed. London, England: Pluto Press, 2001.

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Kouleu, Chindji. Communiquer est un art. [Yaoundé]: Editions Saagraph, 2004.

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Coca-Cola art. Beograd: Rad, 1989.

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1940-, Wollert James A., ed. Media writing: News for the mass media. Belmont, Calif: Wadsworth Pub. Co., 1985.

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Book chapters on the topic "Mass media and art"

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Crouch, Christopher. "The Modernist Mass Media." In Modernism in Art, Design and Architecture, 92–111. London: Macmillan Education UK, 1999. http://dx.doi.org/10.1007/978-1-349-27058-3_6.

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Nehamas, Alexander. "Plato and the Mass Media." In Plato on Art and Beauty, 34–53. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9780230368187_2.

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Stewart, Alison G. "The Birth of Mass Media." In A Companion to Renaissance and Baroque Art, 251–74. Oxford: John Wiley & Sons, 2013. http://dx.doi.org/10.1002/9781118391488.ch12.

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Raffel, Amy. "Art Merchandise and Mass Media as Activist Strategies." In Art and Merchandise in Keith Haring’s Pop Shop, 124–62. New York : Routledge, 2021.: Routledge, 2020. http://dx.doi.org/10.4324/9781003015437-5.

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Poblete, Juan. "Art, literature, and mass media in Pedro Lemebel." In The Routledge Companion To Gender, Sex And Latin American Culture, 152–65. Abingdon, Oxon; New York, NY: Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781315179728-13.

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Burnett, Mark Thornton. "“We are the makers of manners”." In Shakespeare after Mass Media, 83–105. New York: Palgrave Macmillan US, 2002. http://dx.doi.org/10.1007/978-1-137-09277-9_4.

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Weaver, Heather A. "“Spirit of Education”: The Gendered Vision of Compulsory Schooling in Mass Magazine Art, 1908–1938." In American Education in Popular Media, 59–84. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137410153_4.

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Xu, Hantian, Lin Zhang, and Ziruo Xue. "New Media Art and Post-human Masks." In Culture and Computing, 354–70. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-05434-1_24.

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"Mass Media." In Turks, Jews, and Other Germans in Contemporary Art. The MIT Press, 2021. http://dx.doi.org/10.7551/mitpress/13674.003.0007.

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"The Mass Media." In The Sociology of Art (Routledge Revivals), 633–56. Routledge, 2012. http://dx.doi.org/10.4324/9780203127735-39.

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Conference papers on the topic "Mass media and art"

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Yang, Jing. "Research on Communication of Chinese Folk Dance Art in Mass Media Era." In 2014 2nd International Conference on Education Technology and Information System (ICETIS 2014). Paris, France: Atlantis Press, 2014. http://dx.doi.org/10.2991/icetis-14.2014.89.

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Terziyska, Ivana, Setu Shah, and Xiao Luo. "Are Recent Terrorism Trends Reflected in Social Media?" In 2017 IEEE 14th International Conference on Mobile Ad-Hoc and Sensor Systems (MASS). IEEE, 2017. http://dx.doi.org/10.1109/mass.2017.90.

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Khaustova, Dariya. "THEATRE AND MASS MEDIA: NOW AND THEN." In 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018/6.2/s27.075.

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Xiao, Zhou. "The Combination of Environmental Art Design and Regional Square Design under the Mass Media of Communication." In 4th International Conference on Education, Language, Art and Intercultural Communication (ICELAIC 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/icelaic-17.2017.121.

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Syafyahya, L. "Maintaining Systems in Language News are Criminal in Mass Media." In First International Conference on Advances in Education, Humanities, and Language, ICEL 2019, Malang, Indonesia, 23-24 March 2019. EAI, 2019. http://dx.doi.org/10.4108/eai.23-3-2019.2284881.

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Wongrujira, Monwipa. "EXPLORING THE USE OF DATA-DRIVEN JOURNALISM IN THAI MASS MEDIA." In 5th Arts & Humanities Conference, Copenhagen. International Institute of Social and Economic Sciences, 2019. http://dx.doi.org/10.20472/ahc.2019.005.020.

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LI, MENG-SHUANG. "ANALYSIS OF FAST FASHION CONSUMER BEHAVIOR FROM THE PERSPECTIVE OF CONSUMER SOCIETY RESEARCH." In 2021 International Conference on Education, Humanity and Language, Art. Destech Publications, Inc., 2021. http://dx.doi.org/10.12783/dtssehs/ehla2021/35724.

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The advent of the consumer society and mass media era has reconstructed the way people produce and live. Based on this condition, fast fashion as a new clothing industry has been spawned and has become popular rapidly. First of all, this article analyzes the concepts of fast fashion and fast fashion consumption, in order to explore the attribution of the rise of fast fashion consumption, including the rapid development of society and economy, the urgency of stimulating people's domestic demand, the driving role of mass media and advertising, and the psychological needs of the public keep increasing and so on. In addition, Fast-food consumerism represented by fast fashion has become a symbol that distinguishes a certain class or group. This article uses the sociology of consumption as a research perspective to explore the symbolic value of fast fashion consumption. It includes four types of symbolic values, including the value of highlighting differences, the value of distinguishing social classes, the value of belonging to a social group, and the value of resolving identity crises. At last, as a summary part, this article summarizes the benefits of fast fashion consumption, and makes certain reflections and suggestions on the disadvantages of fast fashion consumption.
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Ejstrup, Michael, and Bjarne le Fevre Jakobsen. "Mass Media in a Vicious Circle: The Framing of both Language and Content in Danish Mass Media are frozen, and the Gap between Media and Reality Outside Increases Rapidly." In 2nd Annual International Conference on Journalism & Mass Communications (JMComm 2013). Global Science and Technology Forum, 2013. http://dx.doi.org/10.5176/2301-3710_jmcomm13.21.

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Jelinkova, Martina. "USING MASS COMMUNICATION AND MASS MEDIA TO INCREASE THE EFFICIENCY OF INTEGRATED MARKETING COMMUNICATIONS OF CHEMICAL INDUSTRIAL ENTERPRISES." In 2nd International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2015. Stef92 Technology, 2015. http://dx.doi.org/10.5593/sgemsocial2015/b22/s7.126.

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Dewi, Putri Aisyiyah Rachma, Vinda Maya Setianingrum, and Ms Mutiah. "Indonesia Mass Media Are Males: The news coverage of "Bakmi Janda" noodle eatery." In Proceedings of the 1st International Conference on Social Sciences (ICSS 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icss-18.2018.70.

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Reports on the topic "Mass media and art"

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Butyrina, Maria, and Valentina Ryvlina. MEDIATIZATION OF ART: VIRTUAL MUSEUM AS MASS MEDIA. Ivan Franko National University of Lviv, February 2021. http://dx.doi.org/10.30970/vjo.2021.49.11075.

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The research is devoted to the study of the phenomenon of mediatization of art on the example of virtual museums. Main objective of the study is to give communication characteristics of the mediatized socio-cultural institutions. The subject of the research is forms, directions and communication features of virtual museums. Methodology. In the process of study, the method of communication analysis, which allowed to identify and characterize the main factors of the museum’s functioning as a communication system, was used. Among them, special emphasis is put on receptive and metalinguistic functions. Results / findings and conclusions. The need to be competitive in the information space determines the gradual transformation of socio-cultural institutions into mass media, which is reflected in the content and forms of dialogue with recipients. When cultural institutions begin to function as media, they take on the features of media structures that create a communication environment localized by the functions of communicators and audience expectations. Museums function in such a way that along with the real art space they form a virtual space, which puts the recipients into the reality of the exhibitions based on the principle of immersion. Mediaization of art on the example of virtual museum institutions allows us to talk about: expanding of the perceptual capabilities of the audience; improvement of the exposition function of mediatized museums with the help of Internet technologies; interactivity of museum expositions; providing broad contextual background knowledge necessary for a deep understanding of the content of works of art; the possibility to have a delayed viewing of works of art; absence of thematic, time and space restrictions; possibility of communication between visitors; a huge target audience. Significance. The study of the mediatized forms of communication between museums and visitors as well as the directions of their transformation into media are certainly of interest to the scientific field of “Social Communications”.
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Chornodon, Myroslava. FEAUTURES OF GENDER IN MODERN MASS MEDIA. Ivan Franko National University of Lviv, February 2021. http://dx.doi.org/10.30970/vjo.2021.49.11064.

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The article clarifies of gender identity stereotypes in modern media. The main gender stereotypes covered in modern mass media are analyzed and refuted. The model of gender relations in the media is reflected mainly in the stereotypical images of men and woman. The features of the use of gender concepts in modern periodicals for women and men were determined. The most frequently used derivatives of these macroconcepts were identified and analyzed in detail. It has been found that publications for women and men are full of various gender concepts that are used in different contexts. Ingeneral, theanalysisofthe concept-maximums and concept-minimum gender and their characteristics is carried out in the context of gender stereotypes that have been forme dand function in the society, system atizing the a ctual presentations. The study of the gender concept is relevant because it reveals new trends and features of modern gender images. Taking into account the special features of gender-labeled periodicals in general and the practical absence of comprehensive scientific studies of the gender concept in particular, there is a need to supplement Ukrainian science with this topic. Gender psychology, which is served by methods of various sciences, primarily sociological, pedagogical, linguistic, psychological, socio-psychological. Let us pay attention to linguistic and psycholinguistic methods in gender studies. Linguistic methods complement intelligence research tasks, associated with speech, word and text. Psycholinguistic methods used in gender psychology (semantic differential, semantic integral, semantic analysis of words and texts), aimed at studying speech messages, specific mechanisms of origin and perception, functions of speech activity in society, studying the relationship between speech messages and gender properties participants in the communication, to analyze the linguistic development in connection with the general development of the individual. Nowhere in gender practice there is the whole arsenal of psychological methods that allow you to explore psychological peculiarities of a person like observation, experiments, questionnaires, interviews, testing, modeling, etc. The methods of psychological self-diagnostics include: the gender aspect of the own socio-psychological portrait, a gender biography as a variant of the biographical method, aimed at the reconstruction of individual social experience. In the process of writing a gender autobiography, a person can understand the characteristics of his gender identity, as well as ways and means of their formation. Socio-psychological methods of studying gender include the study of socially constructed women’s and men’s roles, relationships and identities, sexual characteristics, psychological characteristics, etc. The use of gender indicators and gender approaches as a means of socio-psychological and sociological analysis broadens the subject boundaries of these disciplines and makes them the subject of study within these disciplines. And also, in the article a combination of concrete-historical, structural-typological, system-functional methods is implemented. Descriptive and comparative methods, method of typology, modeling are used. Also used is a method of content analysis for the study of gender content of modern gender-stamped journals. It was he who allowed quantitatively to identify and explore the features of the gender concept in the pages of periodicals for women and men. A combination of historical, structural-typological, system-functional methods is also implemented in the article. Descriptive and comparative methods, method of typology, modeling are used. A method of content analysis for the study of gender content of modern gender-labeled journals is also used. It allowed to identify and explore the features of the gender concept quantitatively in the periodicals for women and men. The conceptual perception and interpretation of the gender concept «woman», which is highlighted in the modern gender-labeled press in Ukraine, requires the elaboration of the polyfunctionality of gender interpretations, the comprehension of the metaphorical perception of this image and its role and purpose in society. A gendered approach to researching the gender content of contemporary periodicals for women and men. Conceptual analysis of contemporary gender-stamped publications within the gender conceptual sphere allows to identify and correlate the meta-gender and gender concepts that appear in society.
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Shey Wiysonge, Charles, Lilian Dudley, and Jimmy Volmink. Do mass media interventions increase uptake of HIV testing? SUPPORT, 2017. http://dx.doi.org/10.30846/1703052.

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Low uptake of HIV testing is one of the main reasons why only one third of people who need antiretroviral medications are currently receiving treatment worldwide. Mass media are sometimes used to promote voluntary HIV counseling and testing and to sustain test seeking behavior. Mass media include television, radio, internet, newspapers, books, posters, and billboards.
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NARYKOVA, N. A., S. V. KHATAGOVA, and Yu R. PEREPELITSYNA. PEJORATIVE WORDS IN GERMAN MASS-MEDIA IN NOMINATIONS OF POLITICIANS. Science and Innovation Center Publishing House, April 2022. http://dx.doi.org/10.12731/2077-1770-2021-14-1-3-57-68.

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One of the main functions of mass media is influence on public opinion. So emotionally-painted lexical means are widely used in mass media in relation to leading politicians who are the centre of political arena. They are exposed to the frequent criticism, a negative estimation. The present article is devoted to the consideration of pejorative lexicon which is applied in nominations for heads of states. An empirical material of research were electronic newspapers and editions: Der Spiegel, Die Zeit, Sueddeutsche Zeitung, Der Tagesspiegel, taz, Die Welt, Gegenblende. As the basic methods of research are the following: the componental analysis, the lexico-semantic analysis, the stylistic analysis. The result of research revealed, that in German mass media there is a significant amount of persons names pejorative colouring. They express censure, disrespect, sneer, hatred, antipathy, condemnation, mistrust and so on. There main word-formations for persons nominations are composition, a derivation with using of suffixes and subsuffixes, attributive word-combinations, metaphorically-metonymical way. The materials of the research work can be used in the course of learning German language, at the practical training in oral speech, and also in the course of lexicology, general and aspect lexicography.
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Zinenko, Olena. THE SPECIFICITY OF INTERACTION OF JOURNALISTS WITH THE PUBLIC IN COVERAGE OF PUBLIC EVENTS ON SOCIAL TOPICS. Ivan Franko National University of Lviv, February 2021. http://dx.doi.org/10.30970/vjo.2021.49.11056.

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Consideration of aspects of the functioning of mass media in society requires a comprehensive approach based on universal media theory. The article presents an attempt to consider public events in terms of a functional approach to understanding the media, proposed by media theorist Dennis McQuayl in the theory of mass communication. Public events are analyzed, on the one hand, as a complex object of journalistic reflection and, on the other hand, as a situational media that examines the relationship of agents of the social and media fields in the space of communication interaction. Taking into account philosophical approaches to the interpretation of the concept of event, considering its semantic spectrum, specificity of use and synonyms in the Ukrainian language, a working definition of the concept of public event is given. Based on case-analysis of public events, In accordance with the functions of the media the functions of public events are outlined. This is is promising for the development of study on typology of public events in the context of mass communication theory. The realization of the functions of public events as situational media is illustrated with such vivid examples of cultural events as «Gogolfest» and «Book Forum in Lviv». The author shows that a functional approach to understanding public events in society and their place in the space of mass communication, opens prospects for studying the role of media in reflecting the phenomena of social reality, clarifying the presence and quality of communication between media producers and media consumers.
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Synchak, Bohdan. Freedom of choice and freedom of action in the Ukrainian media. Ivan Franko National University of Lviv, February 2022. http://dx.doi.org/10.30970/vjo.2022.51.11400.

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The article talks about the philosophical foundations that characterize the mechanism of internal inducement to action. As an academic, constitutional, and socio-ideological concept, the boundaries of freedom are outlined, which are displayed in the field of modern media space. The term «freedom» is considered as several philosophical concepts that formed the basis of the modern interpretation of this concept. The totality of its meanings is generalized into one that is adapted for the modern system. Parallels are drawn between the interaction of the concept of user freedom with the plane of domestic mass media because despite, the fact that consciousness is knowledge, the incoming information directly affects the individual and collective consciousness. Using the example of the most popular digital platforms, the components of the impact on users and the legal aspect of their implementation are analyzed. When considering the issues of freedom of choice and freedom of action on the Internet, special attention is paid to methods of collecting and processing information, in particular, the limitations and possibilities of digital programs-algorithms of the popular search engine Google. The types of personal information collected by Google about the user are classified and the possible mechanisms of influence on personal choice and access to information on the Internet are characterized. The article analyzes the constitutional guarantees of freedom and the impact of digital technologies on them. Particular attention is paid to ethics, in particular journalistic, which nominally regulates the limits of the humane, permissible, a / moral (unacceptable/acceptable) in the implementation of professional information activities in the media. Thus, the issue of freedom of choice and freedom of action in the plane of domestic mass media is subject to an objective examination of its components, they are analyzed for a proper constitutionally suitable phenomenon, which must be investigated from the point of view of compliance with human rights and freedoms and professional standards within the media.
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Krushelnytska, Sofiia. UKRAINE’S IMAGE IN THE FRENCH MEDIA DURING THE EVENTS OF 2004. Ivan Franko National University of Lviv, February 2021. http://dx.doi.org/10.30970/vjo.2021.49.11065.

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The article examines the formation of the image of Ukraine by the French media during the Orange Revolution. The main factors influencing the tone of publications and difficulties in creating a positive external image of Ukraine in the French media are identified. The article is aimed at the analysis of scientific research on the influence of the French media on the formation of the image of Ukraine and its role in international socio-political processes. The study analyzes the materials of French journalists in the media, written during the events in 2004. The main factors influencing the formation of positive features of the Ukrainian state are identified. The main changes in perceptions of Ukraine in the French media are systematized. The influence of the media on the formation of the image and security of the state is determined. The main peaks of interest in Ukraine from foreign mass media are analyzed. Stereotypes and myths in the image of Ukraine that should be destroyed have been identified. The article also analyzes the role of the Orange Revolution in forming a positive image of Ukraine for foreign recipients. It is also investigated what factors influence the information space of the state and its role in image formation. Examples of Russian influence on the French media in order to undermine Ukraine’s image at the international level are given. Articles, radio and TV materials are offered as an example of interest and attention to the events of 2004. At the same time, the need to control the information that enters the information space outside Ukraine has been demonstrated. However, the positive effects of the image on the support of Ukraine by foreign partners have been identified.
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Hrytsenko, Olena. Sociocultural and informational and communication transformations of a new type of society (problems of preserving national identity and national media space). Ivan Franko National University of Lviv, February 2022. http://dx.doi.org/10.30970/vjo.2022.51.11406.

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The problems of the correlation of cosmopolitan and national identities are too complex to be unambiguous assessment, let alone alternative values (related to the ecological paradigm and the spiritual traditions of other cultures). However, it is obvious that without preserving the national identity, the integrity and independence of the national state becomes problematic. On the other hand, without taking into account the consequences of information wars and aggressive cosmopolitan tendencies of global media culture, there is a threat of losing the national information space and displacing it to the periphery of socio-political and economic life in Ukraine and in the modern world. In the process of working on research issues, the author of the article came out on the principles of objectivity, systematic and determinism, which in combination of their observance made it possible to determine the influence of the post-industrial information society on the formation of a new type of mass consciousness. As a result of the influence of globalization processes, there was a filling of the domestic information space with a supernational mass culture of entertainment, which in most cases leads to the spread of a primitive world outlook based on the ideology of consumption society, without leaving places to preserve sociocultural traditions and national identity. Therefore, given the problems of preserving national identity, it is necessary should be mentioned the information security of the state, which occupies one of the most important places, among various aspects of information security, since the unresolved problem of protection of the national information space significantly complicates the processes of formation of national identity.
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Khan, Mahreen. The Role of Clans in Moldova in Politics and Economics. Institute of Development Studies, May 2022. http://dx.doi.org/10.19088/k4d.2022.116.

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Moldova’s politics, economy, justice system and media are increasingly dominated by a powerful group of elites, led by oligarchs - a new breed of businessmen-politicians who have emerged in the past decade - controlling strategic sectors of the economy and finance, hijacking the political system, taming the judiciary and acquiring monopolistic control of mass media, to promote and protect their vast business empires. Alongside traditional clan, kinship and patronage networks these elites exert influence through informal politics , shaping Moldova’s politics and economy, often hindering reforms for democratisation, rule of law, meritocracy and transparency. This helpdesk report looks at the nature and role of clans in Moldova in the country’s politics and economy. This literature review utilises academic as well as grey sources, research papers, media and blogs published mainly in the past ten years. The sources reveal a paucity of Moldova centric material, especially on the sub-issue of clans, but much more literature is available on the role of informal politics and state capture by elites, especially oligarchs, in Moldova. The evidence found did not address gender and disability issues.
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Velázquez, A., D. Renó, AM Beltrán Flandoli, JC Maldonado Vivanco, and C. Ortiz León. From the mass media to social media: reflections on the new media ecology. Revista Latina de Comunicación Social, March 2018. http://dx.doi.org/10.4185/rlcs-2018-1270en.

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