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Books on the topic 'Masquerades in art'

Author: Grafiati
Published: 29 July 2024

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1

1975-, Felipe Arranz David, Domus Artium 2002, and Festival Internacional de Fotografía de Castilla y León, eds. Mascarada: Masquerade. Salamanca]: Explorafoto, 2006.

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2

Phillips, Ruth B. Representing woman: Sande masquerades of the Mende of Sierra Leone. Los Angeles, Calif: UCLA Fowler Museum of Cultural History, 1995.

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3

Maurice, Tuchman, ed. Masquerade. San Francisco: Chronicle Books, 1993.

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4

Iberia, Perez, If I Can't Dance, I Don't Want To Be Part Of Your Revolution (Organization), Dutch Art Institute, Piet Zwart Instituut, and Stedelijk Van Abbemuseum, eds. (Mis)reading masquerades. Berlin: Revolver, 2010.

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5

Andrew, Perchuk, Posner Helaine, and MIT List Visual Arts Center., eds. The masculine masquerade: Masculinity and representation. Cambridge, Mass: MIT List Visual Arts Center, 1995.

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6

Rachel, Kent, ed. Masquerade: Representation and the self in contemporary art. Sydney: Museum of Contemporary Art, 2006.

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7

Allert, Tillman. Alles Maskerade!: It's all a masquerade! [Burgrieden-Rot]: Hoenes-Stiftung, 2014.

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8

Kasfir, Sidney Littlefield. Art history, history in art: The Idoma ancestral masquerade as historical evidence. Boston: BostonUniversity, African Studies Center, 1985.

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9

M, Cole Herbert, and University of California, Los Angeles. Museum of Cultural History., eds. I am not myself: The art of African masquerade. Los Angeles: Museum of Cultural History, University of California, 1985.

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10

Okoye, Chike. Liminal margins: Performance masks, masquerades and facekuerades. Awka, Nigeria: Society of Nigeria Theatre Artists (SONTA), 2019.

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11

Cam, Judy. Masquerade: Schemes of work for art in the primary school. London: Visual Learning Foundation, 1997.

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12

David, Griffiths. The masquerades of Nigeria: And, Touch. Amsterdam, The Netherlands: Harwood Academic Publishers, 1998.

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13

Carriero, Maria Grazia, and Zito Nicola. Masquerade, l'universo dietro la maschera: Percorsi tra arte e antropologia. Bari: Progedit, 2021.

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14

Rosenquist, James. James Rosenquist: The serenade for the doll after Claude Debussy or Gift wrapped dolls & Masquerade of the military industrial complex looking down on the insect world. New York: Castelli Gallery, 1993.

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15

Gottschalk, Burkhard. Bundu: Buschteufel im Land der Mende. Meerbusch: Verlag U. Gottschalk, 1990.

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16

Gottschalk, Burkhard. Bundu: Bush-devils in the land of the Mende. Düsseldorf: U. Gottschalk, 1992.

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17

Lucy, Gray Amy Holland. Myths, Angels, and Masquerades: Exploring European Art. Lucia Marquand, 2017.

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18

Scarlato, Benjamin Michael. The Night Watch: Bonfires and Masquerades the Hidden Histories of Art Maximus. iUniverse, 2003.

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19

Popenhagen, Ron J. Modernist Disguise: Masquerade in Modern Performance and Visual Culture. Edinburgh University Press, 2020.

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20

Modernist Disguise: Masquerade in Modern Performance and Visual Culture. Edinburgh University Press, 2021.

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21

Popenhagen, Ron J. Modernist Disguise. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474470056.001.0001.

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This book chronicles and theorises face and body masking in arts and culture from the mid-nineteenth century to the new millennium. While featuring the modernist era in France, analyses include commentary on performers and visual artists from the margins of the European continent: Ireland and the Baltics; Denmark and the Mediterranean. Representations of silent Pierrots on stage are contrasted with images of fixed-form maskers and masquerades; two-dimensional depictions in paintings and photographs further the study of the form-altered human figure. The relationship of the European avant-garde with indigenous masquerade from Africa and the Americas is discussed and presented in a series of eighteen photographic counterpoints. Modernist explorations of the masked gaze and the nature of looking with the painted face are considered. Meanings suggested by the disguised body in motion and in stasis are investigated via citations of the work of a wide range of masqueraders: Akarova, Bernhardt, Cahun, Höch, Fuller, Mnouchkine, Stein and Wigman, as well as Artaud, Barrault, Cocteau, Copeau, Deburau, Fo, Milhaud and Picasso. Connections between modernist disguising with manifestations of masquerade in daily life, fashion, fine art, media, opera and theatre are proposed while arguing that masking and the carnivalesque are omnipresent in contemporary culture. Modernist Disguise provides greater understanding of the impact of facial masking upon everyday interactions and perceptions experienced, for instance, during the ongoing COVID-19 pandemic. The book proposes an interdisciplinary and international lexicon for critical conversation on masking objects, mask play and masquerade as performance.
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22

Obadike, Mendi Lewis, and Keith Obadike. Four Electric Ghosts. 1913 Press, 2014.

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23

Kasfir, Sidney. Visual Cultures. Edited by John Parker and Richard Reid. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199572472.013.0023.

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The first collectors of African art and artefacts were nineteenth-century explorers. The second were modern art collectors and dealers, fascinated by an art, primarily sculpture, which was in every way opposite to academic European teaching. As fieldwork expanded the knowledge base of African art and performance, masquerades became a major research subject and vehicle for both African history and social theory. However, African visual culture encompasses not only these aesthetic practices but also the visual environment reproduced in print and electronic media. This wider array of imagery has affected indigenous aesthetics since the beginning of its availability in the early stages of European colonization, giving rise to modern African photography and painting.
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24

Masquerade: The mask as art. San Francisco: Chronicle Books, 1993.

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25

Art of Vampire: The Masquerade. White Wolf Games Studio, 2001.

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26

(Editor), Andrew Perchuk, and Helaine Posner (Editor), eds. The Masculine Masquerade: Masculinity and Representation. The MIT Press, 1995.

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27

Pende. Milan: 5 Continents Editions, 2008.

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28

Chong, Ji Y., and Michael P. Lerario. Masquerade. Oxford University Press, 2016. http://dx.doi.org/10.1093/med/9780190495541.003.0003.

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The diagnosis of a stroke mimic is typically made after the acute setting when the window for acute treatment has closed. Patients with stroke mimics who are eligible for tPA may safely be treated with a minimal risk of intracranial hemorrhage.
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29

Modern Masquerade: Are You Brave Enough? Author Academy Elite, 2018.

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30

Modern Masquerade: Are You Brave Enough? Author Academy Elite, 2017.

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31

Modern Masquerade: Are You Brave Enough? Author Academy Elite, 2018.

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32

Art in history, history in art: The Idoma ancestral masquerade as historical evidence. Boston, MA: African Studies Center, Boston University, 1985.

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33

Ray, Romita, and Gerald Leslie Brockhurst. The Eternal Masquerade: Prints and Paintings by Gerald Leslie Brockhurst (1890-1978) from the Jacob Burns Foundation. Georgia Museum of Art, 2006.

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34

Momenta Biennale de L'image : Masquerades: Drawn to Metamorphosis. Antique Collectors' Club, 2023.

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35

Publishing, TKTCollection. Vampire Masquerade Coloring Book: Relax and Color by Krysnya. TKTCollection, 2022.

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36

Vampire the Masquerade & Art of Vampire Limited Slipcase Edition (World of Darkness). 2nd ed. White Wolf, 1998.

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37

Mental Masquerade - When Brian o'Dohert Was a Female: Art Critic - Mary Josephson's Collected Writings. Dreen, Markus, Anne König u. Jan Wenzel. Spectormag GbR, 2019.

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38

McNaughton, Patrick. Bird Dance near Saturday City: Sidi Ballo and the Art of West African Masquerade. Indiana University Press, 2008.

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39

Masquerade and Money in Urban Nigeria: The Case of Calabar. University of Rochester Press, 2022.

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40

McNaughton, Patrick. Bird Dance near Saturday City, a: Sidi Ballo and the Art of West African Masquerade. Indiana University Press, 2009.

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41

Masquerade & spectacle: The circus and the travelling fair in the work of Jack B. Yeats. Dublin: National Gallery of Ireland, 2007.

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42

McNaughton, Patrick. A Bird Dance near Saturday City: Sidi Ballo and the Art of West African Masquerade (African Expressive Cultures). Indiana University Press, 2008.

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43

A Bird Dance near Saturday City: Sidi Ballo and the Art of West African Masquerade (African Expressive Cultures). Indiana University Press, 2008.

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44

Zhane, Nico. Mardi Gras Coloring Book: Carnival, Masquerade Ball, Commedia Dell'Arte for Adults Relaxation Art Large Creativity Grown Ups Coloring Relax. Independently Published, 2021.

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45

Hudson, Dale. Classical Hollywood Vampires: The Unnatural Whiteness of America. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474423083.003.0004.

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This chapter explores how these conventions from segregation comedies, immigration romances, and miscegenation melodramas enter into Hollywood’s first vampire films. It examines ambivalence towards immigration and imperatives to assimilate to an Anglo-American mythical norm in films including Dracula (1931), Drácula (1931), Mark of the Vampire (1935), Dracula’s Daughter (1936), Son of Dracula (1943), House of Frankenstein (1944), and House of Dracula (1945). In early films, southern California masquerades as Transylvania, replete with (non-European) armadillos and scorpions. These films are implicitly set in the United States; others are explicitly set there. The Melting Pot myth of unidirectional assimilation into the unnatural whiteness of America is negotiates policies and programs during the 1920s that regulated immigration from eastern and southern Europe and crossings from Canada and México. The chapter concludes by examining how vampire films rework colonial conventions from Westerns.
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46

Agarwal, Rajiv. Volume assessment and management in dialysis. Edited by Jonathan Himmelfarb. Oxford University Press, 2015. http://dx.doi.org/10.1093/med/9780199592548.003.0273.

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The assessment of volume among patients on dialysis is an art and a science that is evolving. The assessment of volume requires integration of multiple sources of information including the history, physical examination, and several inexact scientific methods of volume assessment. Poor assessment of volume greatly affects the well-being of dialysis patients. Both hypovolaemia and hypervolaemia are associated with uncomfortable symptoms. Hypovolaemia, for example, may be associated with intradialytic hypotension, cramping, dizziness, access thrombosis, and occult organ hypoperfusion. Hypervolaemia, on the other hand, may manifest as shortness of breath, fatigue, effort intolerance, and recurrent hospitalization for heart failure. The latter may masquerade as recurrent pneumonias. Heart failure hospitalizations requiring acute dialysis occur in 14% of patients in the United States every year and over 2.5 years are associated with $266 million in Medicare costs; at least some of these costs are avoidable. In this chapter, the assessment of volume and its management are discussed.
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47

Angus, Rigo. Venetian Masks Adult Coloring Book: Carnival, Masquerade Ball, Commedia Dell'Arte for Adults Relaxation Art Large Creativity Grown Ups Coloring Relax. Independently Published, 2021.

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48

Collins, Wilkie. The Law and the Lady. Edited by Jenny Bourne Taylor. Oxford University Press, 2008. http://dx.doi.org/10.1093/owc/9780199538164.001.0001.

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Valeria Woodville’s first act as a married woman is to sign her name in the marriage register incorrectly, and this slip is followed by the gradual disclosure of a series of secrets about her husband’s earlier life, each of which leads on to another set of questions and enigmas. Her discoveries prompt her to defy her husband’s authority, to take the law into into a labyrinthine maze of false clues and deceptive identities, in which the exploration of the tangled workings of the mind becomes linked to an investigation into the masquerades of femininity. Probably the first full-length novel with a woman detective as its heroine, The Law and the Lady is a fascinating example of Collins’s later fiction. First published in 1875, it employs many of the techniques used in The Moonstone, developing them in bizarre and unexpected ways, and in its Gothic and fantastic elements The Law and the Lady adds a significant dimension to the history of detective fiction.
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49

Pearl, Sharrona. Mask. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9798765102398.

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Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. From the theater mask and masquerade to the masked criminal and the rise of facial recognition software, masks have long performed as an instrument for the protection and concealment of identity. Even as they conceal and protect, masks – as faces – are an extension of the self. At the same time, they are a part of material culture: what are masks made of? What traces do they leave behind? Acknowledging that that mask-wearing has become increasingly weaponized and politicized, Sharrona Pearl looks at the politics of the mask, exploring how identity itself is read on this object. By exploring who we do (and do not) seek to protect through different forms of masking, Sharrona Pearl’s long history of masks helps us to better understand what it is we value. Object Lessons is published in partnership with an essay series in The Atlantic.
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50

Hayon, Kaya Davies, and Stefanie Van de Peer, eds. Transnational Arab Stardom. Bloomsbury Publishing Inc, 2024. http://dx.doi.org/10.5040/9781501393259.

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Building on the work of star studies scholars, this collection provides contextual analyses of off-screen representation, as well as close textual analyses of films and star personas, thereby offering an in-depth study of the Arab star as text and context of Arab cinema. Using the tools of audience reception studies, the collection will also look at how stars (of film, stage, screen and new media) are viewed and received in different cultural contexts, both within and outside of the Arabic-speaking world. Arab cinema is often discussed in terms of political representation and independent art film, but rarely in terms of stardom, glamour, performance or masquerade. Aside from a few individual studies on female stardom or aspects of Arab masculinity, no major English-language study on Arab stardom exists, and collections on transnational stars or world cinema also often neglect to include Arab performers. This new book seeks to address this gap by providing the first study dedicated entirely to stardom on the Arab screen. Structured chronologically and thematically, this collection highlights and explores Arab film, screen and music stars through a transnational and interdisciplinary set of contributions that draw on feminist, performance and film theories, media studies, sound studies, material culture, queer star and celebrity studies, and social media studies.
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