Journal articles on the topic 'Masquerades, fiction'
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Li, Xiaofan Amy. "Risky Masquerades: The Play of Masks in Yukio Mishima’s Confessions and Qiu Miaojin’s Crocodile." Comparative Literature Studies 60, no. 4 (November 2023): 719–45. http://dx.doi.org/10.5325/complitstudies.60.4.0719.
Full textChinaka, Psalms. "Liberation as an Instrument of Self-Aggrandizement: The Nigerian “Revolutionary Masquerades” in Achebe’s There was a Country and Selected Nigerian Works of Fiction." Journal of the African Literature Association 7, no. 2 (January 2013): 132–46. http://dx.doi.org/10.1080/21674736.2013.11690211.
Full textS. Omoera, Osakue, and Ruth Etuwe Epochi-Olise. "MEDIATIZATION OF NDOKWA MASQUERADE PERFORMANCES: THE AESTHETIC DYNAMICS OF AN AFRICAN INDIGENOUS CARNIVAL." Journal of Cultural and Creative Industries 3, no. 1 (December 22, 2022): 1–22. http://dx.doi.org/10.21134/jcci.v3i1.1763.
Full textBohata, Kirsti. "MISTRESS AND MAID: HOMOEROTICISM, CROSS-CLASS DESIRE, AND DISGUISE IN NINETEENTH-CENTURY FICTION." Victorian Literature and Culture 45, no. 2 (May 5, 2017): 341–59. http://dx.doi.org/10.1017/s1060150316000644.
Full textBelsey, Catherine. "Popular Fiction and the Feminine Masquerade." European Journal of English Studies 2, no. 3 (December 1998): 343–58. http://dx.doi.org/10.1080/13825579808574422.
Full textMarling, William. "Masquerade, Crime, and Fiction: Criminal Deceptions (review)." MFS Modern Fiction Studies 55, no. 2 (2009): 404–7. http://dx.doi.org/10.1353/mfs.0.1605.
Full textAlexander, Josephine Olufunmilayo. "Exploring Nnedi Okorafor's decolonial turn in the Binti Trilogy." Image & Text, no. 37 (November 1, 2023): 1–28. http://dx.doi.org/10.17159/2617-3255/2023/n37a29.
Full textNicol, B. "LINDEN PEACH. Masquerade, Crime and Fiction: Criminal Deceptions (Crime Files Series)." Review of English Studies 58, no. 236 (July 16, 2007): 588–89. http://dx.doi.org/10.1093/res/hgm071.
Full textCârstea, Daniela. "The Picture of Dorian Gray; The Return of the Real." European Journal of Behavioral Sciences 4, no. 3 (December 20, 2021): 1–5. http://dx.doi.org/10.33422/ejbs.v4i3.713.
Full textSpacks, Patricia Meyer, and Terry Castle. "Masquerade and Civilization: The Carnivalesque in Eighteenth-Century English Culture and Fiction." Eighteenth-Century Studies 21, no. 1 (1987): 98. http://dx.doi.org/10.2307/2739030.
Full textWarner, William B., and Terry Castle. "Masquerade and Civilization: The Carnivalesque in Eighteenth-Century English Culture and Fiction." MLN 103, no. 5 (December 1988): 1144. http://dx.doi.org/10.2307/2905205.
Full textRoyce, Anya Peterson, and Terry Castle. "Masquerade and Civilization: The Carnivalesque in Eighteenth-Century English Culture and Fiction." American Historical Review 93, no. 3 (June 1988): 694. http://dx.doi.org/10.2307/1868147.
Full textMelaver, Martin, and Terry Castle. "Masquerade and Civilization: The Carnivalesque in Eighteenth-Century English Culture and Fiction." Poetics Today 8, no. 3/4 (1987): 746. http://dx.doi.org/10.2307/1772600.
Full textKotowska, Katarzyna. "Identités fictives de Cindy Sherman et de Sophie Calle." Cahiers ERTA, no. 28 (December 30, 2021): 162–94. http://dx.doi.org/10.4467/23538953ce.21.040.15190.
Full textDjeddai, Imen, and Fella Benabed. "The Strong Binti in Nnedi Okorafor’s African American Science Fiction." Traduction et Langues 19, no. 2 (December 31, 2020): 210–20. http://dx.doi.org/10.52919/translang.v19i2.374.
Full textFernández-Lamarque, Mária. "Masquerade and Social Justice in Contemporary Latin American Fiction by Helene Carol Weldt-Basson." Hispania 102, no. 1 (2019): 149–51. http://dx.doi.org/10.1353/hpn.2019.0030.
Full textThornton, Niamh. "Masquerade and Social Justice in Contemporary Latin American Fiction by Helene Carol Weldt-Basson." Revista de Estudios Hispánicos 52, no. 3 (2018): 1047–48. http://dx.doi.org/10.1353/rvs.2018.0083.
Full textNance, Kimberly A. "Masquerade and Social Justice in Contemporary Latin American Fiction by Helen Carol Weldt-Basson." Hispanófila 182, no. 1 (2018): 208–10. http://dx.doi.org/10.1353/hsf.2018.0025.
Full textSrinivasan, Ragini Tharoor. "“English like Hindi”: Chetan Bhagat, Popular Fiction, and India’s Voice." Comparative Literature 76, no. 1 (March 1, 2024): 20–43. http://dx.doi.org/10.1215/00104124-10897094.
Full textWilliams, Carolyn D., and Catherine Craft-Fairchild. "Masquerade and Gender: Disguise and Female Identity in Eighteenth-Century Fictions by Women." Modern Language Review 90, no. 1 (January 1995): 149. http://dx.doi.org/10.2307/3733279.
Full textRedding, Art. "The Eisenhower Blues: Returning GIs and Racial Masquerade in Post-War American Film and Fiction." Canadian Review of American Studies 50, no. 1 (March 2020): 8–44. http://dx.doi.org/10.3138/cras.2019.006.
Full textSeidel, Michael. "Masquerade and Civilization: The Carnivalesque in Eighteenth-Century English Culture and Fiction (review)." Eighteenth-Century Fiction 1, no. 1 (1988): 79–82. http://dx.doi.org/10.1353/ecf.1988.0000.
Full textZaporozhtseva, Lyudmyla. "Darth Vader in Ukraine: On the boundary between reality and mythology." Semiotica 2018, no. 221 (March 26, 2018): 261–77. http://dx.doi.org/10.1515/sem-2016-0147.
Full textGodley, J. Asher. "The Enjoyment of Being Had: The Aesthetics of Masquerade in The Confidence-Man." Philosophies 9, no. 2 (April 15, 2024): 51. http://dx.doi.org/10.3390/philosophies9020051.
Full textWright, Derek. "The Ritual Context of Two Plays by Soyinka." Theatre Research International 12, no. 1 (1987): 51–61. http://dx.doi.org/10.1017/s0307883300013298.
Full textTownsend, Sarah L. "“Certainly forbidden” subjects: Race, migration, and the vanishing points of post-imperial British security." Journal of Commonwealth Literature 52, no. 1 (July 27, 2016): 183–200. http://dx.doi.org/10.1177/0021989415592661.
Full textMACPHERSON, HEIDI SLETTEDAHL. "Lorrie Moore Collection“Escape from the Invasion of the Love-Killers”: Lorrie Moore's Metafictional Feminism." Journal of American Studies 46, no. 3 (August 2012): 565–80. http://dx.doi.org/10.1017/s0021875811001939.
Full textNIM, EVGENIYA G. "Bromance as a Masquerade: Adaptation and Reception of Chinese Danmei Fantasy." Art and Science of Television 18, no. 3 (2022): 105–43. http://dx.doi.org/10.30628/1994-9529-2022-18.3-105-143.
Full textSchefer, Raquel. "Mueda, Memória e Massacre by Ruy Guerra and the cultural forms of the Makonde Plateau." Comunicação e Sociedade 29 (June 27, 2016): 53–77. http://dx.doi.org/10.17231/comsoc.29(2016).2409.
Full textHensley, David C. "Masquerade and Gender: Disguise and Female Identity in Eighteenth-Century Fictions by Women (review)." Eighteenth-Century Fiction 8, no. 1 (1995): 149–51. http://dx.doi.org/10.1353/ecf.1995.0038.
Full textMcMillin, T. S. ""Strangers Still More Strange": The Meaning of Rivers Bedeviled." Review of International American Studies 14, no. 1 (September 30, 2021): 49–75. http://dx.doi.org/10.31261/rias.10267.
Full textVujanov, Jovana. "The Seriality of Stephen King’s Overlook Hotel – a Transmedial Maze." Prague Journal of English Studies 9, no. 1 (July 1, 2020): 87–114. http://dx.doi.org/10.2478/pjes-2020-0005.
Full textRogers, Pat. "Terry Castle. Masquerade and Civilization: The Carnivalesque in Eighteenth-Century English Culture and Fiction. Stanford: Stanford University Press. 1986. Pp. x, 395. $37.50." Albion 20, no. 1 (1988): 101–2. http://dx.doi.org/10.2307/4049817.
Full textBoquet, Guy. "Terry Castle, Masquerade and Civilisation. The Carnivalesque in Eighteenth-Century English Culture and Fiction, Stanford, Stanford University Press, 1986, X–395 p., 38 illustr." Annales. Histoire, Sciences Sociales 44, no. 4 (August 1989): 918–19. http://dx.doi.org/10.1017/s039526490014689x.
Full textIglesias, Luis A. ""And Yet He May Be Our Man": The Cross-Dressing Sailor in Cooper's Early Sea Novels." Nineteenth-Century Literature 65, no. 3 (December 1, 2010): 283–314. http://dx.doi.org/10.1525/ncl.2010.65.3.283.
Full textMakia, Ahmad. "The Extinctionist Man." Identities: Journal for Politics, Gender and Culture 19, no. 1-2 (December 2, 2022): 92–106. http://dx.doi.org/10.51151/identities.v19i1-2.397.
Full textVuković, Vesi. "Of bees, birds, trees, and women: iconography, superstition and victimization of female characters in Yugoslav New Film." Images. The International Journal of European Film, Performing Arts and Audiovisual Communication 28, no. 37 (March 31, 2021): 285–307. http://dx.doi.org/10.14746/i.2020.37.16.
Full textKulkov, Aleksandr N. "Intertextuality in T. Pratchett’s Novel Maskerade." Izvestia of the Ural federal university. Series 2. Humanities and Arts 23, no. 3 (2021): 186–98. http://dx.doi.org/10.15826/izv2.2021.23.3.053.
Full textABDULSAHIB, Thikra. "CONTEMPORARY MAKE_UP TECHNIQUES AND AESTHETIC ADDITIONS TO THE DRAMATIC CHARACTER IN CHILD THEATER." International Journal of Humanities and Educational Research 03, no. 05 (October 1, 2021): 358–70. http://dx.doi.org/10.47832/2757-5403.5-3.31.
Full text"Masquerade, crime and fiction: criminal deceptions." Choice Reviews Online 44, no. 11 (July 1, 2007): 44–6113. http://dx.doi.org/10.5860/choice.44-6113.
Full textRolls, Alistair. "The Re-imagining Inherent in Crime Fiction Translation." M/C Journal 18, no. 6 (March 7, 2016). http://dx.doi.org/10.5204/mcj.1028.
Full textValim da Mota Silva (USP), Raphael. "THE MASQUERADE: HUMOR, REALITY AND FICTION IN HENRY FIELDING’S WORKS." Miguilim - Revista Eletrônica do Netlli 8, no. 2 (November 21, 2019). http://dx.doi.org/10.47295/mgren.v8i2.2018.
Full textPhillips, Jennifer Anne. "Closure through Mock-Disclosure in Bret Easton Ellis’s Lunar Park." M/C Journal 12, no. 5 (December 13, 2009). http://dx.doi.org/10.5204/mcj.190.
Full textLevey, Nick. "“Analysis Paralysis”: The Suspicion of Suspicion in the Fiction of David Foster Wallace." M/C Journal 15, no. 1 (October 31, 2011). http://dx.doi.org/10.5204/mcj.383.
Full textColella, Silvana. "Cross-Dressing in the City: Olive Malvery’s The Speculator." Journal of Victorian Culture, July 12, 2021. http://dx.doi.org/10.1093/jvcult/vcab036.
Full text"Masquerade and gender: disguise and female identity in eighteenth-century fictions by women." Choice Reviews Online 31, no. 07 (March 1, 1994): 31–3635. http://dx.doi.org/10.5860/choice.31-3635.
Full text"Terry Castle. Masquerade and Civilization: The Carnivalesque in Eighteenth-Century English Culture and Fiction. Stanford: Stanford University Press. 1986. Pp. x, 395. $37.50." American Historical Review, June 1988. http://dx.doi.org/10.1086/ahr/93.3.694.
Full textBucher, Taina. "About a Bot: Hoax, Fake, Performance Art." M/C Journal 17, no. 3 (June 7, 2014). http://dx.doi.org/10.5204/mcj.814.
Full textStarrs, D. Bruno. "Enabling the Auteurial Voice in Dance Me to My Song." M/C Journal 11, no. 3 (July 2, 2008). http://dx.doi.org/10.5204/mcj.49.
Full textCurran, Bev. "Portraits of the Translator as an Artist." M/C Journal 4, no. 4 (August 1, 2001). http://dx.doi.org/10.5204/mcj.1923.
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