Journal articles: 'Mary Kelly'

1

Brasó, Emma. "Book Review: Mary Kelly." Feminist Review 120, no. 1 (November 2018): 157–58. http://dx.doi.org/10.1057/s41305-018-0129-4.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Battista, Kathy. "Mary Kelly ‐Mea Culpa." Third Text 15, no. 56 (September 2001): 83–86. http://dx.doi.org/10.1080/09528820108576932.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Lyons, Catherine. "Dublin: Mary Kelly at Royal Hibernian Academy." Circa, no. 105 (2003): 84. http://dx.doi.org/10.2307/25564020.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Carson, Juli, and Mary Kelly. "Mea Culpa: A Conversation with Mary Kelly." Art Journal 58, no. 4 (1999): 74. http://dx.doi.org/10.2307/777913.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Carson, Juli, and Mary Kelly. "Mea Culpa: A Conversation with Mary Kelly." Art Journal 58, no. 4 (December 1999): 74–80. http://dx.doi.org/10.1080/00043249.1999.10791967.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Wallis, Mick. "Unlocking the Secret Soul: Mary Kelly, Pioneer of Village Theatre." New Theatre Quarterly 16, no. 4 (November 2000): 347–58. http://dx.doi.org/10.1017/s0266464x00014093.

Full text

Abstract:

Though little remembered or honoured today, Mary Kelly (1888–1951) was one of the more enlightened among those who, between the wars, encouraged the then-booming amateur theatre into attempting more than the limp reproduction of West End successes. She had a strong belief in the intrinsically dramatic potential of the country dweller, imbued with generations of traditional lore: but unlike many of her more nostalgic contemporaries, Mary Kelly well recognized the class conflicts and history of deprivation of the rural poor, and blended such elements into the pageants she devised not only for her own village but for other rural communities – and which she encouraged others to emulate through her instructional writings. Mick Wallis, Reader in Performance Studies at Loughborough University, has written on modern-day pageantry in his two-part article on ‘Pageantry and the Popular Front’ in NTQ 38 and 41 (May 1994 and February 1995), and in ‘Delving the Levels of Memory and Dressing-up in the Past’ in Inter-War Theatres, edited by Clive Barker and Maggie Gale, forthcoming from Cambridge University Press. His millennium show, In the Twenty-First Century Everyone Will Be Stelarc for Fifteen Minutes (Rehearsal for a Ceremonial Event), with Jan Overfield and Movements in Mayhem, was premiered at Loughborough in December 1999.

APA, Harvard, Vancouver, ISO, and other styles

7

Murray, T. "Televisual Fears and Warrior Myths: Mary Kelly Meets Dawn Dedeaux." Camera Obscura: Feminism, Culture, and Media Studies 11, no. 2 32 (January 1, 1993): 124–60. http://dx.doi.org/10.1215/02705346-11-2_32-124.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Mitidieri, Gabriela. "DAICH, Deborah. Tras las huellas de Ruth Mary Kelly (2019). Feminismos y prostitución en la Buenos Aires del siglo XX. Buenos Aires, Biblos, 200 pp." Zona Franca, no. 27 (December 16, 2019): 342. http://dx.doi.org/10.35305/zf.v0i27.126.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Weinstock, Jane. "No Essential Femininity: A Conversation between Mary Kelly and Paul Smith." Camera Obscura: Feminism, Culture, and Media Studies 5, no. 1-2 (1985): 148–57. http://dx.doi.org/10.1215/02705346-5-1-2_13-14-148.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Galloway, Ann-Christe. "People in the News." College & Research Libraries News 79, no. 5 (May 4, 2018): 273. http://dx.doi.org/10.5860/crln.79.5.273.

Full text

Abstract:

Mary EdwardsErin ConorHeather CyreChristopher DuffyElnora Kelly TayagErik T. MitchellLaurie A. NeiderSarah PonichteraStephen AppelElizabeth BedfordCrystal BustillosBridget M. CainAndrew DudashAdebola FabikuMaryam FakouriPhilip GaddisLorelle GianelliAmanda HawkMatthew MontgomeryMichael MooreMichael MunginSally PineCaitlin RizzoJoe RyanCarrie WadeStefani WiestBonnie MacEwanScott Alan Smith

APA, Harvard, Vancouver, ISO, and other styles

11

Gosine, Andil. "Désir Cannibale: Kelly Sinnapah Mary’s Notebook of No Return." Asian Diasporic Visual Cultures and the Americas 5, no. 1-2 (April 11, 2019): 11–30. http://dx.doi.org/10.1163/23523085-00501002.

Full text

Abstract:

This article considers the practice of Guadeloupe-based Indo-Caribbean artist Kelly Sinnapah Mary. Her ongoing project Notebook of No Return, as with her other works, conveys her complex subjectivity, forsaking both mournful and celebratory narratives of Indians living in the Caribbean after Indentureship, and foregrounding the fast-moving, ever-evolving, and rootless character of our existence. Sinnapah Mary creates visual images which both assert the presence of an underrepresented people and reveal the spaces in which pleasure and violence are simultaneously generated and entwined. I argue that Sinnapah Mary’s representation of the Indo-Caribbean body—in relationship to and continuous with those of animals, and as animalistic—provides a provocative and promising agenda for Indo-Caribbean life after Indentureship.

APA, Harvard, Vancouver, ISO, and other styles

12

Freiwald, Bina Toledo. "Revolutionary Feminism: The Mind and Career of Mary Wollstonecraft by Gary Kelly, and: Women, Writing, and Revolution 1790–1827 by Gary Kelly." ESC: English Studies in Canada 21, no. 4 (1995): 479–82. http://dx.doi.org/10.1353/esc.1995.0009.

Full text

APA, Harvard, Vancouver, ISO, and other styles

13

Kelly, Mary. "Concentric Pedagogy: Toward an ethics of the Observer." October 168 (May 2019): 43–46. http://dx.doi.org/10.1162/octo_a_00345.

Full text

Abstract:

Critical pedagogies have been informed by feminism since the 1970s, but artist Mary Kelly considers what this means as a tactic rather than a specific content. Focusing on one of the central curricular components of studio art in an institutional context, the critique, she argues that the work of art is a visual proposition, legible on its own terms, and that the artist's verbal defense does not necessarily give him/her a voice. Instead, the process of deciphering must begin with looking and understanding this as a form of listening to the artist through the work. Moreover, Kelly suggests that not to do so is, in some sense, unethical.

APA, Harvard, Vancouver, ISO, and other styles

14

Lekh, S. K., A. Langa, P. Begg, and B. K. Puri. "The case of Aaron Kosminski: was he Jack the Ripper?" Psychiatric Bulletin 16, no. 12 (December 1992): 786–88. http://dx.doi.org/10.1192/pb.16.12.786.

Full text

Abstract:

The Whitechapel murders of 1888 attributed to Jack the Ripper were, like many of the crimes of multiple-victim killers, well-publicised, bizarre and dramatic (Lunde & Sigal, 1990). Although in the public mind at the time the murders of at least seven women in and around the Whitechapel district of London's East End were believed to have been carried out by Jack the Ripper. However, according to police and forensic evidence his victims, all prostitutes, numbered only five, beginning with Mary Ann Nichols, found murdered on 31 August 1888, and ending with Mary Jane Kelly, whose mutilated body was discovered on 9 November 1888.

APA, Harvard, Vancouver, ISO, and other styles

15

Nothaft, C. Philipp E. "Mary Kelly & Charles Doherty (ed), Music and the stars: mathematics in medieval Ireland." Peritia 24-25 (January 2014): 348–54. http://dx.doi.org/10.1484/j.perit.5.102753.

Full text

APA, Harvard, Vancouver, ISO, and other styles

16

Wierzchowska, Justyna. "Narrating Motherhood as Experience and Institution: Experimental Life-Writing in Mary Kelly’s Post-Partum Document (1973–79)." Studia Anglica Posnaniensia 50, no. 2-3 (December 1, 2015): 111–25. http://dx.doi.org/10.1515/stap-2015-0027.

Full text

Abstract:

Abstract This article explores American visual artist Mary Kelly’s autobiographical work Post-partum document in reference to the politics of life writing. Resorting to Lacanian psychoanalysis, a pastiche of scientific narratives and other (auto-)narrative strategies, in her work Kelly documented the first five years of her son’s life from his weaning from the breast until the day when he wrote his name. By documenting her child’s development, the artist also recorded the process of her own formation as a maternal subject, a formation gradually worked out through an evolving relationship with her son. In her work, the artist made vivid the incompatibility and limitations of various narrative frameworks in retelling a fundamentally relational experience that verges on the mental and bodily, and which is necessarily mediated by the patriarchal ideology. This article analyses Kelly’s conflicting narrative strategies that fail to successfully represent the mother-child formative relationship and which demonstrate the mother’s ideological alienation. It reads Kelly’s work politically, exploring the ways in which Post-partum document’s (auto-)narrative voices address questions and dilemmas of the feminine/maternal subject, the subject’s formation, and the limits of its (self-) representation within patriarchy. The article argues that Kelly challenges the traditional autobiographic genre by attending to her lived experience as a mother and the culturally repressed maternal desire.

APA, Harvard, Vancouver, ISO, and other styles

17

Goldstein, Jennie. "Dance History in Contemporary Visual Art Practice: Kelly Nipper’s Weather Center." TDR/The Drama Review 60, no. 2 (June 2016): 103–21. http://dx.doi.org/10.1162/dram_a_00550.

Full text

Abstract:

Kelly Nipper’s video installation Weather Center (2009) is emblematic of the presence of dance in recent visual art. Nipper’s persistent fascinations with Mary Wigman, Laban Movement Analysis, and expansive notation practices result in live performances, moving-image installations, and photographs, creating visual art that reveals how dance and its particular histories can function as malleable material within the museum.

APA, Harvard, Vancouver, ISO, and other styles

18

Carroll, Margaret Lasch. "Ireland’s Great Famine in Irish-American History: Enshrining a Fateful Memory by Mary C. Kelly." American Catholic Studies 126, no. 1 (2015): 66–68. http://dx.doi.org/10.1353/acs.2015.0012.

Full text

APA, Harvard, Vancouver, ISO, and other styles

19

O’Leary, Donna. "Book Review: Mary Daly and Grace Kelly Families and Poverty: Everyday Life on a Low Income." Critical Social Policy 36, no. 1 (November 8, 2015): 153–54. http://dx.doi.org/10.1177/0261018315616208.

Full text

APA, Harvard, Vancouver, ISO, and other styles

20

Farrell, Dianne E. "Mother Russia: The Feminine Myth in Russian Culture. Joanna HubbsGoddess Embroideries of Eastern Europe. Mary B. Kelly." Signs: Journal of Women in Culture and Society 17, no. 1 (October 1991): 236–40. http://dx.doi.org/10.1086/494728.

Full text

APA, Harvard, Vancouver, ISO, and other styles

21

Carranza, Miguel A. "Editor's Note." Ethnic Studies Review 19, no. 1 (February 1, 1996): i. http://dx.doi.org/10.1525/esr.1996.19.1.i.

Full text

Abstract:

This special issue of the journal is on the theme “Ethnicity, Family and Community,” which was the topic of our 23rd annual conference held in March 1995 in Boulder, Colorado. Mary Kelly, our special issue editor, has selected an excellent set of quality articles focused on the theme. Nowhere more than in the field of ethnic studies do the topics of family and community play such important roles. One need only look at the dynamic changes occurring in U.S. society to see how these changes influence and are influenced by ethnic/racial families and the communities in which they reside.

APA, Harvard, Vancouver, ISO, and other styles

22

Fortune, Patrick, Thomas Petzinger, George Romme, and Mike Simmons. "Reviews: The Complexity Advantage: How the science of complexity can help your business achieve peak performance, Susanne Kelly and Mary Ann Allison." Emergence 1, no. 2 (June 1, 1999): 62–70. http://dx.doi.org/10.1207/s15327000em0102_4.

Full text

APA, Harvard, Vancouver, ISO, and other styles

23

LA PLACA, VINCENT. "Mary Daly and Grace Kelly (2015), Families and Poverty: Everyday Life on a Low Income. Bristol: Policy Press, £24.99, 272 pp., pbk." Journal of Social Policy 45, no. 1 (October 19, 2015): 168–70. http://dx.doi.org/10.1017/s0047279415000598.

Full text

APA, Harvard, Vancouver, ISO, and other styles

24

DeLisi, Charles, Aristides Patrinos, Michael MacCracken, Dan Drell, George Annas, Adam Arkin, George Church, et al. "The Role of Synthetic Biology in Atmospheric Greenhouse Gas Reduction: Prospects and Challenges." BioDesign Research 2020 (July 28, 2020): 1–8. http://dx.doi.org/10.34133/2020/1016207.

Full text

Abstract:

The long atmospheric residence time of CO2 creates an urgent need to add atmospheric carbon drawdown to CO2 regulatory strategies. Synthetic and systems biology (SSB), which enables manipulation of cellular phenotypes, offers a powerful approach to amplifying and adding new possibilities to current land management practices aimed at reducing atmospheric carbon. The participants (in attendance: Christina Agapakis, George Annas, Adam Arkin, George Church, Robert Cook-Deegan, Charles DeLisi, Dan Drell, Sheldon Glashow, Steve Hamburg, Henry Jacoby, Henry Kelly, Mark Kon, Todd Kuiken, Mary Lidstrom, Mike MacCracken, June Medford, Jerry Melillo, Ron Milo, Pilar Ossorio, Ari Patrinos, Keith Paustian, Kristala Jones Prather, Kent Redford, David Resnik, John Reilly, Richard J. Roberts, Daniel Segre, Susan Solomon, Elizabeth Strychalski, Chris Voigt, Dominic Woolf, Stan Wullschleger, and Xiaohan Yang) identified a range of possibilities by which SSB might help reduce greenhouse gas concentrations and which might also contribute to environmental sustainability and adaptation. These include, among other possibilities, engineering plants to convert CO2 produced by respiration into a stable carbonate, designing plants with an increased root-to-shoot ratio, and creating plants with the ability to self-fertilize. A number of serious ecological and societal challenges must, however, be confronted and resolved before any such application can be fully assessed, realized, and deployed.

APA, Harvard, Vancouver, ISO, and other styles

25

Cohen, Miriam. "Reconsidering Schools and the American Welfare State." History of Education Quarterly 45, no. 4 (2005): 511–37. http://dx.doi.org/10.1111/j.1748-5959.2005.tb00052.x.

Full text

Abstract:

Recalling her experience as an exchange teacher in Birmingham, England, in 1938-39, in the midst of the Great Depression, Oregon teacher Mary Kelly, wrote:When I witnessed the first ‘leaving’ day … in one of the Birmingham schools and learned that as soon as the majority of the English children were fourteen they were through with regular schooling forever, I almost shed tears.“Do you mean that those girls will never go to high school?” I asked.“Yes it is true.”“Will they have jobs or will they be idle?”“The Education Department will place most of them in positions in homes, shops or factories ….”There were no graduation exercises, no lovely new dresses, no parents or relatives invited. I thought of my high-school graduation, which possibly would never have been if education was not free, because the means were limited. Still another graduation after going through college on nothing a year permitted me to take up teaching … . To me, at that moment, there was nothing more precious than democracy and I mean the American way.

APA, Harvard, Vancouver, ISO, and other styles

26

Brown, Sally. "Families and Poverty: Everyday Life on a Low Income by Mary Daly and Grace Kelly Bristol: Policy Press, 2015. ISBN 978-1-4473-1883-5. £19.99 (pbk)." Social Policy & Administration 50, no. 5 (August 11, 2016): 614–15. http://dx.doi.org/10.1111/spol.12244.

Full text

APA, Harvard, Vancouver, ISO, and other styles

27

Mendes, Philip. "Families and Poverty: Everyday Life on a Low Income by Mary Daly and Grace Kelly. 2015: Bristol, Policy Press. 272 pp. ISBN 978 1 44731 883 5." International Journal of Social Welfare 25, no. 4 (October 2016): 417–18. http://dx.doi.org/10.1111/ijsw.12236.

Full text

APA, Harvard, Vancouver, ISO, and other styles

28

Apter, Emily. "Alphabetic Memes: Caricature, Satire, and Political Literacy in the Age of Trump." October 170 (October 2019): 5–24. http://dx.doi.org/10.1162/octo_a_00366.

Full text

Abstract:

Memes are an increasingly omnipresent political technology in the age of Trump, weaponized by troll armies, while at the same time reviving oppositional genres of caricature and satire that are in turn conducive to new forms of political literacy. As a medium, the meme is a mechanism of transliteration, translating affects into icons that read out visually and orthographically, as alphabet, cipher, rebus, anagram, tag, GIF, secret message. In their antidepressant function, memes are salves for solitary souls. They are community-builders connecting solo agents to social networks and political causes. They engender an implicit trust among the users who co-produce and distribute them (modeling a sharing economy dubbed “platform cooperativism” by Trebor Scholz). And yet, because of their predication on impersonal intimacy, memes shift the ground of the political, from an ethics of direct responsibility to an ethics of limited liability and indirect consequence in moral action. This essay examines some key episodes in the political life of memes, examining works by Jenny Holzer, Mary Kelly, Lutz Bacher, Slavs and Tartars, Tony Cokes, and Silvia Kolbowski, as well as anonymous meme-makers.

APA, Harvard, Vancouver, ISO, and other styles

29

Bhroimeil, U. N. "MARY C. KELLY. The Shamrock and the Lily: The New York Irish and the Creation of a Transatlantic Identity, 1845-1921. New York: Peter Lang. 2005. Pp. xvi, 262. $29.95." American Historical Review 111, no. 4 (October 1, 2006): 1139–40. http://dx.doi.org/10.1086/ahr.111.4.1139.

Full text

APA, Harvard, Vancouver, ISO, and other styles

30

Sneed, Christine. "Dear Kelly Bloom." Massachusetts Review 57, no. 3 (2016): 527–42. http://dx.doi.org/10.1353/mar.2016.0075.

Full text

APA, Harvard, Vancouver, ISO, and other styles

31

McLellan, Josie. "From the Political to the Personal: Work and Class in 1970s British Feminist Art." Twentieth Century British History 31, no. 2 (November 12, 2019): 252–74. http://dx.doi.org/10.1093/tcbh/hwz030.

Full text

Abstract:

Abstract How did British feminist art of the 1970s represent work and class, and what light does this shed on the women’s movement more generally? This article discusses the work of artists, including Bobby Baker, the Feministo and Fenix collectives, the Hackney Flashers, and Mary Kelly. These artists were eager to connect feminist activism to other struggles on the Left and were thus initially drawn to document working-class women’s paid work. Their political commitment to represent ‘ordinary’ working lives often led to lengthy periods of research, as well as attempts to make both the creative process and the finished product accessible to new participants and audiences. However, across this period, two changes took place. First, artists began to focus on women’s unpaid work, drawing attention to the tension between domestic work and paid employment, and the lack of easy solutions to this problem. Secondly, most lost faith in art’s power to represent the experience of work beyond the individual and the personal. Early political idealism gave way to sustained soul-searching about the intellectual, moral, and aesthetic difficulties of representing the experience of others, particularly those of a different class background. This article, then, shows that the early British women’s movement was keen to engage with working-class experience and that it did so in a way that was self-reflective. In the end, it was this self-reflection, and the questions that it generated about the morality, politics, and aesthetics of representing others, that led to the personal and psychological turn of the later 1970s.

APA, Harvard, Vancouver, ISO, and other styles

32

Walker, Steven. "Behind the playground walls—sexual abuse in pre-schools by Jill Waterman, Robert J. Kelly, Mary Kay Oliveri and Jane McCord, Guilford Press, New York, 1993, 288pp. ISBN 0-89862-523-8 (Hbk), £23.50." Child Abuse Review 4, no. 1 (March 1995): 75. http://dx.doi.org/10.1002/car.2380040114.

Full text

APA, Harvard, Vancouver, ISO, and other styles

33

Verkerk, Dorothy. "Charles Doherty, Linda Doran, and Mary Kelly, eds., Glendalough: City of God. Dublin: Four Courts Press for the Royal Society of Antiquaries of Ireland, 2011. Pp. xxx, 383; b&w and color figs. $74.50. ISBN: 9781846821707." Speculum 88, no. 2 (April 2013): 509–10. http://dx.doi.org/10.1017/s003871341300122x.

Full text

APA, Harvard, Vancouver, ISO, and other styles

34

Hoppen, K. Theodore. "The proclamations of Ireland, 1660–1820. Edited by James Kelly with Mary Ann Lyons. 5 vols. Pp lxxxii, 483; lxii, 742; lxii, 567; lxi, 552; lxii, 596. Dublin: Irish Manuscripts Commission, 2014. €250 the set; €60 individual volumes." Irish Historical Studies 41, no. 159 (May 2017): 142–44. http://dx.doi.org/10.1017/ihs.2017.13.

Full text

APA, Harvard, Vancouver, ISO, and other styles

35

Kelley, Mary C., and Nancy J. Vickers. "Mary C. Kelley and Nancy J. Vickers." Early American Studies: An Interdisciplinary Journal 17, no. 4 (2019): 622–26. http://dx.doi.org/10.1353/eam.2019.0028.

Full text

APA, Harvard, Vancouver, ISO, and other styles

36

Dziamski, Grzegorz. "ESTHETICS TOWARDS FEMINISM." DYSKURS. PISMO NAUKOWO-ARTYSTYCZNE ASP WE WROCŁAWIU 25, no. 25 (February 25, 2019): 40–66. http://dx.doi.org/10.5604/01.3001.0012.9829.

Full text

Abstract:

When we talk today about women’s art, we think about three phemonena, quite loosely related. We think about feminist art, about the way that the feminist’s statements and demands were expressed in the creativity of Judy Chicago and Nancy Spero, Carolee Scheemann and Valie Export, Miriam Schapiro and Mary Kelly, and in Poland in the creativity of Maria Pinińska-Bereś, Natalia LL or Ewa Partum. We think about female art, the forgotten, abandoned, neglected artists brought back to memory by the feminists with thousands of exhibitions and reinterpretations. Lastly, we think about the art created by women – women’s art. However, we do not know and will never know, whether the latter two phenomena would develop without the feminist movement. What is more, it is about the first wave of feminism called “the equality feminism”, as well as the dominating in the second wave – “the difference feminism”. The feminist art was in the beginning a critique of the patriarchal world of art. In a sense it remains as such (see: the Guerilla Girls), yet today we are more interested in the feminist deconstruction of thinking about art, and thus the question arises: should feminism create its own aesthetics – the feminist aesthetics, or should it develop the gender aesthetics, and as a result introduce the gender point of view to thinking about art? In this moment the androgynous feminism regains its importance, one represented by Virginia Woolf, and referring – in the theoretical layer – to Freud as read by Lucy Irigaray. Freudism, which the feminists became aware of in the 1970s, is the only philosophical movement, which assumes a dual subject, that is, in the starting point assumes the existence of two subjects – man and woman, even if the woman is defined in a purely negative way, by the deficit, as a “not a man”. Freudism replaces the Cartesian thinking subject (consciousness) by the corporeal and sexual being, and forces us to re-think the Enlightenment beginnings of the European aesthetics.

APA, Harvard, Vancouver, ISO, and other styles

37

Dziamski, Grzegorz. "Estetyka wobec feminizmu." DYSKURS. PISMO NAUKOWO-ARTYSTYCZNE ASP WE WROCŁAWIU 25, no. 25 (February 25, 2019): 40–66. http://dx.doi.org/10.5604/01.3001.0012.9850.

Full text

Abstract:

When we talk today about women’s art, we think about three phemonena, quite loosely related. We think about feminist art, about the way that the feminist’s statements and demands were expressed in the creativity of Judy Chicago and Nancy Spero, Carolee Scheemann and Valie Export, Miriam Schapiro and Mary Kelly, and in Poland in the creativity of Maria Pinińska-Bereś, Natalia LL or Ewa Partum. We think about female art, the forgotten, abandoned, neglected artists brought back to memory by the feminists with thousands of exhibitions and reinterpretations. Lastly, we think about the art created by women – women’s art. However, we do not know and will never know, whether the latter two phenomena would develop without the feminist movement. What is more, it is about the first wave of feminism called “the equality feminism”, as well as the dominating in the second wave – “the difference feminism”. The feminist art was in the beginning a critique of the patriarchal world of art. In a sense it remains as such (see: the Guerilla Girls), yet today we are more interested in the feminist deconstruction of thinking about art, and thus the question arises: should feminism create its own aesthetics – the feminist aesthetics, or should it develop the gender aesthetics, and as a result introduce the gender point of view to thinking about art? In this moment the androgynous feminism regains its importance, one represented by Virginia Woolf, and referring – in the theoretical layer – to Freud as read by Lucy Irigaray. Freudism, which the feminists became aware of in the 1970s, is the only philosophical movement, which assumes a dual subject, that is, in the starting point assumes the existence of two subjects – man and woman, even if the woman is defined in a purely negative way, by the deficit, as a “not a man”. Freudism replaces the Cartesian thinking subject (consciousness) by the corporeal and sexual being, and forces us to re-think the Enlightenment beginnings of the European aesthetics.

APA, Harvard, Vancouver, ISO, and other styles

38

Clark, A. A., E. Jeffreys, D. Jones, G. Davies, W. Lawrence, D. E. Walker, M. McKee, et al. "George Hebbington Field John Rowland Hughes Denis Leary McDermott Kelly William Bell Knapman Albert Alexander ("Sandy") Lawrence Kenneth Lewis Lipp Clifford Wilson McKee John Michael Kenneth Marsh Anthony Hugh Marshall Denis Smith Poole-Wilson Ian Clifford Campbell Todd Jean Mary Webster." BMJ 317, no. 7150 (July 4, 1998): 83. http://dx.doi.org/10.1136/bmj.317.7150.83.

Full text

APA, Harvard, Vancouver, ISO, and other styles

39

Jawad, A. S. M., D. P. Davies, R. Kelly, B. Corfield, J. Knox, T. Clark, P. Grasty, et al. "Kamal Al-Samarraie Behjat Mukhtar Ansari Thomas Leary Kelly John Charles Knox Liselotte (Lilo) Lennhoff Margaret Mary Crawford Louden John Alexander McKinnon Swapna Majumdar Brian Thomas O'Connor Nawal Kishore Prasad Singh Frederick Robert Store William Stanley Sutton David Peter Winder." BMJ 318, no. 7186 (March 20, 1999): 813. http://dx.doi.org/10.1136/bmj.318.7186.813.

Full text

APA, Harvard, Vancouver, ISO, and other styles

40

CLEAR, CAITRIONA. "Laura Kelly, Irish Women in Medicine c.1880s-1920: Origins, Education and Careers (Manchester: Manchester University Press, 2012), pp. xiv + 255. ISBN 978-0-7190-8835-3 (hb). Geraldine Meaney, Mary O'Dowd and Bernadette Whelan, Reading the Irish Woman: St." Gender & History 27, no. 2 (July 15, 2015): 491–93. http://dx.doi.org/10.1111/1468-0424.12137.

Full text

APA, Harvard, Vancouver, ISO, and other styles

41

Bolaños, Kristoffer. "Kelly, Mark G.E., The Political Philosophy of Michel Foucault." Kritike: An Online Journal of Philosophy 4, no. 1 (June 1, 2010): 223–25. http://dx.doi.org/10.25138/4.1.b.2.

Full text

APA, Harvard, Vancouver, ISO, and other styles

42

Datta, Ronjon Paul. "Kelly, Mark. G. E., Foucault and Politics: A Critical Introduction.." Canadian Journal of Sociology 40, no. 3 (September 28, 2015): 411–14. http://dx.doi.org/10.29173/cjs25567.

Full text

APA, Harvard, Vancouver, ISO, and other styles

43

D'Angelo, Mary Rose. "Theology in Mark and Q:Abbaand “Father” in Context." Harvard Theological Review 85, no. 2 (April 1992): 149–74. http://dx.doi.org/10.1017/s0017816000028832.

Full text

Abstract:

In the last twenty years, Joachim Jeremias's interpretation of the wordabbahas become a focus of theologies that attempt to base themselves on the Jesus of history. In the face of feminist critiques of the use of “father” for God, Robert Hamerton-Kelly reiterated Jeremias's case for Jesus' supposedly unique usage of bothabbaand “father,” asserting its revelatory status and its freedom from and even opposition to patriarchy. Some feminist scholars have attempted to incorporate Hamerton-Kelly's description of Jesus' use ofabbainto feminist understandings of God, based on reconstructions of Jesus' teaching.

APA, Harvard, Vancouver, ISO, and other styles

44

Pendas, Devin. "Caught on Camera: Film in the Courtroom from the Nuremberg Trials to the Trials of the Khmer Rouge. By Christian Delage. Edited and translated by Ralph Schoolcraft and Mary Byrd Kelly. Critical Authors & Issues. Edited by Josué Harari.Philadelphia: University of Pennsylvania Press, 2014. Pp. viii+315. $59.95." Journal of Modern History 88, no. 1 (March 2016): 171–72. http://dx.doi.org/10.1086/684869.

Full text

APA, Harvard, Vancouver, ISO, and other styles

45

McGonigal, Kelly. "A Conversation with Mark Singleton, PhD." International Journal of Yoga Therapy 20, no. 1 (January 1, 2010): 17–20. http://dx.doi.org/10.17761/ijyt.20.1.f81005241670875p.

Full text

Abstract:

Mark Singleton is the author of Yoga Body: The Origins of Modern Posture Practice (Oxford University Press, 2010) and the editor, along with Jean Marie Byrne, of Yoga in the Modern World: Contemporary Perspectives (Routledge 2008). Singleton has a PhD in South Asian Religions from Cambridge University (UK) and currently teaches at St. John's College in Santa Fe, New Mexico. His work explores the modern history of Yoga in India, Europe, and America, shedding light on the cultural and political influences on the development of Yoga and challenging assumptions about the origins of modern asana practice. He is also a Yoga teacher in the Iyengar and Satyananda traditions. In this interview, Mark Singleton (MS) and IJYT Editor-in-Chief Kelly McGonigal (KM) discuss why Yoga therapists should care about the modern history of Yoga, what Yoga therapists should understand about the relationship between modern Yoga and science, and the commoditization of Yoga in the West.

APA, Harvard, Vancouver, ISO, and other styles

46

Gill, Graeme. "Soviet and Post-Soviet Identities, edited by Mark Bassin and Catriona Kelly." Canadian-American Slavic Studies 49, no. 4 (2015): 496–97. http://dx.doi.org/10.1163/22102396-04904017.

Full text

APA, Harvard, Vancouver, ISO, and other styles

47

Werremeyer, Mary M., and Kelly J. Cole. "Wrist Action Affects Precision Grip Force." Journal of Neurophysiology 78, no. 1 (July 1, 1997): 271–80. http://dx.doi.org/10.1152/jn.1997.78.1.271.

Full text

Abstract:

Werremeyer, Mary M. and Kelly J. Cole. Wrist action affects precision grip force. J. Neurophysiol. 78: 271–280, 1997. When moving objects with a precision grip, fingertip forces normal to the object surface (grip force) change in parallel with forces tangential to the object (load force). We investigated whether voluntary wrist actions can affect grip force independent of load force, because the extrinsic finger muscles cross the wrist. Grip force increased with wrist angular speed during wrist motion in the horizontal plane, and was much larger than the increased tangential load at the fingertips or the reaction forces from linear acceleration of the test object. During wrist flexion the index finger muscles in the hand and forearm increased myoelectric activity; during wrist extension this myoelectric activity increased little, or decreased for some subjects. The grip force maxima coincided with wrist acceleration maxima, and grip force remained elevated when subjects held the wrist in extreme flexion or extension. Likewise, during isometric wrist actions the grip force increased even though the fingertip loads remained constant. A grip force “pulse” developed that increased with wrist force rate, followed by a static grip force while the wrist force was sustained. Subjects could not suppress the grip force pulse when provided visual feedback of their grip force. We conclude that the extrinsic hand muscles can be recruited to assist the intended wrist action, yielding higher grip-load ratios than those employed with the wrist at rest. This added drive to hand muscles overcame any loss in muscle force while the extrinsic finger flexors shortened during wrist flexion motion. During wrist extension motion grip force increases apparently occurred from eccentric contraction of the extrinsic finger flexors. The coactivation of hand closing muscles with other wrist muscles also may result in part from a general motor facilitation, because grip force increased during isometric knee extension. However, these increases were related weakly to the knee force. The observed muscle coactivation, from all sources, may contribute to grasp stability. For example, when transporting grasped objects, upper limb accelerations simultaneously produce inertial torques at the wrist that must be resisted, and inertial loads at the fingertips from the object that must be offset by increased grip force. The muscle coactivation described here would cause similarly timed pulses in the wrist force and grip force. However, grip-load coupling from this mechanism would not contribute much to grasp stability when small wrist forces are required, such as for slow movements or when the object's total resistive load is small.

APA, Harvard, Vancouver, ISO, and other styles

48

Trinh, Huong Thu. "Ned Kelly’s legend through the series of paintings of Sidney Nolan." Science & Technology Development Journal - Social Sciences & Humanities 1, no. X1 (June 30, 2017): 29–42. http://dx.doi.org/10.32508/stdjssh.v1ix1.429.

Full text

Abstract:

The paper approaches cultural studies in a way which tells us about a life-time story of Ned Kelly, who is a legend, an Australian hero and beloved by many Australians, through the series of 27 paintings of Sidney Nolan. Ned Kelly is an Australian icon man. Both the painter and the main character of the novel are famous and express Australianness well. In this paper, the writer bases on figurative language, the colour of paintings and the life story of the main character to show the Australian nationalism, national myth and Australianness.

APA, Harvard, Vancouver, ISO, and other styles

49

Barge-Gil, Andrés, and Alfredo Garcia-Hiernaux. "Staking in Sports Betting Under Unknown Probabilities: Practical Guide for Profitable Bettors." Journal of Sports Economics 21, no. 6 (May 1, 2020): 593–609. http://dx.doi.org/10.1177/1527002520921227.

Full text

Abstract:

Kelly staking has been proven to maximize long-term bankroll growth of bettors with positive expected yield (profitable bettors). However, it demands for an estimation of the true probabilities for each event. Thus, many sport tipsters opt for simpler flat ( unit-loss) or unit-win staking plans. We analyze under which assumptions these strategies correspond to the Kelly method and propose a different staking plan, unit-impact, under the hypothesis that it fits better with Kelly’s. We test our predictions using data of professional tipsters from the betting database pyckio.com. Results show empirical support for our hypothesis.

APA, Harvard, Vancouver, ISO, and other styles

50

Ray, Emma, and Carol Kelly. "The overlap between asthma and COPD: a case study." Independent Nurse 2019, no. 10 (October 2, 2019): 24–30. http://dx.doi.org/10.12968/indn.2019.10.24.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Journal articles on the topic 'Mary Kelly'

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles