Academic literature on the topic 'Martin (Martin Joseph) Criticism and interpretation'
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Journal articles on the topic "Martin (Martin Joseph) Criticism and interpretation"
Ferencz-Flatz, Christian. "Bild und Ding." Phänomenologische Forschungen 2010, no. 1 (2010): 41–58. http://dx.doi.org/10.28937/1000107830.
Full textIrham, Muhammad, and Agus Permana. "Buku Muhammad His Life Based on The Earliest Sources Karya Martin Lings: Sebuah Kajian Historiografi." Historia Madania: Jurnal Ilmu Sejarah 3, no. 2 (July 29, 2020): 157–66. http://dx.doi.org/10.15575/hm.v3i2.9173.
Full textMitlyanskaya, Maria. "Rectorship of Martin Heidegger: Historical and Philosophical Analysis." Ideas and Ideals 12, no. 3-1 (September 23, 2020): 121–33. http://dx.doi.org/10.17212/2075-0862-2020-12.3.1-121-133.
Full textSloan, David E. "The Anthon Transcripts and the Translation of the Book of Mormon: Studying It Out in the Mind of Joseph Smith." Journal of Book of Mormon Studies (1992-2007) 5, no. 2 (October 1, 1996): 57–81. http://dx.doi.org/10.2307/44758792.
Full textKepnes, Steven D. "Buber as Hermeneut: Relations to Dilthey and Gadamer." Harvard Theological Review 81, no. 2 (April 1988): 193–213. http://dx.doi.org/10.1017/s001781600001004x.
Full textMitlyanskaya, Maria B. "Key notions and ideas of Martin Heidegger’s «history of being» concept." Вестник Пермского университета. Философия. Психология. Социология, no. 3 (2020): 384–94. http://dx.doi.org/10.17072/2078-7898/2020-3-384-394.
Full textCapetz, Paul E. "Theology and the Historical-Critical Study of the Bible." Harvard Theological Review 104, no. 4 (October 2011): 459–88. http://dx.doi.org/10.1017/s0017816011000411.
Full textBird, Michael F. "What if Martin Luther Had Read the Dead Sea Scrolls? Historical Particularity and Theological Interpretation in Pauline Theology: Galatians as a Test Case." Journal of Theological Interpretation 3, no. 1 (2009): 107–25. http://dx.doi.org/10.2307/26421343.
Full textBird, Michael F. "What if Martin Luther Had Read the Dead Sea Scrolls? Historical Particularity and Theological Interpretation in Pauline Theology: Galatians as a Test Case." Journal of Theological Interpretation 3, no. 1 (2009): 107–25. http://dx.doi.org/10.2307/jtheointe.3.1.0107.
Full textSerra, Manuel Alejandro. "El papel del actus essendi en la comprensión de la causalidad." Daimon, no. 85 (January 1, 2022): 51–65. http://dx.doi.org/10.6018/daimon.396681.
Full textDissertations / Theses on the topic "Martin (Martin Joseph) Criticism and interpretation"
Tremblay, Rose-Marie. "Le personnage-écrivain dans Les morts de Claire Martin." Thesis, University of British Columbia, 1987. http://hdl.handle.net/2429/26932.
Full textArts, Faculty of
French, Hispanic, and Italian Studies, Department of
Graduate
Domareki, Mary. "La Voix Defie: Une Etude de L'oeuvre Autobiographique de Claire Martin - The Voice that Defied: A Study of the Autobiographical Works of Claire Martin." Fogler Library, University of Maine, 2004. http://www.library.umaine.edu/theses/pdf/DomarekiM2004.pdf.
Full textAllison, Ryan. "Style is entertainment, style is morality : contradiction and subjectivity in the postmodern novels of Martin Amis." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0019/MQ43827.pdf.
Full textSnyder, Cara L. (Cara Lynn) 1947. "Morality in Six Novels of Martin Amis." Thesis, University of North Texas, 1996. https://digital.library.unt.edu/ark:/67531/metadc277805/.
Full textGesme, Janet Leigh. "Martin Luther's "Two Kingdoms Theory": An Analysis through the Lens of Dietrich Bonhoeffer's Religionless Christianity." PDXScholar, 2013. https://pdxscholar.library.pdx.edu/open_access_etds/1508.
Full textBlain, Jenny. "Deconstructing Martin Boyd : homosocial desire and the transgressive aesthetic." University of Sydney, 1998. http://hdl.handle.net/2123/2760.
Full textFollowing on the proposition that the history of Western thought is importantly constituted by a discourse of male-male pedagogic or pederastic relations stretching in narrative form, according to Allan Bloom, from the Phaedrus to Death in Venice, the deconstructive project of reading 'against the visible grain' has been mobilised in the interests of interrogating and unsettling what can only be defined as homophobic misreadings of Martin Boyd. Critical discursive practice, by the near-uniform imposition of a tacit censorship, has refused by means of erasure, silence and repression to reflect on Boyd from the perspective of sexual definition or same-sex love and desire, presumably in the belief that there are no interpretive consequences. In the process, an hypothesis of Boyd as himself mounting an act of social criticism by surreptitiously contesting conventional and hierarchical typologies of masculinity in the margins of institutionalised and popular hegemonic culture, seems to have escaped inscription in the canonical records. Martin Boyd's 'dividedness', 'doubleness', ambivalences and dichotomies point to a complexity that is not ultimately or ontologically resolvable. The Derridean 'de-sedimentation' modus operandi used here makes no claim to a relevatory hermeneutics of Hegelian essence. It does, however, utilise the various tropes of ambivalence, uncertainty, anxiety and incoherence — aspects of Boyd which may be correlated, perhaps, with his sense of the unheimlich or not being at home with himself or his environment — to reposition him in terms of his psychosexual constitution. In the process, the advocacy of aestheticism and pleasure for which he is recognised is found to be tempered and/or subverted by an overt recourse to the transgressive and 'decadent', elements irretrievably linked to his fetishization of the beautiful male body and his obsessive redeployment of the Hellenic ideal of manly love. The interpretive frameworks applied in the reclamation of the 'different' sensibility Boyd articulates by means of an alternately subtilized and strenuous challenge to sex/gender identity and behavioural norms encompass a field ranging from late nineteenth century theoretical discourse on homosexuality through to the intertextual influences of cultural innovators like Pater and Wilde. It includes reference to the literary strategies devised by Sedgwick to uncover deviance and 'erotic pathways'; it surveys the psychoanalytic hypotheses of Freud and Adler as relevant; and it pays heed to an aesthetics of the religio-erotic.
Hope, Laura Lee. "John Fowles' narrative stylistics in The Collector, Daniel Martin, and A Maggot." CSUSB ScholarWorks, 1990. https://scholarworks.lib.csusb.edu/etd-project/564.
Full textDicks, Henry. "Being and earth : an ecological criticism of late twentieth-century French thought." Thesis, University of Oxford, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669967.
Full textHoedekie, Nelson G. U. (Nelson Gustaaf Urbain). "Naar analogie van schaduwen aan de wand : een wijsgerige interpretatie van 'de schaduw als kunstwerk' aan de hand van Plato's grotvergelijking." Thesis, Stellenbosch : Stellenbosch University, 2003. http://hdl.handle.net/10019.1/53511.
Full textENGLISH ABSTRACT: In this thesis, 'shadow' is investigated as an object of thought and (analogically connected to this) of perception. This dialectical process is structured through means of a series of experiments and Plato's allegory of the cave, which is interpreted as a process directed towards selfconciousness. This process is further explained through thinkers such as, Blumenberg, Heidegger, Levinas en Voegelin. The purpose of this study is to break with the self-evident way in which 'shadow' is 'normally' treated and to bring back about a sense of astonishment for it.
AFRIKAANSE OPSOMMING: In hierdie tesis word die 'skaduwee' as waarnemingsobjek en (analogies verwant daaraan) as denkobjek ondersoek. Hierdie dialektiese proses word gestruktureerd met behulp van 'n aantal eksperimente en Plato se grotgelykenis, wat geinterpreteer word as programmaties van die proses van selfbewuswording. Hierdie proses word verder toegelig aan die hand van denkers soos Blumenberg, Heidegger, Levinas en Voegelin. Die doel van die ondersoek is om die vanselfsprekendheid waarmee daar met die fenomeen van die skaduwee omgegaan word te deurbreek en weer verwondering daarvoor op te roep.
NEDERLANDSTALIGE SAMENVATTING: In deze thesis wordt de 'schaduw' als waarnemingsobject en (analogisch verwant daaraan) als denkobject onderzocht. Dit dialectische proces wordt gestructureerd met behulp van een aantal experimenten en Plato's grotvergelijking, die geïnterpreteerd worden als een proces gericht op zeltbewustwording. Dit proces wordt verder toegelicht aan de hand van denkers zoals, Blumenberg, Heidegger, Levinas en Voegelin. Het doel van het onderzoek is om de vanzelfsprekendheid waarmee met het fenomeen van de 'schaduw' omgegaan wordt, te doorbreken en er opnieuw verwondering voor op te roepen.
Perez, José Antonio Mesquita. "A verdade enquanto movimento: entre possibilidades e limites segundo o pensamento heideggeriano." Pontifícia Universidade Católica de São Paulo, 2018. https://tede2.pucsp.br/handle/handle/20954.
Full textMade available in DSpace on 2018-04-03T11:15:45Z (GMT). No. of bitstreams: 1 José Antonio Mesquita Perez.pdf: 813047 bytes, checksum: 3247753faae8851d0478175f91080b80 (MD5) Previous issue date: 2018-03-02
The dissertation has the aim to explore the truth as movement in the thought of the philosopher Martin Heidegger. The work it is divides in four parts. First of all, in the Introduction, we contextualize the research and present the questions that will be our guide in the course of the work. It is clarified that the relation between modern science and philosophy is our starting point for thinking the truth, but this isn’t our main focus. In the first chapter, Notions of Truth, we start clarifying the tradicional concept of truth and the tradition in which it is found, namely the metaphysical tradition; posteriorly, we analyze the concept of αλήθεια (alétheia), rescued by Heidegger to understand the essence of truth as unconcealment. In the second chapter, Being, Truth and Mystery, at first we see how the truth is inserted in the context of Being and Time, and then how the so-called turning (Kehre) alters the truth’s understanding, to undertake the task of analyze the truth as movement, taking into consideration the Clearing and the Mystery. The truth isn’t, but it is given, truth essentials itself, that is, truth is a movement that opens a space that allows the entities to be. Dasein essentially corresponds with this space that is open by the truth of Being, however, the truth itself ins’t predicated of human beings. If there is an opening there is also a limit: this is the relation between the Clearing and the Mystery. In a certain way, the truth doesn’t only illuminate (unconcealment), but it is limit as well (concealment). It is perceived that Heidegger’s gaze isn’t aimed to an logic understanding of the truth, but aimed to an ontological understanding of this phenomenon. Lastly, in the third and final chapter, Between possibilities and limits: final considerations, we return to what is at the beginning and trigger of the research subject: the relation between modern science and philosophy. The aim is to carry out some reflections and questionings about this relationship, thinking the possibilities and limits that both have. The truth is a fundamental question because it concerns, if we think in a heideggerian way, to what enables not only the entity but the knowledge itself. This understanding has consequences not only in philosophy, but also in “sciences”
A dissertação tem o intuito de explorar a verdade enquanto movimento no pensamento do filósofo Martin Heidegger. O trabalho se encontra dividido em quatro partes. Em primeiro lugar, na Introdução, fazemos uma contextualização da pesquisa e expomos as questões que serão guia no percurso do trabalho. É esclarecido que relação entre a ciência moderna e a filosofia é o nosso ponto de partida para pensarmos a verdade, mas não é o nosso foco. No primeiro capítulo, Noções de Verdade, iniciamos esclarecendo o conceito tradicional de verdade e a tradição na qual ela se encontra, a saber a tradição metafísica; posteriormente, analisamos o conceito αλήθεια (alétheia), resgatado por Heidegger para compreender a essência da verdade como desocultamento. No segundo capítulo, Ser, Verdade e Mistério, vemos, em um primeiro momento como a verdade se encontra inserida no contexto de Ser e Tempo e depois como a chamada viravolta (Kehre) altera a sua compreensão, para, assim, empreender na tarefa de analisar a verdade enquanto movimento, levando em consideração a Clareira e o Mistério. A verdade não é, mas ela se dá, ela se essencializa, isto é, verdade é um movimentar que abre um espaço que permite que os entes possam ser. Ser-aí corresponde essencialmente com esse espaço aberto pela verdade do Ser, no entanto, a verdade em si não é predicativo do ser humano. Se há uma abertura também há um limite: essa é a relação entre a Clareira e o Mistério. De certa forma, a verdade não só ilumina (desocultamento), mas ela também é limite (ocultamento). Percebe-se que o olhar de Heidegger não está voltado para uma compreensão lógica da verdade, mas para um entendimento ontológico da mesma. Por fim, no terceiro e último capítulo, Entre possibilidades e limites: considerações finais, nos voltamos para aquilo que se encontra no começo e disparador da temática pesquisada: a relação entre a ciência moderna e a filosofia. O intuito é de realizar algumas reflexões e questionamentos sobre essa relação, pensando as possibilidades e limites que ambas possuem. A verdade é uma questão fundamental porque ela diz respeito, se a pensarmos heideggerianamente, àquilo que possibilita não só os entes mas ao próprio conhecimento. Sua compreensão tem consequências não só na filosofia, como também nas “ciências”
Books on the topic "Martin (Martin Joseph) Criticism and interpretation"
Martin Scorsese. Berlin: Bertz, 2003.
Find full textMartin Scorsese. Roma: Gremese, 2003.
Find full textArampatzēs, Giōrgos. Martin Skorseze. [Athens]: Aigokerōs, 1988.
Find full textMartin Kippenberger. Köln: DuMont, 2005.
Find full textMartin Scorsese. Paris: Rivages, 1986.
Find full text1899-, Martin Aimée, ed. Aimée Martin. Bruxelles: A. de Rache, 1985.
Find full textSotinel, Thomas. Martin Scorsese. Paris: Cahiers du cinéma Sarl, 2010.
Find full textEllero, Roberto. Martin Ritt. Firenze: La Nuova Italia, 1989.
Find full textMartin Scorsese. New York: Twayne, 1992.
Find full textMartin Walser: Aufsätze. Zürich: Ammann, 1994.
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