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Academic literature on the topic 'Married people – italy – drama'
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Journal articles on the topic "Married people – italy – drama"
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Lee, Hee Jin, and Won June Lee. "The Effect of Married Men and Women's Emotional Maturity and Self-awareness on the Marital Sexual Self-determination Rights and the Mediating Effect of Critical Consciousness on Infidelity TV Drama." Forum of Public Safety and Culture 20 (January 30, 2023): 45–64. http://dx.doi.org/10.52902/kjsc.2023.20.45.
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This study is an empirical study to identify married men and women's perception of sexual self-determination and related factors, with the recognition that having a clear awareness of the right to sexual self-determination between husband and wife is an effective approach to preventing coercive sexual problems in extramarital relationships. This study aims to reveal the direct effect of emotional maturity and self-awareness on married men and women's perceptions of sexual self-determination between couples, as well as the mediating effect of criticism of TV dramas with the theme of infidelity. The research data are obtained by conducting an online survey of married men and women(614), and the data are analyzed based on the structural equation model. As a result, first, married people have a fairly good level of awareness of sexual self-determination, which shows higher levels of women than men. Second, it is found that married men and women's self-awareness does not directly affect their sexual self-determination rights, but can significantly affect their critical consciousness of adultery drama as mediators. Third, it is confirmed that married people's right to sexual self-determination is greatly affected by their emotional maturity. The positive effect of their emotional maturity on their sexual self-determination rights is further strengthened through the critical consciousness of married people against affair drama. It is verified that critical consciousness on infidelity drama can have a strong impact directly and indirectly on married couples' sexual self-determination rights. It shows that the use of media such as adultery dramas is effective in strengthening the right of sexual self-determination between married men and women. Emotional maturity and self-awareness directly or indirectly affect the right of sexual self-determination between couples. In addition, it has verified that it is a psychological characteristic that can significantly affect the consciousness of criticism of adultery dramas, which can have a significant impact on the right to sexual self-determination between them. The practical and policy implications of the research results are discussed to find ways to improve married men and women's awareness of the right to sexual self-determination between husband and wife.
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Fitria, Tira Nur. "Analysis of Moral Values Found in a Korean TV Series 'The World of Married'." Acuity: Journal of English Language Pedagogy, Literature and Culture 5, no. 2 (October 15, 2020): 137–47. http://dx.doi.org/10.35974/acuity.v5i2.2317.
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Being released in 2020, “The World of Married” drama entails certain life-lessons that are seriously heart-touching. For all the lovers of Korean drama in the form of TV series, it has some of the life-lessons or moral values taught in the story. Therefore, the objective of this study is to find out the moral values or messages in “The World of Married”. This research uses qualitative research. The analysis shows that In “The World of Married”, contains some moral value, they are 1) there is no perfect family life. 2) honesty is the key to family life. 3) having principles in choosing or deciding something. 4) having loyalty with a partner and not having an affair with another. 5) selecting in choosing the best friend. 6) loving the Wrong Person (Love is blind). 7) all decisions have risks. 8) an act of revenge is not the best solution. 9) avoiding violence in the family. Moral values in the movie can be understood as one base on which people make decisions whether they do is right or wrong. It also implicates what have to do or not to do in their life. 10) children become victims of the problems and divorce of parents.
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Janicka, Anna. "ZAPOLSKA IN EXILE: ON TAMARA KARREN." Polish Studies of Kyiv, no. 37 (2021): 24–39. http://dx.doi.org/10.17721/psk.2021.37.24-39.
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Tamara Karren, émigré writer, journalist and poet, was born as Maja Salomonowicz in Warsaw before the war to the assimilated Jewish family. Before the war the family found themselves in Romania, and Tamara in 1940 left Warsaw to find her family. Important stages in this war journey were Białystok and Vilnius. In Vilnius she met Roman Brandstaetter, to whom she was married. Together they made their way to Palestine. In 1945 she divorced him. As an education officer of the Red Cross, she joined the Polish II Corps in Italy. In 1946 she married Wacław Zagórski, a publicist and officer of the underground Home Army and they moved to London together. From that time on, she used the name Tamara Karren-Zagórska. In the community of Polish emigration she was very active. As a publicist and reviewer, she was connected with the London papers: “Wiadomości”, “Tygodnik Polski”, and “Orzeł Biały”. Her literary debut had place late, in the second half of the 1970s, which was a play based on Gabriela Zopolska’s letters titled Pani Gabriela (Autoportret z listów) [Pani Gabriela, A Self-Portrait from letters]. The 1980s resulted in only two, yet very mature, texts: the monodram Kim był ten cżłowiek? Rzecz o Januszu Korczaku [Wha was that man? On Janusz Korczak] as well as a volume of poetry Czarne niebo [Black sky]. The writer died on April 12, 1997 in London. The drama Pani Gabriela (Autoportret z listów) was based on Zapolska’s letters to Ludwik Szczepański and Stanisław Janowski. The work is a kind of testimony to reading not only the last years of the life of the author of Moralność pani Dulskiej [Mrs. Dulska’s Morality], but also the phenomenon of her outstanding personality. The drama was very popular on the stages of London emigration (the first public performance was in December 1976 at the Polish Hearth Club).
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Lee, Hee-Jin. "The Change of Married People"s Perception of the Adverse effect of TV Affair Drama and Related Determinants." Journal of the Korea Academia-Industrial cooperation Society 25, no. 6 (June 30, 2024): 521–35. http://dx.doi.org/10.5762/kais.2024.25.6.521.
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MANFREDINI, MATTEO, and MARCO BRESCHI. "Living alone in nineteenth-century rural Italy: was there any way out?" Continuity and Change 32, no. 3 (November 13, 2017): 411–35. http://dx.doi.org/10.1017/s0268416017000327.
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AbstractFew studies have dealt with the issue of people living alone in pretransitional rural populations. Alone by choice or circumstances, usually poor and sometimes stigmatised, solitaries often had a hard life. This article analyses the characteristics and life-histories of people living alone in two rural villages in nineteenth-century Italy with the aim of understanding whether and how solitaries managed to find a way out from solitude. The results show that solitaries got married, joined another household, and especially emigrated more than the rest of the population, which is a strong indication of their willingness to break out of solitariness. The individuation of the demographic profile associated with such specific behaviours, namely being male, young, and widowed, allowed us also to draw some hypotheses on the role of availability and quality of social connections on the chances to escape from a solitary condition, as well as on the characteristics of migratory flows of solitaries from the countryside to the cities.
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Santoro, Monica. "La lenta affermazione delle convivenze prematrimoniali in Italia." SOCIETÀ DEGLI INDIVIDUI (LA), no. 47 (October 2013): 53–62. http://dx.doi.org/10.3280/las2013-047005.
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The aim of this article is to investigate the phenomenon of cohabitation in Italy through Istat data on the cohabitation trends in the last decades and the results of a qualitative research, based on in-depth interviews among people who cohabited or married after cohabitation, with or without children. The analysis of the interviews shows that the meaning of cohabitation changes according to the experiences of leaving the parental home and the life course stages crossed by interviewees. Marriage is valued for its legal and functional aspects, as a protection of the less financial independent partner. So it becomes a necessity only if the financial condition between partners is unbalanced in order to redress this asymmetry. If the partner conditions are equal - which is the case of the interviewees - marriage does not add benefits. Therefore all social and religious aspects of marriage are excluded by interviewees who were married or plan to marry only for instrumental reasons.
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Hemelrijk, Emily. "Op weg naar vrijheid en burgerschap." Lampas 53, no. 3 (October 1, 2020): 319–41. http://dx.doi.org/10.5117/lam2020.3.003.heme.
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Summary In Rome, Ostia, and other cities of Italy in the imperial period the over-whelming majority of the grave monuments were set up by freed people. Since this predominance does not reflect demographic realities, we may infer that freedmen and freedwomen had strong incentives to set up funerary monuments. This article looks at their tombs from the perspective of freedwomen. How were they portrayed in the reliefs and inscriptions on their tombs? It will be argued that while most presented themselves according to the ideals of the Roman matrona, the respectably married citizen woman, some emphasized their profession as part of their social identity or were portrayed in the guise of female deities following the example of the empresses. Thus, the portraits and epitaphs of freedwomen show a greater diversity than those of freeborn women.
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Cumura, Ljiljana, Evelina Barbanti, and Laura Trevisan. "The Use of Social Theatre along the Mediterranean." WELFARE E ERGONOMIA, no. 2 (February 2022): 117–32. http://dx.doi.org/10.3280/we2021-002009.
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The challenge of this article is to explore the role of Theatre for Social Change (TfSC). Clearly, it is a very complex field of research. It is not one form of theatre but "a set of interdisciplinary and hybrid practices". It spans the participatory and professional arts sectors and the fields of arts and activism. Unlike other kinds of theatre, TfSC is a performance ensemble to raise awareness about the impact of social issues through the community engagement process. The article seeks to investigate connections between social theatre, social wellbeing and health. Few paragraphs are dedicated to the actual epidemic situation, social distance, mental health, self-care and new relations among people. Besides the work of Paulo Freire (Theatre of Oppressed), Augusto Boal (Forum Theatre), Dorothy Heathcote (Drama in Education), Theatre for Living etc. authors will present several projects and successful stories along Mediterranean, with focus on Italy, Spain and Malta.
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PIZZETTI, PAOLA, MATTEO MANFREDINI, and ENZO LUCCHETTI. "Variations in late-age mortality by household structure and marital status in Parma, Italy." Ageing and Society 25, no. 6 (April 22, 2005): 305–18. http://dx.doi.org/10.1017/s0144686x04003290.
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The objective of this study was to investigate the relationship between household structure and mortality at older ages in Parma, Italy. The household is an important setting for older people's social roles and social relations and its composition has a strong association with their health. The study examines 57,830 people aged 65 or more years drawn from the population registers of Parma (Italy). Record linkage from 1989 to 2000 was carried out using their unique identification numbers. Through the linked records, it was possible to follow changes in each person's and family's history provided they remained resident in Parma. The descriptive analyses show that elderly women were more likely than men to live alone, probably on account of their higher longevity. Only 10 per cent of elderly men lived alone, as compared with 32 per cent of older women. Nonetheless, the survival curves demonstrate that up to the age of 80 years, women living alone experienced lower mortality than those living with partners. A logistic regression model based on ‘event history analysis’ was performed using the longitudinal data. The results suggest that being married provides a protective role against mortality in later life only for men. It is possible that elderly women who take care of a husband or relatives do not care for themselves (or their health), as do older women who live alone.
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Rucci, P., A. Piazza, E. Perrone, I. Tarricone, R. Maisto, I. Donegani, V. Spigonardo, D. Berardi, M. P. Fantini, and A. Fioritti. "Disparities in mental health care provision to immigrants with severe mental illness in Italy." Epidemiology and Psychiatric Sciences 24, no. 4 (April 30, 2014): 342–52. http://dx.doi.org/10.1017/s2045796014000250.
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Aim.To determine whether disparities exist in mental health care provision to immigrants and Italian citizens with severe mental illness in Bologna, Italy.Methods.Records of prevalent cases on 31/12/2010 with severe mental illness and ≥1 contact with Community Mental Health Centers in 2011 were extracted from the mental health information system. Logistic and Poisson regressions were carried out to estimate the probability of receiving rehabilitation, residential or inpatient care, the intensity of outpatient treatments and the duration of hospitalisations and residential care for immigrant patients compared to Italians, adjusting for demographic and clinical covariates.Results.The study population included 8602 Italian and 388 immigrant patients. Immigrants were significantly younger, more likely to be married and living with people other than their original family and had a shorter duration of contact with mental health services. The percentages of patients receiving psychosocial rehabilitation, admitted to hospital wards or to residential facilities were similar between Italians and immigrants. The number of interventions was higher for Italians. Admissions to acute wards or residential facilities were significantly longer for Italians. Moreover, immigrants received significantly more group rehabilitation interventions, while more social support individual interventions were provided to Italians.Conclusions.The probability of receiving any mental health intervention is similar between immigrants and Italians, but the number of interventions and the duration of admissions are lower for immigrants. Data from mental health information system should be integrated with qualitative data on unmet needs from the immigrants' perspective to inform mental health care programmes and policies.
Books on the topic "Married people – italy – drama"
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Shakespeare, William. Romeo and Juliet for Young People. Edited by Diane Davidson. Fair Oaks, CA, USA: Swan Books, 1986.
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Gilman, Rebecca Claire. Dollhouse. Evanston, Ill: Northwestern University Press, 2010.
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1828-1906, Ibsen Henrik, ed. Dollhouse: A play. Evanston, Ill: Northwestern University Press, 2010.
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Gilman, Rebecca Claire. Dollhouse. Evanston, Ill: Northwestern University Press, 2010.
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Nicholson, William. The retreat from Moscow: A play about a family. New York: Anchor Books, 2004.
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Lydgate, John. Lydgate's disguising at Hertford Castle: The first secular comedy in the English language : a translation and study. Pulborough, West Sussex [England]: Blot Pub., 1998.
Find full textBook chapters on the topic "Married people – italy – drama"
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Fradinger, Moira. "For the People, By the People, With the People Félix Morisseau-Leroy’s 1953 Vodou Antigòn an Kreyòl." In Antígonas, 109—C2.F5. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780192897091.003.0004.
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Abstract Chapter 2 focuses on the Haitian national quest in the 1950s to recover its African roots in the face of the elites’ centuries-old Francophilia, through the study of Félix Morisseau-Leroy’s Antigòn an Kreyòl (1953). The chapter argues that this Haitian drama rethinks the legacy of the Haitian revolution, national identity, and modernization in Haitian terms. The play was paramount in the struggle to legitimize Haitian Creole and Vodou religion as the language and culture of the African enslaved peoples who, in the playwright’s eyes, made Haiti’s independence possible. Through Antigòn’s character the play recovers the revolutionary ideals, along the lines of the most radical of revolutionary leaders: Jean-Jacques Dessalines. The play shows the deepest heterogeneity in this book’s corpus: its gods are neither Greek nor Christian but belong in the Vodou pantheon; its audience was only briefly the middle class in the capital city, before the play was taken to the peasantry across the country. The chapter explains how the play quilts a Vodou ceremony and Greek tragedy by transforming Antigòn into a Vodou goddess who, married in heaven, will give eternal life.
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Cullen, Niamh. "‘Love Means Jealousy’: A Jealousy Epidemic in Post-war Italy?" In Love, Honour, and Jealousy, 129–59. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198840374.003.0004.
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This chapter explores how the behaviour and attitudes associated with honour were made more acceptable in the late twentieth century by being repackaged in the emotional language of jealousy, as couples increasingly married for love rather than family reasons. When we widen the lens to look for jealousy rather than honour, we see that in contrast to the media picture, the masculine controlling behaviour associated with jealousy and honour was widespread everywhere in Italy and not just in the south. Indeed, when we turn to the mass media—magazines and film in particular—we get the impression of what might be termed a jealousy epidemic in Italy. This chapter uses a diverse range of sources—from film, magazines, and crime reportage to diaries and memoirs—to trace how people thought about jealousy and how they experienced it in these years. We will see how it was often represented as illness or madness and could also be experienced as such. Indeed, much more than love, jealousy was likely to be described as an intense bodily experience. It was also something that many Italians were keen to distance themselves from and to combat, whether in society at large or in themselves.
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Dickens, Charles. "The Italian Prisoner." In The Uncommercial Traveller, edited by Daniel Tyler. Oxford University Press, 2021. http://dx.doi.org/10.1093/owc/9780199686667.003.0017.
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The rising of the Italian people* from under their unutterable wrongs, and the tardy burst of day upon them after the long long night of oppression that has darkened their beautiful country, have naturally caused my mind to dwell often of late on my own small wanderings in Italy. Connected with them, is a curious little drama, in which the character I myself sustained was so very subordinate, that I may relate its story without any fear of being suspected of selfdisplay. It is strictly a true story.
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Blamires, Alcuin, Karen Pratt, and C. W. Marx. "A Woman Defends Women." In Woman Defamed and Woman Defended, 278–302. Oxford University PressOxford, 1992. http://dx.doi.org/10.1093/oso/9780198119715.003.0010.
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Abstract Christine de Pizan was born in Italy but brought up in cultured circles at the court of Charles V of France, where her father was appointed as astrologer. He was a well-read man, and according to Christine he took an unusually positive view (for its time) of her own wish to develop her intellectual gifts; her mother on the other hand sought in vain to mould her more convention with spinning and silly girlishness’ . Married at fifteen, Christine was fortunate that her husband further encouraged her literary talents, for these were to stand her in good stead when she lost both him and her father and had to support her three children after 1389. Her literary output covered some forty years. It was immense and wide-ranging, and it was rather remarkable for the extent to which some of it took issue with the disparagement of women. People have argued that she cannot properly be regarded as a forbear of modern feminism, because she was too committed to conservative, quiescent ideals of womanly decorum.’
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Shchukin, Vasily G. "“Democratic estate”as the cultural nest of the Early Modern Period. Case of Poland." In Russian Estate in the World Context, 288–97. А.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2020. http://dx.doi.org/10.22455/978-5-9208-0623-9-288-297.
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The article describes the phenomenon of the so-called “democratic estate”, which took on the function of a cultural nest. Democracy, in accordance with Russian tradition, dating back to the discourse of the intelligentsia of the XIX century, is identified with the plebeian, motley origin of the inhabitants of the estate. This problem is considered on the basis of the art culture of Krakow at the end of the XIX and beginning of the XX centuries. In the era of modernism, in the wake of the neo-romantic enthusiasm for the problems of the national spirit and the “organic” life of the common people, in western Galicia, which is one of the provinces of Austria-Hungary, such forms of homestead life appeared that could be called exceptional, unique against the background of other manifestations of the democratization of the estate. Cracow artists and then poets and playwrights, discovering the beauty of the village of Małe Bronowice, located near Cracow, and captivated by folk costumes and the beauty of village girls, married them one by one and moved to village huts, but at the same time transformed the latter into real cultural nests. One of these weddings — the poet Lucian Rydel and the daughter of the village headman Jadwiga Mikołajczyk — inspired the outstanding artist and playwright Stanislav Wyspiańsky to create the most famous national drama of the modernist era — the play “The Wedding” (1901). This work, among other things, depicts the tragedy of mutual misunderstanding of the people and the intelligentsia, which impedes the national revival and, ultimately, the restoration of the country’s independence. The author of the article seeks to prove that the “democratic estate” served not only the necessary simplification of the educated stratum of society, but also the introduction of a high, essentially metropolitan culture into the life and consciousness of the lower strata.