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Journal articles on the topic 'Marriage of Convenience, fiction'

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Published: 25 July 2024

Last updated: 26 July 2024

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1

V. Ninčetović, Nataša. "LOUISA MAY ALCOTT’S VISION OF MARRIAGE IN LITTLE WOMEN." SCIENCE International Journal 3, no. 2 (May 27, 2024): 81–87. http://dx.doi.org/10.35120/sciencej0302081n.

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This paper aims to demonstrate that beneath the apparently conventional plot of Little Women (1868) lurks a rather progressive concept of marriage. The initial hypothesis is that the role model for the March girls is their unconventional mother, whose ideas they eventually adopt and put into practice. Marmee is an ardent opponent of the marriage of convenience. In her view, the chief prerequisite for choosing a life companion is love. Mrs March’s vision of marriage is seemingly contradictory – she concurrently considers marriage a sacred relation and adopts the position that it should not be the only and ultimate end of a woman’s life. The coveted aim should be self-actualisation, whereas matrimony is an integral and significant, but not absolutely necessary stage of a girl’s blossoming into womanhood. Each of the sisters, in her way and to a certain extent, fulfils her mother’s high expectations. All the sisters but Beth (who dies prematurely) learn how to conquer their greatest flaws and choose husbands who match both their virtues and weaknesses. Contrary to the views of certain critics that the marriage of the March sisters testifies to their conformity and submission, both to society and their husbands, this paper argues that marriage is an important aspect of their maturation. During their development, the sisters realise that they ought to renounce their childish dreams, the so-called “castles in the air” to strike a balance between individualism and the family’s (in particular, their mother’s) expectations. Admittedly, the marriages of Meg, Jo, and Amy do imply a compromise, but compromise, mutual helpfulness, and self-sacrifice are prerequisites necessary for the creation of the proper marital union in the fictional world of Louisa May Alcott. Moreover, this paper argues that concessions are expected not only from the March girls but also from their husbands, who likewise compromise and mature in marriage.

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2

Kishore Shrivastwa, Bimal. "Voice against Instrumentalization of Shame in Sanghera’s Daughters of Shame: A Feminist Perspective." International Journal of Applied Linguistics and English Literature 11, no. 3 (May 31, 2022): 1–8. http://dx.doi.org/10.7575/aiac.ijalel.v.11n.3p.1.

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The primary aim of this research is to explore how the female protagonists of the novel, Daughters of Shame by Jasvinder Sanghera resist the patriarchal trend of instrumentalizing women as shameful creatures, marginalizing women and how they struggle to establish their identity. Through the close reading of the text from the perspectives of Materialist feminism, the paper focuses on how the major women characters, along with the writer herself, like Shazia, Fozia Maya, Shabana and Yasmin help each other by giving psychological and physical support to fight against exploitation by men. These characters represent the dominated Pakistani Muslim and Sikh women in the modern city in Derby in particular and the Sikh and Muslim communities in general. The memoir has presented women as the object to be used for convenience, the satisfaction of men, and as unpaid domestic laborers. The chief finding is that the memoir depicts the social reality of how Muslim and Sikh women living in Western countries are compelled to tolerate domestic violence, honor-based crimes, and forceful marriage. It is expected that the article will encourage other researchers to apply materialist feminism in other fictions.

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3

Patel, Dinshaw J. "Marriage of convenience." Nature 365, no. 6446 (October 1993): 490–92. http://dx.doi.org/10.1038/365490a0.

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4

Margulis, Lynn, and Mark McMenamin. "MARRIAGE OF CONVENIENCE." Sciences 30, no. 5 (September 10, 1990): 30–37. http://dx.doi.org/10.1002/j.2326-1951.1990.tb02250.x.

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5

Zielinski, Dave. "A Marriage of Convenience." Business Ethics: The Magazine of Corporate Responsibility 7, no. 6 (1993): 13. http://dx.doi.org/10.5840/bemag19937690.

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6

Dettmer, Roger. "A marriage of convenience." Electronics and Power 31, no. 8 (1985): 609. http://dx.doi.org/10.1049/ep.1985.0372.

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7

Mihalka, Michael. "A marriage of convenience." Helsinki Monitor 7, no. 2 (1996): 13–28. http://dx.doi.org/10.1163/157181496x00279.

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8

Kiru, S. "A marriage of convenience." Manufacturing Engineer 80, no. 6 (December 1, 2001): 278–82. http://dx.doi.org/10.1049/me:20010613.

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9

HOLLAND, W. W., and D. C. MORRELL. "A marriage of convenience?" Medical Education 6, no. 2 (January 29, 2009): 121–24. http://dx.doi.org/10.1111/j.1365-2923.1972.tb02185.x.

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10

Donahoe, John W. "A Marriage of Convenience." European Journal of Behavior Analysis 15, no. 1 (June 2014): 40–43. http://dx.doi.org/10.1080/15021149.2014.11434475.

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11

Kapur, Nitin Agrawal. "A Marriage of Convenience." Journal of General Internal Medicine 25, no. 5 (February 25, 2010): 480–81. http://dx.doi.org/10.1007/s11606-010-1277-1.

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12

Bond, Robert L., and Larry I. Stein. "KSOPs: A Marriage of Convenience." Compensation & Benefits Review 20, no. 2 (April 1988): 65–74. http://dx.doi.org/10.1177/088636878802000207.

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13

Kane, Liam. "A happy marriage of convenience." History Australia 13, no. 2 (April 2, 2016): 310–11. http://dx.doi.org/10.1080/14490854.2016.1186144.

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14

Lindblad, Jan Thomas. "History and Fiction: An Uneasy Marriage?" Jurnal Humaniora 30, no. 2 (June 8, 2018): 147. http://dx.doi.org/10.22146/jh.34619.

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This essay discusses the relationship between history as a science and fiction as a genre of literature. It starts with a brief digression on the characteristics and pitfalls of the historical novel, including its development over time. Past experience is highlighted with the aid of a selection of acknowledged novelists making intensive use of historical information. Recent new trends are illustrated by professional historians becoming novelists. A final section offers reflections on how to combine the demands of authenticity in history with the demands of drama in literary fiction.

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15

Lindblad, Jan Thomas. "History and Fiction: An Uneasy Marriage?" Jurnal Humaniora 30, no. 2 (June 8, 2018): 147. http://dx.doi.org/10.22146/jh.v30i2.34619.

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This essay discusses the relationship between history as a science and fiction as a genre of literature. It starts with a brief digression on the characteristics and pitfalls of the historical novel, including its development over time. Past experience is highlighted with the aid of a selection of acknowledged novelists making intensive use of historical information. Recent new trends are illustrated by professional historians becoming novelists. A final section offers reflections on how to combine the demands of authenticity in history with the demands of drama in literary fiction.

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16

Kavuro, Callixte. "Marriages of convenience through the immigration lens: concepts, issues, impact and policies." Law, Democracy and Development 25 (January 28, 2021): 1–31. http://dx.doi.org/10.17159/2077-4907/2021/ldd.v25.18.

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This article examines the attempts made by both the Executive and Parliament to curb marriages of convenience through the revision of refugee and immigration laws. Asylum seekers or economic migrants use marriages of convenience largely to legitimise their stay in South Africa. South African authorities regard these marriages of convenience as a threat both to South African society as they violate pro-marriage policies and anti-irregular migrant policies, and to national security as they defeat the object of the institution of marriage. In this context, the article explores the complexities of combating marriages of convenience on the basis of the principle of consent on which a valid marriage is fundamentally constructed, and also on the basis of an analysis of judicial opinions holding that a marriage of convenience must be terminated by a decree of divorce.

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17

Porokhovsky, Anatoly А. "Plan and market: marriage of convenience." Economic Revival of Russia, no. 3 (69) (2021): 46–52. http://dx.doi.org/10.37930/1990-9780-2021-3-69-46-52.

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18

Warner, Jonathan R. "A marriage of convenience or necessity?" Nature 338, no. 6214 (March 1989): 379. http://dx.doi.org/10.1038/338379a0.

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19

Stone, R. "Space Station: A Marriage of Convenience." Science 264, no. 5163 (May 27, 1994): 1272. http://dx.doi.org/10.1126/science.264.5163.1272.

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20

Ager, David J., Ian G. Fotheringham, and Nicholas J. Turner. "ChemInform Abstract: A Marriage of Convenience." ChemInform 31, no. 34 (June 3, 2010): no. http://dx.doi.org/10.1002/chin.200034269.

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21

LI, Hongqing. "A Study of Bloom Narrative in Elizabeth Gaskell’s Fiction." Asia-Pacific Journal of Humanities and Social Sciences 3, no. 1 (March 15, 2023): 027–38. http://dx.doi.org/10.53789/j.1653-0465.2023.0301.005.p.

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Elizabeth Gaskell was an influential female writer in the 19th-century English literary arena. The courtship and marriage narrative almost ran through all her fiction. This paper argues that Linnaeus’ botanical system provided discourse support for her courtship and marriage narrative. From the late 18th century to the 19th century, as Linnaean classification popularized, the term “flower”(plants’sexual organ) became more commonly used as “bloom,” referring to “potential sex.” Linnaeus termed the sexual reproduction of a flower marriage, linking “sex” to marriage and rendering the natural (illegitimate) meaning of sex socialized (legitimate). In this cultural context, Gaskell introduced “bloom narrative” into her works, using “bloom” and its cognate words “garden, landscape, etc.” to represent the sexual attraction of blooming girls and reproduce their marriage and courtship, and using botanical language as a metaphor for the process of female socialization to explore the possible social consequences. It is worth noting that Linnaeus divided plants into public marriage and clandestine marriage according to whether flowers could be seen by the naked eye. Gaskell not only reproduced the sexual attraction in public marriages as traditional writers as Austen did but also discussed the sexual attraction in clandestine marriages. In North and South, Linnaeus’s “public marriage” category was represented. Gaskell linked sexual attraction to marriage and enabled the heroine to successfully exercise her feminine influence, and thus facilitate labor-capital reconciliation, demonstrating her strong desire to bridge the gap between the public and private spheres. In Ruth, by separating sexual attraction (bloom) from marriage and treating the sexual behavior of the hero and heroine as Linnaeus’s “clandestine marriage,) Gaskell presented both the heroine’s sexual charm and her innocence, thus effectively challenging the traditional narrative of depraved women. The bloom narrative meets Gaskell’s multiple requirements of conforming to secular moral values, achieving realistic effects as well as participating in the discussion of gender topics, which reveals her diverse and cross-boundary artistic creation concept.

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22

Gore, Clare Walker. "Romance’s Rival: Familiar Marriage in Victorian Fiction." Journal of Victorian Culture 22, no. 2 (March 28, 2017): 277–80. http://dx.doi.org/10.1080/13555502.2017.1303271.

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23

Rappoport, Jill. "Romance’s Rival: Familiar Marriage in Victorian Fiction." Nineteenth-Century Contexts 40, no. 2 (January 30, 2018): 199–201. http://dx.doi.org/10.1080/08905495.2018.1432265.

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24

Lemp, Richard W. "Artificial intelligence and videotex: Marriage by attraction or marriage of convenience?" Educational Technology Research and Development 37, no. 1 (March 1989): 96–97. http://dx.doi.org/10.1007/bf02299051.

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25

Beller, Anne-Marie. "Brief Encounters: Sensation Fiction and the Short Story." Victoriographies 12, no. 3 (November 2022): 269–87. http://dx.doi.org/10.3366/vic.2022.0470.

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Building on recent work on sensation short fiction, which has convincingly argued for the form’s significance to our knowledge of mid-Victorian sensationalist culture more broadly, this article examines Wilkie Collins’s ‘A Marriage Tragedy’ (1857–58), and Mary Elizabeth Braddon’s ‘Levison’s Victim’ (1870) and ‘The Mystery at Fernwood’ (1861). Through a focus on generic hybridity, marriage, and identity, the connections and divergences between the short and long forms of literary sensationalism are traced, from the passing of the Divorce and Matrimonial Causes Act in 1857 to the first Married Women’s Property Act of 1870. These particular markers reflect the distinct emphasis on matrimony within these texts during a crucial period of public interest in the Marriage Question. It is argued that the sensation short story is more heavily characterised by gothic tropes than its longer counterpart, even as it eschews the supernatural. Female characters in these stories encounter marriage as an uncanny site of terror and are silenced and traumatised by these intimate experiences. Despite the legal reforms and ongoing public debate of the 1860s and 1870s, writers of the sensation short story suggest that modern marriage retains the threats to female liberty, safety, and sanity that characterised the gothic narratives of an earlier period.

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26

Jeffreys, R. A. "Film and electronics—a marriage of convenience." Journal of Audiovisual Media in Medicine 11, no. 2 (January 1988): 49–51. http://dx.doi.org/10.3109/17453058809051355.

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27

Hutcheon, Linda, and Michael Hutcheon. "A Convenience of Marriage: Collaboration and Interdisciplinarity." PMLA/Publications of the Modern Language Association of America 116, no. 5 (October 2001): 1364–76. http://dx.doi.org/10.1632/pmla.2001.116.5.1364.

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At the risk of sounding like a parody of a conversation about opera and illness in the 1987 movie Moonstruck, we would like to relate a postperformance dialogue about Richard Wagner's last opera. Parsifal (not Giacomo Puccini's La Bohème, as in the film). While descending the same staircase at the Metropolitan Opera in New York as Loretta and Ronny, the film characters played by Cher and Nicholas Cage, a man turned to his wife and said, not “You know, I didn't think she was going to die! I knew she was sick,” but “Do you think audiences today understand that Amfortas had syphilis?” Since this man is a physician, his wife was used to his medical observations, though this time he took her by surprise: “Syphilis? He was wounded by a spear when caught in the arms of the seductress Kundry!” “Yes,” he replied, “but that might just be Wagner's indirect or allegorical way of invoking nineteenth-century obsessive worries about venereal disease. Did you notice that this is a wound (one inflicted in a moment of amatory indiscretion) that won't heal, whose pain is worse at night and is eased only slightly by baths and balsams? To any nineteenth-century audience these symptoms and signals would have meant only one thing: syphilis.” “If that's the case.” his wife suggested, “then people must have written about this and we can find out.” “Not necessarily. People didn't talk openly about this kind of disease; it was secret and shameful, remember. And today, thanks to the discovery of penicillin, we luckily don't have to know about such things anymore,” said he.

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28

Shantz, J. "A Marriage of Convenience: Anarchism, Marriageand Borders." Feminism & Psychology 14, no. 1 (February 2004): 181–86. http://dx.doi.org/10.1177/0959353504040321.

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29

Phillips, John, Neil Longridge, Arthur Mallinson, and Gordon Robinson. "Migraine and Vertigo: A Marriage of Convenience?" Headache: The Journal of Head and Face Pain 50, no. 8 (August 5, 2010): 1362–65. http://dx.doi.org/10.1111/j.1526-4610.2010.01745.x.

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30

Marsh, George. "Composites and metals – a marriage of convenience?" Reinforced Plastics 58, no. 2 (March 2014): 38–42. http://dx.doi.org/10.1016/s0034-3617(14)70108-0.

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31

Králiková, Katarína. "BRICS: Can a marriage of convenience last?" European View 13, no. 2 (December 2014): 243–50. http://dx.doi.org/10.1007/s12290-014-0326-2.

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32

Siproudhis, Laurent, Sylvie Dautrème, Alain Ropert, Jean-François Bretagne, Denis Heresbach, Jean-Luc Raoul, and Michel Gosselin. "Dyschezia and rectocele—A marriage of convenience?" Diseases of the Colon & Rectum 36, no. 11 (November 1993): 1030–36. http://dx.doi.org/10.1007/bf02047295.

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33

Hutcheon, Linda, and Michael Hutcheon. "A Convenience of Marriage: Collaboration and Interdisciplinarity." Publications of the Modern Language Association of America 116, no. 5 (October 2001): 1364–76. http://dx.doi.org/10.1632/s0030812900113380.

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Abstract:

At the risk of sounding like a parody of a conversation about opera and illness in the 1987 movie Moonstruck, we would like to relate a postperformance dialogue about Richard Wagner's last opera. Parsifal (not Giacomo Puccini's La Bohème, as in the film). While descending the same staircase at the Metropolitan Opera in New York as Loretta and Ronny, the film characters played by Cher and Nicholas Cage, a man turned to his wife and said, not “You know, I didn't think she was going to die! I knew she was sick,” but “Do you think audiences today understand that Amfortas had syphilis?” Since this man is a physician, his wife was used to his medical observations, though this time he took her by surprise: “Syphilis? He was wounded by a spear when caught in the arms of the seductress Kundry!” “Yes,” he replied, “but that might just be Wagner's indirect or allegorical way of invoking nineteenth-century obsessive worries about venereal disease. Did you notice that this is a wound (one inflicted in a moment of amatory indiscretion) that won't heal, whose pain is worse at night and is eased only slightly by baths and balsams? To any nineteenth-century audience these symptoms and signals would have meant only one thing: syphilis.” “If that's the case.” his wife suggested, “then people must have written about this and we can find out.” “Not necessarily. People didn't talk openly about this kind of disease; it was secret and shameful, remember. And today, thanks to the discovery of penicillin, we luckily don't have to know about such things anymore,” said he.

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34

Ickstadt, Heinz. "Troubles in a (transatlantic) marriage of convenience." American Ethnologist 30, no. 4 (November 2003): 502–3. http://dx.doi.org/10.1525/ae.2003.30.4.502.

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35

Winnifrith, T. J., and Shirley Foster. "Victorian Women's Fiction: Marriage, Freedom and the Individual." Yearbook of English Studies 18 (1988): 339. http://dx.doi.org/10.2307/3508272.

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36

White, Nicholas. "Marriage, Identity and Epistemology in Third Republic Fiction." Dix-Neuf 11, no. 1 (November 2008): 135–48. http://dx.doi.org/10.1179/147873108790872503.

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37

Miller, Andrew. "Lives Unled in Realist Fiction." Representations 98, no. 1 (2007): 118–34. http://dx.doi.org/10.1525/rep.2007.98.1.118.

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Referring to fiction by Charles Dickens and Henry James, this essay considers the moral psychology of counterfactual narratives, studying pressures that invite the imagination of alternate lives. Such "optative" narratives, characteristic of realism, typically become important within particular environments of attention; glancing at economic and ideological factors, the argument focuses on marriage and the loss of children.

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38

Dale, Kim Z. "M.I.N.D. Your Marriage." After Dinner Conversation 4, no. 2 (2023): 5–17. http://dx.doi.org/10.5840/adc20234212.

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Besides “being in love” and procreation, what is the purpose/function of a spouse? In this work of ethical marriage fiction, Sherry’s husband knows too much about her inner thoughts, specifically, that the barista at the local coffee shop is attractive. When Sherry talks to her neighbor, they piece together that she was unknowingly given a M.I.N.D. implant, allowing her husband to read her thoughts. She confronts him and he argues communication is hard, and this makes it easier. Additionally, if she has nothing to hide, then why does she care? In response, she gets a “mind vault” installed, a place to store thoughts and memories from her husband. He finds out, and goes to even more extreme measures to make Sherry compliant.

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39

Weaver, Gary R., and Linda Klebe Trevino. "Normative And Empirical Business Ethics: Separation, Marriage Of Convenience, Or Marriage Of Necessity?" Business Ethics Quarterly 4, no. 2 (April 1994): 129–43. http://dx.doi.org/10.2307/3857485.

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Abstract:This paper outlines three conceptions of the relationship between normative and empirical business ethics, views we refer to as parallel, symbiotic, and integrative. Parallelism rejects efforts to link normative and empirical inquiry, for both conceptual and practical reasons. The symbiotic position supports a practical relationship in which normative and/or empirical business ethics rely on each other for guidance in setting agenda or in applying the results of their conceptually and methodologically distinct inquiries. Theoretical integration countenances a deeper merging of prima facie distinct forms of inquiry, involving alterations or combinations of theory, metatheoretical assumptions, and methodology. This paper explicates these positions, summarizes arguments for and against each, and considers their implications for the future of business ethics research.

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40

Wege, Carl Anthony. "Hizbollah-Syrian Intelligence Affairs: A Marriage of Convenience." Journal of Strategic Security 4, no. 3 (September 2011): 1–14. http://dx.doi.org/10.5038/1944-0472.4.3.1.

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41

Johnson, Debra. "EU–Russian Energy Links: A Marriage of Convenience?" Government and Opposition 40, no. 2 (2005): 256–77. http://dx.doi.org/10.1111/j.1477-7053.2005.00152.x.

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AbstractThis article explores issues of energy supply security from the perspective of the EU–Russian energy relationship and of competing foreign energy policy paradigms. Using approaches developed by Peter Rutland within the context of Russia's energy policy towards the CIS and the three pillars of EU energy policy as a starting point, the article concludes that the overall EU–Russian energy relationship can be best explained through a framework of mutual interest and dependency: that is, the EU is becoming increasingly, but not totally, dependent on Russian energy, particularly gas; and Russia is becoming increasingly, but not totally, dependent on European markets. Nevertheless, other paradigms continue to yield useful insights in relation to individual components of the EU–Russian energy relationship.

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42

Espinoza, Michael. "Trump and the GOP: A Marriage of Convenience?" Political Insight 9, no. 4 (November 6, 2018): 22–26. http://dx.doi.org/10.1177/2041905818815194.

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43

Singer, Kevin P. "Manual therapy and science: a marriage of convenience?" Manual Therapy 5, no. 2 (May 2000): 61–62. http://dx.doi.org/10.1054/math.2000.0236.

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44

Mumtaz, S., S. Girgis, and L. Cheng. "Coronectomy: Coronectomy & CBCT – A marriage of convenience!" British Dental Journal 225, no. 3 (August 10, 2018): 200. http://dx.doi.org/10.1038/sj.bdj.2018.657.

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45

Tissot, Jean-Daniel, and Olivier Garraud. "Ethics and blood donation: A marriage of convenience." La Presse Médicale 45, no. 7-8 (July 2016): e247-e252. http://dx.doi.org/10.1016/j.lpm.2016.06.016.

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46

Diskin, C. J. "Creatinine and GFR: an imperfect marriage of convenience." Nephrology Dialysis Transplantation 21, no. 11 (September 12, 2006): 3338–39. http://dx.doi.org/10.1093/ndt/gfl374.

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47

Obando, Enrique. "Fujimori and the Military: A Marriage of Convenience." NACLA Report on the Americas 30, no. 1 (July 1996): 31–36. http://dx.doi.org/10.1080/10714839.1996.11725746.

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48

Jaeger, Karl-Erich, and Philipp Holliger. "Chemical biotechnology—a marriage of convenience and necessity." Current Opinion in Biotechnology 21, no. 6 (December 2010): 711–12. http://dx.doi.org/10.1016/j.copbio.2010.09.017.

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49

Hassan, Cesare, Alessandro Repici, Sameer Alawadhi, and Carlo Senore. "FIT and M2-PK: a marriage of convenience!" Internal and Emergency Medicine 12, no. 3 (February 25, 2017): 281–82. http://dx.doi.org/10.1007/s11739-017-1639-3.

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50

Roy, Sumit. "Combined rotational atherectomy-balloon angioplasty: marriage of convenience?" Catheterization and Cardiovascular Diagnosis 32, no. 1 (May 1994): 79. http://dx.doi.org/10.1002/ccd.1810320117.

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