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Academic literature on the topic 'Marquês de Sad'

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Published: 6 July 2024

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Journal articles on the topic "Marquês de Sad":

1

Vieira, Cátia. "Marquês de Sade: crime, destruição e excesso." Caligrama: Revista de Estudos Românicos 24, no. 1 (April 29, 2019): 143. http://dx.doi.org/10.17851/2238-3824.24.1.143-155.

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Resumo: O presente artigo tem como objetivo primordial investigar a ligação entre o erotismo e a morte, que abrange questões como o crime, a destruição e o excesso, na obra sadiana. Marquês de Sade, senhor dos sádicos, estabeleceu a vida como um mero meio para a obtenção do prazer máximo. E esse prazer, segundo o autor francês, apenas se faz sentir de forma apoteótica quando destrói a vida. Assim, gozar é sinónimo de ver destruir, de abraçar e de satisfazer a morte. Além de destruir, torna-se imprescindível violar, violentar e matar sem freios, sem imposições morais. Para a elaboração deste estudo, recorreu-se não só à produção literária de Marquês de Sade, mas também a textos teórico-críticos, que focam as noções de erotismo, morte e sadismo.Palavras-Chave: Marquês de Sade; sadismo; crime; destruição; excesso.Abstract: This article studies the possible relations between eroticism and death, which covers issues such as crime, destruction and excess, in the Sadeian work. Marquis de Sade, master of the sadists, envisioned life as a mere mean for obtaining pleasure. And this pleasure, according to the French author, is only felt when life is destroyed. Thus, to enjoy is to destroy, to embrace and to serve death. Besides destruction, it becomes imperative to violate, rape and kill without limits, without moral impositions. Not only the literary production of Marquis de Sade proved to be paramount to this research, but also the theoretical texts which focus on eroticism, death and sadism.Keywords: Marquis de Sade; sadism; crime; destruction; excess.
2

COWARD, D. A. "Review. Le Marquis et la Marquise de Sade. Laborde, A. M." French Studies 45, no. 4 (October 1, 1991): 466. http://dx.doi.org/10.1093/fs/45.4.466.

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Solano-Fallas, Andrés. "Una lectura filosófica a <em>La Marquesa de Gange</em> (1813) del Marqués de Sade." Revista humanidades 12, no. 2 (July 1, 2022): e50728. http://dx.doi.org/10.15517/h.v12i2.50728.

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El presente artículo emprende un abordaje descriptivo-analítico que el Marqués de Sade realizó sobre cuatro temas de orden filosófico, o que pueden ser de interés para el quehacer filosófico, contenidos en la novela La Marquesa de Gange (1813). Los temas a tratar son: consideraciones sobre los conceptos de naturaleza, religión y Dios, como también sobre asuntos vinculados al matrimonio y al supuesto rol de sumisión femenina. En cada uno de ellos, se hace hincapié en los postulados o ideas que guiaron su reflexión, así como de críticas que se desprenden de estos. En lo concerniente a lo metódico, el artículo se encauza en un abordaje propio de la filosofía analítica, en que se escudriña con atención el texto de Sade, brindando las debidas evidencias textuales, en aras de la sistematización, claridad y precisión de los temas en cuestión. Se concluye que el abordaje de estos cuatro temas no es un mero recurso narrativo en su novela, sino que la propia novela es un espacio en que permite observar la reflexión crítica que sostuvo el Marqués con temas que estaban en boga durante su época.
4

Eulenburg, Albert. "Der Marquis de Sade." Zeitschrift für Sexualforschung 28, no. 01 (March 24, 2015): 57–74. http://dx.doi.org/10.1055/s-0034-1399135.

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Garrabé, J. "Le marquis de Sade." French Journal of Psychiatry 1 (December 2019): S87. http://dx.doi.org/10.1016/j.fjpsy.2019.10.097.

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Aisenstein, Marilia. "L'écriture du marquis de Sade." Revue française de psychanalyse 58, no. 2 (1994): 451. http://dx.doi.org/10.3917/rfp.g1994.58n2.0451.

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7

Hermann, Christian. "L'Espagne du Marquis de Sade." Mélanges de la Casa de Velázquez 28, no. 2 (1992): 71–86. http://dx.doi.org/10.3406/casa.1992.2616.

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8

McMorran, W. "Introducing the Marquis de Sade." Forum for Modern Language Studies 51, no. 2 (April 1, 2015): 133–51. http://dx.doi.org/10.1093/fmls/cqv025.

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9

Diniz, Guilherme Grané, and Alex de Campos Moura. "“Máquinas & Outras Vísceras”: Sade, Piva e o antidualismo Queer." Revista Internacional Interdisciplinar INTERthesis 18, no. 1 (November 9, 2021): 1–22. http://dx.doi.org/10.5007/1807-1384.2021.76035.

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É uma marca de boa parte do pensamento do séc. XX, tanto na literatura quanto na filosofia, a recepção da obra do Marquês de Sade. De fato, já no séc. XVIII, Sade formulara uma série de questões e propusera certos modos de pensar cuja relevância só viria a ser plenamente incorporada no pensamento contemporâneo. Nesse sentido, o pensamento do Marquês de Sade e a literatura e filosofia do séc. XX podem se esclarecer reciprocamente. Neste texto, queremos mostrar a recepção de um tema específico – o antidualismo – em duas instâncias: a poesia surrealista de Roberto Piva e o pensamento queer de Paul Preciado. Mais especificamente, trata-se de analisar como Sade foi recebido – direta ou indiretamente – tanto na literatura quanto na filosofia, por autores e autoras cujo projeto consistia em denunciar os aspectos excludentes ou mesmo potenciais autoritários em visões de mundo dualistas. Buscamos, assim, além de comentar e elucidar aspectos da obra de Sade, de Roberto Piva e de Paul Preciado, mostrar aspectos de uma passagem na história da filosofia contemporânea: a incorporação da filosofia do Marquês de Sade na formulação de um pensamento que enxerga no corpo sexuado e na reflexão filosófico-literária sobre a sexualidade humana uma possibilidade de renovação de aspectos fundantes de uma experiência cultural que encontra, no séc. XX, impasses políticos significativos.
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Vukušić Zorica, Maja. "Marquis de Sade, l’Empire et l’empire des métaphores : des Maudits aux quills et les autres plumes." Studia Romanica et Anglica Zagrabiensia 64 (2019): 31–54. http://dx.doi.org/10.17234/sraz.64.3.

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Le titre, délibérément ambivalent, annonce que l’analyse va procéder à deux temps : en premier lieu, partir du lien entre les dernières années de la vie1 de Marquis de Sade, qui meurt à Charenton le 2 décembre 1814, et la période de l’Empire. Dans une société marquée par la censure, il établit paradoxalement, au sein d’une maison de fou, un empire, celui de la liberté des passions sous l’égide du théâtre écrit, créé et mis en scène. De ce rapport entre l’asile et le théâtre, qui sous-entend le « pouvoir psychiatrique » foucauldien, dans cet empire des passions, naît une certaine scène, dans le sens ranciérien du terme, scène de la métaphorisation contemporaine. A l’effondrement du modèle de la théâtralité spécifique du roman libertin correspond ici l’interprétation de Sade de l’écrivain croate Ivo Brešan dans son roman Prokletnici (Les Maudits), à travers la métaphore de la société croate en transition, et celle, américaine, de la pièce de théâtre de Doug Wright, Quills (Plumes) et sa métaphore de l’écriture. Le bilan est vacillant.
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Journal articles Dissertations / Theses Books

Dissertations / Theses on the topic "Marquês de Sad":

1

Vieira, Marcela. "A obra de Marquês de Sade no Brasil do século xxi – aspectos culturais e linguísticos da tradução em português de Justine ou os tormentos da virtude." Electronic Thesis or Diss., Paris 8, 2022. http://www.theses.fr/2022PA080090.

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La présente thèse de doctorat vise à étudier les questions liées à la traduction en portugais dans sa variante brésilienne du roman Justine ou les malheurs de la vertu, de l'écrivain français Marquis de Sade. La thèse est organisée en trois parties structurelles : la première partie, intitulée « Éléments contextuels pour une philosophie libertaire », est consacrée à une analyse des manifestations littéraires, philosophiques et sociales au XVIIIe siècle en France. Nous passerons ensuite à la deuxième partie, « Traduction et conflit », dans le but de stimuler une lecture qui aborde le contenu discursif des personnages sadéens et, parallèlement, les confronter aux aspects linguistiques qui ont été prépondérants lors de la traduction. Dans la troisième partie, « Le traducteur comme acteur de son temps », l'accent est mis sur les aspects culturels au Brésil au début du XXIe siècle. Nous essayons d'établir une analyse du contexte brésilien concernant la réception des œuvres d'art à l'époque contemporaine. La recherche est conçue à partir d'un hybridisme théorique, puisque son écriture recourt à des notions qui passent par des références sémiotiques, linguistiques, philosophiques, sociales et de littérature comparée. Depuis les sous-divisions internes de chaque partie de cette recherche, jusqu'à la dynamique comparative entre la première et la troisième partie, nous sommes motivés par des questions liées à la réception, via la traduction, de l'œuvre de Sade dans le Brésil contemporain, en considérant les équivalences linguistiques et les concepts moraux actuels et d’autrefois
This doctoral thesis aims to investigate questions present in the translation from French to Brazilian Portuguese of the novel Justine ou les malheurs de la vertu, by the Marquis de Sade. The thesis is organized in three parts: the first, entitled "Contextual Elements for a Libertarian Philosophy", is dedicated to an analysis of literary, philosophical, and social phenomena in 18th century France. The second, "Translation and conflict" seeks to stimulate a reading that addresses the discursive content of Sadean characters and, in parallel, confronts them with linguistic aspects that were prominent during translation. In the third part, "The translator as an actor of his time", the emphasis shifts to cultural aspects in Brazil at the beginning of the 21st century. The thesis attempts to establish an analysis of the contemporary Brazilian context regarding the reception of works of art in the contemporary period. The thesis presents a hybrid theoretical approach, since its analysis draws on semiotic, linguistic, philosophical, social, and comparative literature references. From the internal subdivisions of each part of this research, to the comparative dynamics between the first and the third part, the thesis is motivated by questions related to the reception, via translation, of Sade's work in contemporary Brazil, considering linguistic equivalences and concepts of morality both in the contemporary sense and of the period
2

Mattos, Elizângela Inocêncio. "O Contra-iluminismo do Marquês de Sade." Universidade Federal de São Carlos, 2017. https://repositorio.ufscar.br/handle/ufscar/9331.

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This work aims to analyze the theoretical bases by which the Marquis de Sade built his philosophy, namely precisely the influence of La Mettrie and Holbach, which includes a study of nature and the mechanical question in the composition of beings, incurring to a fundamental determinism in the materialist current of the eighteenth century. It is important to understand how he took the thesis of mankind as a machine and the idea of a creative-destructive nature which allowed him to have a declared immoralism, based not only on nature, but also on militant atheism. The consequences of this path, incurs on the thesis of the counter-enlightenment of the Marquis de Sade who, man of his time, built a work based on combat, on denunciation, on the dominant discourse that characterizes the difference between strong and weak. The happiness demand is achieved by the total flow of passions, exploring all the dimensions of the corporal machine that can be happy, under the libertine optics, in the practice of crime. The way how Sade anticipates on treating evil as a component of nature, source of pleasure, also results in the intolerance of the libertine towards the victim.
O objetivo deste trabalho é analisar as bases teóricas pelas quais o Marquês de Sade edificou sua filosofia, a saber, precisamente, a influência de La Mettrie e Holbach, o que compreende um estudo da natureza e a questão mecânica na composição dos seres, incorrendo a um determinismo fundamental na corrente materialista do século XVIII. Importa compreender de que maneira tomou a tese do homem como máquina e a ideia de uma natureza criadora-destruidora, que lhe permitiu um imoralismo declarado, pautado não somente na natureza mas em um ateísmo militante. As consequências desse percurso incorrem na tese do contra-iluminismo do Marquês de Sade que, homem de seu tempo, edificou uma obra pautada no combate, na denúncia, no discurso dominante que caracteriza a diferença entre fortes e fracos. A exigência de felicidade tem a realização do pleno curso das paixões, explorando todas as dimensões da máquina corporal que pode ser feliz, sob a ótica libertina, na prática do crime. O modo como Sade se antecipa em tratar do mal sendo um componente da natureza, fonte de prazer, resulta também na intolerância do libertino em relação à vítima.
CAPES: BEX 3857/15-8
3

Batista, Ana Carolina Rosa. "Filosofia da natureza em os 120 dias de Sodoma: uma leitura da estética da destruição em Marquês de Sade." Universidade Federal de Goiás, 2018. http://repositorio.bc.ufg.br/tede/handle/tede/8987.

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES
Donatien-Alphonse François, the Marquis of Sade is one of the great names of the French libertine literature of the eighteenth century. He was a compulsive writer, being his bibliography characterized between diverse literary genres like novels, short stories, tales, and even theatrical plays. His texts were symptomatic, reflecting the problems and criticisms of his time. Sade criticized the absolutist political model in crisis of the French of the eighteenth century. The interference of religious morality and the Catholic Institution in this period, as well as criticism of a declining aristocracy. All this backed up by a philosophical thought, its philosophy of the nature, of materialistic influence. Sade links philosophical discourses with sexual practices in his texts, where everything is allowed and the imagination knows no bounds. And here, it Will be to the good marquis, this unique spirit, whether in his time or in the history of western thought, that we will look for in the present reflection, taking his work as object – about everything: the novel The 120 Days of Sodom – in order to understand how this author makes use of a destructive aesthetics, protected in the philosophy of nature, to propose a dechristianized social practice. To achieve this objective, contextual discussion of the eighteenth- century France Will be necessary, from Christian religious morality to materialistic philosophy. We Will also talk about the life and work of the marquis, as well as a study of the concept of literature, characterization of the novel, and the language of the grotesque, which is so used by Sade. Finally, we shall come to the analysis of the concept of aesthetics, and to think how Sade Will make of this aesthetic a destructive system, proposing a new social practice, exempt from a religious morality.
Donatien-Alphonse François, o Marquês de Sade é um dos grandes nomes da literatura libertina do século XVIII francês. Foi um escritor compulsivo, sendo sua bibliografia caracterizada entre diversos gêneros literários como romances, contos, novelas, e até mesmo peças teatrais. Seus textos foram sintomáticos, refletindo os problemas e as críticas de seu tempo. Sade criticou o modelo político absolutista em crise do século XVIII francês. A interferência da moral religiosa e da Instituição Católica nesse período, além da crítica a uma aristocracia decadente. Tudo isso respaldado por um pensamento filosófico, sua filosofia da natureza, de influência materialista. Os textos de Sade intercalam discursos filosóficos com práticas sexuais, onde tudo é permitido e a imaginação desconhece limites. E será justamente ao bom marquês, este espírito ímpar, seja em seu próprio tempo, seja na história do pensamento, que pretendemos aqui revisitar e tomar por objeto – tendo por enfoque principal o romance Os 120 dias de Sodoma – para assim, compreendermos como este autor faz uso de uma estética destrutiva, resguardada na filosofia da natureza, para propor uma prática social descristianizada. Para alcançarmos tal objetivo discussões contextuais da França do século XVIII serão necessárias, desde a moral religiosa cristã, até a filosofia materialista. Falaremos também da vida e obra do marquês, além de um estudo do conceito de literatura, caracterização do romance, e a linguagem do grotesco, sendo esta tão utilizada por Sade. Para for fim, chegarmos à análise do conceito de estética, e pensarmos como Sade fará dessa estética um sistema destrutivo, propondo uma nova prática social, isenta de uma moral religiosa.
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Page, Rosalyn Geraldine Media &amp Communications UNSW. "The Marquis de Sade and the Cinema of Transcendence." Awarded by:University of New South Wales. Media and Communications, 2002. http://handle.unsw.edu.au/1959.4/18656.

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This thesis is an enquiry into the Marquis de Sade, his writing and the perversion known as sadism. The narrower focus of this thesis investigates the problem of the meeting of violence and language in Sade's novels and the implications for cinema. The procedure has been to adopt the Critical and Clinical approach to philosophy that brings together both the literary style of Sade and the clinical symptoms of sadism. This method canvasses a number of Sades novels to consider the psychoanalytical definition of sadism before moving on to discuss the expression of sadism through language. Finally, the model of sadism and language is then applied to a number of films to discuss how violence within the context of sadism functions through language within cinema. The general results show how speech and action can be defined as equivalent forms of sadian violence when expressed through language in both literature and cinema. This occurs, furthermore, through the transcendent model of violence where both speech and action refer to a higher order of violence and this is put at the service of the senses through language. The major conclusions reached suggest that language in literature and cinema can be a demonstrative form of the higher order of violence. Sadism draws out the violence and excess of the world by reflecting it within language. In doing so, violence is designated with a quality of the erotic through this excess. Finally, each act of violence within literature and cinema is an attempt to overcome taboos through transgression. The breaking of a taboo creates an amount of excess but also reinstates the taboo in what becomes an empty act of transgression. The excess is expressed through violence within language and deed according to a transcendent function of language in literature and cinema.
5

Page, Rosalyn. "The Marquis de Sade and the cinema of transcendence." Connect to this title online, 2002. http://www.library.unsw.edu.au/~thesis/adt-NUN/public/adt-NUN20021210.152101/index.html.

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Mattos, Elizangela Inocencio. "Imaginação e interdito na obra do Marques de Sade." [s.n.], 2003. http://repositorio.unicamp.br/jspui/handle/REPOSIP/281599.

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Orientador: Luiz Roberto Monzani
Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
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Resumo: O presente trabalho tem por objetivo, situar a obra de Sade na história das idéias, explorando as aproximações de seu pensamento com os principais fIlósofos do iluminismo. Em seguida, propõe uma análise do, caráter emancipador do ateísmo na obra. Para depois, analisar a imaginação em seu contexto, como principal instrumento para a verdadeira liberdade do homem. De posse destes elementos, propomos uma análise da critica de Sade à idéia de pacto social, tomando como exemplo, a idéia de pacto descrita por Rousseau em seu Contrato Social
Abstract: The present work has for objective to point out the workmanship of the Marquis of Sade in the history of the ideas, being explored the approaches of its workmanship with the main philosophers of the Iluminism. After that, it considers an analysis of emancipador carater of the ateísm in the workmanship. It stops later, to analyze the imagination in its context, as main instrument for the true freedom of the mano Of ownership of these elements, we consider an analysis of criticizes of Sade the idea of social pact, taking as example, the described ide_ of pact for Rousseau in its Social Contract
Mestrado
Filosofia
Mestre em Filosofia
7

Avoni, Koblan. "Le Marquis de Sade et la philosophie des Lumières." Besançon, 1986. http://www.theses.fr/1986BESA1010.

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DERSON, DIDIER HENNEQUIN JACQUES. "La théâtralisation dans les romans du Marquis de sade." [S.l.] : [s.n.], 1998. ftp://ftp.scd.univ-metz.fr/pub/Theses/1998/Derson.Dider.LMZ9809_1.pdf.

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Castro, Clara Carnicero de. "Os libertinos de Juliette e a libertina de Sade." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/8/8133/tde-12112012-101549/.

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Esta pesquisa apresenta um estudo dos protagonistas do romance Histoire de Juliette, ou Les prospérités du vice (1801) do Marquês de Sade. O objetivo do trabalho é evidenciar a progressão dos enunciados filosóficos dos personagens, dentro das cenas libidinosas nas quais são proferidos, relacionando as teorias e as práticas particulares de cada herói com os traços de seu caráter. Tal abordagem supõe a tese de que há uma interdependência entre os argumentos do libertino e sua construção dentro da narrativa ficcional. Cada devasso expõe um conjunto singular de ideias, determinado por suas características morais, físicas e por outros aspectos que constituem o gênero do romance filosófico. Logo, este estudo não propõe uma interpretação específica para o pensamento de Sade, mas salienta a oposição e a convergência de ideias em sua obra, acentua o debate entre os personagens, expõe, portanto, a diversidade dos discursos libertinos.
This research intends to analyze the protagonists from the novel Histoire de Juliette, ou Les prospérités du vice (1801) by the Marquis de Sade. Our goal is to evidence the development of the philosophical statements of the characters, within the libidinous scenes where they take place, relating the theory and practice of each hero with his/her personality. This approach assumes an interplay between the libertine\'s arguments and their construction in the fictional narrative. Each person presents a unique set of ideas, determined by his/her moral and physical traits, in addition to all the other aspects found in the philosophical novel gender. We, therefore, do not present a specific interpretation for the thinking of Sade, rather, we stress the opposition and convergence of ideas in his work, underlining the debate among the characters to point out the diversity of discourse amidst the libertines.
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Souza, Ruth Maria Pina e. "Sade : o poder do gozo." [s.n.], 1993. http://repositorio.unicamp.br/jspui/handle/REPOSIP/279555.

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Orientador : Bento Prado Junior
Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
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Books on the topic "Marquês de Sad":

1

Fujimoto, Hitomi. Kōshaku Sado =: Marquis de Sade. Tōkyō: Bungei Shunjū, 1997.

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Laborde, Alice M. Le marquis et la marquise de Sade. New York: P. Lang, 1990.

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Thomas, Donald. Markiz de Sad. Smolensk: Rusich, 1998.

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Thomas, Donald. The Marquis de Sade. Secaucus, NJ: Citadel Press, 1992.

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Thomas, Donald Serrell. The Marquis de Sade. London: Allison & Busby, 1992.

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Stuart, Hood. Introducing Marquis de Sade. Duxford, Cambridge: Icon Books, 1999.

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Blanchot, Maurice. Lautréamont and Sade. Stanford, Calif: Stanford University Press, 2004.

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Peurot, Jean-Luc. Tombeau du marquis de Sade. Paris: Honoré Champion éditeur, 2012.

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Lever, Maurice. Marquis de Sade: A biography. London: Flamingo, 1995.

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Jammes, Patrick. Ce brave marquis de Sade. Coulommiers: Dualpha, 2010.

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Book chapters on the topic "Marquês de Sad":

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Glaser, Horst Albert. "Annex: Marquis de Sade." In Comparative History of Literatures in European Languages, 305–11. Amsterdam: John Benjamins Publishing Company, 2001. http://dx.doi.org/10.1075/chlel.xiv.22gla.

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Winter, Michael. "Sade, Donatien Alphonse François, Marquis de." In Metzler Philosophen Lexikon, 768–71. Stuttgart: J.B. Metzler, 1995. http://dx.doi.org/10.1007/978-3-476-03642-1_248.

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Wild, Gerhard. "Sade, Donatien Alphonse François Marquis de." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17728-1.

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Hekma, Gert. "Sade, Donatien Alphonse François, Marquis de." In Who's Who in Gay and Lesbian History, 390–91. 2nd ed. London: Routledge, 2020. http://dx.doi.org/10.4324/9781003070900-402.

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Keene, John. "Translating Brazil’s Marquise de Sade." In Essays on Hilda Hilst, 135–50. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-56318-3_8.

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Deininger, Melissa A. "The Marquis de Sade and Twisted Political Protest." In Protest in the Long Eighteenth Century, 104–21. Abingdon, Oxon ; New York, NY : Routledge, 2021. |: Routledge, 2021. http://dx.doi.org/10.4324/9780429275173-9.

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Hauskeller, Michael. "The Marquis de Sade on Happiness, Nature and Liberty." In Sex and the Posthuman Condition, 64–72. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137393500_6.

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Bloom, Clive. "From Horace Walpole to the Divine Marquis de Sade." In The Palgrave Handbook of Gothic Origins, 1–20. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-84562-9_1.

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Preparata, Guido Giacomo. "The Marquis de Sade: A Liberal Father to Them All." In The Ideology of Tyranny, 29–34. New York: Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230341418_4.

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Wild, Gerhard. "Sade, Donatien Alphonse François Marquis de: Aline et Valcour ou Le roman philosophique." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17730-1.

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Conference papers on the topic "Marquês de Sad":

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Pierlot, Pascal. "Du marquis de Sade au sadisme : de l’antonomase aux définitions médicales en France et en Allemagne autour de 1900." In Sade en jeu. Fabula, 2018. http://dx.doi.org/10.58282/colloques.5870.

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Caniglia, Maria Rossana. "La Torre di San Francesco a Palmi nelle vedute di Edward Cheney del 1823: immagini di un baluardo scomparso del sistema difensivo vicereale della Calabria Ultra." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11479.

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The Tower of San Francesco in Palmi in the views of Edward Cheney of 1823: images of a disappeared bulwark of the viceregal defensive system of Calabria UltraTo oppose the phenomenon of waves of Turks threatening the most exposed areas of the Kingdom of Naples, the viceregal government ordered from 1535 the construction of a continuous and articulated chain of defensive coastal towers. In Calabria, on behalf of the Viceroy Pedro di Toledo, the Marquis Francesco Pignatelli developed a project to identify the most suitable and strategic sites where to build the towers along the Tyrrhenian and Ionian coasts. This network included 69 towers in Calabria Ultra and 33 in Calabria Citra, clearly visible from each other at a maximum distance of six thousand steps. Most of these towers have lost their original function over time, and after the taking of Algiers in 1830, some were used as customs posts or torri semaforiche, and then be permanently abandoned. Today almost all of them are ruins. The cartographic sources and above all the iconographic ones, testify the importance of this defensive system of towers suspended between the land and the sea and arranged one after the other, real sentinels of the Mediterranean. On this occasion, the focus is on the Tower of San Francesco, was probably built in 1565, in Capo Barbi in Palmi, along the Tyrrhenian side between Reggio Calabria and Capo Vaticano. The bulwark was destroyed in 1956. The Tower of San Francesco, as evidenced by historical cartography and the views of Antonio Minasi in 1779 and Richard Keppel Craven in 1821, was portrayed in three drawings made by Edward Cheney during his travel to Calabria in May 1823. These views identify the characteristics of the architectural typology of the tower and the relationships with the town of Palmi; to relate it to the coastal towers of Pietre Nere (Taureana) and Capo Rocchi (Bagnara); and finally to the landscape of the Costa Viola up to the Strait of Messina.

Reports on the topic "Marquês de Sad":

1

Korai, Bernard, and Rémy Lambert. Les marques territoriales dans le secteur bioalimentaire : un outil pour favoriser l’achat local et de proximité. CIRANO, September 2023. http://dx.doi.org/10.54932/ryqi5487.

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Dans sa Politique bioalimentaire 2018-2025, le gouvernement du Québec vise notamment à faire de l’achat local l’une des pierres angulaires de la prospérité économique et sociale. Les marques territoriales sont fortement privilégiées pour favoriser l’achat local. On pense ici aux initiatives comme le Maïs sucré de Neuville, l’Agneau de Charlevoix, les Saveurs du Bas-Saint-Laurent ou encore Aliments du Québec. Ces initiatives ont-elles véritablement atteint le succès escompté ? Dans cette étude, les auteurs répondent à cette question et proposent plusieurs pistes de réflexion afin d’aider le secteur bioalimentaire à mieux structurer le développement et l’encadrement des marques territoriales et faire en sorte qu’elles fassent de plus en plus partie des habitudes de consommation des Québécoises et Québécois.
2

Dubois, Carl-Ardy, Roxane Borgès Da Silva, and Alexandre Prud'homme. Expérience au travail du personnel des établissements de soins de longue durée lors de la première vague de la pandémie de COVID-19 au Québec. CIRANO, June 2022. http://dx.doi.org/10.54932/tilk2260.

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La première vague de la pandémie de COVID-19 a été marquée au Québec par le plus lourd bilan au Canada tant en termes du nombre de personnes infectées que de décès. Selon l’INSPQ, 92 % des décès recensés ont touché les personnes âgées de 70 ans et plus. Les établissements de soins de longue durée et autres milieux de vie et de soins dédiés aux aînés ont été frappés de plein fouet. Comment les personnes qui travaillaient alors dans ces milieux ont-elles vécu cet épisode ? À la demande de la Commissaire à la santé et au bien-être, une équipe de recherche du CIRANO a réalisé une enquête auprès de 2365 travailleuses et travailleurs œuvrant dans le milieu. Ces personnes ont témoigné de leur expérience au travail pendant la première vague de la pandémie. On s’est intéressé à leurs perceptions quant aux ressources auxquelles elles ont eu accès — et celles auxquelles elles n'ont pas eu accès — et aux exigences et contraintes auxquelles ils ont dû faire face. On a aussi cherché à mieux comprendre pourquoi plusieurs avaient l’intention de quitter leur emploi. En portant attention à la perspective des travailleuses et travailleurs, l’étude de Carl-Ardy Dubois, Doyen et professeur titulaire à l’École de santé publique de l’Université de Montréal et Chercheur CIRANO, réalisée en collaboration avec Roxane Borges da Silva et Alexandre Prud’homme, nous éclaire sur les diverses situations de fragilité qui ont pu affecter la performance du système de santé dans sa réponse à la pandémie.
3

Menon, Shantanu, and Kushagra Merchant. Quest Alliance: Learning how to learn. Indian School Of Development Management, January 2023. http://dx.doi.org/10.58178/2301.1016.

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Quest Alliance began its organizational journey as digital technology was about to unfold sweeping changes in India, including in the areas of education and employment. As if to symbolize its tryst with technology, it is nestled in India’s “silicon valley” city of Bengaluru. Today, it also happens to enjoy the patronage of an enviable list of marquee donors ranging from leaders in the financial services industry and information technology to multilateral development agencies and Indian Government. Over the course of its work with these partners, Quest Alliance has come to serve as an interesting node in the arena of skill development and operates at the intersection of education, technology and youth employment. Established in 2005, it started as an earnest but modest enterprise. From 2009—when it had seven people and a sudden crisis of funding at hand—till 2022, it saw rapid acceleration. By the end of 2022, it had a team of 234 handling over INR 62 crore worth of annual funding. What Quest was working on—“Enabling self-learning”—was highly topical and certainly aided its growth, but amidst this growth something unusually remained steadfast: the extent of its investment on learning, development and capacity building of its own team. This holds significance for civil society where sourcing and building talent is a continuous pre-occupation for leadership. The case engages with the journey of Quest and its founder Aakash Sethi, and explores what it takes to put in place the internal scaffolding to hold together this deliberate and sustained focus on self-learning and development of its own people. It also engages with Quest’s work towards evolving a model of talent-building of young people in schools as well as those in transition from education to employment: anchored in the notion of young people as self-learners equipped with 21st century skills. The latter part of the case explores how Quest has crafted its own people management practice around the “self-learner” and gives learners the opportunity to reflect on the challenges of building and maintaining a way of being, doing and relating in a rapidly growing organization.
4

Godet, A., M. Smit, C. Guilmette, and F. Fournier-Roy. La longue vie du Batholite de Decelles, Pontiac, Québec: les grenats à notre rescousse! Natural Resources Canada/CMSS/Information Management, 2024. http://dx.doi.org/10.4095/332509.

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Les granites peralumineux sont reconnus à l'échelle mondiale comme le produit magmatique final des cratons archéens. Cependant, leur durée, les conditions thermiques de leur mise en place, leur séquence de cristallisation, ainsi que les liens avec l'évolution tectonométamorphique des roches encaissantes et les systèmes minéralisés en métaux précieux, de base, et rares sont peu connus. Le Batholite de Decelles (c. 2670-2620 Ma) exposé dans le sud-est du craton du Supérieur au Québec, Canada est l'un des plus volumineux de la région, offrant une opportunité unique dmp;gt;'améliorer notre compréhension des conditions thermiques et de la mobilité des magmas et des fluides dans la croûte moyenne et supérieure. Nous présentons des nouvelles datations Lu-Hf et des cartes dmp;gt;'éléments traces sur grenat de trois échantillons de granite du Batholite de Decelles. Les nouvelles dates de 2668 ± 4 Ma, 2663 ± 5 Ma, 2656 ± 7 Ma sont indifférenciables (considérant les incertitudes) des dates Lu-Hf sur grenat et U-Pb sur monazite des unités métasédimentaires encaissantes. La cartographie des éléments traces in situ par LA-ICP-MS révèle une zonation compositionnelle systématique. Les grenats présentent un cur avec une zonation oscillatoire concentrique en Li, P, Sc, Ti, Y, Zr, REE, Hf, Th et U; et une surcroissance marquée par des concentrations relativement élevées en MREE, HREE et V, et de faibles concentrations en Li, Ti, P, Sm, Zr, Hf et U par rapport aux curs. Les résultats indiquent une origine magmatique des grenats par opposition aux grenats métamorphiques de la source avec une histoire de cristallisation complexe. Le contenu en éléments traces du grenat semble être contrôlé par des variations cinétiques de croissance et de diffusion à l'interface grenat-matrice, ainsi que par la cristallisation de phases majeures et accessoires telles que la muscovite, la monazite, l'apatite et le zircon. Dans l'ensemble, le grenat du Batholite de Decelles date le début de la cristallisation magmatique et son contenu en éléments traces enregistre son histoire complète. Les archives géochronologiques régionales indiquent une évolution commune des niveaux de croûte moyenne et supérieure avec un refroidissement progressif entre c. 2640 et c. 2620 Ma, associé à la migration et au refroidissement de fluides minéralisateurs.

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