Books on the topic 'Marked themes'

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1

The liberalisation of Japan's financial markets: Some major themes. Basle: Bank for International Settlements, Monetary and Economic Dept., 1992.

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2

Wober, Mallory. The market for satellite TV: Religion and other themes. London: Independent Broadcasting Authority, 1988.

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3

Carbone, Mauro. Di alcuni motivi in Marcel Proust. Milano: Edizioni libreria Cortina, 1998.

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4

Cobin, John M. A primer on modern themes in free market economics and policy. 2nd ed. Boca Raton: Universal-Publishers, 2009.

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5

Cobin, John M. A primer on modern themes in free market economics and policy. 2nd ed. Boca Raton: Universal-Publishers, 2009.

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6

A primer on modern themes in free market economics and policy. 2nd ed. Boca Raton: Universal-Publishers, 2009.

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7

Richards, Greg. The UK theme park market: past, present and future. London: Polytechnic of North London, Centre for Leisure andTourism Studies, 1990.

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8

Marked man. New York: William Morrow, 2006.

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9

Lashner, William. Marked Man. New York: HarperCollins, 2006.

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10

Black market: A novel. New York: St. Martin's Press, 1992.

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11

Peltier, Marcel. Marcel Peltier: "L'invitation au voyage" sur des poèmes de Charles Baudelaire. [Rouen?: s.n., 1986.

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12

Hoffmann, Sabine. Sabine Hoffmann: Weg-Marken : Bilder, Plastiken und Installationen aus zwanzig Jahren, 1971-1991. Stuttgart: Edition H. Matthaes, 1991.

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13

A, Hirschheim R., Heinzl Armin, and Dibbern Jens 1971-, eds. Information systems outsourcing: Enduring themes, new perspectives, and global challenges. 2nd ed. Berlin: Springer-Verlag, 2006.

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14

Edexcel : economics A: Theme 1 : introduction to markets and market failure. London [England]: Philip Allan for Hodder Education, 2015.

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15

Mincer, Jacob. The production of human capital and the lifecycle of earnings: Variations on a theme. Cambridge, MA: National Bureau of Economic Research, 1994.

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16

Hayden-Hinsley, Fiona. The growth, market and future of theme parks in Britain and Ireland. [s.l: The author], 1989.

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17

Bruno, Foucart, ed. Edouard-Marcel Sandoz, 1881-1971: Images d'atelier. Paris: Fondation Taylor, 1991.

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18

Information systems outsourcing: Enduring themes, global challenges, and process opportunities. 3rd ed. Berlin: Springer-Verlag, 2009.

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19

Kaye, Sharon M. The Aristotle quest: Black market truth. Las Vegas: Parmenides Fiction, 2008.

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20

Berendse, Annemart. Decorate your shoes!: Create one-of-a-kind footwear. Paducah Kentucky: American Quilter's Society, 2012.

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21

My Little Pony: Daring Do and the Marked Thief of Marapore. Little, Brown Books for Young Readers, 2016.

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22

Berrow, G. M. My Little Pony: Daring Do and the Marked Thief of Marapore. Little, Brown Books for Young Readers, 2016.

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23

French market for theme parks. 2003.

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24

Marketing, Tourism and, ed. U.K. theme parks: A market report. London: Tourism Research & Marketing, 1990.

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25

Education Work And Identity Themes And Perspectives. Continuum, 2013.

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26

Brands, themes and concepts: A blueprint for the pub market. London: Martin Information, 1998.

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27

S. C. P. Level-5 Archive - Marcel Books. Research Journal of Marcel [REDACTED] SCP Foundation: Marcel Personalised Custom Name - SCP Themed Journal, Diary, Log - 6x9 - Secure Contain Protect Theme. Independently Published, 2021.

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28

Miller, Seumas. Financial markets and institutional purposes: The normative issues. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198755661.003.0004.

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There is a pressing need for an adequate general normative account or “theory” of financial markets, and for adequate special normative “theories” of particular financial markets, e.g. equity markets. This chapter discusses various currently influential normative theories of markets and market-based institutions, and rejects them (Section 4.2). The chapter goes on to elaborate the author’s own normative teleological account of social institutions (Section 4.3) and apply it to financial markets, specifically the banking sector, retirement savings schemes, and capital markets (Section 4.4). The chapter identifies manifest deficiencies in these financial markets and mentions various proposed remedies, arguing that these deficiencies and the remedies for them must be principally viewed in the light of the (normatively understood) institutional purposes of these financial markets and market-based institutions.
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29

O'Neill, John. Markets, Ethics, and Environment. Edited by Stephen M. Gardiner and Allen Thompson. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199941339.013.4.

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Is there a relation between the increasing extension of markets and market norms to previously non-market goods, and the growth of environmental problems? This chapter explores two competing answers: market-endorsing positions that argue that a source of environmental problems lies in the absence of markets in environmental goods and that the extension of markets or market modes of valuation to environmental goods offers the most effective way of protecting them; market-skeptical positions that deny that the extension of markets will protect environmental goods or more strongly that markets and increasing marketization are themselves a source of environmental problems. These positions offer distinct perspectives on market mimicking instruments in environmental policy making, such as cost-benefit analysis, and on the development of new markets, for example in emission rights and biodiversity offsets. The issues raised include questions about value commensurability, justice, epistemic limits to planning and markets, and environmental limits to growth.
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30

Whitmore, Aleysia K. World Music and the Black Atlantic. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190083946.001.0001.

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In the mid-twentieth century, African musicians took up Cuban music as their own. They claimed it as a marker of black Atlantic connections and of cosmopolitanism untethered from European colonial relations. Today, Cuban/African bands popular in Africa in the 1960s and ’70s have moved into the world music scene in Europe and North America, and world music producers and musicians have created new West African–Latin American collaborations expressly for this market niche. This book follows two of these bands, Orchestra Baobab and AfroCubism, and the industry and audiences that surround them—from musicians’ homes in West Africa, to performances in Europe and North America, to record label offices in London. This book examines the intensely transnational experiences of musicians, industry personnel, and audiences as they collaboratively produce, circulate, and consume music in a specific post-colonial era of globalization. Musicians, industry personnel, and audiences work with and push against one another as they engage in personal collaborations imbued with histories of global travel and trade. They move between and combine Cuban and Malian melodies, Norwegian and Senegalese markets, and histories of slavery and independence as they work together to create international commodities. Understanding the unstable and dynamic ways these peoples, musics, markets, and histories intersect elucidates how world music actors assert their places within, and produce knowledge about, global markets, colonial histories, and the black Atlantic. This book offers a nuanced view of a global industry that is informed and deeply marked by diverse transnational perspectives and histories of transatlantic exchange.
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31

Peter, Davis. Economics A: Theme 3 - Business Behaviour and the Labour Market. Hodder Education Group, 2019.

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32

Peter, Davis. Economics A: Theme 1 - Introduction to Markets and Market Failure. Taylor & Francis Group, 2019.

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33

Fund, International Monetary. Cross-Cutting Themes in Advanced Economies with Emerging Market Banking Links. International Monetary Fund, 2011.

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34

Fund, International Monetary. Cross-Cutting Themes in Advanced Economies with Emerging Market Banking Links. International Monetary Fund, 2011.

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35

A Primer on Modern Themes in Free Market Economics and Policy. Universal Publishers, 1999.

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36

Fund, International Monetary. Cross-Cutting Themes in Advanced Economies with Emerging Market Banking Links. International Monetary Fund, 2011.

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37

Monteleone, Simone Elizabeth. The Italian Market: A neighborhood commercial core. 1998.

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38

Innovation, firm size and market structure: Schumpeterian hypotheses and some new themes. Paris: OECD, 1996.

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39

Korte, B., and G. Zipp. Poverty in Contemporary Literature: Themes and Figurations on the British Book Market. Palgrave Pivot, 2014.

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40

Organisation for Economic Co-operation and Development., ed. Innovation, firm size, and market structure: Schumpeterian hypotheses and some new themes. Paris: OECD, 1996.

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41

Poverty in Contemporary Literature: Themes and Figurations on the British Book Market. Palgrave Pivot, 2014.

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42

Korte, B., and G. Zipp. Poverty in Contemporary Literature: Themes and Figurations on the British Book Market. Palgrave Macmillan Limited, 2014.

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43

Miller, Leta E. War, with Interludes (1991–1995). University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038532.003.0005.

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This chapter examines Kernis's music in the years 1991–1995, a period marked by a proliferation of dark, brooding works responding to world conflicts. These works include the Second Symphony (1991), a reaction to the first Gulf War; Still Movement with Hymn (1993), provoked by the war in Bosnia; Colored Field (1994), inspired by his 1989 visit to Auschwitz and Birkenau; and Lament and Prayer (1995), a memorial to the Holocaust. Was it the self-confidence brought on by increasing fame that in some sense empowered Kernis to take on these greater-than-life themes or to imagine that in some way he could, by his art, effect a change in the world around him? Such a viewpoint in no way indicates a misplaced self-importance. Rather, it is essential to the very art of composition, to the communicative goal that most composers pursue: the reaching out, through personal self-expression, to move and commune with listeners, and ultimately inspire a transformation in them.
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44

Kinnee, Lauren. Greek and Roman Trophy: From Battlefield Marker to Icon of Power. Taylor & Francis Group, 2018.

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45

Kinnee, Lauren. Greek and Roman Trophy: From Battlefield Marker to Icon of Power. Taylor & Francis Group, 2018.

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46

Kinnee, Lauren. Greek and Roman Trophy: From Battlefield Marker to Icon of Power. Taylor & Francis Group, 2018.

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47

Kinnee, Lauren. Greek and Roman Trophy: From Battlefield Marker to Icon of Power. Taylor & Francis Group, 2018.

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48

Gavin, Mark. Economics A: Theme 1 - Introduction to Markets and Market Failure. Hodder Education Group, 2019.

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49

Kolakowsky, Lisa Marie. Historic structures in the redevelopment process Market Street East, Philadelphia. 1997.

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50

Greek and Roman Trophy: From Battlefield Marker to Icon of Power. Taylor & Francis Group, 2018.

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