Journal articles: 'Mark-Anthony'

1

Richardson, C. "Anthony Mark Barrington Golding." BMJ 341, no. 30 3 (November 30, 2010): c6869. http://dx.doi.org/10.1136/bmj.c6869.

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Kidd, Neil. "Mark Anthony Jervis 1951–2014." International Journal of Pest Management 60, no. 2 (April 3, 2014): 144–45. http://dx.doi.org/10.1080/09670874.2014.941154.

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Pettitt, Stephen. "Mark-Anthony Turnage and 'Greek'." Musical Times 129, no. 1746 (August 1988): 397. http://dx.doi.org/10.2307/965963.

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Conway, Paul. "Recent discs of Mark-Anthony Turnage." Tempo 60, no. 236 (March 23, 2006): 75–76. http://dx.doi.org/10.1017/s0040298206230158.

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Kidd, Neil. "Obituary: Mark Anthony Jervis, 1951-2014." Entomologia Experimentalis et Applicata 159, no. 2 (April 28, 2016): 119–20. http://dx.doi.org/10.1111/eea.12437.

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Malaquais, Dominique. "Hollywood Icons, Local Demons:Hollywood Icons, Local Demons: Ghanaian Popular Paintings by Mark Anthony.;Hollywood Icons, Local Demons: Ghanaian Popular Paintings by Mark Anthony." American Anthropologist 102, no. 4 (December 2000): 870–77. http://dx.doi.org/10.1525/aa.2000.102.4.870.

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Cashin, Edward J., Mark Cooper Pope III, and J. Donald McKee. "Mark Anthony Cooper: The Iron Man of Georgia: A Biography." Journal of Southern History 68, no. 2 (May 2002): 445. http://dx.doi.org/10.2307/3069952.

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Brown, Kimberly Nichele. "Looking for Leroy: Illegible Black Masculinities by Mark Anthony Neal." Cinema Journal 53, no. 4 (2014): 173–77. http://dx.doi.org/10.1353/cj.2014.0046.

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Lorre-Johnston, Christine. "‘A little more erratic’: An interview with Mark Anthony Jarman." Short Fiction in Theory & Practice 7, no. 2 (October 1, 2017): 205–12. http://dx.doi.org/10.1386/fict.7.2.205_7.

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Lewis, Thabiti. "LOOKING FOR LEROY: Illegible Black Masculinity by Mark Anthony Neal." American Studies 54, no. 1 (2015): 145–47. http://dx.doi.org/10.1353/ams.2015.0002.

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Cameron, Elisabeth L. "Hollywood Icons, Local Demons: Ghanaian Popular Paintings by Mark Anthony." African Arts 35, no. 1 (April 1, 2002): 85–86. http://dx.doi.org/10.1162/afar.2002.35.1.85.

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12

Conway, Paul. "London, Barbican: ‘Etudes and Elegies’. Recent Turnage world premières (and CD releases)." Tempo 57, no. 224 (April 2003): 43–44. http://dx.doi.org/10.1017/s0040298203230151.

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This year's BBC weekend at the Barbican dedicated to a single composer was given over to Mark-Anthony Turnage. Even Turnage himself expressed doubts initially about whether his music was diverse enough to withstand such exposure. His worries were unfounded, as the chance to explore his recent output, in particular, revealed a composer who is constantly growing in stature and breaking out in new and fruitful directions.

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13

Conway, Paul. "Liverpool, Philharmonic Hall and London, Barbican and Regent's Hall: Mark-Anthony Turnage." Tempo 67, no. 265 (July 2013): 73–75. http://dx.doi.org/10.1017/s0040298213000491.

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In a baffling case of unhelpful scheduling, major new works by Mark-Anthony Turnage were showcased by the Royal Liverpool Philharmonic Orchestra and the London Symphony Orchestra in concerts held at the Philharmonic Hall, Liverpool and London's Barbican, respectively, on the same evening – 7 February 2013. Apart from necessitating an explanation for the composer's absence from the RLPO concert in their season's programme book, this double booking resulted in audiences being unable to experience live performances of two of Turnage's most substantial recent orchestral pieces. Surely one of these significant premières could have been rescheduled to another date – or, if not, a different time of day, creating a sporting chance to experience both events? Fortunately, the LSO concert was broadcast, enabling those of us who chose to attend the Liverpool concert to catch the London première retrospectively.

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Romo, Rebecca. "Book Review: Looking for Leroy: Illegible Black Masculinities by Mark Anthony Neal." Gender & Society 28, no. 2 (November 21, 2013): 321–22. http://dx.doi.org/10.1177/0891243213512024.

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15

Ebright, Ryan. "Billy Budd by Benjamin Britten, and: Anna Nicole by Mark-Anthony Turnage." Notes 70, no. 1 (2013): 163–65. http://dx.doi.org/10.1353/not.2013.0106.

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Ombres, Robert. "The Fifteenth Colloquium of Anglican and Roman Catholic Canon Lawyers." Ecclesiastical Law Journal 16, no. 3 (August 13, 2014): 363–65. http://dx.doi.org/10.1017/s0956618x1400057x.

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The latest colloquium took place in London, and had as its theme ‘Counsel and Consent’, a clear echo of Eric Kemp's book of that title. On the Anglican side, the participants were Will Adam, Norman Doe, Mark Hill QC (in whose Inner Temple chambers we met), Anthony Jeremy and Stephen Slack. The Roman Catholic canonists were Andrew Cole, James Conn SJ, Fintan Gavin, Aidan McGrath OFM and Robert Ombres OP.

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Zhu, Xiongwei, Rudolph J. Castellani, Hyoung-Gon Lee, Robert B. Petersen, Akihiko Nunomura, Massimo Tabaton, and George Perry. "The concept of redox balance in Alzheimer's disease: Mark Anthony Smith 1965–2010." Redox Report 16, no. 2 (March 2011): 47–48. http://dx.doi.org/10.1179/174329211x13020951739893.

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Zhu, Xiongwei, Rudy J. Castellani, Hyoung-gon Lee, and George Perry. "The origin of oxidative stress in neurodegenerative disease: Mark Anthony Smith 1965–2010." Free Radical Biology and Medicine 51, no. 2 (July 2011): 248–49. http://dx.doi.org/10.1016/j.freeradbiomed.2011.05.001.

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19

Jarman, Douglas. "THE MUSIC OF ANTHONY GILBERT (PART I)." Tempo 58, no. 229 (July 2004): 2–17. http://dx.doi.org/10.1017/s0040298204000191.

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First, the essential biographical information. Born in London on 26 July 1934, Anthony Gilbert was a relative latecomer to composition. Not until he was 19 did he start to study part time at Trinity College and not until he was 23, by which time he was working as a translator and interpreter at the London offices of the Société des Fonderies de Pont-à-Mousson of Nancy, did he begin to study composition, largely as a private pupil, with Anthony Milner, Mátyás Seiber and Alexander Goehr. It is a mark of Gilbert's determination that for the next ten years, while working in a variety of both non-musical (warehouseman and accounts clerk) and musical jobs (free-lance copyist, proof-reader and arranger) for Schotts, and full-time Music and Record Library Assistant at the City of Westminster Public Library, he not only devoted his summer holidays to studying at Dartington and Wardour Castle (with, amongst other teachers, Nono and Berio) but also found time to produce a whole series of works, including an unpublished Elegy for Piano, a Duo for violin and viola, the Piano Sonata No.1, Serenade, the Missa Brevis and the Sinfonia.

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Smith, Anthony Paul, and Mark William Westmoreland. "Harmonizing voices: François Laruelle and Anthony Paul Smith." Labyrinth 19, no. 2 (March 14, 2018): 22. http://dx.doi.org/10.25180/lj.v19i2.91.

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The following interview of Mark William Westmoreland with Anthony Paul Smith - well-known scholar and translator of François Laruelle - considers both implications and extensions of Laruelle's non-philosophy for contemporary thought. Smith has helped bring about a surge of interest in Laruelle due to his many translations of his texts as well as being the author or co-editor of several books on Laruelle. Discussed are in particular the difficulties and joys of translating and the usefulness of Laruelle's thought for Smith's own work, especially in environmental and animal studies. Also considered are some themes of non-philosophy, the adaptability of Laruelle's thought for various disciplines, as well as new paths for Laruelle studies - new, unforeseen landscapes and uses of non-philosophy - that explore social phenomena such as race, racism, sexism, victim a.o.

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Graham, Stephen. "Julian Anderson Thebans, English National Opera." Tempo 68, no. 270 (September 4, 2014): 77–78. http://dx.doi.org/10.1017/s0040298214000394.

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In basing his first opera on Sophocles' Thebans trilogy, heard at the ENO on 3 May 2014 in a condensed three-act version, one act per play, Julian Anderson shows his colours as something of a classicist. No postmodern pastiche nor quasi-medieval dramatic innovations for him, as we've seen from near British contemporaries Mark-Anthony Turnage and George Benjamin, nor the technological and dramaturgical explorations of other recent ENO productions, from Two Boys to Satyagraha to A Dog's Heart. No, this is a composer with his feet firmly planted in the grand operatic tradition of classical subjects and traditional telling.

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FRISKEN, AMANDA. "Obscenity, Free Speech, and “Sporting News” in 1870s America." Journal of American Studies 42, no. 3 (December 2008): 537–77. http://dx.doi.org/10.1017/s0021875808005562.

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The interventions of anti-vice crusader Anthony Comstock into 1870s popular illustrations created some surprising – and largely unintended – consequences. Not only did the man who defined modern American censorship goad into existence the radical free speech movement, but his manipulations of 1870s visual culture also heightened racial stereotyping in public print. His behind-the-scenes negotiations led illustrated newspaper editors to erase white sexuality, which they replaced with stories of interracial rape of white women by black men. In fostering both the rise of the free press movement and the selective racialization of visual culture, Comstock left an indelible mark on modern representation.

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23

Lister, John Rodney. "BBC Proms 2013: Gerald Barry, Peter Eötvös, Nishat Kahn, Frederic Rzewski and Mark Anthony Turnage." Tempo 68, no. 267 (January 2014): 55–57. http://dx.doi.org/10.1017/s0040298213001356.

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Mark Anthony Turnage's Frieze – performed by the National Youth Orchestra of Great Britain, conducted by Vasily Petrenko, on 11 August – and Nashit Kahn's The Gate of the Moon, a concerto for sitar and orchestra – performed by Kahn himself with the BBC National Orchestra of Wales, conducted by David Atherton on 12 August – both raise the question of how, in a new piece, one can meaningfully reference other music. Turnage's work was commissioned by the Royal Philharmonic Society to celebrate the organisation's bicentennial and to share a programme as their most famous and, probably, greatest commission, the Beethoven Ninth Symphony; this shorter work, which is clearly modelled on the Beethoven in its general layout, is a sort of gloss in Turnage's own language on the older one. Kahn's concerto brings together an orchestra of western instruments and a single Indian one and aims at joining their indigenous musical languages in a meaningful way.

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24

Mason, Sir Anthony. "The Role of a Constitutional Court in a Federation a Comparison of the Australian and the United States Experience." Federal Law Review 16, no. 1 (March 1986): 1–28. http://dx.doi.org/10.1177/0067205x8601600101.

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The Australian National University, the Sir Robert Menzies Memorial Trust and the University of Virginia Law School have established an annual Menzies Lecture Series. The Lectures are held in honour of Sir Robert Menzies and mark his contribution to the law and public life. The Lectures are given in alternate years at the Law Schools of the University of Virginia and the Australian National University. The Lectures will be published in the “Federal Law Review”. The first Menzies Lecturer was The Honourable Sir Anthony Mason of the High Court of Australia who visited the University of Virginia in October 1985. The following article is based on Sir Anthony's lecture.

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25

Döring, Heike. "Book review: Mark-Anthony Falzon (ed.), Multi-Sited Ethnography: Theory, Praxis and Locality in Contemporary Research." Qualitative Research 12, no. 5 (October 2012): 599–601. http://dx.doi.org/10.1177/1468794112442301.

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26

Parker, Sarah. "Literary and Cultural Alternatives to Modernism: Unsettling Presences ed. by Kostas Boyiopoulos, Anthony Patterson, Mark Sandy." Modernism/modernity 27, no. 1 (2020): 196–99. http://dx.doi.org/10.1353/mod.2020.0014.

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27

Hilbert, Michael. "The Ninth Colloquium of Anglican and Roman Catholic Canon Lawyers." Ecclesiastical Law Journal 10, no. 3 (August 12, 2008): 357–59. http://dx.doi.org/10.1017/s0956618x08001476.

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The Ninth Colloquium of Anglican and Roman Catholic Canon Lawyers took place from 3 to 6 April 2008, at Bishop's House, Sliema, Malta, and the meeting was graciously hosted by the Anglican contingent. The ten participants (five Anglican and five Roman Catholic) were: on the Anglican side, Norman Doe (Chair), Bishop Paul Colton, Mark Hill, Anthony Jeremy (all from the Centre for Law and Religion at Cardiff Law School) and Stephen Slack (Director of Legal Services at the Archbishops' Council, Church of England); and, on the Roman Catholic side, James Conn, Michael Hilbert, Aidan McGrath (all from the Faculty of Canon Law at the Pontifical Gregorian University), Robert Ombres (Procurator General of the Dominicans) and Fintan Gavin.

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28

Pettitt, Stephen. "The Music of John Lambert." Tempo, no. 164 (March 1988): 12–19. http://dx.doi.org/10.1017/s0040298200023792.

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John Lambert, who celebrated his 60th birthday in 1986, is known better as a teacher than as a composer, and despite a formidable list of past pupils, which includes the likes of Javier Alvarez, Simon Bainbridge, Gary Carpenter, Oliver Knussen, Jonathan Lloyd, Ian McQueen, and Mark-Anthony Turnage, that is a situation he and many others view as slightly unfair. His output is not especially prodigious—excluding the chamber opera, A Family Affair, to be performed at the Brighton Festival this year the numbered oeuvres run to 26 in all—yet the quality and frequently the bold originality of his music, readily acknowledged by colleagues like Ligeti and Dutilleux, surely merits wider acknowledgement than it has as yet received.

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Loehle, Craig, and Larry Irwin. "Reply to the comment by Franklin et al. on “Are survival rates for northern spotted owls biased?”Appears in Can. J. Zool. 83: 1386–1390." Canadian Journal of Zoology 84, no. 9 (September 2006): 1380–82. http://dx.doi.org/10.1139/z06-130.

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We reply to Franklin et al.’s critique of our recent work in which we computed survival for northern spotted owls ( Strix occidentalis caurina (Merriam, 1898)) from sites in western Oregon and northern California based on 197 radio-collared owls. Several methods gave similar results and we noted that our estimated survival rates might be closer to the true value than those derived from mark–recapture studies. We included an errant reference to Anthony et al. (Wildl. Monogr. No. 163, pp. 1–47 (2006)) in comments about bias in prior estimates of survival and hence of λ, a mistake for which we published an erratum. In spite of our erratum, Franklin et al. correct our presumed misunderstanding of the re-parameterized Jolly–Seber methods used in the article by Anthony et al. We never intended our comments to refer to the article by Anthony et al. The commentary also states that we overestimated survival because birds that left the study area might actually have died simultaneously with radio-collar destruction. However, in our earlier paper, we stated quite clearly that the fate of virtually every bird was accounted for by tracking them down if they left the study area or until the body was found if dead. They secondarily state that birds that emigrated might have a higher mortality rate and cited as evidence a study based on four owls. We do not consider that study sufficient to determine whether mortality rates for emigrating owls may be elevated. We also dispute several other criticisms but concur with them that several issues related to owl demography could benefit from further study.

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Fusco, Alessia. "The Supreme Court of the United Kingdom and Preliminary References to the European Court of Justice: An Opencast Constitutional Lab." German Law Journal 16, no. 6 (December 2015): 1529–42. http://dx.doi.org/10.1017/s2071832200021258.

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At the start of his paperKeeping Their Heads Above Water? European Law in the House of Lords, Anthony Arnull reports a judgment delivered by Lord Denning in 1979, in the early days of the process of the United Kingdom's European integration. It stated as follows:[The] flowing tide of the Community law is coming in fast. It has not stopped at high-water mark. It has broken the dykes and the banks. It has submerged the surrounding land. So much that we have to learn to become amphibious if we wish to keep our heads above water.Lord Denning made a similar remark in his judgment in Bulmer v. Bollinger, which was a pivotal case in the dialogue between the United Kingdom (UK) and European systems.

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Lyras, Dena. "Vertical Transmission." Microbiology Australia 41, no. 2 (2020): 54. http://dx.doi.org/10.1071/ma20015.

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I will begin this Vertical Transmission by hoping that you and your families are all healthy and well, and coping during this very confused and frightening time. Microbiology and public health are certainly at the forefront of community and government attention at this time, and rapid solutions are being sought to deal with the SARS-CoV-2 pandemic. Unfortunately, funding for discovery research that will provide the required solutions for this and other microbial threats is lacking. For this reason, the ASM Executive (Dena Lyras, Roy Robins-Browne, Kate Seib, Anthony Baker, Rebecca LeBard), together with Mark Schembri, Jonathan Iredell, Priscilla Johanesen, Enzo Palombo, Cheryl Power, and Deborah Williamson, have prepared the following statement to share with you and the broader community on this matter.

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Treasure, T., A. Bugaighis, I. Calder, H. Hodgson, I. W. Manson, M. Baum, S. Lewis, et al. "Christiaan Neethling Barnard Abdulla Mohamed Bugaighis John Calam Terence Mark Hardiker Ian Martin Jackson William Gwyn Lewis Olivia (Libby) Potterton Anthony Robinson Alan Mark Vincent." BMJ 323, no. 7314 (September 22, 2001): 696. http://dx.doi.org/10.1136/bmj.323.7314.696.

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33

Mohamadi, Abolfazl. "Constructive Power and Discordant Discourses in Shakespeare’s Antony and Cleopatra." International Letters of Social and Humanistic Sciences 58 (September 2015): 18–24. http://dx.doi.org/10.18052/www.scipress.com/ilshs.58.18.

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The present paper aims to focus on how the circuit of different discourses in Alexandria and Rome contributes to the subject formation in Antony and Cleopatra. Identity, which acts as trap in this play, precipitates the characters from two different countries or contexts into a war through creating binarized categories with heterogeneous possibilities. Mark Antony – one of the Triumvirs of Rome in search for self-actualization strives against his country’s discourse in the beginning, he places himself in the warring discourses of Rome and Alexandria. When in Alexandria, he is inside the discourses of Rome, and when in Rome, he is inside the discourses of Alexandria. Like the nature of the signifier as it can happen and be determined by other contexts, Antony retains references to Rome when he is Alexandria, and establishes himself as a subject and makes his signification possible in this foreign country by relating himself to epicurean concepts other than his own former stoic attitudes. Thus, mark of the past element remains in him. Through discourse analysis, this study aims to analyze how the loop of self-hood is firmly tied by the signifiers, and how power, which is not solely negative and repressive, but positive and productive, shapes Antony’s capricious personality as he both challenges and is challenged by power. In the end it is revealed that Mark Anthony refashions his identity and perspective by admitting and embracing multiplicity between Rome’s stoicism and Alexandria’s Epicureanism.

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34

Lister, Rodney. "Proms 2004: Turnage, Bingham, Sheng, Silk Road, Henze." Tempo 59, no. 231 (January 2005): 47–49. http://dx.doi.org/10.1017/s0040298205270055.

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In fulfillment of a commission from the BBC for a work in commemoration of the 75th anniversary of the BBC Symphony Chorus, Mark-Anthony Turnage produced Calmo, an untypically quiet and gentle work for chorus with handbells – and, what has become something of a signature instrument for him, desk bells. The text of the work consists of the words ‘Dona nobis pacem’ and their translations in several languages. It is dedicated to the memory of Turnage's friend Sue Knussen. Calmo's intense eloquence was enhanced by its brevity, and, both despite and because of it, stood out in a program of music for chorus, harp, and organ by an assortment of older and newer Czech and British Composers, including Janáček, MacMillan, Holst, and Eben, presented by the BBC Symphony Chorus, conducted by Stephen Jackson.

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Tibbalds, Francis. "Tugnett, Anthony and Robertson, Mark, "Making Townscape: A Contextual Approach to Building in an Urban Setting" (Book Review)." Town Planning Review 59, no. 3 (July 1988): 329. http://dx.doi.org/10.3828/tpr.59.3.0k787725072g3ku6.

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36

Perry, George, and Xiongwei Zhu. "Mark Anthony Smith (1965–2010): Visionary, Alzheimer Researcher, and Editor-in-Chief of the Journal of Alzheimer's Disease." Journal of Alzheimer's Disease 24, no. 1 (March 29, 2011): 1–2. http://dx.doi.org/10.3233/jad-2011-111437.

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37

Kelly, Tobias, Avi Brisman, Lisa Anderson-Levy, Olivera Simic, and Livia Holden. "Reviews." Journal of Legal Anthropology 1, no. 1 (September 1, 2008): 135–44. http://dx.doi.org/10.3167/jla.2008.010107.

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Coles, Kimberley. 2007. Democratic Designs: International intervention and electoral practices in post-war Bosnia-Herzegovina. Ann Arbor: University of Michigan Press. ISBN: 978-0-472-06985-9. 320 pgs. 31 figures, 6 tables. $26.95.Goodale, Mark and Sally Engle Merry (2007) The Practice of Human Rights: Tracking Law Between the Global and the Local. Cambridge: Cambridge University Press. ISBN: 978-0-521-68378-4, xii + 384 pp, $39.99Lazarus-Black, Mindie. 2007. Everyday Harm: Domestic Violence, Court Rites, and Cultures of Reconciliation. Champaign, IL: University of Illinois Press. ISBN: 978-0-252-07408-0. 264 pp. $22.00.Pouligny, Beatrice. 2006. Peace Operations Seen from Below: UN Missions and Local People. USA: Kumarian Press. ISBN: 978 156549 224 0 276 295 pp. $27.50.Good, Anthony. 2007. Anthropology and Expertise in the Asylum Courts. New York: Cavendish. ISBN 978-1-904385-55-4 xxv + 299 pp.

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38

SEIGEL, JERROLD. "FORUM: THE IDEA OF THE SELF." Modern Intellectual History 3, no. 2 (August 2006): 333–44. http://dx.doi.org/10.1017/s1479244306000795.

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I want to begin by thanking all the participants in today's roundtable for their comments and criticisms, and especially those who worked to conceive and arrange it. I am enormously flattered, as I think most people would be, to find myself the subject of sustained attention, however critical, over a whole afternoon, and especially from such thoughtful and insightful colleagues. Too bad for me that I did not have all these critiques before finishing the book, since it would surely have been better for them. It did profit from earlier comments by two of today's panel members, Peter Gordon and Anthony La Vopa; that they have both been willing to add to the discussion in the way they have now is a mark of intellectual and personal generosity that I greatly appreciate. Let me take up each of the four comments in turn.

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Jenks, Susanne. "Medieval Petitions: Grace and Grievance, hg. v. Ormrod, William Mark/Dodd, Gwilym/Musson, Anthony. Boydell & Brewer, Woodbridge/Suffolk." Zeitschrift der Savigny-Stiftung für Rechtsgeschichte: Germanistische Abteilung 127, no. 1 (August 1, 2010): 602–3. http://dx.doi.org/10.7767/zrgga.2010.127.1.602.

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De Nicola, Anthony, and Mark F. Randolph. "Closure to “Tensile and Compressive Shaft Capacity of Piles in Sand” by Anthony De Nicola and Mark F. Randolph." Journal of Geotechnical Engineering 121, no. 4 (April 1995): 404–5. http://dx.doi.org/10.1061/(asce)0733-9410(1995)121:4(404).

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41

Stater, Victor. "The Bishops' Wars: Charles I's Campaigns against Scotland, 1683-1640. Mark Charles Fissel , Anthony Fletcher , John Guy , John Morrill." Journal of Modern History 68, no. 2 (June 1996): 447–49. http://dx.doi.org/10.1086/600782.

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42

Erasmus, Zimitri. "Sylvia Wynter’s Theory of the Human: Counter-, not Post-humanist." Theory, Culture & Society 37, no. 6 (August 5, 2020): 47–65. http://dx.doi.org/10.1177/0263276420936333.

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How does Sylvia Wynter’s theory of the human depart from Western bio-centric and teleological accounts of the human? To grapple with this question I clarify five key concepts in her theory: the Third Emergence, auto- and socio-poiesis, the autopoietic overturn, the human as hybrid, and sociogenesis. I draw on parts of Wynter’s oeuvre, texts she works with and my conversations with Anthony Bogues. Wynter invents a Third Emergence of the world to mark the advent of the human as a hybrid being. She challenges Western conceptions that reduce the human to biological properties. In opposition to Western teleology, her counter-cartography of a history of human life offers a relational conception of human existence which pivots around Frantz Fanon’s theory of sociogeny. She draws on Aimé Césaire’s call for a conception of the human made to the measure of the world, not to the measure of ‘Man’. This makes Wynter’s theory counter-, not post-humanist.

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43

Dickerson, Nikolas. "Ricky and Stick Icky: Marijuana, Sport, and the Legibility/Illegibility of Black Masculinity." Sociology of Sport Journal 35, no. 4 (December 1, 2018): 386–93. http://dx.doi.org/10.1123/ssj.2017-0033.

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In this article, I examine the ways the popular press, and two sport documentaries construct narratives of Ricky Williams’ marijuana use, early retirement, and return to the National Football League. I argue that all of the texts in question, work to produce a dominant reading of Williams, as someone who is difficult to define, and it is because of inability to put Williams’s identity into a box, that his marijuana use, “strange” personality, and early retirement is used to shoe-horn him into tropes of the bad black athlete. Nonetheless, this paper draws on Mark Anthony Neal’s concept of illegible and legible black masculinity to argue that a re-scripting of these narratives can be used to imagine alternative forms of black masculinity the emphasizes empathy, sensitivity, emotional maturity, and a rejection of domination and material wealth. This analysis is situated within the changing landscape of marijuana legislation and the racial inequity in arrest rates for marijuana.

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Kaufmann, Jodi. "The Meaning of “Not Innocent”." International Review of Qualitative Research 4, no. 3 (November 2011): 291–312. http://dx.doi.org/10.1525/irqr.2011.4.3.291.

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Mark MacPhail was murdered. The body of the white police officer was found fatally shot in Savannah, Georgia on August 19, 1989. Black and poor, Troy Anthony Davis was convicted of the murder and sentenced to death. Many people believe Davis innocent. In 2009 the U.S. Supreme Court ordered the District Court in Savannah to grant Davis an evidentiary hearing. Davis was found “not innocent.” Post-conviction, “not innocent” is a complex signifier. In this case it was constructed by the District Court through four interpretive lenses: Georgia's relation to the death penalty, the Anti-terrorism Effective Death Penalty Act (AEDPA), Supreme Court rulings, and the District Court's subjective imaginary. As each of these interpretive lenses is imbued with racism, the question of whether Georgia will execute an innocent man becomes starkly real. In this paper, I examine the post-conviction construction of “not innocent” as it relates to the Troy Davis case.

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Callus, Ivan. "Literature in Our Time, or, Loving Literature to Bits." CounterText 1, no. 2 (August 2015): 232–69. http://dx.doi.org/10.3366/count.2015.0019.

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In this essay Ivan Callus provides some reflections on literature in the present. He considers the tenability of the post-literary label and looks at works that might be posited as having some degree of countertextual affinity. The essay, while not setting itself up as a creative piece, deliberately structures itself unconventionally. It frames its argument within twenty-one sections that are self-contained but that also echo each other in their attempt to develop an overarching argument which draws out some of the challenges that lie before the countertextual and the post-literary. Punctuating the essay and contributing to its unconventional take on the practice of literary criticism is a series of exercises for the reader to complete, if so wished; the essay makes no attempt, however, to suggest that a countertextual criticism ought to make a routine of such devices. The separate sections contain reflections on a number of texts and writers, among them, and in order of appearance, Hamlet, Anthony Trollope, Jacques Derrida, The Time Machine, Don Quixote, Mark Z. Danielewski, Mark B. N. Hansen, Gunter Kress, Scott's Reliquiae Trotcosienses, W. B. Yeats, Kate Tempest, David Jones, Anne Michaels, Bernice Eisenstein, Paul Auster, J. M. Coetzee, Billy Collins, Deidre Shauna Lynch, Tim Parks, Tom McCarthy – and Hamlet again. The essay's length fulfils a performative function but also facilitates as extensive a catalogue of aspects of the countertextual in literature and elsewhere as is feasible or as might be dared at this stage.

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Alloway, Kevin D. "Neuroscience. Dale Purves , George J. Augustine , David Fitzpatrick , Lawrence C. Katz , Anthony-Samuel LaMantia , James O. McNamara , S. Mark Williams." Quarterly Review of Biology 76, no. 4 (December 2001): 526. http://dx.doi.org/10.1086/420640.

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Hill, Alexander. "Recent Literature on the Great Patriotic War of the Soviet Union 1941–1945." Contemporary European History 9, no. 1 (March 2000): 169–79. http://dx.doi.org/10.1017/s0960777300001089.

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Anthony Beevor, Stalingrad (London: Viking, 1998), 512 pp., £25.00, ISBN 0-670-87095-1. David Glanz, ed., The Initial Period of the War on the Eastern Front 22 June–August 1941 (London: Frank Cass, 1993, reprinted 1997), 511 pp., £22.50, ISBN 0-714-64298-3. David Glanz and Jonathan House, When Titans Clashed – How the Red Army Stopped Hitler (Lawrence, Kansas: University Press of Kansas, 1995), 414 pp., £14.50, ISBN 0-700-60899-0. Leonid Grenkevich, The Soviet Partisan Movement 1941–1944 (London: Frank Cass, 1999), 368 pp., £17.50, ISBN 0-714-64428-5. Mark Harrison, Accounting for war – Soviet production, employment and the defence burden, 1940-1945 (Cambridge: Cambridge University Press, 1996), 338 pp., £40.00, ISBN 0-521-48265-8. Richard Overy, Russia's War (London: Penguin, 1997), 394 pp., £20.00, ISBN 0-713-99223-9. V. A. Zolotarev et al., Velikaia Otechestvennaia voina 1941–1945. Kniga 1 – Surovie ispitaniia (Moscow: Nauka, 1998), 542 pp., ISBN 5-020-10136-2. V. A. Zolotarev et al., Velikaia Otechestvennaia voina 1941–1945. Kniga 2 – Perelom (Moscow: Nauka, 1998), 499 pp., ISBN 5-020-09736-5.

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Weszkalnys, Gisa. "Book Review: Mark-Anthony Falzon (ed.), Multi-sited Ethnography: Theory, Praxis and Locality in Contemporary Research. Farnham and Burlington: Ashgate, 2009." Critique of Anthropology 30, no. 4 (December 2010): 421–23. http://dx.doi.org/10.1177/0308275x10382732.

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Groenewegen, Peter. "Thirlwall, Anthony P., Nicholas Kaldor. Grand Masters in Economics series. General editor, Blaug, Mark, (Brighton: Wheatsheaf, 1987. Pp. xix + 260. $49.95.)." Australian Economic History Review 29, no. 1 (January 1989): 93–94. http://dx.doi.org/10.1111/aehr.291br7.

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Omhovère, Claire. "Snow White and the Polar Bears in the Age of Global Heating: A Reading of Mark Anthony Jarman’s “My White Planet”." Revista Canaria de Estudios Ingleses, no. 78 (2019): 37–53. http://dx.doi.org/10.25145/j.recaesin.2019.78.003.

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Journal articles on the topic 'Mark-Anthony'

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