Academic literature on the topic 'Marimba'
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Journal articles on the topic "Marimba"
Raush, John R., Ross Edwards, Jacob Druckman, Roger Reynolds, and Toshi Ichiyanagi. "Marimba Dances for Solo Marimba (1982)." Notes 49, no. 3 (March 1993): 1278. http://dx.doi.org/10.2307/899022.
Full textPradana, Ridhlo Gusti, Agus Salim, and YC Budi Santoso. "Penerapan Teknik Empat Mallet Pada Lagu Tambourin Paraphrase Untuk Solo Marimba Karya Keiko Abe." PROMUSIKA 6, no. 2 (August 6, 2019): 90–101. http://dx.doi.org/10.24821/promusika.v6i2.2477.
Full textSturman, Janet. "¡Arriba Suena Marimba! Currulao Marimba Music from Colombia by Grupo Naidy." Ethnomusicology 51, no. 3 (October 1, 2007): 515–18. http://dx.doi.org/10.2307/20174554.
Full textMay, Randall L. "MARIMBA SUSPENDED MICROPHONE SYSTEM." Journal of the Acoustical Society of America 132, no. 1 (2012): 573. http://dx.doi.org/10.1121/1.4734267.
Full textLarsen, Henrik Knarborg, Ole Adrian Heggli, and Bjørn Petersen. "Marimba, mallet and mind – enhancing the marimba sound by Ki-aikido approach." Journal of New Music Research 48, no. 5 (August 29, 2019): 469–78. http://dx.doi.org/10.1080/09298215.2019.1657465.
Full textAtkinson, Sean. "Tonality in Steve Reich's Nagoya Marimbas." Music Theory and Analysis (MTA) 6, no. 2 (October 30, 2019): 191–200. http://dx.doi.org/10.11116/mta.6.2.1.
Full textde Gandarias, Igor. "Maya Achi Marimba Music in Guatemala." Ethnomusicology 52, no. 2 (April 1, 2008): 324–26. http://dx.doi.org/10.2307/20174591.
Full textHerdianto*, Ferry. "Marimba Solis Performance with Repertoar the Variation on Theme (from the Malay's "Pucuk Pisang")." International Journal of Management and Humanities 5, no. 7 (March 30, 2021): 76–81. http://dx.doi.org/10.35940/ijmh.f1235.035721.
Full textSuits, B. H. "Basic physics of xylophone and marimba bars." American Journal of Physics 69, no. 7 (July 2001): 743–50. http://dx.doi.org/10.1119/1.1359520.
Full textHoffman, Guy, and Gil Weinberg. "Interactive improvisation with a robotic marimba player." Autonomous Robots 31, no. 2-3 (June 2, 2011): 133–53. http://dx.doi.org/10.1007/s10514-011-9237-0.
Full textDissertations / Theses on the topic "Marimba"
Sokolov, Oleg. "Marimba - vývoj a současnost." Master's thesis, Akademie múzických umění v Praze.Hudební a taneční fakulta. Knihovna, 2012. http://www.nusl.cz/ntk/nusl-156081.
Full textSmith, Sarah E. "The development of the marimba as a solo instrument and the evolution of the solo literature for the marimba." Connect to resource, 1995. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1114442870.
Full textdeLise, Louis Anthony. "Marimba Rossa for marimba and orchestra [front for score matter]." Diss., Temple University Libraries, 2008. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/19916.
Full textPh.D.
ABSTRACT Marimba Rossa is a three-movement concert piece for marimba and symphony orchestra. The 14-minute piece is written in the spirit of the Italian Baroque concertos of Antonio Vivaldi (the "Red Priest" for whom the piece is named), using a harmonic and rhythm language that is heavily influenced by the concert and pop music of the late twentieth-century. Marimba Rossa was composed with the concept of Ars Combinatoria in mind. First espoused by George Rochberg in 1973, Ars Combinatoria is concert music that uses musical gestures drawn from any musical tradition. The accompanying monograph provides a detailed history of the modern concert marimba and an account of the evolution of its concert and popular music repertoire. Specific information about the marimba's origins in Asia, its place in the Bible, the development of the European strohfiedel xylophone, the refinement of the instrument in America, and a discussion of the Guatemalan, Mexican, and Japanese marimba tradition is included to provide a context and rationale for the composing of Marimba Rossa. The contributions of John Calhoun Deagan, Ulysses G. Leedy, George Hamilton Green, Harry Breuer, Clair Omar Musser, and others are chronicled. Other topics include: the use of the xylophone in the symphony orchestra; polytonality; modal writing; and the folk music of Calabria, Italy. The monograph also describes the juxtaposition of the marimba and various instrumental consorts and the metaphoric class struggle these pairings represent in Marimba Rossa.
Temple University--Theses
deLise, Louis Anthony. "Marimba Rossa [dissertation]." Diss., Temple University Libraries, 2008. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/19912.
Full textPh.D.
ABSTRACT Marimba Rossa is a three-movement concert piece for marimba and symphony orchestra. The 14-minute piece is written in the spirit of the Italian Baroque concertos of Antonio Vivaldi (the "Red Priest" for whom the piece is named), using a harmonic and rhythm language that is heavily influenced by the concert and pop music of the late twentieth-century. Marimba Rossa was composed with the concept of Ars Combinatoria in mind. First espoused by George Rochberg in 1973, Ars Combinatoria is concert music that uses musical gestures drawn from any musical tradition. The accompanying monograph provides a detailed history of the modern concert marimba and an account of the evolution of its concert and popular music repertoire. Specific information about the marimba's origins in Asia, its place in the Bible, the development of the European strohfiedel xylophone, the refinement of the instrument in America, and a discussion of the Guatemalan, Mexican, and Japanese
Temple University--Theses
Àlamo, Santos Juan Manuel. "A Performance Guide and Theorical Study of Keiko Abe's Marimba d'Amore and Prism Rhapsody for Marimba and Orchestra." Thesis, University of North Texas, 2008. https://digital.library.unt.edu/ark:/67531/metadc9803/.
Full textdeLise, Louis Anthony. "Marimba Rossa [score I]." Diss., Temple University Libraries, 2008. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/19940.
Full textPh.D.
ABSTRACT Marimba Rossa is a three-movement concert piece for marimba and symphony orchestra. The 14-minute piece is written in the spirit of the Italian Baroque concertos of Antonio Vivaldi (the "Red Priest" for whom the piece is named), using a harmonic and rhythm language that is heavily influenced by the concert and pop music of the late twentieth-century. Marimba Rossa was composed with the concept of Ars Combinatoria in mind. First espoused by George Rochberg in 1973, Ars Combinatoria is concert music that uses musical gestures drawn from any musical tradition. The accompanying monograph provides a detailed history of the modern concert marimba and an account of the evolution of its concert and popular music repertoire. Specific information about the marimba's origins in Asia, its place in the Bible, the development of the European strohfiedel xylophone, the refinement of the instrument in America, and a discussion of the Guatemalan, Mexican, and Japanese marimba tradition is included to provide a context and rationale for the composing of Marimba Rossa. The contributions of John Calhoun Deagan, Ulysses G. Leedy, George Hamilton Green, Harry Breuer, Clair Omar Musser, and others are chronicled. Other topics include: the use of the xylophone in the symphony orchestra; polytonality; modal writing; and the folk music of Calabria, Italy. The monograph also describes the juxtaposition of the marimba and various instrumental consorts and the metaphoric class struggle these pairings represent in Marimba Rossa.
Temple University--Theses
deLise, Louis Anthony. "Marimba Rossa [score II]." Diss., Temple University Libraries, 2008. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/19952.
Full textPh.D.
ABSTRACT Marimba Rossa is a three-movement concert piece for marimba and symphony orchestra. The 14-minute piece is written in the spirit of the Italian Baroque concertos of Antonio Vivaldi (the "Red Priest" for whom the piece is named), using a harmonic and rhythm language that is heavily influenced by the concert and pop music of the late twentieth-century. Marimba Rossa was composed with the concept of Ars Combinatoria in mind. First espoused by George Rochberg in 1973, Ars Combinatoria is concert music that uses musical gestures drawn from any musical tradition. The accompanying monograph provides a detailed history of the modern concert marimba and an account of the evolution of its concert and popular music repertoire. Specific information about the marimba's origins in Asia, its place in the Bible, the development of the European strohfiedel xylophone, the refinement of the instrument in America, and a discussion of the Guatemalan, Mexican, and Japanese marimba tradition is included to provide a context and rationale for the composing of Marimba Rossa. The contributions of John Calhoun Deagan, Ulysses G. Leedy, George Hamilton Green, Harry Breuer, Clair Omar Musser, and others are chronicled. Other topics include: the use of the xylophone in the symphony orchestra; polytonality; modal writing; and the folk music of Calabria, Italy. The monograph also describes the juxtaposition of the marimba and various instrumental consorts and the metaphoric class struggle these pairings represent in Marimba Rossa.
Temple University--Theses
deLise, Louis Anthony. "Marimba Rossa [score III]." Diss., Temple University Libraries, 2008. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/19970.
Full textPh.D.
ABSTRACT Marimba Rossa is a three-movement concert piece for marimba and symphony orchestra. The 14-minute piece is written in the spirit of the Italian Baroque concertos of Antonio Vivaldi (the "Red Priest" for whom the piece is named), using a harmonic and rhythm language that is heavily influenced by the concert and pop music of the late twentieth-century. Marimba Rossa was composed with the concept of Ars Combinatoria in mind. First espoused by George Rochberg in 1973, Ars Combinatoria is concert music that uses musical gestures drawn from any musical tradition. The accompanying monograph provides a detailed history of the modern concert marimba and an account of the evolution of its concert and popular music repertoire. Specific information about the marimba's origins in Asia, its place in the Bible, the development of the European strohfiedel xylophone, the refinement of the instrument in America, and a discussion of the Guatemalan, Mexican, and Japanese marimba tradition is included to provide a context and rationale for the composing of Marimba Rossa. The contributions of John Calhoun Deagan, Ulysses G. Leedy, George Hamilton Green, Harry Breuer, Clair Omar Musser, and others are chronicled. Other topics include: the use of the xylophone in the symphony orchestra; polytonality; modal writing; and the folk music of Calabria, Italy. The monograph also describes the juxtaposition of the marimba and various instrumental consorts and the metaphoric class struggle these pairings represent in Marimba Rossa.
Temple University--Theses
Denney, Ryan James. "Performing Bach's "Chaconne" on marimba." Thesis, California State University, Long Beach, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10167524.
Full textJohann Sebastian Bach’s Chaconne is a staple of violin repertoire. Many instrumentalists have adapted it and many arrangements now exist, ranging from simplistic to complex. This paper provides various insights on how to perform the Chaconne on marimba. Comparing different adaptations, as well as analyzing performances by excellent musicians, helps give direction to my own interpretation. The Chaconne is a challenging undertaking for any instrumentalist, but this paper will shed light on how to perform Bach’s great work successfully, on marimba.
Bodine, Gerald Bradley. "Concerto for Marimba and Orchestra." Diss., The University of Arizona, 1993. http://hdl.handle.net/10150/186388.
Full textBooks on the topic "Marimba"
Marimba. Buenos Aires, República Argentina: Editorial Nueva América, 1986.
Find full textMarimba. New York: Tor, 1992.
Find full textHoyt, Richard. Marimba. New York: Tom Doherty Associates, 1993.
Find full textBigné, J. R. S. Marimba. Requena: Ediciones y distribuciones Requena, 1998.
Find full textMarimba! Moskva: "AST", 2014.
Find full textMarimba forever. Tooronto: Guernica Editions, 2010.
Find full textBoccanera, Jorge A. Marimba: Antología poética. 3rd ed. Buenos Aires: Editorial 21, 1998.
Find full textMarimba ya Majaliwa. Dar es Salaam: E & D Vision Publishing, 2008.
Find full textMarimba: [antología personal]. Buenos Aires: Ediciones Colihue, 2006.
Find full textMarimba: Antología poética. Caracas, Venezuela: Ministerio del Poder Popular para la Cultura, 2009.
Find full textBook chapters on the topic "Marimba"
Hoffman, Guy, and Gil Weinberg. "Interactive Improvisation with a Robotic Marimba Player." In Springer Tracts in Advanced Robotics, 233–51. Berlin, Heidelberg: Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-642-22291-7_14.
Full textDahl, Sofia, and Anders Friberg. "Expressiveness of Musician’s Body Movements in Performances on Marimba." In Gesture-Based Communication in Human-Computer Interaction, 479–86. Berlin, Heidelberg: Springer Berlin Heidelberg, 2004. http://dx.doi.org/10.1007/978-3-540-24598-8_44.
Full textHernández, Noé, Kerstin Eder, Evgeni Magid, Jesús Savage, and David A. Rosenblueth. "Marimba: A Tool for Verifying Properties of Hidden Markov Models." In Automated Technology for Verification and Analysis, 201–6. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-24953-7_14.
Full textChong, Jet Kye, and Débora Corrêa. "Predicting Marimba Stickings Using Long Short-Term Memory Neural Networks." In AI 2022: Advances in Artificial Intelligence, 339–52. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-22695-3_24.
Full textWild, Gerhard. "Bâ, Mariama." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_2529-1.
Full textGierczynski-Bocandé, Ute. "Ndoye, Mariama." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_15698-1.
Full textPfeifer, Anke. "Marin, Mariana." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_16193-1.
Full textScorah, Rebecca. "Pessl, Marisha." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_12311-1.
Full textKoch, Regan. "Mariana Valverde." In Key Thinkers on Cities, 231–36. 1 Oliver’s Yard, 55 City Road London EC1Y 1SP: SAGE Publications Ltd, 2017. http://dx.doi.org/10.4135/9781473983243.n38.
Full textSchuerkens, Ulrike. "Bâ, Mariama." In Metzler Autorinnen Lexikon, 32–33. Stuttgart: J.B. Metzler, 1998. http://dx.doi.org/10.1007/978-3-476-03702-2_23.
Full textConference papers on the topic "Marimba"
Vega Rivera, Jorge Alberto, and Héctor Javier Tascón Hernández. "Oí Marimbí." In Encuentro de investigación formativa en Diseño – Semilleros y Grupos de investigación RAD 2022. Cali, Colombia: Red Académica de Diseño - RAD, 2022. http://dx.doi.org/10.53972/rad.eifd.2022.4.3.
Full textWeinberg, Gil, and Scott Driscoll. "The design of a robotic marimba player." In the 7th international conference. New York, New York, USA: ACM Press, 2007. http://dx.doi.org/10.1145/1279740.1279786.
Full textSchaefer, Mathew. "Beautiful Music in the Classroom: Marimba As a Lab Experiment for Teaching Vibration Measurement." In ASME 2019 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2019. http://dx.doi.org/10.1115/imece2019-11038.
Full textSchildgen, Johannes, Thomas Jorg, Manuel Hoffmann, and Stefan Dessloch. "Marimba: A Framework for Making MapReduce Jobs Incremental." In 2014 IEEE International Congress on Big Data (BigData Congress). IEEE, 2014. http://dx.doi.org/10.1109/bigdata.congress.2014.27.
Full textPeixoto, Guilherme De Almeida, Geraldo Ribeiro, Paulo Abreu Barros, Marco A. Meira, and Tiago Moreira Barbosa. "VASPS Prototype in Marimba Field -- Workover and Re-Start." In SPE Latin American and Caribbean Petroleum Engineering Conference. Society of Petroleum Engineers, 2005. http://dx.doi.org/10.2118/95039-ms.
Full textLi, Rong, and Lei Quan. "Marimba: A Tool for Verifying Properties of Hidden Markov Models." In 2015 International Conference on Advanced Engineering Materials and Technology. Paris, France: Atlantis Press, 2015. http://dx.doi.org/10.2991/icaemt-15.2015.113.
Full textMiura, Masanobu, and Nozomiko Yasui. "Fluctuation strength on real sound: motorbike exhaust and marimba tremolo." In ICA 2013 Montreal. ASA, 2013. http://dx.doi.org/10.1121/1.4799863.
Full textWeinberg, Gil, and Scott Driscoll. "The Design of a Perceptual and Improvisational Robotic Marimba Player." In RO-MAN 2007 - The 16th IEEE International Symposium on Robot and Human Interactive Communication. IEEE, 2007. http://dx.doi.org/10.1109/roman.2007.4415189.
Full textUeda, Tomoyo. "Marimba Plays Early Music: An Approach Informed by Historical Performance Practice." In Selected Proceedings of the 2009 Performer's Voice International Symposium. IMPERIAL COLLEGE PRESS, 2011. http://dx.doi.org/10.1142/9781848168824_0006.
Full textMeira, M., K. T. P. Lima, V. M. Reis, and S. R. Malagutti. "Using 4D Sseismic to Monitor and Characterize Marimba Field, Campos Basin, Offshore Brazil." In 72nd EAGE Conference and Exhibition incorporating SPE EUROPEC 2010. European Association of Geoscientists & Engineers, 2010. http://dx.doi.org/10.3997/2214-4609.201400997.
Full textReports on the topic "Marimba"
J., Mayifilua, Mbula D., Muliele J., and Ombeni I. Le Paysage Maringa-Lopori-Wamba: MaringaLoporiWamba Landscape. Center for International Forestry Research (CIFOR), 2012. http://dx.doi.org/10.17528/cifor/003930.
Full textStubbs, T., and R. Heinle. MARIBO containment data report. Office of Scientific and Technical Information (OSTI), May 1995. http://dx.doi.org/10.2172/97045.
Full textJ., Mayifilua, Mbula D., Muliele J., and Ombeni I. MaringaLoporiWamba Landscape. Center for International Forestry Research (CIFOR), 2012. http://dx.doi.org/10.17528/cifor/003931.
Full textLuciano, Bernadette. An Interview with Marina Spada. Purdue University Press, February 2013. http://dx.doi.org/10.5703/1288284315032.
Full textvon Speyr, Adrienne. Maria e i profeti. Saint John Publications, 2022. http://dx.doi.org/10.56154/uz.
Full textvon Speyr, Adrienne. Maria und die Propheten. Saint John Publications, 2023. http://dx.doi.org/10.56154/qj.
Full textBaring-Gould, I., R. Hunsberger, C. Visser, and P. Voss. Commonwealth of Northern Mariana Islands Initial Technical Assessment. Office of Scientific and Technical Information (OSTI), July 2011. http://dx.doi.org/10.2172/1018874.
Full textMoore, Lilly. Rainer Maria Rilkes Musik der Kräfte (Rainer Maria Rilke's Music of the Forces). Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.2267.
Full textConrad, M. D., and J. E. Ness. Commonwealth of the Northern Mariana Islands Strategic Energy Plan. Office of Scientific and Technical Information (OSTI), July 2013. http://dx.doi.org/10.2172/1089053.
Full textConrad, M. D., and J. E. Ness. Commonwealth of the Northern Mariana Islands Energy Action Plan. Office of Scientific and Technical Information (OSTI), July 2013. http://dx.doi.org/10.2172/1089597.
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