Relevant bibliographies by topics / Marguerite Porete

Academic literature on the topic 'Marguerite Porete'

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Published: 4 June 2021
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Journal articles on the topic "Marguerite Porete"

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Briguglia, Gianluca. "Marguerite Porete. 1310-2010." RIVISTA DI STORIA DELLA FILOSOFIA, no. 1 (March 2011): 157–60. http://dx.doi.org/10.3280/sf2011-001008.

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Sargent, Michael G. "The Annihilation of Marguerite Porete." Viator 28 (January 1997): 253–80. http://dx.doi.org/10.1484/j.viator.2.301079.

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MOMMAERS, P. "La transformation d'amour selon Marguerite Porete." Ons Geestelijk Erf 65, no. 2 (September 1, 1991): 89–107. http://dx.doi.org/10.2143/oge.65.2.2017665.

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Nogueira, Maria Simone Marinho. "Aniquilamento e descriação: uma aproximação entre Marguerite Porete e Simone Weil." Trans/Form/Ação 42, spe (2019): 193–216. http://dx.doi.org/10.1590/0101-3173.2019.v42esp.11.p193.

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Resumo Neste artigo, pretendemos abordar o pensamento de duas mulheres (duas filósofas francesas) por meio dos conceitos de aniquilamento (anientissement), que encontramos em Le mirouer des simples ames de Marguerite Porete († 1310), e descriação (decréation) que aparece em Pensateur et grace de Simone Weil (1909-1943). Também usaremos a obra de Weil La connaisance surnaturelle composta pelos Cahiers d’Amérique e Notes ècrites à Londres, onde ela faz referência ao livro de Marguerite Porete. Deste modo, apresentaremos, num primeiro momento, a mística de Marguerite Porete, focando no conceito de aniquilamento. Depois, num segundo momento, mostraremos um pouco da mística de Simone Weil por meio do conceito de descriação. A partir deste segundo momento, já iremos traçando alguns paralelos para mostrar a semelhança entre a mística das duas pensadoras que se refletirá no terceiro momento deste artigo, onde apresentaremos Weil como leitura de Le mirouer des simples ames.
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Valette, Jean-René. "Marguerite Porete et la confrontation des discours." Cahiers de recherches médiévales et humanistes, no. 23 (June 30, 2012): 273–89. http://dx.doi.org/10.4000/crm.12839.

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Marczuk, Barbara. "«Vrayment voicy de plaisans fous»: la folie dans le théâtre profane de Marguerite de Navarre." Renaissance and Reformation 38, no. 4 (January 1, 2002): 33–49. http://dx.doi.org/10.33137/rr.v38i4.8837.

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This study shows that the dialectics of wisdom and folly, which owes a great deal to the relativization of reason in Renaissance culture, undergoes an original development in Marguerite de Navarre’s “secular” theater. While in these plays Marguerite uses figures of folly which inscribe themselves in the tradition represented by the late-medieval wordly fool, or Erasmus’s wise fool, she also creates the figure of the spiritual fool, who draws from both divine science and mystical ecstasy. The protagonists of four of Marguerite’s plays, Le Mallade, L’Inquisiteur, Trop, Prou, Peu, Moins, and the Comédie jouée au Mont de Marsan (written between 1535 and 1547), embody spiritual folly to an increasingly sublime degree, from the docta ignorantia up to mystic rapture. This exceeds, however, not only Erasmus’s conception but also that of the spiritual influences on the queen (Guillaume Briçonnet, Marguerite Porete) and appears to be her own invention, by means of which she expresses the most radical spiritual aspirations of a soul in search of God.
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Do Amaral, Maria José Caldeira. "Espírito, Liberdade e Mística em Nicolas Berdiaev e na Mística Feminina Cristã Medieval - DOI 10.5752/P.1983-2478.2014v10n17p62." INTERAÇÕES 10, no. 17 (August 31, 2015): 62–78. http://dx.doi.org/10.5752/p.1983-2478.2015v10n17p62.

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ResumoNeste artigo vamos desenvolver “um diálogo” entre espírito, mística e liberdade com base nos conceitos de Nicolas Berdiaev e nos relatos de Mechthild von Magdeburg e Marguerite Porete. O objetivo essencial é uma aproximação do sentido da mística da liberdade constituído no pensamento filosófico de Berdiaev e a expressão na mística feminina medieval cristã, na tentativa de apontar para o caráter supra confessional da experiência mística. A articulação das concepções filosóficas de Berdiaev e a hermenêutica de relatos das experiências de Deus nos quais a alma experimenta a verdadeira liberdade, na linguagem de Mechthild e, torna-se nada, na linguagem de Marguerite, sustentam os limiares de sentidos da espiritualidade humana e seus desdobramentos na perspectiva da experiência cristã. A consideração principal, nesse diálogo, é sustentar a dinâmica espiritual do conceito de liberdade a partir de alguns fragmentos da vida e obra dessas mulheres místicas medievais em consonância com o teor dos argumentos de Berdiaev, que desconstrói, assim como elas, o dualismo ontológico entre a alma humana e Deus, postulado pela teologia tradicional. Palavras Chave: Nicolas Berdiaev. Mechthild von Magdeburg. Marguerite Porete. Lliberdade. Mística. AbstractIn this article we will be developing a dialogue between spirit, mystic and freedom in Nicolas Berdiav, Mechthild von Magdeburg and MargueritePorete concepts.The essential intent is suggest an approach dealing with the sense of the mystic freedom within Berdiaev’s philosophical thought and the expression of Medieval Christian Female Mystic in an attempt to point these concepts far removed from an exclusively confessional character of mystic experience. The Berdiaev’s philosophical conception and the account of the hermeneutics of the experience of God that the soul experiences through the genuine freedom in Mechthild’s language and where the same soul becomes nothing for Marguerite’s language, both support the course’s entrances of the human spirituality meanings and the its signification coming from a Christian perspective. The prime reason to consider this dialogue is to investigate the concept of freedom present in spiritual dynamic, from these medieval women’s life and their literary production, that agree with Berdiaev’s attempt to distance herself from onthological dualism between the human soul and God, postulated by traditional theology. Keywords: Nicolas Berdiaev. Mechthild von Magdeburg. Marguerite Porete. Freedom. Mystic.
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Marinho Nogueira, Maria Simone. "Marguerite Porete: a mística como escrita de si." Revista Graphos 22, no. 3 (December 17, 2020): 76–90. http://dx.doi.org/10.22478/ufpb.1516-1536.2020v22n3.54125.

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Quando se fala em escrita de si na literatura, normalmente o foco de análise dos estudiosos são os escritores modernos ou contemporâneos. Dificilmente se aborda o tema a partir de autores medievais e, principalmente, a partir da literatura de autoria feminina na Idade Média. Posto isso, neste artigo, o objetivo geral é pensar, a partir de O Espelho das almas simples, de Marguerite Porete, a literatura mística de autoria feminina como escrita de si. O principal texto do artigo, como já dito, é o texto poretiano, subsidiado pelos estudos sobre a escrita de si – Foucault (1992), Lejeune (1994), Klinger (2007), Gomes (2004), Dalcastagné (2005) – e para o tema da mística como não-lugar será utilizado Certeau (2015), embora, naturalmente, outros estudos – sobre Marguerite Porete, a escrita de si, a mística, a literatura de autoria feminina – se façam presentes no decorrer do texto. O Espelho das almas simples é aqui lido sem preconceitos, como um texto escrito por uma mulher na Idade Média e considerado, dentre outras possíveis interpretações, como uma escrita de si e como o seu não-lugar é o lugar que lhe é próprio, pois, afinal, é o lugar de onde a escritora francesa fala.
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CANASLAN, Eylem. "A Forgotten Figure of Philosophical Theology: Marguerite Porete." fe dergi feminist ele 13, no. 1 (June 10, 2021): 155–64. http://dx.doi.org/10.46655/federgi.946998.

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Lichtman, Maria. "Negative Theology in Marguerite Porete and Jacques Derrida." Christianity & Literature 47, no. 2 (March 1998): 213–27. http://dx.doi.org/10.1177/014833319804700205.

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Dissertations / Theses on the topic "Marguerite Porete"

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Mariani, Ceci Maria Costa Baptista. "Marguerite Porete, teóloga do século XIII: experiência mística e teologia dogmática em O Espelho das Almas Simples de Marguerite Porete." Pontifícia Universidade Católica de São Paulo, 2008. https://tede2.pucsp.br/handle/handle/2091.

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The point of departure for this study was the work Le Mirouer des Simples Ames by Marguerite Porete, who belonged to a religious order in the region of The Rhine and who, according to history, lived between the second half of the XIII century and the beginning of the XIV century. It is a stimulating work which makes an important contribution to philosophical, theological and literary thinking. Our aim in this study was to explore the Christian mystic, which reached its peak in the late Middle Ages, to deepen the perception of this dynamic which is expressed as an experience of annihilation and to perceive how it unfolds in the theology. The more specific objective was to go deeper into the meaning of Marguerite Porete´s theological thinking, fundamentally mystical, and her contribution to systematic theology today, which intends not only to unite concepts and theological theory, but also to be a theology attentive to historical experience, the objective site of God´s presence, but which in spite of this, has confronted the risk of losing its contemplative dimension, the subjective site of a mystic encounter with God, thus freely transcending historical time and space. Our theological reading of Mirouer led us to perceive that the great contribution from this work lies in the explicitness of the relation between self-deprivation and liberty on the one hand and on the other, the bold affirmation that God is Graciousness, a God of delicacy, sweetness and goodness, in a world whose favored image of God is that of the almighty Father, at one time director, protector and fount of authority, a God of great majesty who remains in heaven and occasionally extends his hand across the clouds. To the God who leads an army constituted of angels and saints who exercise an intermediary function and manifest his protective and judging omnipresence, Marguerite announces the Loin-près, He who from his absolute transcendence, through graciousness, comes to us and transforms us for communion with Him
O ponto de partida dessa pesquisa foi a obra Le Mirouer des Simples Ames de Marguerite Porete, uma beguina cleriga, da região do Reno e que, segundo consta, viveu entre a segunda metade do século XIII e início do século XIV. Uma obra instigante que traz uma contribuição importante para o pensamento filosófico-teológico e literário. Nosso objetivo, com esse estudo, foi sondar a mística cristã que atinge seu ápice na alta idade média, aprofundar a percepção dessa dinâmica, que se expressa como experiência de aniquilamento, e perceber como ela se desdobra em teologia. O objetivo mais específico foi aprofundar o significado do pensamento teológico de Marguerite Porete, fundamentalmente místico, e sua contribuição para teologia sistemática hoje que pretende ser mais que reunião de conceitos, teologia teórica, mas teologia que está atenta para a experiência histórica, lugar objetivo de presença de Deus, mas que, apesar disso, tem enfrentado o risco de perder sua dimensão contemplativa, lugar subjetivo do encontro místico com Deus, transcendência livre do espaço e do tempo, portanto da história. Nossa leitura teológica do Mirouer levou-nos a perceber que a grande contribuição da obra reside na explicitação da relação entre despojamento de si e liberdade por um lado e por outro, na ousada afirmação de que Deus é Cortesia, Deus de delicadeza, doçura e bondade, num mundo cuja imagem privilegiada de Deus é o Pai poderoso, a um tempo diretor e protetor, fonte de autoridade, Deus de grande majestade que permanece no céu e que eventualmente mostra sua mão através das nuvens. Ao Deus que está à frente de um exército constituído de santos e anjos que exercem a função de intermediários e que manifestam sua onipresença protetora e julgadora, Marguerite anuncia o Loin-près, aquele que desde a sua absoluta transcendência, por cortesia, vem a nós e nos transforma para a comunhão com ele
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Bussey, Francesca C. ""The world on the end of a reed" Marguerite Porete and the annihilation of an identity in medieval and modern representations : a reassessment /." Connect to full text, 2007. http://hdl.handle.net/2123/3875.

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Thesis (Ph. D.)--University of Sydney, 2008.
Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy to the Dept. of History, Faculty of Arts. Degree awarded 2008; thesis submitted 2007. Also available in print form. Includes bibliography.
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Matthews, Rachael Victoria. "The mystical utterance and the metaphorical mode in the writings of Marguerite d'Oingt and Marguerite Porete." Thesis, Durham University, 2014. http://etheses.dur.ac.uk/10613/.

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The shared conceptual underpinnings of contemporary metaphor theory and Christian mystical expression form the basis of this study of the works of two very different fourteenth-century French mystics, Marguerite d’Oingt (c.1240-1310) and Marguerite Porete (d.1310). The former, a Carthusian prioress, wrote a series of vivid visionary narratives, the Pagina meditationum, the Speculum, and Li via de Seiti Biatrix, but, to date, has been the subject of little scholarly attention. The latter, meanwhile, is perhaps best known for her condemnation for relapsed heresy and her death at the stake in Paris, on account of her radical mystical text, the Mirouer des simples ames. These two women’s writings present very different examples of late medieval mystical expression. Nevertheless, the two are intimately connected in the sense that both oeuvres are driven by a desire to express their respective experiences of the mystical presence of God. What precisely is meant by ‘mystical experience’ constitutes this mode of expression’s fundamental paradox: by its very definition, the perfection of divine encounter lies beyond the scope of human communication. Metaphor’s capacity for (partial) revelation in circumstances where other modes of communication fail, however, suggests that when applied as a hermeneutic device, theoretical perspectives of metaphor provide a fresh interpretative framework with which to explore the more enigmatic aspects of mystical thought. Drawing on a number of modern theoretical approaches, including those of Paul Ricoeur, George Lakoff and Mark Johnson, and Gilles Fauconnier and Mark Turner, this investigation explores the extent to which metaphor’s conceptual and cognitive underpinnings engage with, and potentially unlock, the sensitivities of Marguerite d’Oingt’s and Marguerite Porete’s post-experiential accounts of mystical phenomena. To this end, metaphor may be seen to represent mysticism’s cognitive analogue, a means of effecting linguistic and cognitive transformation impossible to express through literal language alone.
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Lefebvre, Ariane. "La poétique du Mirouer chez Marguerite Porete : construction d'une théologie vernaculaire." Master's thesis, Université Laval, 2018. http://hdl.handle.net/20.500.11794/33472.

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Marguerite Porete a su, avec son Mirouer des simples ames anienties écrit entre la fin du XIIIe et le début du XIVe siècle, transformer le discours théologique en une œuvre mystique singulière en français, qui se présente comme une quête spirituelle de l’Âme, dont les guides, Amour et Raison, se disputent le discours jusqu’à ce que l’Amour divin l’emporte et que l’Âme s’anéantisse en lui. Cette étude s’attache à briser la surface miroitante de l’œuvre, pour réfléchir à la senefiance de ce « miroir » offert au lecteur. S’il ne s’agit pas ici de proposer une nouvelle analyse historique et théologique des propos hérétiques de Marguerite Porete, ce mémoire suggère une lecture du Mirouer d’un point de vue littéraire. Son point de départ se situe dans le constat que le texte propose une voix féminine doublement à la marge, par son genre et par sa langue, le français, pour un propos théologique. L’idée a donc été de voir jusqu’où pouvait être utilisée l’image du miroir et comment le conflit présent dans sa double nature, celle d’objet optique de savoir et celle d’objet courtois, pouvait être exploré pour comprendre le texte. Par l’observation détaillée des composantes courtoises et allégoriques de l’œuvre, nous espérons dégager les particularités d’un traité dont les formes du discours joignent théologie et littérature dans un ensemble mystique qui se distingue des œuvres didactiques et spirituelles traditionnelles. En relevant les éléments constitutifs de l’ouvrage, en regard d’un genre didactique attesté, celui du miroir, nous voulons démontrer comment cette tradition se confronte et s’unit à un langage courtois et lyrique, ce qui permet de proposer un enseignement théologique particulier puisqu’il prône, avec l’anéantissement de la raison, son propre anéantissement. De cette manière, nous proposons de réfléchir sur l’élaboration de ce discours mystique par l’intermédiaire de ses attributs courtois et allégoriques afin de mieux saisir l’édification de ce Mirouer original.
Marguerite Porete, with her Mirouer written between the 13th and the 14th century, has managed to transform the theological discourse into a singular mystical work in French, which presents itself as a spiritual quest of the Soul, whose guides, Love and Reason, compete for the discursive preeminence until Divine Love prevails and the soul is annihilated in him. This study seeks to break the shimmering surface of the work, to reflect on the senefiance of this "mirror" offered to the reader. If it is not a question here of proposing a new historical and theological analysis of Marguerite Porete's heretical remarks, this memoir suggests a reading of the Mirouer from a literary point of view. Its starting point lies in the observation that the text proposes a female voice doubly marginal, by its genre and by its language, French, for a theological purpose. The idea was therefore to see how far the image of the mirror could be used and how the conflict present in its dual nature, that of an optical object of knowledge and that of a courteous object, could help to understand the text. Through detailed observation of the courtly and allegorical components of the work, we hope to identify the peculiarities of a treatise whose forms of discourse join theology and literature in a mystical ensemble that differs from traditional didactic and spiritual works. By highlighting the constituent elements of the book, in relation to a known didactic genre, that of the mirror, we want to demonstrate how this tradition confronts itself to and unites with a courteous and lyrical language, which makes it possible to propose an original theological teaching since it advocates, with the annihilation of reason, its own annihilation. In this way, we propose to reflect on the elaboration of this mystical discourse through its courteous and allegorical attributes in order to better understand the construction of this original Mirouer.
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Hollywood, Amy M. "The soul as virgin wife : Mechtild of Magdeburg, Marguerite Porete, and Meister Eckhart /." Notre Dame (Ind.) ; London : University of Notre Dame, 1995. http://catalogue.bnf.fr/ark:/12148/cb37669564d.

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Hahn-Jooss, Barbara. ""Ceste Ame est Dieu par condicion d'Amour" theologische Horizonte im "Spiegel der einfachen Seelen" von Marguerite Porete." Münster Aschendorff, 2008. http://d-nb.info/100025223X/04.

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Thompson, Anna Kay. "Esoteric spirituality and popular mysticism in the fourteenth century tension in the thought of Marguerite Porete and Meister Eckhart /." Theological Research Exchange Network (TREN) Access this title online, 2005. http://www.tren.com.

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Dias, Maruzania Soares. "O gozo de Deus: uma análise lacaniana da experiência mística na obra de Marguerite Porete." Pontifícia Universidade Católica de São Paulo, 2010. https://tede2.pucsp.br/handle/handle/1791.

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This dissertation examines, from the perspective of Lacanian psychoanalysis, the jouissance of God in the work of Marguerite Porete, The Mirror of Simple Souls. The aim was to understand the mystical jouissance as a face of jouissance feminine and to investigate the hypothesis of the mystical jouissance in the work of Porete considered as ethical jouissance. The mystique found in this compelling book, written in the language of Courtly Love and developed as an allegory that addresses the itinerary of the protagonist Alma in her search of the perfect union with God, is sustained by the assumptions of apophatic mysticism - the dynamics of Christian mystical experience that is expressed as of empty budget. With nothing to hold her, the soul becomes nothing. The experience of mystical ecstasy allows, for a brief moment, the jouissance of God, the jouissance of this glorification, where time and eternity come together as a causeway linking the created and uncreated. By demonstrating the centrality of jouissance in the subjective economy, Lacanian psychoanalysis has established the field of jouissance and reformulated the difference between the genders providing a place that, until now, never existed for females: the logic of all-non phallic, where there is a plus-de-jouir, a jouissance that goes beyond the phallic reference. As this Other's jouissance is impossible to symbolize, we have the love as a substitute to the lack of sexual relationship between sex, given that logic Lacanian will show us that Woman does not exist 1, while universal category, which is a correlate of the enunciation there is no sexual relationship , therefore, that is no sexual proportion
A presente dissertação analisa, pela abordagem da psicanálise lacaniana, o gozo de Deus na obra de Marguerite Porete, O Espelho das Almas Simples e Aniquiladas e que Permanecem Somente na Vontade e no Desejo do Amor. O objetivo foi compreender o gozo místico como uma face do gozo feminino e averiguar a hipótese de ser o gozo místico na obra de Porete um gozo estabelecido numa posição ética. A mística encontrada neste livro instigante, escrito na linguagem do Amor Cortês e desenvolvido numa alegoria que aborda o itinerário da protagonista Alma em sua busca da perfeita união com Deus, é sustentada pelos pressupostos da mística apofática dinâmica da mística cristã que se expressa como experiência de esvaziamento. Sem nada reter de seu, a Alma torna-se nada. A experiência do êxtase místico permite, por um breve momento, o gozo de Deus, o gozo dessa glorificação, onde tempo e eternidade se fundem como um istmo que vincula o criado e o incriado. Ao demonstrar a centralidade do gozo na economia subjetiva, a psicanálise lacaniana estabeleceu o campo do gozo e reformulou a diferença entre os sexos possibilitando um lugar até então inexistente para o feminino: a lógica do não-todo fálico, onde há um mais-gozar, um gozo que vai além da referência fálica. Dado que esse gozo do Outro é impossível de simbolizar, temos o amor como suplência à inexistência da relação sexual, uma vez que a lógica lacaniana vai nos mostrar que , enquanto categoria universal, A Mulher não existe , que é correlato do enunciado não há relação sexual , isto é, não há proporção sexual
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Bussey, Francesca Caroline. "'The World on the End of a Reed": Marguerite Porete and the annihilation of an identity in medieval and modern representations – a reassessment." Thesis, The University of Sydney, 2007. http://hdl.handle.net/2123/3875.

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This thesis presents a new assessment of the identity and historical significance of Marguerite Porete, burned for heresy in Paris in 1310, and reconnects her to a vigorous, lay, discourse community that threatened the authority of the later medieval church. The thesis argues that a bilateral annihilation of Porete as an historical subject has been brought about by medieval and modern representations, and that this has served to obscure the presence of a subaltern religious discourse in the period. The historiography of Porete has followed distinctive stages of development that reflect, and are affected by, concurrent advances in the study of medieval female religious participation. This interplay has led to the development of a particularly influential hermeneutics that serves to exclude Porete from her contemporaries. Analysis of documentation issuing from Porete’s condemnation has similarly been influenced by hermeneutic issues that manipulate the ways in which Porete is perceived as an identity. This thesis challenges dominant representations of Porete in the scholarship and argues that Porete’s identity and discourse reflect a particularly vigorous, fluid and cross-discoursed lay engagement with religiosity that has roots in the precocious socio-religious environment of the Southern Low Countries. Central to the aims of this thesis is the question “how did Porete ‘fit’ the religious landscape of her period?” A seeming obstacle to this pursuit are claims from within the scholarship that Porete did not ‘fit’ at all, but was, rather, as an aberration amidst other female mystics of the period. Clear links, however, have suggested a wider discourse community and some have identified her, in conjunction with those that condemned her in Paris, as a beguine. Yet this affiliation is refuted by Porete within her book and the term, as an indicator of identity, is highly problematic. This thesis explores the historiographical issues that cloud Porete’s case and offers a reassessment of the possibilities her reconnection to the major religious currents of her day presents. It will be argued that her condemnation represents a major historical development wherein the boundaries of institutionally accepted discourse were hardened at the very moment when the possibilities for religious discourse were at their peak. Porete will thus be reassessed as a major figure in an alternative religious discourse that represents the excluded voice of lay engagement in the later Middle Ages.
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Rimlinger, Riwanon. "La relecture de Marguerite Porete, de Mechthilde de Magdebourg et de Hadewijch d’Anvers par Maître Eckhart." Thesis, Université de Lorraine, 2017. http://docnum.univ-lorraine.fr/public/DDOC_T_2017_0366_RIMLINGER.pdf.

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Depuis ses débuts, la recherche eckhartienne somme toute relativement récente s'est fréquemment et assidûment penchée sur les grandes inspirations philosophiques et théologiques de Maître Eckhart; on ne compte plus les travaux valorisant les influences néoplatoniciennes, maïmonidiennes ou bien encore thomistes de la production du Maître thuringien. Celui-ci fut néanmoins inspiré par d'autres penseurs auxquels la communauté scientifique a accordé jusqu'à présent moins d'intérêt, c'est notamment le cas des mystiques rhéno-flamandes. Dans ce travail de recherche, nous nous proposerons d'analyser la pensée eckhartienne au regard de plusieurs oeuvres béguinales que sont Le Miroir des âmes simples, La lumière fluente de la Divinité ainsi que les Lettres, les Poèmes et les Visions hadewigiens afin d'affiner l'approche théologique et philosophique d'Eckhart et, ainsi, de mettre en valeur son originalité, de mieux comprendre sa quête singulière d'universalité et de mieux saisir son point d'ancrage. Comment la prodigiosité de la théologie eckhartienne s'est-elle affinée au contact de ces textes en langue vernaculaire?
Overall, Eckhartian research has frequently and assiduously leaned on the great philosophical and theological inspirations of Meister Eckhart since its beginnings; works that value Neoplatonist influences, as well as those of Maimonides and the Thomists of Thuringia are no longer given a second thought. This work, however, was inspired by other thinkers to whom the scientific community has, until now, accorded less interest, such as the Rhinish-Flemish mystics, who have notably been the subjects of this kind of indifference. In this paper, we will compare Eckhartian thought to several beguine works, namely, The Mirror of Simple Souls, The Flowing Light of Divinity, as well as the letters, poems, and visions of Hadewijch of Antwerp, in order to refine Eckhart’s theological and philosophical approaches, as well as to highlight his originality, to better understand his singular quest for universality, and his point of focus. How is it that the grandness of Eckhartian theology is refined through the analysis of these texts written in the vernacular of the period?
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Books on the topic "Marguerite Porete"

1

Marguerite Porete et Marguerite d'Oingt de l'autre côté du miroir. New York: P. Lang, 1999.

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Marguerite Porete: Eine fromme Intellektuelle und die Inquisition. Freiburg: Herder, 1999.

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Porete, Marguerite. A mirror for simple souls: The mystical work of Marguerite Porete. New York: Crossroad, 1990.

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The soul as virgin wife: Mechthild of Magdeburg, Marguerite Porete, and Meister Eckhart. Notre Dame: University of Notre Dame Press, 1995.

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1937-, McGinn Bernard, ed. Meister Eckhart and the Beguine mystics: Hadewijch of Brabant, Mechthild of Magdeburg, and Marguerite Porete. New York: Continuum, 1994.

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The beguine, the angel, and the inquisitor: The trials of Marguerite Porete and Guiard of Cressonessart. Notre Dame, Ind: University of Notre Dame Press, 2012.

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"Ceste ame est Dieu par condicion d'amour": Theologische Horizonte im "Spiegel der einfachen Seelen" von Marguerite Porete. Münster: Aschendorff, 2010.

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Peter, Dronke. Women writers of the Middle Ages: A critical study of texts from Perpetua (203) to Marguerite Porete (1310). Cambridge, Cambridgeshire: Cambridge University Press, 1988.

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Heimerl, Theresia. Frauenmystik - Männermystik?: Gemeinsamkeiten und Unterschiede in der Darstellung von Gottes- und Menschenbild bei Meister Eckhart, Heinrich Seuse, Marguerite Porete und Mechthild von Magdeburg. Münster: Lit, 2002.

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Bédard, Jean. Marguerite Porète, l'inspiration de Maître Eckhart: Roman. Montréal (Québec): VLB, 2012.

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Book chapters on the topic "Marguerite Porete"

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Sargent, Michael G. "Marguerite Porete." In Medieval Holy Women in the Christian Tradition c.1100-c.1500, 291–309. Turnhout: Brepols Publishers, 2010. http://dx.doi.org/10.1484/m.bceec-eb.3.2628.

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Sánchez, Antonia Víñez. "La obra de Marguerite Porete en su espacio público." In Voces de mujeres en la Edad Media, edited by Esther Corral Díaz, 285–95. Berlin, Boston: De Gruyter, 2018. http://dx.doi.org/10.1515/9783110596755-022.

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Cirlot, Victoria. "Escrito en el corazón. Los casos de angela de Foligno, Marguerite Porete y Marguerite d’oingt." In Voces de mujeres en la Edad Media, edited by Esther Corral Díaz, 249–66. Berlin, Boston: De Gruyter, 2018. http://dx.doi.org/10.1515/9783110596755-020.

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Lahav, Rina. "Marguerite Porete and the Predicament of her Preaching in Fourteenth-Century France." In Gender, Catholicism and Spirituality, 38–50. London: Macmillan Education UK, 2011. http://dx.doi.org/10.1007/978-1-137-26794-8_3.

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Zech, Andrea. "Performative Inszenierungen eines vernichteten Selbst im Mirouer des simples ames der Marguerite Porete." In Semantik der Gelassenheit, 48–61. Göttingen: Vandenhoeck & Ruprecht, 2012. http://dx.doi.org/10.13109/9783666367182.48.

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de Gier, Imke. "Text as Authority: Marguerite Porete’s Mirouer des simples ames." In Europa Sacra, 127–50. Turnhout: Brepols Publishers, 2014. http://dx.doi.org/10.1484/m.es-eb.1.102247.

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Newman, Barbara. "The Mirror and the Rose: Marguerite Porete’s Encounter with the Dieu d’Amours." In The Vernacular Spirit, 105–23. New York: Palgrave Macmillan US, 2002. http://dx.doi.org/10.1057/9780230107199_6.

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Chance, Jane. "Marguerite Porete’s Annihilation of the Character Reason in Her Fantasy of an Inverted Church." In The Literary Subversions of Medieval Women, 63–97. New York: Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230605596_4.

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Sargent, Michael G. "Medieval and Modern Readership of Marguerite Porete’s Mirouer des simples âmes anienties: The French and English Traditions." In Middle English Religious Writing in Practice, 47–89. Turnhout: Brepols Publishers, 2013. http://dx.doi.org/10.1484/m.lmems.1.101537.

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Phan, Chantal. "Translating Annihilation: Remarks on Medieval French, English and Italian Versions of Marguerite Porete’s Mirouer des simples ames anienties." In The Medieval Translator, 69–79. Turnhout: Brepols Publishers, 2018. http://dx.doi.org/10.1484/m.tmt-eb.5.111960.

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