Academic literature on the topic 'Marguerite Criticism and interpretation'
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Journal articles on the topic "Marguerite Criticism and interpretation"
Zaret, David, and Michael Walzer. "Interpretation and Social Criticism." Contemporary Sociology 17, no. 1 (January 1988): 122. http://dx.doi.org/10.2307/2069485.
Full textSenchuk, Dennis M., and Michael Walzer. "Interpretation and Social Criticism." Noûs 26, no. 3 (September 1992): 389. http://dx.doi.org/10.2307/2215966.
Full textGorski, Philip S. "SCIENTISM, INTERPRETATION, AND CRITICISM." Zygon� 25, no. 3 (September 1990): 279–307. http://dx.doi.org/10.1111/j.1467-9744.1990.tb00793.x.
Full textRosen, Bernard. "Interpretation and Social Criticism." Journal of Higher Education 59, no. 6 (November 1988): 704–6. http://dx.doi.org/10.1080/00221546.1988.11780237.
Full textRosen, Bernard, and Michael Walzer. "Interpretation and Social Criticism." Journal of Higher Education 59, no. 6 (November 1988): 704. http://dx.doi.org/10.2307/1982241.
Full textPrescott. "Reading Marguerite de Navarre: An Aged Professor's Meditation." Criticism 63, no. 1-2 (2021): 87. http://dx.doi.org/10.13110/criticism.63.1-2.0087.
Full textGreen, Joel B. "Rethinking "History" for Theological Interpretation." Journal of Theological Interpretation 5, no. 2 (2011): 159–73. http://dx.doi.org/10.2307/26421422.
Full textGreen, Joel B. "Rethinking "History" for Theological Interpretation." Journal of Theological Interpretation 5, no. 2 (2011): 159–73. http://dx.doi.org/10.2307/jtheointe.5.2.0159.
Full textMorrow, Jeffrey L. "The Politics of Biblical Interpretation: A ‘Criticism of Criticism’." New Blackfriars 91, no. 1035 (August 12, 2010): 528–45. http://dx.doi.org/10.1111/j.1741-2005.2009.01342.x.
Full textRosenberg, Ruth, and Jerome J. McGann. "Textual Criticism and Literary Interpretation." South Central Review 3, no. 4 (1986): 119. http://dx.doi.org/10.2307/3189693.
Full textDissertations / Theses on the topic "Marguerite Criticism and interpretation"
Waters, Julia. "Marguerite Duras and Alain Robbe-Grillet : a 'reading in pairs'." Thesis, University of Oxford, 1997. http://ora.ox.ac.uk/objects/uuid:0279583e-3d7b-43ad-b6ad-c5c38cb8b0f2.
Full textBenarrosh, Penny. "La quête de soi chez Marguerite Yourcenar /." Thesis, McGill University, 1985. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=73984.
Full textDesaulniers, Elisabeth. "Le métissage dans l'œuvre indochinoise de Marguerite Duras /." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=99588.
Full textBrett, Susan Mae. "Self-portrait and the discovery of the female voice in the writing of Marguerite Duras." Thesis, University of British Columbia, 1985. http://hdl.handle.net/2429/25355.
Full textArts, Faculty of
French, Hispanic, and Italian Studies, Department of
Graduate
De, Blois Isabelle. "Le double dans les nouvelles orientales de Marguerite Yourcenar /." Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=31099.
Full textThe "double" theme marks the different narratives of this work and the revised phenomena contributes to the emergence in all its elements. Therefore, all through this thesis, we will show the events which reveals the presence of the "double" such as a story within a story (mise en abyme) and flashbacks that are present in the narration, the theme of remembrance, the different microcosms contained in the macrocosms, but also the opposing split personalities present in most of the protagonists. In addition, we can discover that these characters are united in creation and in all elements of the cosmos. Also, we have the production of opposing forces between creation and man. In Yourcenar's work, especially in Nouvelles orientales, we notice that in the "double" an absolute quest is presented in its different play of mirrors. It is as if this fusion of the human with the universe brings each character to be part of the Universality, beyond time, space and the world of the material.
Paquette, Marie-Louise. "Autour de trois textes-films de Marguerite Duras : Détruire dit-elle, Nathalie Granger, Agatha." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=98567.
Full textDi, Giorgio Virginie. "L'art comme reflet des relations amoureuses chez Yourcenar." Thesis, McGill University, 1999. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=30160.
Full textEach of the three chapters is dedicated to a specific form of art (statuary, painting, and music) with which the protagonist establishes a connection either between the person he is emotionally involved with, or the love he feels for him/her. For the purposes of our analysis, we have referred to studies on narcissism, as well as critical texts dealing with the relationship between writing and painting and with the function of music in literature; for the analysis of narrative point of view and focalization, we are primarily indebted to the work of Gerard Genette.
Tanguay, Johanne. "Là-bas, suivi de, Espaces et temps du silence durassien." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79979.
Full textPart two. How can one tell of silence with words? How can silence be what makes not only the style and themes of a fiction, but the whole fiction, resonate, vibrate? In the fiction of Marguerite Duras, more specifically in Aurelia Steiner (Melbourne) and L'amour, the obsession of silence is what modulates the representation of time and space, be it corporal, geographical or domestic, and what transforms reality in an attempt to open the heart of things, beings and time on the infinite, the invisible, the sacred.
Lucuix, Hélène. "Prises de parole et querelle des femmes dans l'œuvre de M. de Navarre." Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=82922.
Full textThe texts of the Quarrel about Women, which were very popular in sixteenth century France, tried to prove the superiority or the inferiority of women depending on which side of the debate the writer belonged to. The works of Marguerite de Navarre incorporate numerous arguments of this literary debate to deconstruct them and establish a certain balance between the qualities and the defaults of men and women. Contrary to the writers of the Quarrel who were using as examples women from the Bible or the Antiquity, the Queen of Navarre's works portray mainly characters from daily life in situations that illustrate the way the two sexes use speech differently.
Thus, in the religious poems, women communicate more quickly with the divine because they listen more to their heart which is the receptacle of God. Indeed, the only obstacle that stands between them and mystical union resides in a too strong attachment to a human being, whereas men encounter more hindrances linked, among others, to ambition, science and lust. As for profane poems, they highlight the value of feminine friendship by presenting a free and equal verbal exchange, among women only, based on mutual aid. In the Heptameron, men, in the novellas, hold a greater power than women and it is mirrored in the efficiency of their prise de parole, while there is a certain equality, in the cornice, between the devisants of both sexes. Finally, in the theater, women as well as men deliver God's Word.
Speech which constitutes the most important meeting ground for men and women, in Marguerite's writings, demonstrates how the main criticism directed at women by the detractors of the Quarrel, their unstoppable and slanderous chattering, as well as many other faults are rejected by using examples of women that speak wisely. This makes Marguerite de Navarre's writings modern, because while they deconstruct the binary opposition of man versus woman, with everyday life examples, they do not propose to establish a new hierarchy and thus they are open to plurality.
Hoyer, Steven. "Intention and interpretation." Thesis, McGill University, 1993. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=68104.
Full textChapter two is about interpretation. I open the chapter with an examination of extreme conventionalist theses, arguing that their success depends on an unjustifiably strict demarcation between intentionality and textuality. Appropriating aspects of Donald Davidson's work in the philosophy of language, I argue for the recognition of linguistic communication as a form of intentional action. I then defend this thesis against more moderate conventionalist theories to offer a viable approach to the interpretation of literary works.
Books on the topic "Marguerite Criticism and interpretation"
Marguerite Yourcenar. Lyon: Manufacture, 1985.
Find full textGeorges, Jacquemin. Marguerite Yourcenar. 2nd ed. Lyon: Manufacture, 1989.
Find full textMarguerite Duras. [Paris]: Libr. J. Corti, 1986.
Find full textAasen, Elisabeth. Marguerite Duras. Oslo: Gyldendal Norsk, 2000.
Find full textMarguerite Duras. [Paris]: Seuil, 1992.
Find full textMarguerite Yourcenar. Boston: Twayne Publishers, 1985.
Find full textMarguerite Duras: L'écriture illimitée. Paris: Ellipses, 2012.
Find full textSchuster, Marilyn R. Marguerite Duras revisited. New York: Twayne Publishers, 1993.
Find full textMarguerite, Duras. Marguerite Duras. San Francisco: City Lights Books, 1987.
Find full textDeprez, Bérengère. Marguerite Yourcenar: Écriture, maternité, démiurgie. Bruxelles: PIE-Peter Lang, 2003.
Find full textBook chapters on the topic "Marguerite Criticism and interpretation"
Bogel, Fredric V. "New Formalist Interpretation." In New Formalist Criticism, 102–52. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137362599_4.
Full textCohen, Ralph. "Literary Criticism and Artistic Interpretation." In Reason and Imagination, 279–306. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003222996-14.
Full textBonelli, Paolo, Giorgio Guidotti, Enrico Paolini, and Giulio Spinucci. "Pacemaker Stimulation Criticism at ECG." In New Concepts in ECG Interpretation, 175–85. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-91677-4_16.
Full textWang, Fengzhen. "Marxist Literary Criticism in China." In Marxism and the Interpretation of Culture, 715–22. London: Macmillan Education UK, 1988. http://dx.doi.org/10.1007/978-1-349-19059-1_49.
Full textCapellmann, Herbert. "Later Criticism of the Copenhagen Interpretation." In SpringerBriefs in History of Science and Technology, 77–81. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-61884-5_10.
Full textAmesbury, Richard. "Norms, Interpretation, and Decision-Making: Derrida on Justice." In Morality and Social Criticism, 46–64. London: Palgrave Macmillan UK, 2005. http://dx.doi.org/10.1057/9780230507951_3.
Full textMallinson, Jane. "Objects of Attention: The Literary Criticism." In T.S. Eliot’s Interpretation of F.H. Bradley, 23–34. Dordrecht: Springer Netherlands, 2002. http://dx.doi.org/10.1007/978-94-017-0411-3_3.
Full textGutiérrez Pozo, Antonio. "Subjectivity and Transcendence: Husserl’s Criticism of Naturalistic Thought." In Man’s Self-Interpretation-in-Existence, 379–85. Dordrecht: Springer Netherlands, 1990. http://dx.doi.org/10.1007/978-94-009-1864-1_30.
Full textBarrett, Michèle. "The Place of Aesthetics in Marxist Criticism." In Marxism and the Interpretation of Culture, 697–713. London: Macmillan Education UK, 1988. http://dx.doi.org/10.1007/978-1-349-19059-1_48.
Full textDavis, Todd F., and Kenneth Womack. "Introduction: Moving beyond the Politics of Interpretation." In Formalist Criticism and Reader-Response Theory, 1–10. London: Macmillan Education UK, 2002. http://dx.doi.org/10.1007/978-1-4039-1916-8_1.
Full textConference papers on the topic "Marguerite Criticism and interpretation"
Al-dabbagh, Asma. "The Nature of Interpretation in Architectural criticism." In INTERNATIONAL CONFERENCE ON ARCHITECTURAL AND CIVIL ENGINEERING 2020. Cihan University-Erbil, 2021. http://dx.doi.org/10.24086/aces2020/paper.256.
Full text"Interpretation of "Wuthering Heights" from the Perspective of Eco-criticism." In 2018 4th International Conference on Economics, Management and Humanities Science. Francis Academic Press, 2018. http://dx.doi.org/10.25236/ecomhs.2018.126.
Full textKenyhercz, Róbert. "Interpretation of data and sources in etymological research." In International Conference on Onomastics “Name and Naming”. Editura Mega, 2022. http://dx.doi.org/10.30816/iconn5/2019/39.
Full textVerner, Inna. "The legacy of Maximus the Greek in the biblical revision of Euthymius Chudovsky (1680s)." In Tenth Rome Cyril-Methodian Readings. Indrik, 2020. http://dx.doi.org/10.31168/91674-576-4.04.
Full textFateeva, I. "“AN EVERLASTING DAY” (IN RELATION TO THE PAINTING “HUNTERS IN THE SNOW” BY PIETER BRUEGEL)." In Aesthetics and Hermeneutics. LCC MAKS Press, 2022. http://dx.doi.org/10.29003/m2554.978-5-317-06726-7/93-96.
Full textXu, Manyan. "A New Interpretation of Chinese Versions of Stray Birds Based on Reiss's Translation Criticism A Case Study of the Translations by Feng Tang and Zheng Zhenduo." In Proceedings of the 2nd International Conference on Contemporary Education, Social Sciences and Ecological Studies (CESSES 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/cesses-19.2019.128.
Full textAravot, Iris. "An Attempt at Making Urban Design Principles Explicit." In 1995 ACSA International Conference. ACSA Press, 1995. http://dx.doi.org/10.35483/acsa.intl.1995.42.
Full textAslandogan, Y. Alp. "PRESENT AND POTENTIAL IMPACT OF THE SPIRITUAL TRADITION OF ISLAM ON CONTEMPORARY MUSLIMS: FROM GHAZALI TO GÜLEN." In Muslim World in Transition: Contributions of the Gülen Movement. Leeds Metropolitan University Press, 2007. http://dx.doi.org/10.55207/mnsp5562.
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