Relevant bibliographies by topics / Marescalchi

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Marescalchi'

Author: Grafiati
Published: 10 March 2023

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Journal articles on the topic "Marescalchi"

1

Whiteley, Linda. "Ferdinando Marescalchi (1754 1816). Un collezionista italiano nella Parigi Napoleonica." Journal of the History of Collections 18, no. 1 (March 29, 2006): 96–98. http://dx.doi.org/10.1093/jhc/fhl007.

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Shemek, Deanna. "Aretino's Marescalco: Marriage woes and the Duke of Mantua." Renaissance Studies 16, no. 3 (September 2002): 366–80. http://dx.doi.org/10.1111/1477-4658.00022.

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Polegato, Andrea. "La rappresentazione del potere cortigiano nel Marescalco di Pietro Aretino." Incontri. Rivista europea di studi italiani 28, no. 2 (December 5, 2013): 66. http://dx.doi.org/10.18352/incontri.9325.

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Dissertations / Theses on the topic "Marescalchi"

1

Rufus, Jordanus Olrog Hedvall Yvonne. "Lo libro dele marescalcie dei cavalli : cod.78C15 Kupferstichkabinett, Berlin : trattato veterinario del Duecento /." Stockholm : Stockholms universitet, 1995. http://catalogue.bnf.fr/ark:/12148/cb36985507d.

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2

PRETI, HAMARD Monica. "Ferdinando Marescalschi (1754-1816) : un collezionista italiano nella Parigi napoleonica." Doctoral thesis, 2001. http://hdl.handle.net/1814/5948.

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Defence date: 21 November 2001
Examining Board: Prof. Laurence Fontaine, Istituto Universitario Europeo ; Prof. Giuseppe Pavanello, Università di Trieste ; Prof. Dominique Poulot, Université Paris I - Sorbonne, Institut d'Art ; Pierre Rosenberg, de l'Académie Française, Président Directeur honoraire du Musée du Louvre ; Prof. Stuart J. Woolf, Università Ca' Foscari di Venezia (supervisore)
PDF of thesis uploaded from the Library digitised archive of EUI PhD theses completed between 2013 and 2017
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Books on the topic "Marescalchi"

1

Morgantini, Giovanni. Bruno Marescalchi: L'uomo, la vita, le opere. Ravenna: CAPIT, 2000.

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2

Preti, Monica. Ferdinando Marescalchi (1754-1816): Un collezionista italiano nella Parigi napoleonica. Argelato (Bologna): Minerva, 2005.

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Ferdinando Marescalchi (1754-1816): Un collezionista italiano nella Parigi napoleonica. Argelato (Bo) [i.e. Bologna]: Minerva, 2005.

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4

1939-, Fagiolo dell'Arco Maurizio, and Zanarini Stefania, eds. Figura: L'immagine di un secolo. [Italy]: Marescalchi, 1999.

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5

Aretino, Pietro. The Marescalco. Ottawa: Published for the Carleton University Centre for Renaissance Studies and Research by Dovehouse Editions, 1986.

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6

Aretino, Pietro. The Marescalco. 2nd ed. Ottawa: Dovehouse Editions, 1992.

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7

Pozzolo, Enrico Maria Dal. Giovanni Bonconsiglio detto Marescalco: L'opera completa. [Milan?]: Silvana, 1998.

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8

Ruffo, Giordano. Lo libro dele marescalcie dei cavalli: Cod. 78C15, Kupferstichkabinett, Berlin : trattato veterinario del Duecento. [Stockholm]: Stockholms universitet, 1995.

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9

Figura: L'immagine di un secolo (Collana Grandi mostre). Marescalchi, 1999.

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10

Aretino, Pietro. Marescalco. Independently Published, 2022.

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Book chapters on the topic "Marescalchi"

1

Marsh, David. "Poggio and Alberti Revisited." In Atti, 89–102. Florence: Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-6453-968-3.08.

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The careers of the Curial secretaries Poggio Bracciolini (1380-1459) and Leon Battista Alberti (1404-1472) reveal many parallels. In 1437-1438 the Este court of Ferrara, where Eugenius IV convoked a church council, provided a focal point for their friendship. It was to the Ferrarese canon Francesco Marescalchi that Poggio dedicated Book 1 of his Latin epistles (1436), and Alberti his Hundred Apologues (1437). Both men were inspired to critiques of contemporary society by the Greek satirist Lucian, and both indulged in composing brief witticisms that expose human vice: Poggio in his Facetiae (Jests) and Alberti in his Apologi (Fables) and Vita (Autobiography). From Lucian, they also learned to dramatize human foibles on the imagined stage of the theatrum mundi, or theater of the world: Poggio in his dialogues, and Alberti in both the Intercenales and Momus. Despite such literary affinities, their approach to ethical questions differed, especially concerning the validity of allegory, which Poggio rejected but Alberti embraced. As a tribute to his colleague, Alberti dedicated Book 4 of his Intercenales to Poggio; he prefaced the work with an ironic Aesopic fable that asserts the superiority of recondite scientific research over commonplace humanistic studies. Eventually, Alberti’s status as an outsider in Florence was reflected in the deterioration in his relations with Poggio. The rift was widened in 1441, when Alberti organized the Italian poetic competition called the Certame Coronario that was held in the Florence cathedral on October 22. Poggio was a member of the jury that, to Alberti’s chagrin, refused to declare a winner.
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2

Mamy, Sylvie. "IV. L’éditeur de musique Marescalchi et les graveurs Alessandri et Scattaglia." In La Musique à Venise et l’imaginaire français des Lumières, 135–67. Éditions de la Bibliothèque nationale de France, 1996. http://dx.doi.org/10.4000/books.editionsbnf.616.

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3

Bayer, Stefan. "Imagination, Affekt und Lenkung in Pietro Aretinos "Il Marescalco"." In Lenkung der Dinge, 100–120. Klostermann, 2021. http://dx.doi.org/10.5771/9783465145585-100.

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