Relevant bibliographies by topics / Marcel's philosophy

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Academic literature on the topic 'Marcel's philosophy'

Author: Grafiati
Published: 4 June 2021
Last updated: 15 February 2022

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Journal articles on the topic "Marcel's philosophy"

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Zagórska, Wanda. "Subject-subject relationship as a significant aspect of personal development in adulthood." Polish Psychological Bulletin 42, no. 4 (January 1, 2011): 181–87. http://dx.doi.org/10.2478/v10059-011-0024-8.

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Subject-subject relationship as a significant aspect of personal development in adulthood The issue of the subject-subject relationship, also known as the relationship of encounter or the I-Thou relationship, which has a strong presence in the humanities and Christian mysticism, is rarely addressed by psychology. This type of relationship goes beyond the psychosocial approach to personal maturity and human development at the so-called higher stages, thus falling outside the predominant lines of psychological inquiry. Consequently, this paper concerns issues that are not popular in psychology, albeit they are close to the problem of the person's development as a subject. Drawing inspiration from cultural anthropology and intersubjective philosophy - especially Martin Buber's philosophy of dialogue and Gabriel Marcel's concrete philosophy - the author presents from a psychological stance the phenomenon of the subject-subject relationship and its prerequisite conditions. Adopting the perspective of personalistic psychology in its existentialist-phenomenological strands, the author indicates the place of this relationship in human personal development and highlights its crucial significance to this process.
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Perley, Naomi. "The Language of an Unknown Country: Intratextuality in Proust's In Search of Lost Time." 19th-Century Music 36, no. 2 (2012): 136–45. http://dx.doi.org/10.1525/ncm.2012.36.2.136.

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Abstract One of the pivotal scenes of Proust's novel In Search of Lost Time takes place during a performance of the fictional composer Vinteuil's Septet in Mme Verdurin's salon. The narrator and protagonist of the novel, Marcel, finds himself caught off-guard by the beauty of Vinteuil's Septet; he hears in the Septet a calling to the true life of an artist and vows to begin work on his own masterpiece. As he listens to the Septet, Marcel struggles with the concept of artistic individuality. He tries to discern the similarities and differences between the phrases of Vinteuil's Septet and the same composer's Violin Sonata. Marcel comes to the conclusion that it is not superficial or intellectual similarities between two works by the same composer that really count, but rather some underlying substance that can only be “felt as the result of a direct impression.” The aesthetic philosophy embodied in these thoughts is not only applicable to Marcel's appreciation of the Septet. It also provides a lens through which we can come to terms with Proust's twenty-page-long description of the Septet, and it allows us to situate this passage meaningfully within In Search of Lost Time. The Septet scene is one of the most deeply intratextual passages of the novel. But just as Marcel gives pride of place to the “profound similarities” between Vinteuil's compositions over musicologists' “analogies ingeniously discovered by reasoning,” so too can the reader distinguish between more superficial connections between the Septet and earlier scenes, and subtler references that bind the novel together on a deeper level.
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Scolari, Paolo. "Gabriel Marcel and Nietzsche. Existence and Death of God." Nietzsche-Studien 47, no. 1 (November 1, 2018): 398–409. http://dx.doi.org/10.1515/nietzstu-2018-0018.

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Abstract Gabriel Marcel’s writings stand in a complex relationship to Nietzsche’s thought. Paying homage to Nietzsche’s influence as one of the most eminent representatives of the existential thought, Marcel is aware that he deals with a thinker who is as distant from him as he is very close. Marcel’s references to Nietzsche’s thought are tied to Nietzsche’s expression “God is dead”, and the end of the divine is the theme that simultaneously highlights the greatness and the tragedy of Nietzsche. Marcel accepts the contradictions of Nietzsche’s philosophical thought as both dangerous and fruitful.
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Munkholt Christensen, Maria. "Meditatio mortis meditating on death, philosophy and gender in late antique hagioraphy." Filozofija i drustvo 32, no. 2 (2021): 177–93. http://dx.doi.org/10.2298/fid2102177m.

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According to Socrates, as he is described in Plato?s Phaedo, the definition of a true philosopher is a wise man who is continuously practicing dying and being dead. Already in this life, the philosopher tries to free his soul from the body in order to acquire true knowledge as the soul is progressively becoming detached from the body. Centuries after it was written, Plato?s Phaedo continued to play a role for some early Christian authors, and this article focuses on three instances where Christian women mirror Socrates and/or his definition of philosophy. We find these instances in hagiographical literature from the fourth and fifth centuries at different locations in the Roman Empire - in the Lives of Macrina, Marcella and Syncletica. These texts are all to varying degrees impacted by Platonic philosophy and by the ideal of the male philosopher Socrates. As women mastering philosophy, they widened common cultural expectations for women, revealing how Christian authors in certain contexts ascribed authority to female figures.
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Disse, Jörg. "Communication of Existence: Søren Kierkegaard and Gabriel Marcel." Kierkegaard Studies Yearbook 23, no. 1 (July 26, 2018): 311–28. http://dx.doi.org/10.1515/kierke-2018-0014.

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AbstractThe article compares Kierkegaard’s and Marcel’s comprehension of existence and communication of existence. With reference to the notion of existence, both authors (independently from each other) develop the idea of a second reflection that includes a theory of communication. But whereas Kierkegaard conceives communication strictly within a first person perspective, Marcel establishes a kind of second person perspective. For this reason and despite a strong common basis in their views, different aspects of communication of existence are put forward by them.
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Lisowski, R. James. "Gabriel Marcel and Thomas Aquinas." International Philosophical Quarterly 60, no. 4 (2020): 473–88. http://dx.doi.org/10.5840/ipq20201120160.

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This article considers the positions of Gabriel Marcel and Thomas Aquinas on self-knowledge and argues for a synthesis between them. The basis of this Marcelian-Thomistic synthesis is their common understanding of the self as inherently in relation to that which is other (via embodiment) and in the necessity of activation for self-knowledge to occur. The divergence between these thinkers occurs in regard to the process of activation. While Aquinas presents an Aristotelian account of activation rooted in his understanding of cognition, Marcel offers a broader vision of activation that gives pride of place to intersubjectivity. A Marcelian-Thomistic synthesis preserves the Aristotelian systematization of Aquinas, while adding Marcel’s expanded understanding of activation and his prioritization of intersubjectivity. Such a synthesis allows for a treatment of self-knowledge that is metaphysically systematic and true to lived experience.
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Зіневич, Анастасія. "EXISTENCE AND BEING IN G. MARCEL’S PHILOSOPHY." Doxa, no. 1(29) (June 15, 2018): 92–102. http://dx.doi.org/10.18524/2410-2601.2018.1(29).146529.

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Sweeney, Terence. "Against Ideology: Gabriel Marcel’s Philosophy of Vocation." Logos: A Journal of Catholic Thought and Culture 16, no. 4 (2013): 179–203. http://dx.doi.org/10.1353/log.2013.0033.

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Siebers, Johan. "Philosophy as communication theory." Sign Systems Studies 48, no. 1 (June 30, 2020): 146–58. http://dx.doi.org/10.12697/sss.2020.48.1.08.

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There has been comparatively little attention for the fundamental ontology of communication in recent philosophy. Nevertheless, from classical metaphysical accounts of relationality and communal being to the analysis of intersubjectivity in phenomenology and to concrete existence as understood by process philosophy, the communicative structure of the act of being has been, if not explicitly then implicitly, a perennial component of metaphysical reflection. Communication theory can be conceived in such a way that it takes this ontological dimension into account. The ramifications of connecting being to communication in this way are explored in discussion with the conceptualizations of communication in integrationism and biosemiotics. An interpretation of Gabriel Marcel’s existential analysis of “my life” is used to show what philosophy as communication theory (in the strong sense of the notion elaborated here) might look like.
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Rodick, David W. "Gabriel Marcel and American Philosophy." International Philosophical Quarterly 53, no. 2 (2013): 117–30. http://dx.doi.org/10.5840/ipq201353216.

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Dissertations / Theses on the topic "Marcel's philosophy"

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Tattam, Helen. "Time in the philosophy of Gabriel Marcel." Thesis, University of Nottingham, 2011. http://eprints.nottingham.ac.uk/11712/.

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This thesis aims to determine what is distinctive to the philosophy of Gabriel Marcel (1889-1973). While his work has largely been received as a form of 'Christian existentialism' (notably by Jean-Paul Sartre), and thus interpreted in relation to other philosophies of existence, it is my contention that this prevents an appreciation of his specificity. I therefore recommend a new reading of his thought, which, through analysis of his various philosophical presentations of time, re-situates him within the twentieth-century French intellectual tradition. Part I of the thesis provides an introduction to his philosophy of time, analysing his position in specific relation to Henri Bergson (1859-1941). Chapter One raises the question as to whether his position is then compromised by his engagement with eternity, for this seems to undermine time's significance. However, what begins to emerge from Chapter Two onward, is that such a question may be inappropriate with respect to Marcel's understanding of philosophy. Part II (Chapters Three and Four) then explores the implications that his work’s various modes have on the content of his arguments: first, the diary-form of his formative works and his (continuing) use of a first-person narrative style in his essays and lectures; and second, the (non-narrative) form of his theatre, to which Marcel also accorded philosophical significance. Here, Marcel is read alongside Paul Ricœur (1913-2005) and Emmanuel Lévinas (1906-1995), who also tried to approach philosophy differently – as is especially manifest in their conceptions of time. Finally, Part III (Chapter Five) reconsiders the relation between Marcel’s philosophy and religion, asking how his references to God affect the basis of his philosophy, and what this entails for interpreting time in his work. In light of these discussions, the conclusion then reflects on what philosophy is for Marcel, and how he should therefore be received.
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Saucier, Guay Mathieu. "Marcel Gauchet critique d'Alexis de Tocqueville." Thesis, University of Ottawa (Canada), 2010. http://hdl.handle.net/10393/28736.

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Rodick, David W. "The Religious Dimension of Experience: Gabriel Marcel and American Philosophy." Thesis, Boston College, 2009. http://hdl.handle.net/2345/1181.

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Thesis advisor: David M. Rasmussen*
Thesis advisor: Oliva Blanchette
The French philosopher Gabriel Marcel (1889-1973) was deeply influenced by the classical tradition of American philosophy. Marcel's first essays focused upon the philosophy of Josiah Royce (1855-1916). Royce impressed Marcel due to his ability to engage in bold, imaginative construction and yet remain "faithful to the empirical tradition, which he deepened and enriched...." Marcel was also deeply influenced by William Ernest Hocking's (1873-1966) major work, The Meaning of God in Human Experience which, for Marcel, not only reaffirmed the religious dimension of human experience but also served as "an advance in the direction of that metaphysical realism toward which I resolutely tended." Lastly, Marcel conducted a sustained personal and philosophical relationship with Henry G. Bugbee Jr. (1915-1999) of the University of Montana. Marcel first met Bugbee at Harvard University while delivering the William James Lectures in 1961. Willard Van Orman Quine described Bugbee as "the ultimate exemplar of the examined life" and Calvin Schrag described him as "one of the more marginalized philosophers in America." Part I consists of a comprehensive examination of Marcel's philosophy, focusing upon the manner in which his thought exhibits a strong sense of "ontological continuity" - establishing a fundamental relationship between human being and the ontological. According to Marcel "Finite thought is continually attracted by a beyond, by Another, which eternally escapes it." Part I will be followed by three sections (Parts II-IV) devoted to the relationship between Marcel and the thought of Royce, Hocking, and Bugbee respectively. The relationship between Marcel and these philosophers is based largely upon their mutual critique of abstract thinking and a shared belief in the existence of a decisive connection between human being and Being. The thesis will conclude with Part V, entitled "The Religious Dimension of Experience," which depicts the manner in which a select cadre of American philosophers has been successful in drawing out the philosophical implications of Marcel's project. As Marcel indicated, "Perhaps the most important task on the plane of speculation is to deepen once again the notion of life itself in the light of the highest and most genuine religious thought."
Thesis (PhD) — Boston College, 2009
Submitted to: Boston College. Graduate School of Arts and Sciences
Discipline: Philosophy
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Guo, Xiaolei. "De la littérature à la philosophie du récit. Évolution du schème narratif et modification de la forme existentiale : le cas Marcel Proust." Thesis, Paris Est, 2011. http://www.theses.fr/2011PEST0018.

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Mouannés, Nabil. "La philosophie religieuse de l'oeuvre theatrale de grabriel marcel." Paris 4, 1999. http://www.theses.fr/1996PA040009.

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Gabriel marcel, dans son oeuvre theatrale, nous place devant cette problematique : qu'est-ce-que l'homme ? par cette question, nous nous ouvrons sur des perspectives infinies et nous soulevons pas mal de problemes. Toujours est-il qu'elle nous renvoie, malgre les nuances philosophiques et les exigences ontologiques, au fond de la question marcellienne : << qu'est-ce que l'etre ? >> ici prennent racine toutes les articulations philosophiques, psychologiques, dramatiques du theatre marcellien. Notre question s'integre profondement dans la recherche ontologique et metaphysique de gabriel marcel. Par la, il place l'homme au centre de tout questionnement. A ne regarder que le point de vue philosophique, notre recherche emane de la logique interne du theatre lui-meme. En suivant les dialogues entre les personnages, en accompagnant simplement l'evolution des conflits et des situations, nous tombons sur des interrogations involontairement operantes, mais concernant directement notre vie, notre conscience et notre connaissance. Elles nous convient au questionnement philosophique. Ce chemin philosophique, ontologique et metaphysique, que nous propose gabriel marcel, constitue la cle de son oeuvre theatrale. Nous le resumons en trois questions : comment est-il possible que le desespoir puisse etre le ressort de toute la pensee religieuse de gabriel marcel ? comment la foi est-elle possible ? elle est necessaire, dit gabriel marcel, mais n'y-aurait-il pas la un mystere et comment est-il possible ? comment est-il possible de temoigner de qui et de ce que << nous voyons et nous ne voyons pas >> ?
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Strasbourg, Valérie. "La naissance de l'État chez Marcel Gauchet ou l'entremêlement des temps." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0007/MQ46611.pdf.

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Melancon, Jérôme. "La critique de la démocratie des droits de l'homme chez Marcel Gauchet." Thesis, University of Ottawa (Canada), 2004. http://hdl.handle.net/10393/26716.

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Marcel Gauchet propose une critique de la démocratie des droits de l'homme qui est fondée d'une part sur sa compréhension de la modernité et, d'autre part, sur ses thèses quant à l'être du social. Ces thèses lui permettent non seulement d'affirmer que la démocratie est un régime normal, car elle laisse libre cours à la condition historique de l'humanité, mais elles lui permettent aussi, en tant qu'elles forment un ensemble de normes, de juger des régimes politiques passés et présents. II critique les droits de l'homme en tant qu'idéologie et en tant que politique démocratique parce qu'ils ne sont pas une politique: ils mènent à l'impuissance collective et ne favorisent aucunement l'émancipation des individus. En raison de sa démarche descriptive, il n'arrive toutefois pas à formuler une politique qui permettrait à la démocratie d'avoir prise sur elle-même.
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Renault, Nancy L. "Living with division, an analysis of the modern self and of contemporary democracy according to Marcel Gauchet." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0022/MQ36736.pdf.

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Souillac, Geneviève. "Universal human rights : philosophy of the person and social vision in the work of two contemporary French intellectuals /." Hong Kong : University of Hong Kong, 2000. http://sunzi.lib.hku.hk/hkuto/record.jsp?B22142708.

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Yang, Yuh-Ming. "Le Toi et le Toi Absolu dans la philosophie de Gabriel Marcel." Lille 3 : ANRT, 1987. http://catalogue.bnf.fr/ark:/12148/cb37601887q.

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Books on the topic "Marcel's philosophy"

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Contact and attention: The anatomy of Gabriel Marcel's metaphysical method. [Pittsburgh, Pa.]: Center for Advanced Research in Phenomenology, 1987.

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Howland, Mary Deems. The gift of the other: Gabriel Marcel's concept of intersubjectivity in Walker Percy's novels. Pittsburgh, Pa: Duquesne University Press, 1990.

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Gabriel, Marcel. Awakenings: A translation of Marcel's autobiography, En chemin, vers quel veil? Milwaukee, WI: Marquette University Press, 2002.

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Toward a fraternal society: A study of Gabriel Marcel's approach to being, technology, and intersubjectivity. New York: P. Lang, 1988.

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Colin, Pierre. Gabriel Marcel, philosophe de l'espérance. Paris: Editions du Cerf, 2009.

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Gabriel Marcel, philosophe de l'espérance. Paris: Editions du Cerf, 2009.

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Tattam, Helen. Time in the philosophy of Gabriel Marcel. London: Modern Humanities Research Association, 2013.

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Proust: Philosophy of the novel. Stanford, Calif: Stanford University Press, 1992.

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L'éclectisme philosophique de Marcel Proust. Paris: PUPS, 2013.

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Michel, Sanouillet, and Peterson Elmer 1930-, eds. The writings of Marcel Duchamp. New York, N.Y: Da Capo Press, 1989.

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Book chapters on the topic "Marcel's philosophy"

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Stratton-Lake, Philip. "Marcel." In A Companion to Continental Philosophy, 340–48. Oxford, UK: Blackwell Publishing Ltd, 2017. http://dx.doi.org/10.1002/9781405164542.ch28.

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Chisena, Anna Gabriella. "Palingenio Stellato, Marcello." In Encyclopedia of Renaissance Philosophy, 1–4. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-02848-4_741-1.

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Werner, Reinold. "Marcel, Gabriel." In Metzler Philosophen Lexikon, 562–64. Stuttgart: J.B. Metzler, 1995. http://dx.doi.org/10.1007/978-3-476-03642-1_183.

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Godfrey, Joseph J. "Marcel and Absolute Thou." In A Philosophy of Human Hope, 207–13. Dordrecht: Springer Netherlands, 1987. http://dx.doi.org/10.1007/978-94-009-3499-3_19.

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Godfrey, Joseph J. "Gabriel Marcel: I Hope in Thee for Us." In A Philosophy of Human Hope, 103–31. Dordrecht: Springer Netherlands, 1987. http://dx.doi.org/10.1007/978-94-009-3499-3_13.

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Wojcieszuk, Magdalena Anna. "Das Dialogverhältnis als Voraussetzung für das Selbstverhältnis in der Philosophie von Gabriel Marcel." In Reihe Philosophie, 184–227. Herbolzheim: Centaurus Verlag & Media, 2010. http://dx.doi.org/10.1007/978-3-86226-336-3_5.

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Debru, Claude. "Comments on Marcel Weber’s “Life in a Physical World: The Place of the Life Sciences”." In The Present Situation in the Philosophy of Science, 169–72. Dordrecht: Springer Netherlands, 2010. http://dx.doi.org/10.1007/978-90-481-9115-4_13.

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Landy, Joshua. "Perspective (Marcel's Steeples)." In Philosophy As Fiction, 51–84. Oxford University Press, 2004. http://dx.doi.org/10.1093/acprof:oso/9780195169393.003.0002.

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Tunstall, Dwayne A. "Marcel’s Reflective Method." In Doing Philosophy Personally, 19–33. Fordham University Press, 2013. http://dx.doi.org/10.5422/fordham/9780823251605.003.0002.

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Tunstall, Dwayne A. "Criticizing Marcel’s Reflective Method." In Doing Philosophy Personally, 101–12. Fordham University Press, 2013. http://dx.doi.org/10.5422/fordham/9780823251605.003.0006.

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