Journal articles: 'Mapping cultural heritage'

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Wall, Karen. "Who needs experts? Counter-mapping cultural heritage." Leisure/Loisir 42, no. 1 (January 2, 2018): 125–27. http://dx.doi.org/10.1080/14927713.2018.1430661.

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Chopra, Radhika. "Amritsar’s Heritage Street: Mapping Heritage, Eclipsing Offence." South Asia: Journal of South Asian Studies 44, no. 3 (May 4, 2021): 554–67. http://dx.doi.org/10.1080/00856401.2021.1933719.

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Hong, Jong-Youl. "EU’s Cultural Heritage Policy and Its Strategic Mapping." Advanced Science Letters 23, no. 10 (October 1, 2017): 9709–12. http://dx.doi.org/10.1166/asl.2017.9780.

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Lenovský, Ladislav. "Cultural Heritage as a Part of Cultural Potential (in the Context of Revitalization of Ethnic Minorities)." Studia Etnologiczne i Antropologiczne 19 (July 18, 2019): 77–88. http://dx.doi.org/10.31261/seia.2019.19.06.

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Cultural heritage is considered to be a valuable and representative part of the culture derived from the past. Cultural potential is a set of cultural phenomena, elements and complexes used or usable for profit. It consists of five components: heritage; organizations and institutions; events and products; infrastructure; human resources. Cultural mapping is being used for its identification, where the elements of cultural potential are cultural resources. The mapping of cultural potential with an emphasis on cultural heritage is a prerequisite for the success of revitalization of the nearly extinct ethnic group of German woodcutters from the Small-Carpathian region – Huncokars.

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La Frenierre, Jeff. "Mapping Heritage: A Participatory Technique for Identifying Tangible and Intangible Cultural Heritage." International Journal of the Inclusive Museum 1, no. 1 (2008): 97–104. http://dx.doi.org/10.18848/1835-2014/cgp/v01i01/44319.

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Matusiak, Krystyna K., Ling Meng, Ewa Barczyk, and Chia-Jung Shih. "Multilingual metadata for cultural heritage materials." Electronic Library 33, no. 1 (February 2, 2015): 136–51. http://dx.doi.org/10.1108/el-08-2013-0141.

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Purpose – The purpose of this paper is to explore multilingual access in digital libraries and to present a case study of creating bilingual metadata records for the Tse-Tsung Chow Collection of Chinese Scrolls and Fan Paintings. The project, undertaken at the University of Wisconsin-Milwaukee Libraries, provides access to digital copies of calligraphic and painted Chinese scrolls and fans from the collection donated by Prof Tse-Tsung Chow (Cezong Zhou). Design/methodology/approach – This paper examines the current approaches to multilingual indexing and retrieval in digital collections and presents a model of creating bilingual parallel records that combines translation with controlled vocabulary mapping. Findings – Creating multilingual metadata records for cultural heritage materials is in an early phase of development. Bilingual metadata created through human translation and controlled vocabulary mapping represents one of the approaches to multilingual access in digital libraries. Multilingual indexing of collections of international origin addresses the linguistic needs of the target audience, connects the digitized objects to their respective cultures and contributes to richer descriptive records. The approach that relies on human translation and research can be undertaken in small-scale digitization projects of rare cultural heritage materials. Language and subject expertise are required to create bilingual metadata records. Research limitations/implications – This paper presents the results of a case study. The approach to multilingual access that involves research, and it relies on human translation that can only be undertaken in small-scale projects. Practical implications – This case study of creating parallel records with a combination of translation and vocabulary mapping can be useful for designing similar bilingual digital collections. Social implications – This paper also discusses the obligations of holding institutions in undertaking digital conversion of the cultural heritage materials that originated in other countries, especially in regard to providing metadata records that reflect the language of the originating community. Originality/value – The research and practice in multilingual indexing of cultural heritage materials are very limited. There are no standardized models of how to approach building multilingual digital collections. This case study presents a model of providing bilingual access and enhancing the intellectual control of cultural heritage collections.

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Barbiani, C., F. Guerra, T. Pasini, and M. Visonà. "REPRESENTING WITH LIGHT. VIDEO PROJECTION MAPPING FOR CULTURAL HERITAGE." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-2 (May 30, 2018): 77–81. http://dx.doi.org/10.5194/isprs-archives-xlii-2-77-2018.

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In this paper, we describe a cross-disciplinary process that uses photogrammetric surveys as a precise basis for video projection mapping techniques. Beginning with a solid basis that uses geoinformatics technologies, such as laser scanning and photogrammetric survey, the method sets, as a first step, the physical and geometrical acquisition of the object. Precision and accuracy are the basics that allow the analysis of the artwork, both at a small or large scale, to evaluate details and correspondences. Testing contents at different scales of the object, using 3D printed replicas or real architectures is the second step of the investigation. The core of the process is the use of equations of collinearity into an interactive system such as Max&thinsp;7, a visual programming language for music and multimedia, in order to facilitate operators to have a fast image correction, directly inside the interactive software. Interactivity gives also the opportunity to easily configure a set of actions to let the spectators to directly change and control the animation content. The paper goes through the different phases of the research, analysing the results and the progress through a series of events on real architecture and experiments on 3d printed models to test the level of involvement of the audience and the flexibility of the system in terms of content. The idea of using the collinearity equation inside da software Max&thinsp;7 was developed for the M.Arch final Thesis by Massimo Visonà and Tommaso Pasini of the University of Venice (IUAV) in collaboration with the Digital Exhibit Postgraduate Master Course (MDE Iuav).

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Sang, Kun, and Silvia E. Piovan. "The application of GIS in railway heritage management: the case of Yunnan-Vietnam Railway." Proceedings of the ICA 2 (July 10, 2019): 1–7. http://dx.doi.org/10.5194/ica-proc-2-110-2019.

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Abstract. Railways were a key mode of transporting goods and people for industrial and urban development in the late modern age. Their special part in economic growth comes with their role in the development of cultural heritage along their pathways. However, because of competing urban construction, many railway heritages are in danger, such as the Yunnan-Vietnam Railway (YVR) in China, an important international narrow-gauge railway built in 1901, acknowledged as a railway heritage in 2018. As a typical linear heritage, the railway integrates both the natural and cultural landscapes, related to the large spatial extent and complex composition of single heritage elements. Geographic Information Systems (GIS) offer a great support in the investigation, assessment, and management of railway heritage. In this research, the huge cultural heritage related to the YVR was studied using a combined geo-historical and GIS approach. This paper aims to 1) give a brief review of the current status of the application of GIS on linear railway heritages studies, including heritage resources surveys, spatial analysis, thematic mapping and public service, 2) introduce the case study of the Yunnan-Vietnam Railway, and 3) present a geodatabase design for the Yunnan-Vietnam Railway heritage management.

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Petrulis, Vaidas. "Conflicts of the heritage: mapping values of immovable cultural heritage in Kaunas downtown area." Art History & Criticism 12 (2016): 20–30. http://dx.doi.org/10.7220/1822-4547.12.3.

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Papakonstantinou, Apostolos, Dimitris Kavroudakis, Yannis Kourtzellis, Michail Chtenellis, Vasilis Kopsachilis, Konstantinos Topouzelis, and Michail Vaitis. "Mapping Cultural Heritage in Coastal Areas with UAS: The Case Study of Lesvos Island." Heritage 2, no. 2 (May 12, 2019): 1404–22. http://dx.doi.org/10.3390/heritage2020089.

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Dynamic processes in coastal zones and human activities in the coastal environment produce pressure on cultural heritage, especially in touristic places. Unmanned aerial systems (UAS) are used as an additional tool for monitoring cultural heritage sites in sensitive coastal areas. UASs provide low-cost accurate spatial data and high-resolution imagery products in various spatial and temporal scales. The use of UAS for mapping cultural heritage sites in the coastal zone is of increasing interest among scientists and archaeologists in terms of monitoring, documentation, mapping, and restoration. This study outlines the integration of UAS data acquisition and structure from motion (SfM) pipeline for the visualization of selected cultural heritage areas (ancient harbors) in the coastal zone. The UAS-SfM methodology produces very detailed orthophoto maps for mapping and detecting cultural heritage sites. Additionally, a metadata cataloging system has been developed in order to facilitate online searching operations for all products of the data acquisition, SfM pipeline, and cartographic processes. For this reason, a specific metadata profile was implemented, based on the European INSPIRE framework. As a result, datasets reusability and catalogs interoperability are promoted.

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Sholihah, Arif Budi, and Johannes Widodo. "BLENDED LEARNING IN HERITAGE CONSERVATION COURSE: CULTURAL MAPPING AND GOOGLE MY-MAPS PLATFORM." DIMENSI (Journal of Architecture and Built Environment) 45, no. 2 (January 18, 2019): 181. http://dx.doi.org/10.9744/dimensi.45.2.181-188.

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This paper attempts to evaluate the effectiveness of blended learning in Heritage Conservation course, at the Department of Architecture Universitas Islam Indonesia Yogyakarta using both a mini-workshop in a historic district (cultural mapping) and Google My-Maps Platform (digital collaborative) as learning tools to achieve the learning outcomes. The overall finding shows that cultural mapping, as the first-hand information gathering of a heritage district gives the student understanding which then allows the students not only to appreciate the importance of heritage but also having empathy that heritage is not only about artifacts or architecture (tangible assets) but more about people who live in it. Meanwhile, Google My-Maps Platform offers an opportunity for the students to work together in different places and gives the flexibility on the digital learning process both in the heritage district, in the class, and at home. The result from the cultural mapping arranged in the My-Maps in many different forms, such as story/narratives, photos, and videos before producing the report on revealing the “DNA” of the heritage district and can be shared for the benefit of the public. This research has shown that blended learning (online and offline learning) is more effective in architectural education for it is more flexible but still allow the students to get direct experience with the real world.

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Georgopoulos, A., C. Oikonomou, E. Adamopoulos, and E. K. Stathopoulou. "EVALUATING UNMANNED AERIAL PLATFORMS FOR CULTURAL HERITAGE LARGE SCALE MAPPING." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLI-B5 (June 15, 2016): 355–62. http://dx.doi.org/10.5194/isprsarchives-xli-b5-355-2016.

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When it comes to large scale mapping of limited areas especially for cultural heritage sites, things become critical. Optical and non-optical sensors are developed to such sizes and weights that can be lifted by such platforms, like e.g. LiDAR units. At the same time there is an increase in emphasis on solutions that enable users to get access to 3D information faster and cheaper. Considering the multitude of platforms, cameras and the advancement of algorithms in conjunction with the increase of available computing power this challenge should and indeed is further investigated. In this paper a short review of the UAS technologies today is attempted. A discussion follows as to their applicability and advantages, depending on their specifications, which vary immensely. The on-board cameras available are also compared and evaluated for large scale mapping. Furthermore a thorough analysis, review and experimentation with different software implementations of Structure from Motion and Multiple View Stereo algorithms, able to process such dense and mostly unordered sequence of digital images is also conducted and presented. As test data set, we use a rich optical and thermal data set from both fixed wing and multi-rotor platforms over an archaeological excavation with adverse height variations and using different cameras. Dense 3D point clouds, digital terrain models and orthophotos have been produced and evaluated for their radiometric as well as metric qualities.

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Georgopoulos, A., C. Oikonomou, E. Adamopoulos, and E. K. Stathopoulou. "EVALUATING UNMANNED AERIAL PLATFORMS FOR CULTURAL HERITAGE LARGE SCALE MAPPING." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLI-B5 (June 15, 2016): 355–62. http://dx.doi.org/10.5194/isprs-archives-xli-b5-355-2016.

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When it comes to large scale mapping of limited areas especially for cultural heritage sites, things become critical. Optical and non-optical sensors are developed to such sizes and weights that can be lifted by such platforms, like e.g. LiDAR units. At the same time there is an increase in emphasis on solutions that enable users to get access to 3D information faster and cheaper. Considering the multitude of platforms, cameras and the advancement of algorithms in conjunction with the increase of available computing power this challenge should and indeed is further investigated. In this paper a short review of the UAS technologies today is attempted. A discussion follows as to their applicability and advantages, depending on their specifications, which vary immensely. The on-board cameras available are also compared and evaluated for large scale mapping. Furthermore a thorough analysis, review and experimentation with different software implementations of Structure from Motion and Multiple View Stereo algorithms, able to process such dense and mostly unordered sequence of digital images is also conducted and presented. As test data set, we use a rich optical and thermal data set from both fixed wing and multi-rotor platforms over an archaeological excavation with adverse height variations and using different cameras. Dense 3D point clouds, digital terrain models and orthophotos have been produced and evaluated for their radiometric as well as metric qualities.

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Fitri, I., Ratna, R. Sitorus, and M. Affan. "Cultural Mapping of the Heritage Districts in Medan, North Sumatra." IOP Conference Series: Materials Science and Engineering 180 (March 2017): 012088. http://dx.doi.org/10.1088/1757-899x/180/1/012088.

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Borrmann, Dorit, Robin Hess, Daniel Eck, Hamidreza Houshiar, Andreas Nüchter, and Klaus Schilling. "Evaluation of Methods for Robotic Mapping of Cultural Heritage Sites." IFAC-PapersOnLine 48, no. 10 (2015): 105–10. http://dx.doi.org/10.1016/j.ifacol.2015.08.116.

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de la Fuente, Daniel, Jesús Manuel Vega, Fernando Viejo, Iván Díaz, and Manuel Morcillo. "Mapping air pollution effects on atmospheric degradation of cultural heritage." Journal of Cultural Heritage 14, no. 2 (March 2013): 138–45. http://dx.doi.org/10.1016/j.culher.2012.05.002.

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J. Woodley, Carolyn, Sean Fagan, and Sue Marshall. "Wadawurrung Dya Baap Ngobeeyt: teaching spatial mapping technologies." Campus-Wide Information Systems 31, no. 4 (July 29, 2014): 276–87. http://dx.doi.org/10.1108/cwis-10-2013-0059.

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Purpose – Aboriginal communities in Australia must have mapping information and technology to effectively and independently administer their land holdings and to define, evidence and thus protect their community and cultural identity. The purpose of this paper is to report on a pilot project that developed a customisable education programme to support Indigenous communities in the uptake of spatial mapping technologies to protect and manage cultural heritage in Victoria, Australia. Design/methodology/approach – A training programme to support Wadawurrung capabilities in spatial mapping technologies was developed, delivered and evaluated. Concurrently, the system's database was indigenised by Wadawurrung cultural heritage workers. Types and numbers of culturally significant sites mapped using the technologies were collated. The impact of the training and technologies for students and the Wadawurrung community was gauged through participation levels and evaluations. The approach to indigenous spatial mapping projects is informed by postcolonial theories interrogating neo-colonialist cartographic practices. Findings – Indigenous communities need to be resourced in the uptake of spatial mapping technologies and if universities are going to be involved in co-developing positive learning experiences that encourage the uptake of the technologies, they must have appropriate and respectful relationships with Aboriginal communities. Training programmes need to accommodate learners with diverse educational experiences and technological wherewithal. Research limitations/implications – Findings from the training evaluations are based on a small number of participants; however, they seem to be supported by literature. Practical implications – The education model developed is customisable for any Indigenous community in Australia. Social implications – The social and political importance of spatial mapping technologies for Indigenous Australians is evident as is the need for educational providers to have appropriate and respectful relationships with Aboriginal communities to co-develop positive learning experiences that encourage the uptake of the technologies. Originality/value – The Wadawurrung Dya Baap Ngobeeyt Cultural Heritage Mapping and Management Project developed practical strategies to build community capacity in Aboriginal Cultural Heritage Management and Protection. The educational programme developed supported learners to use technologies in cultural heritage management. Data were collected using community-developed fields for inclusion and culturally appropriate encryption of data.

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Bukhari, Bukhari, Madhan Anis, and Ramazan Ramazan. "Tracing and Mapping of Cultural Reserves as a Source of Information for Historical Tourism in Langsa City." Budapest International Research and Critics Institute (BIRCI-Journal): Humanities and Social Sciences 4, no. 1 (February 9, 2021): 1070–80. http://dx.doi.org/10.33258/birci.v4i1.1714.

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Cultural heritage objects are evidence of historical heritage that is very useful in life, cultural heritage is also useful as a means of education as well as a historical tourism destination for the community. The purpose of this research is to find out historical heritage buildings in Langsa City, then to map the historical heritage buildings to be used as sources of information.The method in this study uses a historical method with stages namely the heuristic stage, the source criticism stage, the interpretation stage and the historiography stage. The result of the research is that there are five historical heritage buildings in Langsa City that have been designated as a Cultural Heritage with the Letter of the Mayor of Langsa in 2016. Then the mapping is carried out on the historical heritage which has been used as a source of information that is very helpful for local, regional, national and foreign tourists who visit Langsa City.

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Suprapti, Atik, Anang Wahyu Sejati, Agung Budi Sardjono, Edward E. Pandelaki, Abdul Malik, and Nurma Mediasri Huwaida. "Toward Sustainable Preservation of Cultural Heritage Buildings: A Combination of Digital Mapping and Architectural mapping for Omah Pencu in the Historic Area of Kudus Kulon." TEKNIK 41, no. 3 (November 25, 2020): 201–11. http://dx.doi.org/10.14710/teknik.v41i3.27922.

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This study aims to map the existence of the wooden houses of Omah Pencu and classifies their potencies as heritage buildings in the historic area of Kudus Kulon. Caring for indigenous cultural heritage will contribute to the strengthening of local identity. The traditional houses of Omah Pencu have been developing as the specific architecture since the end of the 17'th century, as a living place of the ‘Gusjigang' community, and artifacts evident of the city heyday. However, the pressure of modernization-capitalization in the city caused several changes in their built environment and decreased the number of Omah Pencu. This research concern with the GIS interpretation methods and the direct observations use the questionnaire, interview, and architectural documentation. The findings provide an important database for preservation in the digital era. The digital mapping, combined with the mapping of tangible and intangible buildings, produces digital information about the Omah Pencu building condition that has never been done before. Through this mapping, found that the participation effort of the community caused the sustainability of preservation. It is a very significant bottom-up participation. However, toward sustainable preservation, a strategy, planning, design, and management that integrated all stakeholders and resources by utilizing digital technology are needed.

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Hedquist, Saul L., Stewart B. Koyiyumptewa, Wesley Bernardini, T. J. Ferguson, Peter M. Whiteley, and Leigh J. Kuwanwisiwma. "Mapping the Hopi Landscape for Cultural Preservation." International Journal of Applied Geospatial Research 6, no. 1 (January 2015): 39–58. http://dx.doi.org/10.4018/ijagr.2015010103.

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For the Hopi people, named places on the landscape localize, commemorate, and transmit traditional knowledge within a spatial context used to reference and explain Hopi history and culture—geographic information the Hopi Tribe seeks to preserve. This paper discusses the Hopi Cultural Preservation Office's use of geospatial technologies during recent collaborative efforts to document important places and associated cultural information. It considers how GIS and other geospatial technologies have been used to produce maps and digital imagery in a manner guided by traditional landscape perspectives and native epistemologies. Mapping Hopi lands provides many benefits, foremost being the preservation of place-related knowledge for future generations of Hopis. Geospatial technologies also facilitate Hopi efforts of heritage management by providing a medium that effectively demonstrates use of traditional landscapes to non-Hopi audiences.

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Marketakis, Yannis, Nikos Minadakis, Haridimos Kondylakis, Konstantina Konsolaki, Georgios Samaritakis, Maria Theodoridou, Giorgos Flouris, and Martin Doerr. "X3ML mapping framework for information integration in cultural heritage and beyond." International Journal on Digital Libraries 18, no. 4 (June 6, 2016): 301–19. http://dx.doi.org/10.1007/s00799-016-0179-1.

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Heckenberger, Michael J. "Mapping Indigenous Histories: Collaboration, Cultural Heritage, and Conservation in the Amazon." Collaborative Anthropologies 2, no. 1 (2009): 9–32. http://dx.doi.org/10.1353/cla.0.0017.

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Mohd Shariff, Noresah, and Zuraini Zakaria. "Digital Mapping of Intangible Cultural Heritage: The Case of Traditional Foods." International Journal of the Humanities: Annual Review 8, no. 11 (2011): 69–74. http://dx.doi.org/10.18848/1447-9508/cgp/v08i11/43046.

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Yankelevich, S. S., and A. O. Lebzak. "Developing a method of creating a geographic information system objects of cultural heritage on the example of Novosibirsk region." Geodesy and Cartography 958, no. 4 (May 20, 2020): 31–40. http://dx.doi.org/10.22389/0016-7126-2020-958-4-31-40.

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The authors discuss the results of working at the development of methods for creating GIS of cultural heritage. A brief analysis of modern research in the field of geoinformation cultural heritage mapping had been made befor. The existing methods of creation GIS of cultural heritage objects basing upon the analysis of the performed experimental works are studied. The basic requirements to the methodology of GIS creation of cultural heritage objects are defined. The developed technique of creating GIS for cultural heritage objects on the basis of HTML, CSS and JavaScript-technologies is presented. In the course of the study, a prototype of the geographic information system “Cultural heritage of Novosibirsk region” was developed, it can be used by anyone for educational purposes, as well as by territorial agencies of cultural heritage protection, local governments, construction organizations, road enterprises, land use and subsoil use enterprises, educational and scientific organizations, as well as tour operators and other economic entities.

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Hannewijk, Bas, Federica Lucia Vinella, Vassilis-Javed Khan, Ioanna Lykourentzou, Konstantinos Papangelis, and Judith Masthoff. "Capturing the City’s Heritage On-the-Go: Design Requirements for Mobile Crowdsourced Cultural Heritage." Sustainability 12, no. 6 (March 20, 2020): 2429. http://dx.doi.org/10.3390/su12062429.

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Intangible Cultural Heritage is at a continuous risk of extinction. Where historical artefacts engine the machinery of intercontinental mass-tourism, socio-technical changes are reshaping the anthropomorphic landscapes everywhere on the globe, at an unprecedented rate. There is an increasing urge to tap into the hidden semantics and the anecdotes surrounding people, memories and places. The vast cultural knowledge made of testimony, oral history and traditions constitutes a rich cultural ontology tying together human beings, times, and situations. Altogether, these complex, multidimensional features make the task of data-mapping of intangible cultural heritage a problem of sustainability and preservation. This paper addresses a suggested route for conceiving, designing and appraising a digital framework intended to support the conservation of the intangible experience, from a user and a collective-centred perspective. The framework is designed to help capture the intangible cultural value of all places exhibiting cultural-historical significance, supported by an extensive analysis of the literature. We present a set of design recommendations for designing mobile apps that are intended to converge crowdsourcing to Intangible Cultural Heritage.

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Harvey, Ross, and Martha Mahard. "Mapping the Preservation Landscape for the Twenty-First Century." Preservation, Digital Technology & Culture 42, no. 1 (March 2013): 5–16. http://dx.doi.org/10.1515/pdtc-2013-0002.

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AbstractInformation technology has had a profound effect on the preservation landscape at the beginning of the twenty-first century, blurring the traditional boundaries separating cultural heritage institutions and demanding new skills and approaches to the management of cultural assets, whether digital or analog. Concepts around which the core principles of preservation were built have been challenged and are shifting to accommodate new practices and standards. Changes in our approach to longevity, choice, quality, integrity, and access are being driven by digital technologies. A new set of principles, applicable to all materials, whether digital or not, are proposed. In the context and aims of preservation as we understand it today, these principles are a framework for the management of our cultural heritage collections.

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Hadzic, L., A. Dzino-Suta, R. Eppich, A. Vezic, and J. L. Izkara Martinez. "Participatory Imaging Mapping of Cultural Heritage Across Internal Borders Stolac, Bosnia and Herzegovina." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XL-5/W7 (August 12, 2015): 195–200. http://dx.doi.org/10.5194/isprsarchives-xl-5-w7-195-2015.

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During the war in Bosnia and Herzegovina (1992–1995) cultural heritage was explicitly targeted and the state of destruction was extensive to both sacral and secular monuments. Two decades after the end of hostilities the perception of the historic environment is still defined from the angles of national, religious or ethnic belonging. Enabling recognition, reconciliation, tolerance and respect within the community of Stolac, Bosnia & Herzegovina through a better understanding and sharing of cultural heritage was the focus of this project. Stolac is representative of the problems in the region and stands out for its particularly sharp divisions. Until recently there was segregation with local schools and their curriculum was divided with cultural heritage generally not addressed. How can this small community engage with heritage and develop a dialogue that encourages tolerance, respect and as a base for development? How does one understand, then document areas significance to the community? Finally, how can technology assist? The focus of this paper is to relate the experiences and findings of a project that incorporated participatory imaging mapping and the use of technology to bridge between the internal borders of this small community. It will outline a methodology, experiences of the participants and results from their exercises in order to assist other communities facing similar issues.

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Dinler, Mesut. "Counter-Mapping through Digital Tools as an Approach to Urban History: Investigating the Spatial Condition of Activism." Sustainability 13, no. 16 (August 9, 2021): 8904. http://dx.doi.org/10.3390/su13168904.

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Cultural heritage has a central role in sustainable development, and it has the potential to re-imagine more democratic cities. Yet, critical theory has framed cultural heritage not only as the material remains of the past, but also as a dynamic interaction of humans with their past that encompasses tangible and intangible entities. Thus, it is necessary to research these dynamics to understand the role of cultural heritage as a resource for sustainable development. In this context, the main research question of this article is: “How does heritage is shaped and managed by the ‘present’? Can we understand this process through the opportunities of digital humanities?”. To confront this question, the research adapts the counter-mapping methodology with the digital humanities perspective focusing on the urban protest movements that took place in the historic areas of Istanbul throughout the 1960s. It is seen that the spatial pattern of these movements was the result of the urban operations of the 1950s. In the 1950s, an autocratic government shaped the urban space and redefined the urban heritage to concentrate more power. However, in the 1960s, workers and students used the very same spaces and again redefined the urban heritage by exercising their social rights. Based on these results, the main conclusion is that for revealing the full potential of cultural heritage in sustainable development, it is necessary to deepen our knowledge on how heritage operates in a society, considering that heritage changes meaning depending on the socio-political context of the period.

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Zevnik, Luka. "Mapping popular music heritage in Slovenia." International Journal of Heritage Studies 20, no. 3 (November 29, 2012): 281–96. http://dx.doi.org/10.1080/13527258.2012.727454.

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Nedvedova, K., and R. Pergl. "Information support systems for cultural heritage protection against flooding." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XL-5/W7 (August 13, 2015): 343–46. http://dx.doi.org/10.5194/isprsarchives-xl-5-w7-343-2015.

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The goal of this paper is to present use of different kind of software applications to create complex support system for protection of cultural heritage against flooding. The project is very complex and it tries to cover the whole area of the problem from prevention to liquidation of aftermath effects. We used GIS for mapping the risk areas, ontology systems for vulnerability assessment application and the BORM method (Business Object Relation Modelling) for flood protection system planning guide. Those modern technologies helped us to gather a lot of information in one place and provide the knowledge to the broad audience.

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Karachaliou, E., E. Georgiou, D. Psaltis, and E. Stylianidis. "UAV FOR MAPPING HISTORIC BUILDINGS: FROM 3D MODELLING TO BIM." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-2/W9 (January 31, 2019): 397–402. http://dx.doi.org/10.5194/isprs-archives-xlii-2-w9-397-2019.

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Abstract. Preventive actions of cultural heritage continuously emerge in order to preserve the identity of the respective civilizations, retain its cultural significance and ensure its accessibility to present and future generations. 3D geomatics technologies along with UAV systems are widely used for documenting existing structures especially in difficult-to-access areas. In addition, Building Information Modelling (BIM) for cultural heritage gains ground towards the sustainable management, update and maintenance of the information. To this context, the current work generates a Historic Building Information Modelling (HBIM) model of the “Averof’s Museum of Neohellenic art” located in Metsovo, Greece, by using UAV photogrammetry techniques and additional information derived from the architecture designs of the buildings.

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Moraitou, Efthymia, John Aliprantis, Yannis Christodoulou, Alexandros Teneketzis, and George Caridakis. "Semantic Bridging of Cultural Heritage Disciplines and Tasks." Heritage 2, no. 1 (February 12, 2019): 611–30. http://dx.doi.org/10.3390/heritage2010040.

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The Cultural Heritage (CH) domain encompasses a wide range of different disciplines, serving the study, interpretation, curation, and preservation of objects, collections, archives, sites, and the dissemination of related knowledge. In this context, stakeholders generate, retrieve, and share a vast amount of diverse information. Therefore, information interoperability has been considered a crucial task, especially in terms of semantics. In this way, the CIDOC CRM (International Committee for Documentation Conceptual Reference Model) has been widely used as an underlying model that offers interoperability between CH domain metadata standards and ontologies. To the best of our knowledge, an overall review of mapping, merging, and extending this core ontology, as well as an aggregate table which classifies and correlates those ontologies and standards, has not yet been presented. Our study conducts an aggregate review of relevant published efforts and outlines the various associations between them, encapsulating the CIDOC CRM and its specialized models, as well. This work aims to further clarify the field and scope of the different works, identify their methods, and highlight the semantic overlap, or differences, between them.

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Dhonju, Hari, Wen Xiao, Jon Mills, and Vasilis Sarhosis. "Share Our Cultural Heritage (SOCH): Worldwide 3D Heritage Reconstruction and Visualization via Web and Mobile GIS." ISPRS International Journal of Geo-Information 7, no. 9 (August 30, 2018): 360. http://dx.doi.org/10.3390/ijgi7090360.

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Despite being of paramount importance to humanity, tangible cultural heritage is often at risk from natural and anthropogenic threats worldwide. As a result, heritage discovery and conservation remain a huge challenge for both developed and developing countries, with heritage sites often inadequately cared for, be it due to a lack of resources, nonrecognition of the value by local people or authorities, human conflict, or some other reason. This paper presents an online geo-crowdsourcing system, termed Share Our Cultural Heritage (SOCH), which can be utilized for large-scale heritage documentation and sharing. Supported by web and mobile GIS, cultural heritage data such as textual stories, locations, and images can be acquired via portable devices. These data are georeferenced and presented to the public via web-mapping. Using photogrammetric modelling, acquired images are used to reconstruct heritage structures or artefacts into 3D digital models, which are then visualized on the SOCH web interface to enable public interaction. This end-to-end system incubates an online virtual community to encourage public engagement, raise awareness, and stimulate cultural heritage ownership. It also provides valuable resources for cultural heritage exploitation, management, education, and monitoring over time.

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Bordet, Pierre, Florian Kergourlay, Ariane Pinto, Nils Blanc, and Pauline Martinetto. "Applying multivariate analysis to X-ray diffraction computed tomography: the study of medieval applied brocades." Journal of Analytical Atomic Spectrometry 36, no. 8 (2021): 1724–34. http://dx.doi.org/10.1039/d1ja00143d.

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Rashid, Mohd Sabrizaa Abd. "Understanding the Past for a Sustainable Future: Cultural Mapping of Malay Heritage." Procedia - Social and Behavioral Sciences 170 (January 2015): 10–17. http://dx.doi.org/10.1016/j.sbspro.2015.01.007.

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Álvarez-García, Maldonado-Erazo, de la Cruz del Río-Rama, and Castellano-Álvarez. "Cultural Heritage and Tourism Basis for Regional Development: Mapping of Scientific Coverage." Sustainability 11, no. 21 (October 30, 2019): 6034. http://dx.doi.org/10.3390/su11216034.

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The aim of this research is to carry out a bibliometric and bibliographic study of the scientific production indexed in the international databases Scopus and Web of Science (WoS) on the use of cultural heritage by tourism as an alternative for regional development. This research allows us to observe the current situation of this area of study and to develop a research roadmap on this subject. The methodology used focuses on applying productivity, dispersion, collaboration, and citation indicators to a set of 103 articles identified through an advanced search of terms, in addition to applying an iterative analysis for the bibliographic study. The main findings of this study show that the documents are mostly analytical, mainly signed by a single author, and the productivity rate per author is 1.04. The co-author index in the subject is 2.34, and the subject is in an exponential growth phase that began in 2004, with a ratio of 6.53 articles/year, with the majority of the production being by a single author per article. The country with the highest production is China, with 28 articles, 26 authors, 28 authorships, and 15 centers, followed by the Russian Federation, with 21 articles. Universiti Sains Malaysia (Malaysia) is the most productive institution, with 15 authorships, and there is a group of aspiring authors (between 2 and 4 articles) whose geographical affiliation is Malaysia, a group that represents 3% of the total of authors and concentrates 17 articles.

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Gravagnuolo, Antonia, Serena Micheletti, and Martina Bosone. "A Participatory Approach for “Circular” Adaptive Reuse of Cultural Heritage. Building a Heritage Community in Salerno, Italy." Sustainability 13, no. 9 (April 25, 2021): 4812. http://dx.doi.org/10.3390/su13094812.

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Cultural heritage is recognized as a key element for local sustainable development, contributing to the identity of territories and cultural diversity of local communities. The concept of “heritage community”, as expressed by the Faro Convention, can be enhanced in decision-making processes for the adaptive reuse and valorization of cultural heritage to build shared and sustainable development scenarios. Communities represent fundamental actors able to drive active reflection and implement the exercise of civic responsibility and (inter)cultural policies. This paper explores how local communities can have an active and effective role in the adaptive reuse and valorization of cultural heritage, through a field experimentation conducted within the Horizon 2020 project “CLIC—Circular models Leveraging Investments in Cultural heritage adaptive reuse” in the area of Rufoli, Salerno (Italy), in the perspective of the circular economy/circular city model. Starting from heritage mapping and key stakeholder’s engagement, a local working group was built, and processes of knowledge building, envisioning, and community engagement were activated. The results showed that building a heritage community can be an effective starting point for “circular” adaptive reuse of cultural heritage, stimulating not only its recovery but also community bonds, civic responsibility, and potential entrepreneurial activities for longer-term sustainable development.

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del Río-Rama, María, Claudia Maldonado-Erazo, José Álvarez-García, and Amador Durán-Sánchez. "Cultural and Natural Resources in Tourism Island: Bibliometric Mapping." Sustainability 12, no. 2 (January 19, 2020): 724. http://dx.doi.org/10.3390/su12020724.

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Island ecosystems have very specific physical, economic and socio-cultural characteristics, which are shared by most of these ecosystems regardless of their geographical area. These characteristics include well defined geographical boundaries that lead to a greater degree of isolation, lack of economically exploitable resources, great external dependence for consumption, cultural and natural heritage with a high uniqueness level and a high concentration of endemic plant and animal species. All of them are responsible for the high development dependence level linked to the tourism activity of these ecosystems. Thus, island ecosystems are currently an important international tourism destination, where a great diversity of very attractive natural and cultural resources and of great heritage value are concentrated. This fact allows for the development of tourism activities of great heterogeneity among countries or regions of the world that host these island ecosystems. The aim of this research was to identify and analyze, through a bibliometric and bibliographic analysis, the scientific production indexed in the international Scopus database, which addresses the subject of use of cultural and natural resources by tourism in island ecosystems. This scientific mapping allows us to observe the evolution of scientific production in this field of study. The results show that this is a new subject (a large number of transient authors), predominantly affiliated with the United States and Spain. The most followed research lines to date are destination management followed very far by responsible environmental behavior and the impacts of sustainable development. However, the keywords with the highest co-occurrence show that the hot topics are tourism exploitation in the ecotourism field and sustainable tourism development. This research is considered the first bibliometric study carried out which is related to this thematic approach, providing a clear in-depth analysis for researchers and thereby facilitating the approach of future research work.

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Jo, Y. H., J. Kim, N. C. Cho, C. H. Lee, Y. H. Yun, and D. K. Kwon. "A STUDY ON PLANNING AND PLATFORM FOR INTERACTIVE EXHIBITION OF SCIENTIFIC CULTURAL HERITAGE." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-2/W15 (August 22, 2019): 605–7. http://dx.doi.org/10.5194/isprs-archives-xlii-2-w15-605-2019.

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Abstract. This study has developed an experiential exhibition system of scientific cultural heritage through interactive projection mapping. A bronze mirror with fine linear design was selected as an exhibition subject considering the intuitiveness and responsiveness of research and development results. First, three-dimensional (3D) scanning was performed to construct a digital database of the original forms, and computer graphics-based 3D modeling was also performed to build exhibition materials and 3D printed objects. Furthermore, objective scenarios were created based on a traditional science experience, understanding the present bronze mirror, and processes of restoring the corroded original bronze mirror through modern conservation science. The technique selected to implement the scientific content of bronze mirror as media art in this study is interactive projection mapping. Moreover, a large 3D printing of bronze mirror was installed at the center of the exhibition space to allow users and all viewers to concurrently engage in scientific cultural heritage content. Simultaneous projection mapping on the front and rear of the printed bronze mirror model enhanced 3D effects and the immersion of the content. To construct an interactive space connecting the virtual and reality, ore, mold, bronze mirror replicas, 3D printing outputs, and cultural products used in the process of producing bronze mirrors were exhibited to make the exhibit more intuitive for visitors. This interactive projection mapping-based scientific and cultural exhibition of the bronze mirror is an experiential exhibition system which combines traditional science, modern conservation science, and future exhibition technology.

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Zheng, Rui, Dan Zhang, and Guo Sheng Yang. "Protection of Cultural Heritage's Focus on 3D Technologies: A Survey." Applied Mechanics and Materials 513-517 (February 2014): 792–95. http://dx.doi.org/10.4028/www.scientific.net/amm.513-517.792.

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In this paper, we survey several 3D techniques including 3D reconstruction in which quick stereo-photogrammetric system and laser scanner involved, image-based rendering and shape modeling for protection of cultural heritage. The applications are classified into two categories: reconstruction of large-scale heritage sites; reconstruction of culture relics and exhibition. Dozens of successful cases prove the effectiveness of the technologies, and the challenges remain in several fields: the automation of extracting texture from high-resolution photo and mapping it to the 3D model needs to be improved; accelerating the rendering performance; effective integration of virtual reality technology.

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Miranda Correa, Melisa. "Mapping landscapes of movements: representing Indigenous space signification." AlterNative: An International Journal of Indigenous Peoples 16, no. 2 (May 6, 2020): 117–28. http://dx.doi.org/10.1177/1177180120917485.

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This article explores the conceptualisation of intangible heritage through the placement of traditional practices, by providing a method for cultural heritage inventories on Indigenous territories. Landscapes of movements is the theory that allows the analysis of Indigenous cultures and territories in terms of context, inhabitants, heritage, policies, traditions, symbolism, landmarks and roads. The case study is Caspana, a Likan Antai community in the north of Chile, incorporated in the Inca roads. Through interviews over a tenure map built in co-labour with the community in study, it was possible to articulate a space signification in relation to people’s movement as a “ritual territory” and an “ancient territory”, one for the present and for past movement, respectively. This tenure map method becomes a tool for the Indigenous communities, who can now use it as argument for claiming their rights over land.

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Yankelevich, Svetlana, Anastasiya Lebzak, and Evgenii Lebzak. "Technological aspects of creating a web GIS of cultural heritage objects for spatial development of the territory on the example of the Novosibirsk region." InterCarto. InterGIS 26, no. 4 (2020): 311–19. http://dx.doi.org/10.35595/2414-9179-2020-4-26-311-319.

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The level of information security of the cultural heritage of the region has a direct impact on the spatial development of the territory. Most often this is expressed in the quantity and quality of scientific research in this area, measures to protect and popularize the cultural heritage of the region, and, as a result, the level of development of educational tourism in this area. The widespread accessibility of the Internet in our country, as well as the annual enormous increase in the number of mobile Internet users, makes it possible to disseminate a large amount of heterogeneous information as quickly and efficiently as possible. Therefore, web technologies are rationally applied to increase the level of information security of cultural heritage objects. Geospatial information perceived by the user preferably in a graphical form, for example, using interactive maps and web-GIS. To create them, you need to integrate web technologies and geoinformation mapping. The article presents a study of the advantages and disadvantages of using web technologies in cartography. In the process of research, a technology for creating web GIS of cultural heritage objects was developed, based on the integration of web technologies and geoinformation mapping. The article describes in detail the main stages and features of creating such geoinformation products, as well as the requirements for them. A prototype of the web GIS “Cultural heritage of the Novosibirsk region” has been developed.it can be used by any person for educational purposes, as well as by territorial bodies of protection of cultural heritage objects, local governments, construction organizations, road enterprises, land use and subsoil use enterprises, educational and scientific organizations, as well as tour operators and other economic entities.

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Scandiffio, A. "MAPPING SPATIAL QUALITY OF SLOW ROUTES WITH A GIS-BASED METHOD A COMPARATIVE ASSESSMENT OF ALTERNATIVE ROUTES." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-2/W15 (August 26, 2019): 1071–76. http://dx.doi.org/10.5194/isprs-archives-xlii-2-w15-1071-2019.

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Abstract. In the field of cultural tourism, slow routes, especially pedestrian and cycle routes, are considered important resources for sustainable, social and economic development of the territories. The cultural routes, defined by the Council of Europe, have extended the notion of conservation and valorization of cultural heritage to a wider territorial perspective, that allow to join tangible and intangible heritage dimensions, natural and built heritage, in a whole. In this framework, cultural routes, mainly used to rediscover the territory through slow-travel experience, need to be documented and ranked as a system of cultural heritage spread over the territory, by innovative and effective tools. The SQISR method (Spatial Quality Index of Slow Routes), at territorial level, allows to analyze the spatial features of slow routes through GIS-based mapping techniques, but also to compare alternative routes on the base of a set of heterogeneous indicators. The SQIRS method has been applied to evaluate two alternative itineraries of the Monks Route, that cross the agricultural landscape in southern Milan, with aim to document their spatial features and rank them in relation to their spatial quality. The SQISR method, that is based on a quantitative approach, allows to visualize the outcomes by different ways: graded GPS tracks, graphs, diagrams.

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CHETVERIKOV, B., O. KHINTSITSKY, and I. KALYNYCH. "Methodology of mapping of historical and cultural heritage objects by GIS technologies using archival cartographic and aerial materials." Modern achievements of geodesic science and industry 41, no. I (April 1, 2021): 97–103. http://dx.doi.org/10.33841/1819-1339-1-41-97-103.

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Aim. The purpose of the work is to process archival cartographic materials and remote sensing data for the interpretation of objects of historical and cultural heritage (OHCH) of Cherkasy, including those that have not been preserved. Method. One of the possible technological schemes for research is offered. According to her, the first step was to analyze the input data of the study, among which were: a map of Cherkasy in 1895 at a scale of 1:42000; German aerial image of 1944; a fragment of a space image of Cherkasy obtained from the GeoEye-1 satellite in 2018. Geometric correction of the input materials was performed in the Mercator projection and the WGS84 coordinate system, in which the transformed image was obtained. The next step was to vectorize the objects of historical and cultural heritage of Cherkasy, according to the list obtained on the city’s website. There are two types of objects: point and polygonal. When vectorizing polygonal objects, the historical boundaries were specified with the help of archival maps and aerial images. Special symbols have been developed for each of the types of historical and cultural heritage sites, according to the proposed classification. In addition, an attributive database of these objects was created, which had the following structure: number of the passport of object, the name of the object, the address of the OHCH, the number of the decision to take under protection, information about the OHCH. Also, the obtained vector data was exported to the exchange format with the extension kmz and an online version of the thematic map was created on the basis of the free GISFile resource. Results. As a result of the conducted researches, the thematic GIS of the objects of historical and cultural heritage of Cherkasy was created, which are plotted on the space image of high spatial resolution, obtained in 2018. An on-line version of the GIS of Cherkasy historical and cultural heritage sites has been created on the basis of the free GISFile cartographic service, with the possibility of analyzing the location of these objects and building optimal tourist routes. Scientific novelty. Possible algorithms for creating offline and on-line versions of thematic GIS are proposed. Practical value. The obtained results of mapping the objects of historical and cultural heritage of Cherkasy can be used by the structures of protection of objects of historical and cultural heritage of Cherkasy at the Ministry of Culture.

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Yang, W. B., and Y. N. Ye. "PLANNING BY USING DIGITAL TECHNOLOGY IN THE RECONSTRUCTION OF CULTURAL HERITAGE SITES – A CASE STUDY OF QIONG-LIN SETTLEMENT IN KINMEN AREA." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-2/W5 (August 23, 2017): 719–24. http://dx.doi.org/10.5194/isprs-archives-xlii-2-w5-719-2017.

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ICOMOS Florence Declaration in 2014, encourages an in-depth reflection on human values through cultural heritage and landscapes, which emphasizes the importance of historical heritage sites, in order to achieve the application of cultural heritage records through the public participation, sharing new technology platform and facilitation tools for knowledge diffusion, for instance. Nikos adopted digitized intangible cultural heritage within i-Treasures project to create a novel digital platform in 2016. Nowadays, the display platform developed based on geographic information system has been gradually accepted and widely used to distribute cultural heritage information, aiming to combine geography, time, events, issues, trends with the interactive maps to show the context of data changes from the consideration of planarity; for example, Burnaby City in Canada has cooperated with the Columbia University to create a navigation platform for guidance of tangible cultural heritage based on story maps in order to provide public recognition function. In this study, Qiong-Lin Settlement in Kinmen Area was taken as an example to illustrate the developing process of an overall planning framework for reappearing the glory of historic settlements of cultural heritage sites with digital technology, which included tangible and intangible cultural heritage preservation and transmission planning, community participation and digital navigation programs. The digital technology with the GIS-based digital platform can provide more diverse and interesting information while using an intuitive, graphical user story mapping interface. So that tangible cultural heritage can be effectively understood, interpreted and preserved with the value-added methods, and also intangible cultural heritage can be continuously transmitted to establish a complete system of cultural heritage preservation. The main contents include several navigation technologies, such as 3D laser scanning, UAV images, photogrammetry, panorama, audio/video, geographic information systems etc.

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Moise, C., A. M. Lazar, C. E. Mihalache, L. A. Dedulescu, I. F. Dana Negula, A. Badea, V. D. Poenaru, R. Moise, and A. R. Ortan. "GEOMATICS TECHNOLOGIES IN THE FRAMEWORK OF MULTIDISCIPLINARY PROJECT FOR INTEGRATED MANAGEMENT OF CULTURAL HERITAGE SITES." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLIII-B2-2020 (August 14, 2020): 1477–84. http://dx.doi.org/10.5194/isprs-archives-xliii-b2-2020-1477-2020.

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Abstract. Cultural heritage represents the link between past and present civilizations, contributing to the right appreciation of the present-day by understanding the historical evolution of different human communities that are shaping our world. Preservation of the cultural heritage and mitigating potential risks on invaluable artifacts or objectives is key to conserving the identity of present and future generations. Our complex project is dedicated to monitoring, conservation, protection and promotion of the Romanian cultural heritage. It addresses the challenge of better safeguarding the cultural heritage by developing a multidisciplinary approach.The combined use of Synthetic Aperture Radar and multispectral satellite imagery represent a non-invasive investigation instrument that enable multitemporal analysis, contributing with valuable insights regarding cultural heritage sites. Remote sensing techniques were used to generate geospatial products such as displacement maps, urban sprawl evolution maps, urban heat island maps and many more.For protecting important artifacts, innovative recipes based on nanotechnologies were developed. In order to promote these artifacts, 3D photorealistic models were created using 3D reconstruction technology. For selected cultural heritage objectives, an integrated LiDAR aerial mapping system has enabled the creation of a high accuracy 3D model.This paper illustrates how different technologies, ranging from remote sensing to nanotechnology, could be used for safeguarding and promoting the Romanian cultural heritage and represents a first step in establishing and consolidating a multidisciplinary team involved in this domain.

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Eiter, Sebastian, Wendy Fjellstad, Oskar Puschmann, and Svein Olav Krøgli. "Long-Term Monitoring of Protected Cultural Heritage Environments in Norway: Development of Methods and First-Time Application." Land 8, no. 5 (April 27, 2019): 75. http://dx.doi.org/10.3390/land8050075.

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Norway has a political goal to minimize the loss of cultural heritage due to removal, destruction or decay. On behalf of the national Directorate for Cultural Heritage, we have developed methods to monitor Cultural Heritage Environments. The complementary set of methods includes (1) landscape mapping through interpretation of aerial photographs, including field control of the map data, (2) qualitative and quantitative initial and repeat landscape photography, (3) field recording of cultural heritage objects including preparatory analysis of public statistical data, and (4) recording of stakeholder attitudes, perceptions and opinions. We applied these methods for the first time to the historical clustered farm settlement of Havrå in Hordaland County, West Norway. The methods are documented in a handbook and can be applied as a toolbox, where different monitoring methods or frequency of repeat recording may be selected, dependent on local situations, e.g., on the landscape character of the area in focus.

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Sardella, Alessandro, Elisa Palazzi, Jost von Hardenberg, Carlo Del Grande, Paola De Nuntiis, Cristina Sabbioni, and Alessandra Bonazza. "Risk Mapping for the Sustainable Protection of Cultural Heritage in Extreme Changing Environments." Atmosphere 11, no. 7 (July 1, 2020): 700. http://dx.doi.org/10.3390/atmos11070700.

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Cultural heritage is widely recognized to be at risk due to the impact of climate change and associated hazards, such as events of heavy rain, flooding, and drought. User-driven solutions are urgently required for sustainable management and protection of monumental complexes and related collections exposed to changes of extreme climate. With this purpose, maps of risk-prone areas in Europe and in the Mediterranean Basin have been produced by an accurate selection and analysis of climate variables (daily minimum and maximum temperature—Tn and Tx, daily cumulated precipitation—RR) and climate-extreme indices (R20mm, R95pTOT, Rx5 day, CCD, Tx90p) defined by Expert Team on Climate Change Detection Indices (ETCCDI). Maps are available to users via an interactive Web GIS (Geographic Information System) tool, which provides evaluations based on historical observations (high-resolution gridded data set of daily climate over Europe—E-OBS, 25 km) and climate projections (regional climate models—RCM, ~12 km) for the near and far future, under Representative Concentration Pathways (RCP) 4.5 and 8.5 scenarios. The tool aims to support public authorities and private organizations in the decision making process to safeguard at-risk cultural heritage. In this paper, maps of risk-prone areas of heavy rain in Central Europe (by using R20mm index) are presented and discussed as example of the outputs achievable by using the Web GIS tool. The results show that major future variations are always foreseen for the 30-year period 2071–2100 under the pessimistic scenario (RCP 8.5). In general, the coastal area of the Adriatic Sea, the Northern Italy, and the Alps are foreseen to experience the highest variations in Central Europe.

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Azzola, P., A. Cardaci, G. Mirabella Roberti, and V. M. Nannei. "UAV PHOTOGRAMMETRY FOR CULTURAL HERITAGE PRESERVATION MODELING AND MAPPING VENETIAN WALLS OF BERGAMO." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-2/W9 (January 31, 2019): 45–50. http://dx.doi.org/10.5194/isprs-archives-xlii-2-w9-45-2019.

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Abstract. In July 2017, the system of Bergamo City Walls was registered in the UNESCO World Heritage List, together with other Venetian fortresses in Italy, Croatia and Montenegro. This important historical document needs continuous care and caution in order to be preserved complete, despite the continuous atmospheric and anthropic attacks, giving rise to dangerous deterioration processes on the artefact. The UAV photogrammetry is a suitable surveying method for such an extended system, able to collect all the geometrical, material and deterioration information needed for an effective maintenance program, also quick enough to allow for a repeated monitoring of the entire wall circuit. This paper presents the UAV survey campaign planned, and partially already completed, in order to test the methodological choices and solve all the operational difficulties to use drones in an urban environment, mainly because short distance shooting of nearly vertical surfaces was required.

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Malpas, Jeff. "New Media, Cultural Heritage and the Sense of Place: Mapping the Conceptual Ground." International Journal of Heritage Studies 14, no. 3 (May 2008): 197–209. http://dx.doi.org/10.1080/13527250801953652.

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Journal articles on the topic 'Mapping cultural heritage'

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